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Fantastic Beasts: The Crimes of Grindelwald Advance Movie Screening

Movie Screening Summary

“Fantastic Beasts: The Crimes of Grindelwald” is the second of five all new adventures in J.K. Rowling’s Wizarding World™. At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

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Advance Movie Screening For Fantastic Beasts: The Crimes of Grindelwald

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date:Wednesday, November 14th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Suspiria Movie Review

‘Suspiria,’ a remake of the 1977 cult classic of the same name, is a psychological thriller more than it is a horror. After watching, you’ll have an uneasy feeling in your gut for what it is you witnessed so the film does handle the responsibility of manipulating your state of mind quite well. However, it’s too long for no other reason than ego and indulgence on the part of the director, Luca Guadagnino (Call Me by Your Name). The performances were strong but even they can’t keep you interested for two and a half hours when the director constantly takes you in different directions, asking more effort on the part of the viewer to keep up than he may have originally bargained for. Movies are meant to be entertainment AFTER a long hard day of work, not be an addition to the workload. That said, if you can handle the length and get through an ostensibly uninteresting German psychiatrist character who doesn’t quite belong, there is a lot here. This being the case, I’d like to note that ‘Suspiria’ isn’t for those without an imagination. With its plot points perhaps incorrectly framed leading occasionally to boredom, it may take a lot out of you but what you’ll get in return if you’re willing to commit, is worth consideration. It does attack your faculties at first, but you’ll appreciate it more and more once you leave the theatre and it hits you as to exactly what it is you just observed. It’s unnerving, chilling and rather grotesque… but in a good way.

 

The story is, on the surface, about the experiences of Susie Bannion (Johnson) a dancer from America who goes to Berlin to dance with the famous Helena Markos Dance Company. When we finally get to the dancing in the film, you’ll be mesmerized by the power of it, the choreography and the performances. This is also when the true reason for the company to exist is revealed.

Susie comes at a time when a girl named Patricia (Chloë Grace Moretz) leaves the troop and Madame Blanc (Swinton), the woman who wrote and is directing the piece, is looking for her replacement. Susie is just that person. At this point in the film, you’re becoming aware of what the women who run the dance company are. They’re witches and once taken into the coven, you’re needed for a purpose and you’re not to leave. As Susie dances, we’re made blissfully aware of what happens if you try. This scene hooks you because with every step she performs, she jerks and manipulates the body of someone attempting to escape and it’s not a pretty sight.

 

Since we already know that the witches in this school of dance are more concerned with finetuning their witchcraft rather than churning out gifted students to graduate and live happy lives, you feel cheated out of the reason for staying but the dance sequence toward and the climatic ending itself will more than atone for Guadagnino’s mistake in revealing too much too soon. Artistically, the film is beautiful. The images are frightening. The cinematography is outstanding. What plays in your mind as you toy with whether or not the film is a nightmare someone can’t escape or a fight between good and evil is a direct result of how well it’s shot.

At times it’s tedious but other times it’s brutal and worth the dark halls you must meander through. Regardless, it’s satisfyingly imaginative so saddle up if you’re pleased more by artistry than by instantaneous indulgences. On the big screen is the way to see ‘Suspiria’ but might I suggest a matinee if you wouldn’t be happy when it lags.

The Nutcracker and the Four Realms Movie Review

“The Nutcracker and the Four Realms” is a new Disney movie based on a (very old) story from 1816 called “The Nutcracker and the Mouse King”. So the ‘House of Mouse’ finally gets to work on the ‘Mouse King’. The famous music by Tchaikovsky is based on this story, and some of his memorable themes are also in here. The story has evolved over these years, and now it has the main character Clara going into the realm of a fantasy world to fight evil and make things right. Similar story patterns are found in “The Chronicles of Narnia” and “Alice in Wonderland, as well as finding adventure like ‘Indiana Jones’. So call it — “Indiana Clara and the Realm of Naria in Wonderland”…

 

In 18th century London, Clara Stahlbaum (Mackenzie Foy) is missing her dead mother, and her father, Mr. Stahlbaum (Matthew Macfadyen), does not know how to deal with it. On Christmas Eve, the family goes to visit Clara’s godfather, named Drosselmeyer (Morgan Freeman). He is an inventor, like Clara, and he sends her out to solve a mystery. But she goes straight into a new fantasy dimension, a land of Four Realms. She meets the rulers of three of the Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. The Sugar Plum Fairy (Keira Knightley) acts as her guide to the new world. But the Fourth Realm is off-limits. It ruled by Mother Ginger (Helen Mirren). But the Sugar Plum Fairy says Ginger is nothing but an evil tyrant, bent on the destruction of all four Realms.

Clara gets some help from a friendly border guard, and some mice who seem at first to be evil, but then come around to being her best ally. Clara finds out that she was the first one to come to this magical place. Her deceased mother had also come to the land as a child, and she became the Queen. So Clara is officially named the returned Princess. But there is deception afoot. When one of the current rulers becomes obsessed with being the Ruler of all the Realms, she plots against the other rulers, and against Clara. But Clara proves that she is a clever girl after all. Using her scientific knowledge and her skills at design, she makes an alliance with the other Realm rulers, including the Mouse King. They all work in unison to stop the destructive power of the Tin Soldier Army – led by.. Well you will just have to see the movie to find out who that is…

This movie adaptation is just one in a string of versions and revisions to the original story. This one downplays the excellent music of Tchaikovsky to instead rely on a serviceable soundtrack from James Newton Howard. But the basic issue is the lack of originality and the failure to add anything new or fresh to the story. So many themes and plot devices, up to and including some of the screen imagery, have all been done before. This version has two directors and two writers, so there must have been some conflict in the overall concept and execution.

 

Mackenzie Foy is a perfect Clara, with her wonderful expressions and knowing glances. But Keira Knightley really takes a shine to the Sugar Plum Fairy and gives the role a deliciously off-kilter performance.   She starts off so sweet and kind, and before you know it, she is ready to take no prisoners. She has a crazed range between overly too-sweet BFF and turns into a loony power-obsessed Fairy. Helen Mirren does okay in a limited role, and Morgan Freeman only has an extended cameo appearance.

 

This one would be a pleasant time to spend with the kids or grandkids. There is just enough of the classical ballet and music that the older fans will remember how wonderful the original really was. Of course, the real test is whether this movie can stand up to the best Nutcracker adaptation ever – “Care Bears Nutcracker Suite”!

The House with a Clock in its Walls Movie Review

Eli Roth, known for making horror films that leave nightmares in their wake, this time tries his hand at something for the younger crowd with, ‘The House With a Clock in its Walls,’ based on the novel by John Bellairs. While this is a family movie, it does have a touch of darkness I wasn’t quite expecting to see. With its creepy puppets and dolls, the frightening CG creatures, some nice some not so nice, and the house itself which appears to be alive and often crabby, the film just might not be right for someone under the age of eight. This would especially be the case if a child has never been exposed to anything similar to Goosebumps. Magic swirls around the story and the world a young boy, Lewis (Vaccaro), who finds himself forced to live with his kooky uncle in Michigan after the death of his parents from a car accident.

Lewis is still upset about his loss but immediately warms to the idea of living with his eccentric uncle Jonathan (Black) after getting to know him more. He’s helped by getting to know his uncle’s friend and neighbor, Florence (Blanchett), and he begins to see that through them he might eventually be part of a family once more. Jonathan and Florence’s relationship is much like that of a married couple. They bicker and argue but also care about one another and seem to have Lewis’ best interest in mind as they introduce him to the life of witches and warlocks. They give him some books and he quickly learns spells of his own. At school, he’s told by his friend, Tarby (Suljic), that his uncles’ house is haunted. Lewis believes it at first due to the strange noises and loud ticking clocks but is shown that the rumor is far from the truth. Wanting to impress his friend, Lewis gets himself into trouble when he decides to prove to Tarby that he’s wrong by showing him some of the magic he’s learned. Not easily able to impress the boy, Lewis goes further. He opens a forbidden cabinet and offers a blood oath to a book on necromancy that he finds which raises from the dead the previous owner of the house, Isaac Izzard (MacLachlan). Isaac has been waiting for someone to bring him back to life so he could wipe all people from existence.

‘The House With a Clock in its Walls’ is solid entertainment. The CGI is well done, Blanchett is dramatic and comical, Jack Black’s crazy warlock is impressive and the barking chair that seems to be his pet will leave smiles on the faces of the young and old alike. In fact, this might be a good introduction for kids to watching something heavier. Again, this will appeal to the older kids in the family, but you might want to leave the much younger ones at home. I don’t think you want this film to be how they learn about death which is a subject well breached here. It can be scary but its intentions of teaching a boy about his spirit and about being adventurous are not missed. I can see where the studio might be able to take this trip a little further if they were so inclined.

The new trailer for “Mary Poppins Returns” has arrived!!

In Disney’s “Mary Poppins Returns,” an all-new original musical and sequel, Mary Poppins is back to help the next generation of the Banks family find the joy and wonder missing in their lives following a personal loss. Emily Blunt stars as the practically-perfect nanny with unique magical skills who can turn any ordinary task into an unforgettable, fantastic adventure and Lin-Manuel Miranda plays her friend Jack, an optimistic street lamplighter who helps bring light—and life—to the streets of London.

“Mary Poppins Returns” is directed by Rob Marshall. The screenplay is by David Magee and the screen story is by Magee & Rob Marshall & John DeLuca based upon the Mary Poppins Stories by PL Travers. The producers are John DeLuca, p.g.a., Rob Marshall, p.g.a. and Marc Platt, p.g.a. with Callum McDougall serving as executive producer. The music score is by Marc Shaiman and the film features all new original songs with music by Shaiman and lyrics by Scott Wittman and Shaiman. The film also stars Ben Whishaw as Michael Banks; Emily Mortimer as Jane Banks; Julie Walters as the Banks’ housekeeper Ellen; Pixie Davies, Nathanael Saleh and introducing Joel Dawson as the Banks’ children, with Colin Firth as Fidelity Fiduciary Bank’s William Weatherall Wilkins; and Meryl Streep as Mary’s eccentric cousin, Topsy. Angela Lansbury appears as the Balloon Lady, a treasured character from the PL Travers books and Dick Van Dyke is Mr. Dawes, Jr., the retired chairman of the bank now run by Firth’s character.

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In theaters nationwide December 19

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WHAT MEN WANT – TRAILER

WHAT MEN WANT

 

SYNOPSIS

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test. WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.


STARRING:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

 

DIRECTED BY:

Adam Shankman

 

PRODUCED BY

Will Packer and James Lopez 

EXECUTIVE PRODUCED BY

Adam Shankman, Taraji P. Henson, Amy Sayres,

David McFadzean, Dete Meserve, Matt Williams

 

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#WhatMenWant

In Theaters JANUARY 11

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CAMERAS ROLL ON WARNER BROS. PICTURES’ “WONDER WOMAN 1984”

CAMERAS ROLL ON WARNER BROS. PICTURES’

“WONDER WOMAN 1984”

Director Patty Jenkins Reteams with Star Gal Gadot for the

DC Super Hero’s Return to the Big Screen

 

BURBANK, CA, June 13, 2018 – Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.  Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office.  “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal.  And Chris Pine returns as Steve Trevor.

Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film.  Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”).  Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.

Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

Set to open in theaters November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment.  It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

The Teaser Trailer for Tim Burton’s all-new live-action “Dumbo” is here!!

Directed by Tim Burton (“Alice in Wonderland,” “Charlie and the Chocolate Factory”) from a screenplay by Ehren Kruger (“Ophelia,” “Dream House”), and produced by Justin Springer (“TRON: Legacy”), Kruger, Katterli Frauenfelder (“Miss Peregrine’s Home for Peculiar Children,” “Big Eyes”) and Derek Frey (“Miss Peregrine’s Home for Peculiar Children,” “Frankenweenie”), “Dumbo” flies into theaters on March 29, 2019.Cast:  Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Alan Arkin, Finley Hobbins, Nico Parker.

Director:  Tim Burton

Producers:  Justin Springer, Ehren Kruger, Katterli Frauenfelder, Derek Frey

Screenplay by: Ehren Kruger

Executive Producer: Nigel Gostelow

In theaters March 29, 2019

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

Walt Disney’s classic animated tale “Dumbo,” which opened Oct. 23, 1941, won an Oscar® for best scoring of a musical picture and was nominated for best original song for “Baby Mine.” The live-action reimagining of “Dumbo” utilizes state-of-the-art visual effects to portray Dumbo and many of his four-legged counterparts.

 

DUMBO

Website: https://disney.com/dumbo

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In Theaters March 29, 2019

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Solo: A Star Wars Story Movie Review

‘Star Wars’ fan? You gotta see this. Period. I know some fans weren’t happy about Ron Howard replacing the original directors of the film, the team of longtime friends, Phil Lord and Christopher Miller (‘Lego Movie,’ ‘21 Jump Street’), and it caused quite a ruckus but, in my opinion, for no reason. Ron Howard may not be known for his action pictures but watch ‘Rush,’ ‘Apollo 13’ and ‘Backdraft’ for examples of how he handles action sequences in film if you’re concerned about his abilities. What’s so good about Howard getting to helm the project is that he doesn’t only count on action to dazzle you but ensnares you by giving the story depth. He does this with familiar images, language and even tones to set the mood and take you back to when you were first introduced to the characters and their world. I’m inclined to think some audience members won’t like the film no matter who directs, for the simple fact that Harrison Ford is Han Solo and Alden Ehrenreich is not. While I realize it’s hard to see anyone else as the captain of the Millenium Falcon, I resisted the urge to automatically dislike the thought of seeing this prequel and went on to enjoy the film for what it offered, not what and who it doesn’t offer. You should, too. For what it’s worth, Ehrenreich plays a magnificent Han Solo. He even looks like him a few times, too.

Here, Han lives a miserable life and being that he’s a young man, has decided that life as a slave to the man isn’t for him. Where he’s from is a dark and dismal existence and he has learned to do whatever it takes, break any laws, to survive. This comes in handy when he decides he’s going to change the course his life is on and leave to become a pilot for the Imperial Army. Of course, slaves don’t decide what they get to do or when so, mind made up, he grabs his pretty but tough girlfriend Q’ira (Clarke) and they make a run for it. Their determination gets them to a not so friendly checkpoint but as you’d expect something happens to make Han the man he becomes. He makes it through… she does not. She encourages him to continue without her which he does, vowing to return to save her.

Later, after making it into the Army and getting to fly for it, but still having dreams of being the ‘good guy,’ he meets Beckett (Harrelson) and Val (Newton) who just happen to need a good pilot. This gets him away from his current situation and one step closer to getting back to Q’ira. Up to this point, the movie was a little slow but the pacing picks up when they need Han’s help for a fuel theft.

With a large weight on top of them, Ron Howard and the writing team of Jonathan and Lawrence Kasdan manage to meet your expectations based on what you’ve always known from the franchise and its characters. They take great pain to include signature lines and memorable situations as ‘The Kessel run in less than twelve parsecs.’ Doing this includes you in on the joke from where it originally derived. Very smart. They show their audience how Han first meets Chewbacca (Suotamo) which is entertaining and comical. There are many other goodies peppered throughout the script for you to treasure.

I will admit that the creation of Han’s last name is rather lame, but it doesn’t compare to how bad the suggestion is that Lando Calrissian is having some sort of relationship with his robot L3. That won’t stop you from loving his character, however.

The graphics and cinematography more than make up for the few things you’ll find wrong with the script, which you’ll only locate when hunting with a fanboy lens, instead of just having fun in a movie because it’s good. When looking closely, what you should find is a message warning of how horribly life can change when under evil leaders instead of whether or not Howard is worthy of the brand because, his ability to mix dramatic nuance with comedy and action, it’s clear that he is. And, unlike before I saw this, I’m very much looking forward to this storyline continuing.

SORRY TO BOTHER YOU – Red Band Trailer

SORRY TO BOTHER YOU

Release Date: July 6, 2018 (Limited) / July 13, 2018 (Wide)

 

Synopsis: In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a macabre universe.

Cast: Lakeith Stanfield, Tessa Thompson, Armie Hammer, Terry Crews, Steven Yeun, Omari Hardwick, Jermaine Fowler, and Danny Glover

Director: Boots Riley

Writer: Boots Riley

Producers: Nina Yang Bongiovi, Forest Whitaker, Charles D. King, George Rush

Production Company(s): Significant Productions, MNM Creative, MACRO, Cinereach

Genre: Comedy/Fantasy/Sci-Fi

Distributor:  Annapurna Pictures

 

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In Theaters July 13th

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