“The Last Black Man in San Francisco” is a small independent movie about the power of a house when you consider it home. But the house in question is a quaint little place in a very old section of San Francisco. Read more
ORIGINAL MOTION PICTURE SOUNDTRACK TO FEATURE CLASSIC SCORE AND ORIGINAL SONGS BY COMPOSER ALAN
MENKEN, LYRICISTS HOWARD ASHMAN AND TIM RICE, PLUS A NEW SONG
WRITTEN BY MENKEN, BENJ PASEK AND JUSTIN PAUL
WILL SMITH AND DJ KHALED TO PERFORM NEW UPDATED RENDITION OF
OSCAR-NOMINATED SONG “FRIEND LIKE ME”
DIGITAL ALBUM SET FOR RELEASE MAY 21
PHYSICAL ALBUM TO BE RELEASED MAY 24
BURBANK, CA – May 9, 2019 – Multi-platinum and global award-winning superstar singer/songwriter ZAYN and emerging sensation singer/songwriter Zhavia Ward are set to perform the Oscar and GRAMMY-winning duet “A Whole New World.” The song will be featured in the film’s end credits and on the Walt Disney Records soundtrack, and is available today as a single and music video, which can be seen here. The new updated rendition of the classic song is produced by Saltwives aka Alex Oriet and David Phelan (ZAYN and Charli XCX) and the music video was directed by Philip Andelman (Beyoncé, Taylor Swift and Ed Sheeran).
“The selection of artists, producer and tonal direction was critical for the success of updating a classic song like this,” said Mitchell Leib, president of Music & Soundtracks for the Walt Disney Studios. “ZAYN’s vocals are like no other and his artistic imprint immediately brought a contemporary and diverse presence. Additionally, ZAYN could have chosen any artist in the world to collaborate with on the duet, but he personally selected Zhavia for her unique perspective, powerful vocal abilities and to platform a talented new artist, ensuring that the audience could discover this song, again, for the first time.”
The timeless ballad, featuring Alan Menken’s beautiful melody and Howard Ashman’s unforgettable lyrics, received an Academy Award®, Golden Globe® Award and GRAMMY Award, among other accolades, upon its release in 1992.
The “Aladdin” original motion picture soundtrack features an unforgettable score from eight-time Oscar-winning composer Alan Menken (“Beauty and the Beast,” “The Little Mermaid”), along with new recordings of the original songs written by Menken and two-time Academy Award winner Howard Ashman (“Little Shop of Horrors”), three-time Oscar winner Tim Rice (“The Lion King”) and one song written by Menken and Oscar and Tony Award®-winning songwriters Benj Pasek and Justin Paul (“La La Land,” “Dear Evan Hansen”). From Walt Disney Records, the digital soundtrack is set for release on May 21 at 9:00pm PT and will be followed by the physical album on May 24.
A thrilling and vibrant live-action adaptation of Disney’s animated classic, “Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. “Aladdin” opens in U.S. theaters nationwide May 24, 2019.
Oscar-nominated actor and multi-platinum recording artist Will Smith and GRAMMY-nominated superstar songwriter, producer and multi-platinum selling artist DJ Khaled are set to perform a re-invented version of the classic Oscar-nominated song “Friend Like Me.” The song will be featured in the film’s end credit, on the Walt Disney Records soundtrack, and released as a single. The new updated rendition of the song is produced by DJ Khaled.
The new original song featured in the film and included on the soundtrack is “Speechless,” performed by Jasmine (Naomi Scott). The song is Jasmine’s big breakout song in the film about finding her voice, and was written by Alan Menken and songwriters Benj Pasek and Justin Paul.
The Aladdin soundtrack includes “Arabian Nights,” “One Jump Ahead,” “One Jump Ahead (Reprise),” “Speechless” (Part 1), “Friend Like Me,” “Prince Ali,” “A Whole New World,” “One Jump Ahead” (Reprise 2), “Speechless” (Part 2), “A Whole New World” (End Title), “Friend Like Me” (End Title), and “Speechless” (Full), plus 25 score cues composed by Alan Menken.
The Aladdin original motion picture soundtrack physical album is now available for pre-order, pre-add on Apple Music, and pre-save on Spotify. “A Whole New World” is available at streaming and download services. For more information on Walt Disney Records releases, follow us at Facebook.com/Disney, Instagram/disneymusic, Twitter.com/disneymusic and our Disney Hits Playlist at http://disneymusic.co/DisneyHits.
THE WIZARDING WORLD JOURNEY CONTINUES AS
THE THIRD FANTASTIC BEASTS FILM IS SLATED FOR NOVEMBER 12, 2021
BURBANK, CA – April 29, 2019 – Warner Bros. Pictures has announced the release date for the third “Fantastic Beasts” film—inviting audiences to return to the cinematic Wizarding World on November 12, 2021. The release date marks the opening of the next installment of one of the Studio’s key properties. The announcement was made today by Ron Sanders, President, Worldwide Theatrical Distribution and Home Entertainment.
Sanders said, “J.K. Rowling created an awe-inspiring universe that has captivated people of all ages, taking us on an extraordinary magical journey. Warner Bros. is so proud to be the cinematic home of the Wizarding World and is excited about the future of the ‘Fantastic Beasts’ franchise. We look forward to bringing the third chapter of the five-film series to audiences around the globe in November 2021.”
Production on the new film is expected to begin in Spring 2020.
“We are incredibly excited about and have confidence in the ‘Fantastic Beasts’ series,” Toby Emmerich, Chairman, Warner Bros. Pictures Group, stated. “We all believe this release date will give the filmmakers time and space to allow their artistry to truly flourish and deliver the best possible film to our fans.”
‘Dumbo’ is the latest live-action remake of the Disney films. This 1941 animated classic gets a new look and feel by the genius mind of Tim Burton. ‘Dumbo’ wasn’t known as one of Disney’s most influential films, therefore, anything Tim Burton could add to the story would improve it significantly, and he does just that. Included in this retelling is the magic that makes you feel as if you’re watching an old-style Tim Burton movie. Maybe because he realized how important a story about elephants would be. With the circus industry taking a big hit because of animal abuse, especially toward the elephant, he had to send a strong statement that he wasn’t condoning harming animals. He does this several ways. He gives you characters that both charm and please you. With his ‘bad’ characters, he gives you cruelty but only in the realm of suggestions. There’s no genuine love for the circus whatsoever. This is clear from the beginning to the end. Especially the end, which you’ll appreciate dearly. The animals are all CGI and he makes a point to let you know his story is a love letter to animals if nothing else… especially to the beloved pachyderm.
With every Tim Burton film comes a land of wonder and excitement to explore but what also appears is a note of hard reality and a ruthless villain to wake you from any trance-like state you could be in from his breathtaking visuals. ‘Dumbo’ has similar elements with an actual ‘Dreamland’ to try and seduce you. This is where it seems its most Burton like. The film is seen mostly through the lens of the children which is good and bad as it doesn’t dig very deeply into the adult characters. To extend the length of the film, the original was only one hour and four minutes, Burton spun a yarn around a veteran and his children. Their mother has passed on, he was gone, and they were being raised on the road. They need to bond once again and become a family.
In the beginning, we meet Holt Farrier (Farrell) who was once a circus star and is now a war hero. After returning from war minus a limb, the owner of the circus he worked for, Max Medici (DeVito), rehires him to take care of the elephants. Holt’s two children are more than happy to help when the female elephant gives birth to a bright, blue-eyed bundle of… big ears?!? Max bought the mama knowing that a baby would bring people to see him but when he sees what he calls a freak, he wants ‘it’ and the mother gone… and his money back! Already struggling to make ends meet, he can’t afford more loss! As he stomps around, visibly angry, the mama gets very upset and goes ‘mad.’ He sells her, keeping her and her darling baby apart. The children see Dumbo breathe in a feather and sneeze wildly. When this happens, he flaps his ears and… and he flies! Good enough! When word of this gets out, an enthusiastic businessman named Vandevere (Keaton) talks Max into going into a partnership in his park called Dreamland; where they make the impossible, possible. He explains that the future of business isn’t to have you packing up and traveling for the audience. If the audience wants to see what you’ve got to offer, they’ll have to come to you. Keaton and DeVito. Batman and the Penguin. Together again. This will not get by the fans of the Burton directed, ‘Batman Returns.’ Nor will the appearance of Dreamland compared to that of Disneyland where they’re already selling Dumbo toys in the remarkably similar theme park.
Vandevere’s aerial artist, Colette Marchant (Green) sees that she and the little flying elephant can soar through the tent together and swoon the audiences below. Max closes his circus and joins Vandevere’s Dreamland, managing to keep his entire troupe together in the process. While traveling through Dreamland, you’ll see a somewhat spooky message about the 20th Century and about automation ‘helping’ humans. Watching the scene, I couldn’t help but think how spot on he is. It has helped. But are we the better for it? Is Max better for getting into business with a snake? Time will tell.
If you’re wondering why you should see this version of ‘Dumbo,’ Tim Burton is reason enough to attend, but he also brought along the magnificent Danny Elfman to score the film. Elfman’s arrangement for the ‘Pink Elephants on Parade’ is simply sublime. It’s quite distinctive from the original and the visuals are more low-key which I think may have been done so you could simply sit back and experience what Elfman offers your ears. The film is touching, it’s sweet and magical. This is imaginative but now that they’ve opened it up, I’d like to see Disney attack the subject of what elephants are facing today with one of their Disney Nature films. The truth of it needs to be treated with utmost urgency.
Official Website: https://movies.disney.com/dumbo-2019
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A thrilling and vibrant live-action adaptation of Disney’s animated classic, “Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, “Aladdin” is written by John August and Ritchie based on Disney’s “Aladdin.” The film stars Will Smith as the Genie; Mena Massoud as Aladdin; Naomi Scott as Jasmine; Marwan Kenzari as Jafar; Navid Negahban as the Sultan; Nasim Pedrad as Dalia and Billy Magnussen as Prince Anders.
“Aladdin” is produced by Dan Lin, p.g.a., and Jonathan Eirich, p.g.a., with Kevin De La Noy and Marc Platt serving as executive producers. Eight-time Academy Award®-winning composer Alan Menken provides the score, which includes new recordings of the original songs written by Menken and Oscar®-winning lyricists Howard Ashman and Tim Rice and includes two new songs written by Menken and lyrics by Oscar and Tony Award®-winning songwriters Benj Pasek and Justin Paul.
Like us on Facebook: https://www.facebook.com/DisneyAladdin
Follow us on Twitter: https://twitter.com/DisneyAladdin
Celebrating the upcoming release of Disney’s live-action movie “Dumbo,” Spirit Airlines today unveiled its specially-themed Airbus A321 that features a larger-than-life image of the beloved Disney character Dumbo!
Spirit and Disney revealed the new plane with a short time-lapse video of the decal-wrapping process which took place at Spirit’s state-of-the-art Detroit maintenance hangar.
From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.
“Dumbo” flies into theaters on March 29, 2019.
Directed by Tim Burton (“Alice in Wonderland,” “Charlie and the Chocolate Factory”) from a screenplay by Ehren Kruger (“Ophelia,” “Dream House”), and produced by Justin Springer (“TRON: Legacy”), Kruger, Katterli Frauenfelder (“Miss Peregrine’s Home for Peculiar Children,” “Big Eyes”) and Derek Frey (“Miss Peregrine’s Home for Peculiar Children,” “Frankenweenie”)
A beautiful and contemporary retelling of Colin Thiele’s classic Australian tale. ‘Storm Boy’ has grown up to be Michael Kingley, a successful retired businessman and grandfather. When Kingley starts to see images from his past that he can’t explain, he is forced to remember his long-forgotten childhood, growing up on an isolated coastline with his father. He recounts to his granddaughter the story of how, as a boy, he rescued and raised an extraordinary orphaned pelican, Mr. Percival. Their remarkable adventures and very special bond has a profound effect on all their lives. Based on the beloved book, Storm Boy is a timeless story of an unusual and unconditional friendship.
DIRECTED BY: Shawn Seet
PRODUCED BY: Matthew Street & Michael Boughen
SCREENPLAY BY: Justin Monjo
CAST: Jai Courtney, Geoffrey Rush, Finn Little, Trevor Jamison, Morgana Davies, Erik Thompson
US DISTRIBUTOR: Good Deed Entertainment
RUN TIME: 98 minutes
The Dove Take: Storm Boy is a deeply touching film about holistic stewardship that shows characters in an intimate light as they learn how to protect what they love.
On January 25th, the legend comes to life like never before.
20th Century Fox has released the new trailer for THE KID WHO WOULD BE KING, which tells the story of Alex, who thinks he’s just another nobody until he stumbles upon the mythical Sword in the Stone, Excalibur.
He must unite his friends and enemies and, together with the legendary wizard Merlin, take on the wicked enchantress Morgana to become the great leader he never dreamed he could be. The film is written and directed by Joe Cornish and stars Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Angus Imrie, with Rebecca Ferguson and Patrick Stewart.
THE KID WHO WOULD BE KING Official Channels
OFFICIAL WEBSITE: www.TheKidWhoWouldBeKing.com
THE KID WHO WOULD BE KING opens in theaters everywhere on January 25, 2019!
‘Mary Poppins Returns’ is a marvelous, mystical, magical musical that revolves around the same siblings, Michael (Whishaw) and Jane Banks (Mortimer), from the story within the original Mary Poppins. There are three children in this rendition. The youngsters are, Anabel (Pixie Davies), John (Nathanael Saleh) and little Georgie (Joel Dawson). Their father is Michael who’s now widowed. Not long after we meet him, Michael, missing his wife Kate terribly, sings a song called ‘A Conversation.’ In the song he asks Kate where she is. It’s depressing but quite moving. The lyrics at the end of it are, ‘But still, one question fills my day dear. The answer I’ve most longed to know. Each moment since you went away, dear. My question, Kate, is… Where’d You go?’ Heavy lyrics for a ‘family movie.’
This moment in the film is very different from the opening number that has Lin-Manuel Miranda’s, Jack the Lamplighter, singing and dancing while extinguishing the street lamps in, ‘(Underneath the) Lovely London Sky.’ You’ll be impressed with both numbers and already fully invested in this film. The score is gorgeous. The songs are passionate, and you’ll be ecstatic you made the choice to see this at the theatre rather than waiting. Trust me on that. And not only will you love it but it’s for everyone of all ages so bring the whole gang!
Something you’ll likely appreciate most is that some of the animation goes back to old-style Disney. It’s nostalgic, for certain, but its color is vibrant and brings about a feeling of happiness as you watch. It’ll also force smiles on every face in the audience. Color, cheer, happiness and smiles. Not a bad night out. This perfect recipe is a rare find in movies these days.
Set in Depression-era London, or the Great Slump of the 1930’s, Michael and the kids still live in the home that he and his activist sister, Jane, grew up in. Only now, he’s without his wife Kate who used to take care of the finances. Unfortunately, he’s having some money trouble of late, a lot of money trouble, and is about to lose their cherished home on Cherry Tree Lane. In fact, he has until midnight to pay a loan to the evil banker, William Weatherall Wilkins (Firth), that he took out against the house or they’re out in the streets. Seems there’s always an evil banker somewhere, doesn’t it? This one is particularly cruel and not so innocent. Think Potter from, ‘It’s a Wonderful Life.’
Enter the somewhat self-centered, Mary Poppins. Well, why not be at least moderately egotistical? After all, you can float down on an umbrella and change the lives of everyone you come into contact with. I think that deserves a little puffing of the chest. Yes. From up above, Mary Poppins, attached to the children’s kite, descends upon them once again. Jane and Michael admit to thinking she wasn’t ever real. Grown-ups, am I right? After an outstanding bathtub scene, a bowl is broken in the kids’ room. When this happens, the children are whisked away onto the bowl and begin to see fully what and who Mary Poppins is. There is a rather dark part here full of warnings and strong messages as they try to fix the bowl. The graphics during all of this is eye-popping, to say the least. They’re now in a fascinating world, being taught lesson after lesson. One of those lessons is to beware of what you only think you know… to never judge a book by its cover. This comes by way of the song ‘A Cover is Not the Book,’ which has some amusing lines. Here’s a peek. ‘A cover is not the book. So, open it up and take a look. ‘Cos under the covers one discovers. That the king may be a crook. Chapter titles are like signs and if you read between the lines. You’ll find your first impression was mistook. For a cover is nice but a cover is not the book!’ Each song of the soundtrack is easy to learn, and you’ll be singing along in the theatre before you know it!
I could go on forever, but I may as well just review by saying this… GO SEE THIS ASAP! The costumes, animation and the sets are unbelievable. Sensational! And certainly, you don’t want to miss seeing Dick Van Dyke singing and dancing again. Then there’s Julie Walters and Angela Lansbury in the cast. One of my favorite parts is Meryl Streep singing ‘Turning Turtle.’ It’s unbelievably good! This scene is delightful and quite peppy!
Look, whatever you do, don’t worry that you won’t like it. No one is going to forget Julie Andrews, and no one involved in making this film wants them to forget her or her performance. Most of all, Emily Blunt. This is simply her take on this beloved character. After you see her performance, I think you’ll agree she was the perfect choice to play the role. That said, her Mary Poppins is a bit stricter than the character was in the original. She doesn’t put up with any shenanigans. No ‘Spoonful of Sugar’ for the kiddies here which more resembles the P.L. Travers’ books.
This beautiful, glorious and extremely charming movie is entrancing, especially during certain musical numbers. I’ll leave you with this. I beg you to see ‘Mary Poppins Returns’ on the big screen. If you do, you’ll be fully aware that you’re watching another classic as it was meant to be seen. So, listen to Shari and go see it today. Then go see it again… and again… and again. The ‘Balloon Lady’ insists.