What Men Want Movie Review

Ali Davis, played by a very confident and amusing Taraji P. Henson (Proud Mary, Hidden Figures), is a female sports agent at a company who prefers to cater to male sports figures as well as male employees. We meet her when she’s doing her best to get and stay noticed. She’s of the opinion she’s about to get a big promotion to partner. One she feels she’s earned, is more than qualified for and that her company is happy to give. When the promotion, instead, goes to yet another man, she gets appropriately upset. When she asks what she has to do to get the approval she needs and be taken seriously, she gets a response she isn’t ready for. She’s told by the president of the company, Nick (Bosworth), that she doesn’t connect well with men and ‘to stay in her lane.’ Ali now makes a promise that she’ll show them all by personally signing Jamal Barry (McGhie), the young up and coming basketball star they’re all scrambling for.

When she leaves work, she heads for a tavern and meets up with a bartender named Will (Hodge). This scene is both sexy and hysterical as she climbs on top and takes all her aggression out on the poor unsuspecting fellow. Finding she just may be more like a man than you originally thought you’ll laugh hysterically watching what she does next. I’ll set the scene by saying, she got hers, rolls over and doesn’t worry about whether he got his. The next morning, she awakens to find she’s still in Will’s apartment. She’s greeted by his five-year-old son, Ben, who has her thong on his head. It covers his face and he’s acting out a scene from ‘Black Panther.’ This may have seemed funny on paper but watching it was a little disgusting. I liked this movie but panties on the face of the little boy, while funny looking, doesn’t work. Pushing boundaries is always a good thing but this was too far. Maybe this has happened somewhere in this world, and maybe it made someone laugh
 but I don’t want to think about it.

‘What Men Want’ is a reimagining of the Nancy Meyers film ‘What Women Want’ that starred Mel Gibson. He played a sexist who ends up able to read women’s minds and grows because of this ability. In this version, the female protagonist must come to terms with the fact that maybe she’s somewhat a sexist herself. Both are equally motivated by self-greed. Ali believes the system is rigged against her, so she’ll use every tool in the kit available to get where she wants to go. She finds answers from the psychic ‘Sister,’ played extraordinarily well by Erykah Badu, who you won’t even recognize. Sister gives her a potent tea laced with weed and crack to help a girl out. This mixed with a bump on the head and suddenly Ali notices she has the ability to hear men’s inner thoughts. Realizing how this can be of use, she gets back with the bartender and rocks his world. She also makes an appointment to meet Barry and his father Joe ‘Dolla’ Barry (Morgan). Joe is the film version of LaVar Ball with dreams of using his son’s future fame in the NBA to his full potential. Leaning more toward Joe, Ali pays attention to the desires of both men and tells them what they want to hear. With the help of her assistant Brandon (Brener), she gets almost everything she wants.

As the story moves on, more and more ludicrous and hysterical situations occur. She crashes what has to be the funniest poker games you’re likely to see in a film. It’s filled with fantastic cameos. She uses her powers to get with a hot neighbor but regrets her decision when she finds he has more in store for her than she can handle. Though she’s having fun, it’s when she pushes true love aside that she finally comes to terms with the fact that maybe she doesn’t connect with men. Not in the right way, that is. What she does is carry a big chip on her shoulder. Now, as you knew would happen, she’s gotten herself into a big mess. She eventually returns to the psychic and asks that her abilities be removed. Sister tells her that with great power comes great responsibility. Ali has been looking at things the wrong way. She suddenly listens with a different ear and sets her life on a new course because winning isn’t everything if who you are on the inside is simply dreadful.

Henson has impressive chemistry with the entire cast, most especially with Tracy Morgan who’s a strong character opposite her. ‘What Men Want’ in no way shirks its duties as an R-rated adult comedy. It takes its obligation to meet that rating very seriously. If you’re looking to laugh, you’ll want to see this as soon as possible. Please, don’t expect ‘What Women Want.’

Go in knowing full well it gets down and dirty. That said, the end of the film is perfect for the theme. Speaking of the end, don’t get up and leave when the credits start to roll. There’s more to come.

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Arctic Movie Review

Think ‘All is Lost’ with less water and think ‘Castaway’ with a substantial amount of snow. Now hold that image and you have, ‘Arctic.’ The best way to describe it is by saying it’s the survival picture of all survival pictures. And the way Joe Penna shot the film made it feel incredibly realistic. In fact, allow me to pass on a word of warning
 you’ll get chills watching it. This being the case, if you see it this weekend, bring an extra sweater. It helps. On more than one occasion you might feel the urge to cuddle up to something for warmth and for strength.

The survivor we’re getting to know in this film carves ‘SOS’ in the snow every day. He makes it large enough so his message might be seen by a plane passing over
 if one ever does. We see that this man is named, OvergĂ„rd (Mikkelsen). At least that’s what we assume his name is since that’s what the jacket he wears (provided it’s his) tells us.

There are no other survivors with him from what was obviously a plane crash but an indication he wasn’t alone when it went down. The poor man is freezing and he’s hungry. In one scene he manages to make Ramen noodles look like first-rate cuisine.

OvergĂ„rd’s been alone for what looks to be about a month or two. Having escaped death so far, he definitely knows how to take advantage of all tools available to him. These are probably skills he’s learned in Scouts, his training at work or both. He seems optimistic and to be holding onto hope that he’ll be found but his eyes say that his spirit is starting to fade. The weather isn’t such that he would attempt to try and walk North and possibly to safety. Instead, he’s content to stay in the valley that he’s grown accustomed to until someone comes to his rescue. He has been innovative when it comes to catching fish and out of what’s left of the body of the plane, he’s made a little home. For what that might look like, think of the film ‘Alive.’ Better yet, don’t think of that one. Hopefully, he didn’t have to eat anyone at this point.

Once you get to know OvergĂ„rd, you begin to wonder what led him to this moment. What has he already endured? Why hasn’t he been found? How long has it been? Does he have someone looking for him or is it possible there’s nothing for him to go back to? All of this is left to the imagination of the viewer and one of the reasons you’ll admire the film and the performance Mikkelsen (The Three Musketeers, Rogue One: A Star Wars Story) gives. What he does with little to no dialogue is a noteworthy achievement. OvergĂ„rd is tough but tender. He’s intelligent and innocent. He’s every hero you can perceive him to be while at the same time he’ll have you wanting to leap onto the screen and help shoulder some of his burdens in the hopes you see him saved. That moment finally comes. He has a chance to be rescued. One day a helicopter flies over and sees him. For this, you will be gleeful.

Hold on! You didn’t think you were going to get off that easily, did you?? No way. Due to a strong draft of wind, the helicopter is forced down. After seeing him so hopeful, it’s difficult to witness OvergĂ„rd so crushed. Thankfully, this doesn’t last long because his training kicks into gear and he runs to the helicopter to see if he can help. The pilot is dead, but the female co-pilot is still alive. He gets the young woman (SmĂĄradĂłttir) out and to his plane where he begins to nurse her back to health. She’s so severely injured that she’s barely hanging on but as he has had to for himself, he decides to be her rock. The helicopter proves to be a treasure of goodies. He retrieves a sled to pull her and a lighter and fuel for warmth. Desperate for company and delighted with his stash, he’s now sanguine toward making it until another helicopter shows. Surely someone will be coming after her, right? The supply from the wreckage should buy him more time until that help arrives. He finds a picture his nearly comatose patient has. From this, he learns she’s a mother. As time ticks by, he begins to realize how dire the situation is for his new charge. So far, he’s been willing to brave the cold, the polar bears and possible death for himself. But through her returning to her family, he finds a new reason to fight and decides he’ll make the trek to an outpost on foot.

As he pulls her along in the snow and ice, ‘Arctic’ gets more and more intense and unforgiving. Every possible danger there is to encounter, he manages to find. His struggle to get help will have you struggling in your seat. He’s located an outpost on a map and has established how long it’ll take to get there. He chooses a certain route but when it proves impossible with his haul, he resolves to take the longer, windier and more precarious path. With what he’s being exposed to, he begins to look like death but refuses to give up. I’ll leave you to wonder what happens next. 

Don’t wait for cable to see this movie. It’s thoroughly entertaining. The big screen lends help to the mood so see this at the theatre. Sound, as well as the soundtrack, are used to influence and manipulate you. You’ll respect what writers Joe Penna and Ryan Morrison have in store for you but rejoice in the fact that they didn’t stretch ‘Arctic’ out to two full hours as most films do today. This journey is hard to watch as it is, without it being stretched to the breaking point for no reason. ‘Arctic’ is a brilliant adventure so bundle up and see it tonight. 

The LEGOÂź Movie 2: The Second Part

This is the best sequel I’ve seen in a long time. It’s perfect. Written very skillfully and playfully by Phil Lord (Spider-Man: Into the Spider-Verse) and Chris Miller (Cloudy Chance of Meatballs) makes it an automatic win. They were the perfect team for this project and their years on this earth researching and studying the material used in this film pays off for their audience in the sheer amount of laughter that’ll be coming out of their mouths. This film is slick, smart and a whole lot of fun.

‘The Lego Movie’ was exceptional and was followed by several other films but ‘The LEGOÂź Movie 2: The Second Part’ assembles again the original heroes of Bricksburg in a yarn you won’t see coming. The adventure they take us on is as magical. It’s not only magical for the children sitting in the theatre viewing the beautiful animation and the enlightening story accompanying it, but it’s entertaining for adults, as well. If you didn’t see the first one, don’t worry. You don’t necessarily have to see it to get what’s going on here, however, for more hilarity I suggest you do. 

So, we’re taken inside the town of Bricksburg. All safe were the citizens who believed their lives were comfy and cozy. A Fool’s dream. Their simple lives suddenly become anything but awesome. A very real and BIG challenge confronts them in the form of LEGO DUPLOÂź blocks. At first, these strangers are thought cute and sweet; anything but dangerous. Their adorable voices, baby doll eyes, and innocent faces leave the town defenseless. Bricksburg is caught off guard when the true aim of Duplo’s destruction and dominance is identified. After a horrific attack, the town tries to rebuild. They’ve learned how to keep Duplo from hurting them by not doing or having anything cute. By not showing weakness of any kind.

This doesn’t work for long
 they’re back. However, this time, they make contact with General Mayhem (Stephanie Beatriz). Though he still often goes about singing his ‘Awesome’ mantra, Emmet (Pratt) has just had a dream about the end of times. He and a group he forms must stop this from becoming a reality when everything from his dream starts to come true. The film gets very sophisticated from here. Emmet, Lucy (Banks) and their team are now on their way to meet mysterious Queen Watevra Wa-Nabi, who’s played by the incredibly talented and hysterical Tiffany Haddish. The queen has a sinister plan, involving a song that will get stuck in your head, that they must prevent. By the way, this song will get stuck in your head before the movie ends. It drove me crazy for days.

Having hatched a plan on how to destroy the queen, Emmet meets Rex Dangervest who lends a hand in their quest to stop their new enemy, but Emmet sees that one by one the members of the gang gives in to her mysterious power. They now doubt the entire mission
 especially when Batman (Arnett) explores his softer side and decides that Alfred might not be the only company he wants for the rest of his life. Superman with glitter in his hair is another giveaway that this strange new world might be one to accept. There are even several different versions of Wonder Woman and each of them is fine with her body type. They listen to and enjoy the strange song which Emmet and Rex refuse to do. They’re staying on course.

When the movie first starts, Will Ferrell’s live-action character of dad is with his son and daughter who are playing Lego’s. He’s insisting that brother share with his sister. This becomes the theme of the film. Duplo and Lego. Boy and Girl. Dark and Light. Destruction of all things.

Enter the message.  

I flipped out over this movie but before I tell you everything that happens, I’ll cut to the chase. See this and on the big screen preferably. You’ll never forget seeing scenes recreated from popular films such as ‘Mad Max: Fury Road’ and characters such as Bruce Willis from ‘Die Hard’ crawling around in air ducts in his white t-shirt. The adorably destructive Duplo is a must-see. In fact, every one of the characters in this film are amusing and imaginative. Spoiler… you won’t see this one coming but RBG makes an appearance. And why not? She’s everywhere right now! For that alone, you cannot miss, ‘The LEGOÂź Movie 2: The Second Part.’

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Cold Pursuit Movie Review

In this film, director Hans Petter Moland has remade his original film called ‘In Order of Disappearance’ that starred Stellan SkarsgĂ„rd for the American audience. Since I liked this film but found Liam Neeson’s ability to carry the role a bit difficult to accept, I’ll be seeing if the original were something American audiences needed to discover sooner. If you like your action mixed with comedy this will satiate the pallet. The action is good, and the comedy is dark. My point about Neeson is that if you were curious about and or looking for the sign that it’s time for Liam Neeson to call it quits on the tough guy roles, look no further than his performance in ‘Cold Pursuit,’ or as I thought of the movie the entire time I was watching it, a strangely comedic take on ‘Taken.’ I’m sorry but it has to be said. No longer can he be taken that seriously as a badass fighter or even as menacing. As Nels in ‘Cold Pursuit,’ Neeson looks weak and thin and seems in no way capable of physically pulling off what is asked of him
 nor is it explained where he would have procured his ‘particular set of skills.’

To be fair, ‘Cold Pursuit’ has an interest in meeting more than just the expectation of the ‘Taken’ fans. With the humorous elements woven through the script, it speaks to Martin McDonagh (Three Billboards Outside of Ebbing, Missouri) and even Guy Ritchie (Snatch) devotees, as well. That said, you absolutely do not want to miss the dark comedy here for which the film is loaded. Neeson was hard to swallow but Nels does have a reason for being ruthless which is the murder of his son, Kyle. In case you come across this question in a trivia game someday, Kyle is played by his real-life son, Micheál Richardson.

Nels is an ordinary, everyday family man who owns his own snow plowing business. He resides high in the bitter cold of the resort town of Kehoe, Colorado where he clears the roads for those traveler’s brave enough to chance the trip to ski in the demanding weather. I must mention that the cinematography is breathtaking. Nels has a cabin outside of the tourist trap with his wife Grace (Dern). Grace isn’t in the picture long. She’s distraught and… outta here. When they find out he was killed, Nels vows to hunt the killers down and wreak havoc upon them. This leads to my biggest beef with the film which is Tom Bateman as drug lord Trevor ‘Viking’ Calcote. He the man who Nels hunts but is not at all a convincing bad guy. And not because he’s a vegan! Bateman does look like a weasel in the film which works in his favor to a degree. And I know the bully, or the alpha, is usually the weak one but this is another casting choice I would have reconsidered. The performance wasn’t strong enough to convince me he wouldn’t turn tail and run at the slightest inclination there might be some sort of confrontation, let alone lead others to do anything malicious. His ten-year-old son Ryan (Nicholas Holmes) is a far more interesting character. And I sincerely mean that.

In a brilliant turn of events, Viking draws the attention of the Native American elder White Bull (Tom Jackson), who’s the head of his own gang. A turf war starts. This is the last thing our gangster wannabe needs. Nels and Natives? Now it’s getting good. Members of these rival gangs start dropping like flies.

William Forsythe enters the picture and you finally accept that this might be where Nels received some of his skills. Anyway, Forsythe always adds to a film, an asset no matter how he’s used and playing brother to Nels, he helps the story immeasurably. There are two local cops played by Emma Rossum and John Doman who do the same. By the end, justice is served, and you’ll walk away having enjoyed the hell out of this movie. Parts are unbelievable, yes, but what about going to a movie isn’t fantasy? You’ll like the scenery, the score, the characters, and the vengeance. You’ll begin to see the bigger picture playing out and how insane it’s all becoming. And just maybe, you won’t be ready to say to Neeson’s agent that it’s time he hangs up his punching bags. There still might be a few more action pictures left in him?  I’ll leave that to you to decide.

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Pet Sematary Trailer 2

PET SEMATARY IS BACK!

SYNOPSIS

Based on the seminal horror novel by Stephen King, Pet Sematary follows Dr. Louis Creed (Jason Clarke), who, after relocating with his wife Rachel (Amy Seimetz) and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall (John Lithgow), setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.

 

DIRECTED BY

Kevin Kölsch and Dennis Widmyer

EXECUTIVE PRODUCED BY

Mark Moran

PRODUCED BY

Lorenzo di Bonaventura, Steven Schneider, Mark Vahradian

 

BASED ON THE NOVEL BY

Stephen King

 

SCREENPLAY BY

Jeff Buhler

STARRING

Jason Clarke, Amy Seimetz, Jeté Laurence, Hugo & Lucas Lavoie and John Lithgow

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Official Site: http://www.paramount.com/
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In Theaters April 5th

http://www.fandango.com

The Invisibles opening at Harkins Shea

 A Greenwich Entertainment release

‘THE INVISIBLES’

Official Selection: New York Jewish Film Festival 2018 (Presented by The Jewish Museum & The Film Society of Lincoln Center)

Winner: Audience Favorite World Cinema, Mill Valley Film Festival 2018 

While Goebbels infamously declared Berlin “free of Jews” in 1943, 1,700 managed to survive in the Nazi capital. Claus RĂ€fle’s gripping docudrama traces the stories of four real-life survivors who learned to hide in plain sight. Moving between cinemas, cafĂ©s and safe houses, they dodged Nazi officials and a dense network of spies and informants. Yet their prudence was at odds with their youthful recklessness, prompting them to join the resistance, forge passports, or pose as Aryan war widows. Masterfully weaving these story threads together, The Invisibles is a testament to the resourcefulness, willpower and sheer chance needed to survive against incredible odds. 

“What “Invisibles” documents and dramatizes is really pretty darned incredible.” —The Epoch Times

“Fascinating, true story of four Jews who were among the thousands who survived the Holocaust by hiding out in Berlin…plays like a thriller but is all the more remarkable for being true…keeps you on the edge of your seat.” — The Jerusalem Post

OPENING HARKINS SHEA 14 2/1

Tickets at www.theinvisiblesfilm.com/tickets

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Bo Peep is a new woman in Toy Story 4… here is her New Look!!

“Bo’s taken control of her own destiny,” said “Toy Story 4” director Josh Cooley. “While Woody was watching Andy grow up, Bo gathered dust until she took it upon herself to head out into the world. And when Woody shows up, they can’t believe that they’ve found each other again.”

Annie Potts returns as the voice of Bo Peep. “She is modern, independent, capable and confident,” said Potts of her character. “Bo is written and conceived to be inspiring as she has weathered life’s ups and downs with grace. I aspire to that.”

“Toy Story,” originally released on Nov. 22, 1995, was the first fully computer-animated feature film and the highest grossing movie of the year. It was nominated for three OscarsÂź and two Golden GlobesÂź. With new energy from Bo Beep, let’s see how far it goes.

ABOUT “TOY STORY 4”:

Woody (voice of Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s beloved new craft-project-turned-toy, Forky (voice of Tony Hale), declares himself as “trash” and not a toy, Woody takes it upon himself to show Forky why he should embrace being a toy. But when Bonnie takes the whole gang on her family’s road trip excursion, Woody ends up on an unexpected detour that includes a reunion with his long-lost friend Bo Peep (voice of Annie Potts). After years of being on her own, Bo’s adventurous spirit and life on the road belie her delicate porcelain exterior. As Woody and Bo realize they’re worlds apart when it comes to life as a toy, they soon come to find that’s the least of their worries.  

Directed by Josh Cooley (“Riley’s First Date?”), and produced by Jonas Rivera (“Inside Out,” “Up”) and Mark Nielsen (associate producer “Inside Out”), Disney·Pixar’s “Toy Story 4” ventures to U.S. theaters on June 21, 2019.

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U.S. Release Date:  June 21, 2019

Voice Cast:  Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele, Joan Cusack, Wallace Shawn, John Ratzenberger, Blake Clark, Don Rickles, Estelle Harris

Director:  Josh Cooley

Producers:  Jonas Rivera, Mark Nielsen

ACADEMY AWARDÂź NOMINATED FILM FREE SOLO RETURNS TO IMAX THEATERS FOR ONE FINAL WEEK, STARTING FEB. 1

Hailed by critics and audiences alike as a film that should be “seen on the biggest screen possible,” FREE SOLO will return to IMAX¼ for a final weeklong engagement beginning Friday, Feb. 1. Directors Chai Vasarhelyi (@chaivasarhelyi) and Jimmy Chin (@jimmychin) along with film subject Alex Honnold (@alexhonnold) broke the news today via Instagram. Chin shared this video and said, “We’re excited to offer moviegoers one last opportunity to experience the film in this epic way. Seeing the film in IMAX is as close to dangling  off El Capitan as you can get.”

FREE SOLO, from award-winning filmmaker Vasarhelyi and world-renowned filmmaker, cinematographer and mountaineer Chin (“MERU”), is a breathtaking portrait of the free soloist climber Honnold as he prepares for an unprecedented feat: climbing the face of the world’s most famous rock … the 3,200-foot El Capitan in Yosemite National Park 
 without a rope. The film opened in September to record-breaking box office in the U.S., and has expanded to global acclaim, with box office records in the U.K. (highest grossing documentary of 2018) and Australia (after opening wide this past weekend, entering the top 20 docs of all time).

WHAT: Experience FREE SOLO on IMAX Nationwide

WHEN: Friday, Feb. 1, through Thursday, Feb. 7

SHOWTIMES: www.imax.com/freesolo

HERE is my review of the film. Watching this on IMAX is the best way to see it!  You don’t have long so get to the theatre 2/1! You won’t be sorry. Here is a listing of where to catch it in and around Phoenix.

Westgate 20 +IMAX, Dolby
Superstion East 12 +IMAX
AMC Deer Valley 17 + IMAX
Desert Ridge 18 +IMAX, Dolby
AMC Surprise Pointe 14 + IMAX
Arizona Mills 25 +IMAX

https://rumpus.natgeonetworks.com/_xh59JFd1dUwrcR

About the film:

One of the most celebrated documentaries of 2018, FREE SOLO has grossed over $13 million worldwide and has been honored with three Critics’ Choice awards, including Most Innovative Documentary of the Year and Best Cinematography; three Cinema Eye Honors; and multiple guild nominations, including PGA, DGA, ACE, CAS and MPSE. The film is also nominated for both an Academy Award and BAFTA in the Best Feature Documentary category.  FREE SOLO premiered at the Telluride Film Festival in September and has since won Audience Awards at the Toronto International Film Festival and Mill Valley Film Festival.

BIG NEWS!! BLACK PANTHER RETURNS TO THE BIG SCREEN BEGINNING FEBRUARY 1st!

OSCARÂź BEST-PICTURE NOMINEE & SAGÂź BEST ENSEMBLE WINNER

“BLACK PANTHER” RETURNS TO THE BIG SCREEN BEGINNING FEBRUARY 1

 

FANS OF ALL AGES CAN SEE THE MOVIE FOR FREE IN HONOR OF BLACK HISTORY MONTH AT PARTICIPATING AMC THEATRES

 

The Walt Disney Company to Give $1.5 Million Grant to UNCF

To Help Minority Students Get To and Through College

 

BURBANK, CALIF. (Jan. 28, 2019)—Disney announced today that Academy Award¼-nominated and SAG¼ winner “Black Panther” will return to the big screen to celebrate Black History Month for a one-week engagement, February 1-7, at 250 participating AMC Theatres locations. To ensure that the movie is accessible to all, tickets are free for everyone, and there will be two showings per day at each participating theater.

The Walt Disney Company will also give a $1.5 million grant to support UNCF (United Negro College Fund) in furthering its mission to help minority students access and move to and through college. For nearly 75 years, UNCF has been providing scholarships to students in need, and this grant is part of The Walt Disney Company’s longstanding commitment to diverse communities and to expand the pipeline of talent.

“‘Black Panther’ is groundbreaking for many reasons, including the rich diversity of voices behind its success,” said Robert A. Iger, Chairman and Chief Executive Officer, The Walt Disney Company.  “The story also showcases the power of knowledge to change the world for the better, and the importance of ensuring everyone has access to it.  We’re proud to provide thousands of free screenings of ‘Black Panther’ in hopes it will continue to inspire audiences, and to support UNCF with a $1.5 million grant to make the dream of higher education a reality for more students.”

UNCF (United Negro College Fund) is the nation’s largest and most effective minority education organization. To serve youth, the community and the nation, UNCF supports students’ education and development through scholarships and other programs, strengthens its 37 member colleges and universities, and advocates for the importance of minority education and college readiness. 

“We know that providing aspiring young minority talent with scholarships and professional development opportunities is vital to making their dreams a reality,” said UNCF President and CEO Dr. Michael Lomax. “UNCF is grateful for The Walt Disney Company’s enduring commitment to expanding these types of opportunities, and we’re excited to continue to do so through our Walt Disney Company/UNCF Corporate Scholars Program. I recall the excitement we all had when ‘Black Panther’ was first released and it’s fantastic that Disney is bringing the record-breaking movie back to the big screen so that we can relive that excitement. Wakanda Forever!”

“Black Panther,” the global cultural phenomenon that shattered box office records and finished first at the North American box office in 2018, picked up seven Oscar¼ nominations, including Best Picture, Best Production Design, Best Costume Design, Best Original Music Score, Best Original Song, Best Sound Mixing and Best Sound Editing.  On Sunday, it was announced that “Black Panther” won the SAG¼ (Screen Actors Guild) Outstanding Performance by a Cast in a Motion Picture Award.

“Almost a year ago, movie-lovers were transported to Wakanda, and the guest response to ‘Black Panther’ was unlike anything our industry has seen before,” said Adam Aron, CEO and President of AMC. “AMC is excited this best-picture-nominated film is once again accessible on the big screen at AMC. We are also pleased to play a constructive role in Disney’s generous support of Black History Month.”

 

For free tickets to the “Black Panther” showings and a list of AMC participating theaters go to: weticketit.com/blackpanther

Twentieth Century Fox Offers Fans FREE SCREENINGS of ALITA: BATTLE ANGEL

TWENTIETH CENTURY FOX OFFERS FANS FREE SCREENINGS OF ALITA: BATTLE ANGEL FROM PRODUCERS JAMES CAMERON AND JON LANDAU AND DIRECTOR ROBERT RODRIGUEZ ON THURSDAY, JANUARY 31

 

BE THE FIRST TO WITNESS THE AMAZING CINEMATIC EXPERIENCE THAT IS BEING CALLED

“A WILD, VISCERAL RIDE THAT OFFERS KICK-ASS ACTION AND AN IMMERSIVE VIRTUAL WORLD”


LOS ANGELES, CA – January 28, 2019
 – Twentieth Century Fox is inviting fans across the country to be the very first to experience the highly-anticipated action-adventure epic ALITA: BATTLE ANGEL from producers James Cameron and Jon Landau (AVATAR) and director Robert Rodriguez on Thursday, January 31 at 7PM EST/PST/C.  The film opens nationwide on February 14.

The screenings will take place in DolbyÔ Cinema in 3D at AMC, IMAXÔ 3D and other select 3D premium large format theatres. In addition to the film, fans at selected theaters will get to see a conversation with the filmmakers and cast including James Cameron, Jon Landau, director Robert Rodriguez and cast members Rosa Salazar, Christoph Waltz, Jennifer Connell, and Keean Johnson and a special inside look at the making of the film. 

Said Cameron, “People may have heard of Alita, but don’t know who she is.  Why is she called the Battle Angel?  What is her world like?  Well, I think you’ve simply got to see it to believe it.  And the best way to see it is in a cinema, and in gorgeous 3D, the way Robert Rodriguez shot it.   So we’ve decided to do some special free screenings, for fans around the country, to introduce our Alita to the world.  When you see how big a heart she has, and what she stands for, and how she kicks major butt —  you’re going to fall in love with her, the way I did.”

Fans can RSVP to the free screenings via  ExperienceAlita.com and submit questions for the filmmakers and cast on James Cameron’s newly launched official Instagram @JamesCameronOfficial and Facebook @OfficialJamesCameron pages in the comments section using the hashtag #ExperienceAlita.

About ALITA: BATTLE ANGEL

Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past – she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she’s grown to love. @AlitaMovie #Alita

About Twentieth Century Fox Film

One of the world’s largest producers and distributors of motion pictures, Twentieth Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of Twentieth Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Twentieth Century Fox Animation and Fox Family.