Tolkien Movie Review

“Tolkien”, is about the famous fantasy author (who would make sure you know that the right way to pronounce his name is “Toll-keen”) and how he grew up and learned to value “fellowship”. John Ronald Reuel Tolkien has a rough start in life, with a dead father, and soon also a dead mother. He and his younger brother became wards to the Catholic Church, but because of a forward-thinking priest, Tolkien gets a classical education and gets into Oxford. But after being sidelined with World War I, he gets to marry his true love. He gains stature as a Professor at the college, and eventually writes some very large books. But ‘The Hobbit’ and ‘Lord of the Rings’ do not make a big dent in this movie, because it ends about the time that he starts on them…

 

Young J.R.R. Tolkien and his mother and brother are helped by the parish priest Father Morgan (Colm Meaney). He makes sure that they have a home after their father passes away. But soon after his mother is also gone, and the two boys are put into a nice foster home. Tolkien at first finds it hard to make friends, but he soon makes several lifelong friends. When he grows up Mr. Tolkien (Nicholas Hoult) is able to get into Oxford. He knows a fellow orphan in his foster home named Edith Bratt (Lily Collins) and believes that she will be the love of his life. Tolkien and his chums have raucus talks and arguments about deep subjects. They form a “fellowship” of sorts, and hold fast to be true to each other. Edith also becomes a part of his life, and when he enters college, his grades suffer.

 

Oxford is ready to pitch Tolkien out of school, because he is not living up to the highest of standards. But he happens to meet Professor Wright (Derek Jacobi) who is a specialist in languages. Tolkien manages to convince the Professor that he has the same love of language and for the origins of speech. He is able to impress the Professor with some made-up languages that Tolkien created for his own writing. Tolkien is able to thrive in the new class setting, and he and Edith are very happy. He feels that the world is ready for a new saga that is a great and as far-reaching as the opera Wagner created “The Ring Cycle”. But before that can happen, World War I breaks out. Tolkien and his three friends are signed up and enlisted in a short time.

Tolkien spends time at the front in Somme. In the trenches, he puts all of creative spirit on hold. The War is horrible, and he sees many people injured and killed. Tolkien is infected with trench fever, and he spends time searching for one of his friends on the front lines. With his feverish mind, he looks out on the No Man’s Land area and imagines what the fight between good and evil might look like. Shadowy black wraiths hover over the battlefield, as armored knights gallop in the dead trees out on the landscape. Dragons roar across the sky as thunderous booms rain down on the broken land. Tolkien is seeing those images that he would eventually put down onto paper in his later books.

Nicholas Hoult does a very decent job in portraying Tolkien, and he does the man justice. He shows a lot of compassion and smarts as a young brilliant writer. But he and Lily Collins do not have a lot of energy together in their scenes. The story is a bit of a see-saw back and forth from Tolkien’s war time activity, to a flashback set of sequences of his prior life.

The Intruder Movie Review

Best use of the word ‘capiche’ ever.Ā  Okay. I’ll be honest. If you like this sort of movie, you’re going to enjoy this one. I say that with confidence because of the performances. However, I’d like to suggest to you that you see it with a large audience. Their reactions to parts of the film, and to the characters, made it more delightful. My audience was laughing, groaning, screaming and even warning, at just the right moments. They were doing this as if what they had to say would be heard and their suggestions adhered to and because of them, it added to the experience.

They weren’t loud or annoying. They knew exactly what I knew but were livelier and more drawn to act rather than hold it in. I wanted to say the same things to these characters, trust me. I mean, how many signs does the person up on that screen need before they do something about a bad situation?!? The answer to that question for ā€˜The Intruder’ might be that there’ll never be enough. Dennis Quaid’s character, Charlie, had free reign to do whatever he wanted to these people because he wasn’t stopped… for some reason, couldn’t be stopped. The quick take on it is that you’ll be entertained by this talented cast… especially by Quaid! He’s downright creepy as hell in this! Through his character, ā€˜The Intruder’ delivers one of the biggest jump-scares I’ve ever seen… and I’m usually quite prepared for them.Ā 

Here’s the plot. A nice- and nice-looking young couple, Scott (Ealy) and Annie (Good) have moved up in the world and drive up to the Napa Valley to take a look at a beautiful piece of land with a gorgeous house. Scott isn’t as crazy about the house as his wife Annie but can see it’s potential. Annie falls in love with it immediately and wouldn’t change a thing. The owner, Charlie, who wants to sell it to them, has a peculiar fondness for, almost a relationship with the house. In fact, there’s probably a video somewhere that would disturb us all, that’s how close to it he is. He does sell it to them but doesn’t stop his upkeep of the property. He makes his presence known first with simple little visits to mow the lawn. These become more frequent and, at first, it’s odd but he’s welcome. Annie works at home alone while Scott works almost ninety-minutes away in San Francisco. She isn’t bothered by his pop-ins but as they convert from pop-ins to a regular thing, Scott is more and more disconcerted and uncomfortable, especially when Charlie disagrees with changes and actually feels he has a say in what the couple does to their home. Charlie’s tapestry… don’t mess with the tapestry. Quickly, Charlie becomes a bit too chummy with Annie which has not gone by unnoticed by Scott. As I’ve mentioned, Annie doesn’t mind the attention.

As we get further into the movie, we see what Charlie is up to and why. He does start to feel as close to Annie as he does to his home which is definitely unnatural. It becomes apparent, he now wants them both. Quaid then turns up the eerie factor, yet Annie still isn’t alarmed?! Scott is practically banging his head against the wall trying to make her see that something is not right about Charlie’s presence. Neither man is subtle about how they feel toward one another, either, which keeps you somewhat exhilarated. When Scott has had enough and finally confronts Charlie face-to-face, they square off with one another. It’s an intense scene and the movie continues to build on the tension from there.

The way director Deon Taylor reveals the monster lurking around this couple’s home is often amusing but works to terrify because when people are insane, you not only don’t know what they’ll do but what they’ve done; what they’re capable of. They don’t have a button that turns off the crazy and they can turn into something you can’t handle. Something you’d never see coming. This is how Taylor approaches his desire to make his characters real. However, with what Annie and Scott have learned and what has happened… who’d be this shortsighted or gullible as to continue to put themselves in the role of the potential victim? Scott wouldn’t. Annie wouldn’t. I just don’t see it as a believable plotline.

Nonetheless, its irrationality is what makes it worth a watch. Hey, Hollywood! Quaid has a new genre! He needs more of these roles. My view of ‘The Intruder’ is that it’s a fresh take on something we’ve seen before. That fresh take was something I was appreciative of but parts of the script are a little too loose. The thought behind the story will be hard to believe… but for a revolving door idea… it frankly isn’t all that bad.

Extremely Wicked, Shockingly Evil, and Vile Movie Review

If you head into this movie thinking, even hoping, you’re going to see a slasher film, you have to adjust your expectations. With this, director Joe Berlinger tells you the story of an evil man and what his evil mind allowed him to ultimately become. Since we don’t actually see the consequences of his actions, we are able to (much like the woman he was living with who was completely in the dark about him) put the murders he committed aside and instead see who he could have been. I feel compelled to mention that this movie does not glorify a serial killer! See more about that in my interview with the director.

Here’s the link.

Anyway, Ted Bundy had everything he could have wanted. Why was this the route he chose? As you watch, you can’t help but wonder what motivates someone to murder. Something drives him to commit the most unspeakable horrors one could think of. Why? The movie doesn’t focus on the acts of what Bundy did by showing us, but by allowing us, even forcing us, to think about them.

That he walked amongst us, lived a seemingly normal existence… and that you could know a Bundy, too, is a frightening thing to ponder but ponder you will. Berlinger, known for his true crime documentaries, one in particular called ā€˜Conversations with a Killer: The Ted Bundy Tapes,’ was certainly the best person to take on this task. He knew the subject and examines everything.

Ted Bundy is being played by Zac Efron. The actor wanted to shed some of his ā€˜High School Musical’ image and dig deeply into something against type. He certainly picked the right part for that. In my interview with him, Joe Berlinger said this of Zac getting the role, ā€˜ā€¦Zac wants to play with his teen heartthrob image in that way, I respect that. And, also, as a documentarian, it gives me a little piece of reality to break into the movie-making process. The fact that, in real life, he has this profile of teen heartthrob… that is very similar to the effect that Bundy had on women. I found that a nice piece of reality I could play with.’

While in character, Zac was appealing in all the ways that Bundy was. Not known for this sort of role but perfect for it, you can see the serial killer in his face. The way he gives off little hints of his condemnable actions, with just a simple mouth curl at the right moment, the use of his eyes… he proved himself here. With this performance, he gives you the man that Bundy’s girlfriend Liz (Lily Collins) saw but you also see underneath the mask. That’s what worked so brilliantly. At first, you’re obliged to see Ted as just a person, not as the monster you know he is. They do walk among us. We don’t know who they are. They could be who we’re with. Just contemplating that alone makes this a good crime film to see. It was important that we see a good portion of the film through Liz’s eyes.

With this approach, the audience was able to garner sympathy for her and see the larger picture. Eventually, the strikes against him can no longer be denied. However, his crimes don’t seem to matter to some. We move on from Liz to see Bundy’s point of view and through the lens of another woman. She is someone who clearly has a low opinion of herself.

Bundy takes advantage of both of these women, but you can tell that he loves one and is simply using the other. This is a fascinating look into his double life. He charms women, he charms his victims, he even charms the law. Scenes of what he does and the ultimate reason he’s getting away with things will surprise and enrage you. The film is slow paced but once you see what Berlinger is going for, it will engage you and you’ll walk away unable to get the movie and Zac’s performance out of your mind temporarily.

John Malkovich is superb as the judge in Florida who says the words the title is based on. His reverence for Bundy is strange to witness and hard to accept but his duty to the law holds up and he gives Bundy the sentence Bundy didn’t expect. Death. How we get to this moment, is worth seeing so I must recommend the film, as well as Berlinger’s documentary.

If you haven’t yet, join Netflix and watch ā€˜Extremely Wicked, Shockingly Evil, and Vile’ today. Watch the four-part series, too.

Long Shot Movie Review

“Long Shot” is a funny look at a couple of people with almost nothing in common except a long-ago shared high school past. The romantic comedy has an R-rated bite to it, and some political overtones that make some broad commentary on current events. The two leads are experienced actors who make an unlikely romantic attraction look realistic. The movie is bolstered by the fact that it has some secondary characters who are played by excellent people and are well cast in those roles. The movie might have an R-rated exterior, but it has some nice universal notions of true love being blind.

Fred Flarsky (Seth Rogen) is a determined, if somewhat disheveled, investigative journalist. He just found out that his weekly newspaper is being taken over by a huge media conglomerate run by a right-wing billionaire bigot. He quits and sees his long-time friend Lance (O’Shea Jackson Jr.). Lance has done quite well for himself, and he takes Fred out to a major party. It is an environmental fundraiser, and it is also attended by the current Secretary of State. She is Charlotte Field (Charlize Theron), who is a major Washington power player. She is also considering running for President. Her long-time aide Maggie (June Diane Raphael) is keeping Field’s public persona clean and bright. Fred and Charlotte have a history back in high school. She used to babysit for Fred a few times, and he was hot for her back then.

Charlotte is now still as beautiful and is also very powerful. She hears from the President (Bob Odenkirk) that he will not be running for another term. He wants to break into movies instead. So now he will endorse Charlotte as a candidate. When she meets Fred at the Washington party, she remembers that he was a sweet teenager. Fred has just quit from the job, because he does not want to support the new owner. He is looking for a new position, and she is looking for a speechwriter. That could be a match made in Heaven, or at least the smoky backrooms of the Washington establishment. He is a passionate idealist, who does not wince from dropping a few F-bombs in his articles. She is poised and practiced pragmatist and used to the idea of abandoning ideals to get the deal done. Not a chance these two might have issues with the other, right?

As she becomes a Candidate for the top job, Charlotte is pleased with the high level of energy that Fred can bring to her campaign. Her aide Maggie is not a fan, but she is biting her lip until a time that Fred’s wild personality will blow up. That point might bring Charlotte’s chances to a screeching halt, because even now – she is considered a ‘Long Shot’. Fred becomes a key part of her entourage, travelling with Charlotte to many world capitals. She and Fred are becoming very close and are become lovers. Fred lets his friend Lance know what is going on, and he encourages Fred to be true to his principles. But the real world makes Charlotte compromise many of her campaign goals. Fred is taken aback, and he sees that life in a political realm might not be to his liking.

This movie is a hard-R rating, but mostly for language. The relationship between the two main characters is not exactly believable. But Seth Rogan and Charlize Theron are very natural in these roles, and they can pull it off. The actors do a great job with some less than stellar material. There quite a few very funny lines, and the Fred Flarsky character is made out to be the biggest boob on the face of the Earth. But with Rogan’s sad puppy face, you just must love him. Also, there are some fine performances with the side characters, especially O’Shea Jackson Jr. and June Diane Raphael. These two more than carry their weight in the movie, and they have some good moments. The overall political attitude swings a little to the left, and the main policy initiative for Charlotte Field is to save the Environment. Never seen that before on the screen, huh?

“Long Shot” gets the most juice out it’s lead actors by getting them into the most natural situations. It is less than perfect when they are forced into a ‘fish out of water’ scene, such as Fred Flarsky at an International State Dinner event. There are few times when it seems to cross the line over good taste, but for the most part is fun watch. The ending veers over the line and it goes on a little too long. But if you like your character-driven comedy with a romantic flavor and a political edge, this beats any other movie by a “Long Shot”.

El Chicano Movie Review

“El Chicano” is a dark and gritty view into a Hispanic gang-run neighborhood, with an emphasis on the ‘hood’. It relates the legend of a mysterious motorcycle-riding vigilante called El Chicano. He attacks the criminals and gang-bangers and brings them to justice. He is kind of a Ghetto Ghost Rider, without the flaming skull. The drug-infested East Los Angeles area is like “Mean Streets” with Salsa beats. El Chicano targets the drug pushers and killers, the bangers and cartel leaders. He takes a magical Aztec knife and uses it to kill the baddest of the bad. He becomes a boogie man for the criminal underclass, a type of “Usual Suspects” character ‘Keyser Soze’ of the Barrio.

Three young boys grow up in the East Los area, and one night they see El Chicano in action. A local gang leader is stabbed, and the roar of the black motorcycle is heard screeching away. A local cop named Gomez is on the scene quickly, but El Chicano is gone. The young boys are grown up twenty years later, and each has gone separate ways.Ā  Detective Diego Hernandez (RaĆŗl Castillo) is now on the right side of the law. But his twin brother Pedro has served time in prison, and now is dead. The other childhood friend is a top-level gang leader named Shotgun (David CastaƱeda). Most of Shotgun’s crew of thugs has been killed in a mass slaughter. Detective Hernandez is handed the case with his new partner Detective Martinez (Jose Pablo Cantillo). They have a day to determine what is going on, because the FBI is hot on the trail of a cartel boss. The cartel is trying to get into the Barrio, and the killings might be related. However, Diego Hernandez is worried, because all the murdered thugs have a tattoo.

This odd tattoo is the old nickname of Diego Hernandez’s twin brother Pedro, and the tattoo also has their birthday. How is his dead brother related in any way to the thugs that worked for Shotgun, and is this related to the cartel?Ā  Detective Hernandez and Detective Martinez transport the lone survivor of the killings, until they are ambushed. The last survivor is killed, and all ties to crime lord Shotgun are gone. The two Detectives report to their boss, Captain Gomez (George Lopez). The street cop from years ago is now the Police top dog. He is working to keep the FBI away, but the heat is rising. Detective Hernandez and Detective Martinez are in the middle of a stakeout to watch Shotgun and the cartel guys. But there is more violence and murder, but this time it is not aimed at a thug in the back seat.

Detective Diego Hernandez has lost a brother, and now he has lost a partner. He investigates what his brother Pedro had done when he got out of prison. He finds a secret hideaway that contains the black motorcycle that he last saw as a kid. Back then it was being ridden by El Chicano when he eliminated many bad guys. Diego is tired of having the gangs and the cartels win the street battles. So, he trains and gets in shape, so that he can carry the magical Aztec knife and go after the evil thugs. He gets his black cape and death-skull face mask. He will be ready to take back the streets as the mystical magical El Chicano. The cartel guys and Shotgun are now on the run from the avenging force of “El Chicano”…

This “El Chicano” movie has a lot going for it. There is a street-wise feel to the scenes and the story is built up organically. Diego has a slow transformation into the El Chicano character, and it feel real and earned. The moves of El Chicano when attacks and fights several thug henchman at once are swift and brutal. He would make “John Wick” proud. The movie is seeped in the Hispanic culture of respect for the dead, and ‘El Chicano’ is seen as an avenging angel. He is ready to force retribution on the cartel and drug lords. He is there to take back the streets.

There are a few times when it seems to be a low-budget movie. But for the most part, it gets the same milage for action and fight scenes as the big budget movies. The acting is low-key and many of the extras look like they come ā€˜Straight Outta East Los’. The cast is pretty good, but basically unknown. Only George Lopez has a high profile background. Co-writer Joe Carnahan has done some really good stuff in the past, and his efforts are well used in this script. The overall quality of this movie is very watchable, even when it did not have the richest budget.

Red Joan Movie Review

Admittedly, as we go about our daily lives, national security isn’t something we tend to have to think about. Luckily, we’ve never had to truly worry we’re about to be invaded nor have we had to wonder about the ā€˜IF’S.’ ā€˜If that happened what would I do?’ ā€˜If that happened, could I do this?’ One of the biggest questions someone could face is, ā€˜What would you do for your country?’ ā€˜Red Joan’ examines the theme by telling us the story of the woman who was tasked with answering that question. Read more

Avengers: Endgame Movie Review

“Avengers: Endgame” is a Marvel super-sized movie about Superheroes in a fragile condition. It is a big Hulked-up (so to speak) massive piƱata of Marvel goodies – all built up and then broken open – for all the Marvel fans. The ‘Marvel Extended Universe’ might have seemed at first to be a pompous overselling of a marketing gimmick. But with movie it has been proven to be a very real thing. This movie is a direct tie-in to prior Avengers (Infinity War) movie, and it picks up right at the end of the prior one. So, if you have never seen a Marvel franchise movie before, you might want to catch up on some other ones first. But “Endgame” shows that Marvel knows how get the best talent to create the best movies, based on the very popular Marvel characters. Diving into the thick of it (without revealing any SPOILER items), let us dig in…

In “Avengers: Infinity War”, the Biggest of Big Bad Guys was named Thanos (Josh Brolin). A large collective team of Superheroes attempted to stop him. It included Iron Man (Robert Downey Jr.), Captain America (Chris Evans), Thor (Chris Hemsworth) Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson), War Machine (Don Cheadle). But they were also helped by the Guardians of the Galaxy – which includes Star Lord (Chris Pratt) and Gamora (Zoe Saldanda), Drax (Dave Bautista), Rocket (Bradley Cooper) and Groot (Vin Diesel), not to forget Mantis (Pom Klementieff) and Nebula (Karen Gillan). Oh, by the way, there were a couple of other talented Superheroes joining them, Spiderman (Tom Holland) and Doctor Strange (Benedict Cumberbatch) with Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany), and also Winter Soldier (Sebastian Stan) and Black Panther (Chadwick Boseman). They all worked to stop him, but…

The effort failed, and Thanos gathered up six special ‘Infinity Stones’, put them into a metal gauntlet – then he snapped his fingers and half of the living universe disappeared. Many of the above-mentioned Superheroes turned to Superdust and floated away. Coming in late to the party was Captain Marvel (Brie Larson), who was first paired up recently dusted Nick Fury (Samuel L. Jackson). She first saves Iron Man and Nebula, and wants to stick around to help. Even if they can find Thanos and eliminate him, it will not bring back the old dusted friends. Five years later, and a surprise return for Ant Man triggers some thoughts on how to retrieve the Stones. Not the band, the original Infinity Stones, prior to being collected by Thanos.

Yeah, it has to do with Quantum Realm time travel jazz, but don’t think about it too hard. After all, Professor Hulk (a new Hulkier version of Bruce Banner) is on the job. Not joining in the fun is Iron Man. Tony Stark and wife Pepper Potts (Gwyneth Paltrow). Stark has a young child to think about now. Oh, and if you go back into Time — you might locate people are not around today, such as Stark’s father Howard (John Slattery) and Captain America’s true love Peggy Carter(Hayley Atwell).

Except that Tony Stark is a genius and cannot stop thinking about a way to harness the Quantum Realm and using it.. Using it to what end?Ā  If they can travel into the past, to certain dates and places, they will know where the Stones are and they can steal them. Yes, it has become a Galactic Heist Movie. By the way, Black Widow has also rounded up Hawkeye (Jeremy Renner), who is handy with a bow and arrow. They split up into teams, and each is set to obtain the Stones before Thanos can get to them. What a wonderful plan. What Could Ever Go Wrong? If you think that this might be more difficult (and more painful) than urinating onto an electric fence, then give yourself a hand.

Many good people are caught up in the savage battle between Thanos and the little pack of Superheros that will do ‘whatever it takes’ to defeat him for good this time around. After all, there are many Marvel movies to be made in the future, and they will need many of these characters back! But honestly – Marvel did such a glorious job to tie up almost every loose thread that this movie zooms right by. You never feel that there is any real bloat in the runtime, and even when the movie slows down a minute or two – it is a scene that this emotional and poignant.

There are a few shocking events, and a bit of self-sacrifice that makes the point clear. This is a Team that will do ‘whatever it takes’. The writing is well thought-out and carefully planned, so every twist and turn becomes a focal point for the next action. Also, there are quite a few flat-out really funny lines. The overall effect is a very fitting ‘Endgame’ to the first Phase of the Marvel movies. A few of the original actors/characters are due to phase out (Iron Man, Captain America, and some others) while newer ones will phase in (Spiderman, Ant Man, Captain Marvel, Doctor Strange, etc.).

Bravo to the team at Marvel Studios. Another decade like this past ten years, and they will have Thanos-like powers.Ā  Wait, Is that a good thing???

Wild Nights with Emily Movie Review

Brilliant. Simply, brilliant! Using everything she knows to apply her subtle wit, Molly Shannon, formerly with Saturday Night Live, has given us quite a pearl with her take on Emily Dickenson. Working with an excellent script from the writer/director Madeleine Olnek, she gives us a fresh look into the life of this American poet and anomaly. In 1914, Emily’s niece published a book of Emily’s poems which she dedicated to the love that her mother Susan and Emily shared. Interestingly enough, in 1998 the New York Times used technology to restore her mother’s name in the love letters that Emily had sent her. Her mother’s name, Susan (who was also Emily’s sister-in-law) could be erased by the family for a time but could not be erased from history.

The vehicle Olnek uses to tell this story is through the words of Mabel Todd (Seimetz) who is giving a lecture about the poet to a group of women. Mable had an affair with Austin, Emily’s brother, and though she had never actually met Emily, she pushes that she’s the authority on her and Emily’s work and life. This is no doubt done by Mable to get herself some recognition.Ā Ā 

Emily was thought to have lived somewhat similarly to a hermit who’s the shy-type and may have been disliked because of it. It was rumored she may have been so disagreeable she wasn’t interested in being published because she thought her work wasn’t good enough to be published. But maybe she thought the publisher wasn’t worthy of publishing it. In an innovative and comical way, this film not only dispels many myths about this woman, her work and her life but enlightens the audience. Emily Dickenson was anything but a recluse. Growing up next to a cemetery created a bit of a dark side in her but she had plenty of fun-filled days… and nights. She participated in life heart and soul… when she was with her love. Reminder. Being a woman in those days meant you couldn’t be too successful lest you step on a man’s toes.

This is represented adequately with incredibly well-written and impressive, potent dialogue, when Emily attempts to get the editor at The Atlantic, Higginson (Gelman), to put some of her poems in his magazine. He believes women should have the right to be recognized and to vote. He thinks more intelligent women need to be heard but also says that he’s, ā€˜barely able to find any.’ He insults Emily’s work by saying that when he reads her poetry, ā€˜He’s left feeling… I’m not sure what.’ He discloses to her that unless he’s able to edit the hell out of her poems, she can forget being published by his magazine. She thanks him for his surgical suggestions but isn’t happy about them.

Then there’s being a woman in love with another woman which would have been even more difficult on poor Emily. All things considered, it’s not hard to see why she may have seemed cranky at times. The love between Emily and Susan (Ziegler), her muse, had to be hidden. This being the case, no one but Susan would have seen her at her most lively and happy. For the era, Emily was anything but what she was expected to be. She was unapologetically selfish when it came to who she loved and who she spent her time with. She loved Susan wildly but had to live the ruse. She was willing to accept it because Susan married her brother, Austin (Seal), which meant they would always be near one another without being accused of anything. Emily is upset about the marriage at first but realizes Susan did it not to be with Austin, but to be with her. As teenagers, young women stole kisses when they could. Now, as adults living next to one another, they could still do the same… undetected.

There are so many creative and shamelessly open scenes in this movie that not only reveal to us how Emily worked but who she was on the inside. Especially when it came to love. She had jealous moments, was intelligent, strong and had a great sense of humor. This woman wrote poetry with the same passion she reserved only for Susan. It’s a shame that a puny amount of her poems was actually published while she was alive. It’s unfortunate that she never got to see how she influenced others. You’ll learn more about this in the postscript before the credits. ‘Wild Nights With Emily’ is an amusing movie and it’s playful. It’s original, captivating and engaging. I recommend it highly.Ā 

*Opening today at Harkins Camelview Fashion Square

Like Wild Nights With Emily on FACEBOOK: http://bit.ly/WildNightsFB
Follow Wild Nights With Emily on TWITTER: http://bit.ly/TweetWildNights
Follow Wild Nights With Emily on INSTAGRAM: http://bit.ly/WildNightsIGĀ 

Stuck Movie Review

With the popularity of musical films lately, 2016 gave us ā€˜La La Land.’ 2017 was the year of ā€˜The Greatest Showman’ and ā€˜A Star is Born’ was remade, once again, in 2018, naturally, 2019 needed to release something, too. Let’s keep the momentum going! Luckily, Phoenix, Arizona native Michael Berry, who has had a successful career as a director and actor on the stage and on screen, heard the call and did just that. He gave us ā€˜Stuck,’ starring ā€˜Breaking Bad’ actor Giancarlo Esposito. ā€˜Stuck’ is about six people who find themselves forced together when their New York City subway stops moving.Ā Rather than sit there in silence, they get to know one another through, of course, song.

At the outset, it was a musical play written by Riley Thomas. When Berry heard about it, he was in right away to direct the film version. He was hooked by the fact that people everywhere are angry, especially these days, and he could definitely take that premise and make it work. Not only are people angry but through electronics, human beings are getting more and more distant. So, when these six individuals are, begrudging, made to spend time with one another, even connect, things happen that help each of them… heal, honestly. It’ll remind you some of ā€˜Rent’ in a way but it’s different. Maybe that doesn’t make any sense, but the songs feel the same… sound the same. Don’t let the fact that it isn’t its equal deter you from enjoying it. Nothing can be ā€˜Rent’ but ā€˜Rent.’ It came along and blew everyone away and got everyone excited about musicals, even if they had never seen one, and ā€˜Stuck’ will simply continue to draw interest to the genre. A few things happen at the end of the film that suggests a sequel could result from this effort should they ever get the urge.

The lyrics to the songs are meaningful and reach across lines of culture and race. In fact, the entire film purposefully deals with racism, sexism, class, and grief in several different ways that reflect the current climate rather than attempt to escape it. Some passengers try and help others, but a few arguments happen and are dealt with through gorgeous melodies and verses replacing unnecessary dialogue in songs like ā€˜Gone,’ ā€˜Make It Better’ and ā€˜Draw You.’ I assure you that the ballads will simply delight your ears. The performances, the songs and the incredibly uncommon way to bring us a story such as this, one of harmony and anguish, is worth seeing on the big screen if you can. As I do with most musicals that get released, I’ll be buying this soundtrack the moment I can. You might want to do the same.

*MJW Films and Eammon Films will theatrically release the film on April 19th in Phoenix at multiple Ā Harkins Theatre locations.