Author: JMcNaughton

Gold

January 27, 2017 (updated February 4, 2017) Published by

The pursuit of that bright shiny metal can drive a prospector to extremes. In “Gold”, the apparent major find in the Indonesian jungle sets off a frenzy in the lives of the people involved. That includes Kenny Wells (Matthew McConaughey) who owns a tiny mining company started by his grandfather in Reno. The company has hit upon hard times, and now the salesmen try to sell shares of dead mines that have no future. They all work out of a bar in Reno, since the office has been closed for a long time. Kenny has a girlfriend in a waitress named Kay (Bryce Dallas Howard). But Kenny still has big dreams about gold…

His dream leads him to Indonesia, where he meets Michael Acosta (Édgar Ramírez). Acosta is a geologist who once discovered the largest deposit of copper. Kenny thinks that Acosta can do the same thing for him and discover the world’s largest gold reserve. Acosta has also had a string of bad luck, but Kenny has so much enthusiasm that he convinces Acosta to try again.

 

After a few false starts, Acosta settles on a remote jungle location. Kenny has limited funds to support the exploration, but he presses on. The jungle takes a toll on Kenny, and he catches malaria and nearly dies. But when he is better, Acosta tells Kenny the good news. He has been successful in finding a large gold deposit.

The story moves back and forth between Indonesia and Reno, where Kenny has become a big shot in the mining industry. He reopens his company, and the investments are flowing in non-stop. There is a major New York hedge fund that is ready to find major investors. Barry Wolff (Corey Stoll) has Kenny and Kay come to New York where they live it up. Acosta stays at the mine delivering more good news all the time. The world’s largest mining company is ready to buy out Kenny and Acosta, but Kenny turns them down at the last minute. The gold bug has bitten him really bad…

The mining company was snubbed and wants to get even, so they convince Indonesian government to shut down the operation. That almost stops Kenny, until he finds a special partner who will get all back on track. So the operation keeps running, the bankers have been rejected.  Kenny finds out that Kay was not impressed with Kenny’s new attitude. She leaves him, and he shrugs it off.

Kenny has an interview with an FBI visitor (Toby Kebbell) who explains that everything about the mining operation is not what it seems. Kenny and his company are brought down in a crashing failure. Acosta is nowhere to be found, and the authorities want answers. Kenny is left in the lurch…

 

Matthew McConaughey really transforms himself in the role of Kenny Wells. The ‘Sexiest Man Alive’ changes to become a middle-aged, balding, pot-bellied, chain-smoking drunkard with bad teeth. He owns the role, and makes Kenny’s personality shine like a super-nova. When Kenny meets up with Michael Acosta, he persuades the geologist with his pluck and luck. Édgar Ramírez also does a fine job as Acosta, the geologist who might have lead Kenny down the Golden Path. Bryce Dallas Howard also does what she can with her role, but the focus is really on Kenny and his obsession with gold.

Is “Gold” as good as the real thing? The story is very interesting, and it is told with a great deal of style and flair. The acting is fun to watch, especially McConaughey getting into the slovenly Kenny character. But the center is not focused in any one direction, and it does tend to wander. So it never reaches pure 24 Karat quality, but is sure is shiny.

The Founder

January 20, 2017 (updated January 20, 2017) Published by

Fast Food. Dietitians hate it, society tolerates it, but most people just love to consume it. So when you get a movie about the origins of the most popular fast food restaurant in the world, you know people will eat it up. “The Founder” will be like a satisfying meal, and will fill you up more than two all-beef patties, special sauce, lettuce, and pickles on a sesame seed bun.

“The Founder” is the tale of Ray Kroc (Michael Keaton) and how a milk-shake machine salesman turned into a fast food titan. Ray is downtrodden and getting along with minimal sales, until learns of two brothers who run a new-fangeled restaurant that carries their last name. The McDonald brothers Mac (John Carroll Lynch) and Dick (Nick Offerman) have started something new and different. Ray wants in on the ground floor.

The brothers very reluctantly agree to Ray setting up franchise McDonald’s restaurants around the country. They have a very tight contract with Ray, and make sure that the emphasis is on quality and speed of service. Ray does great, but he does not let his wife Ethel (Laura Dern) know that he mortgaged the house to get it done. The expanding number of restaurants is not paying Ray enough, due to the tight contract details. Ray meets Harry Sonneborn (B. J. Novak), who explains that Ray should own the land and then lease it to the franchise owner.

Soon Ray has created a new company to buy land and create franchise owners. The original McDonald brothers are furious that Ray has taken liberties with their concept and product. Ray meets the wife of a new franchise owner named Joan Smith (Linda Cardellini). Before too long, Ray Kroc has bought out the McDonald brothers, divorced Ethel, and married Joan. He had become an unequaled giant in the fast food business.

Michael Keaton does a stupendous job playing Ray Kroc. Here is a story of a man who created a monster-sized business, yet he sometimes was brash, rude and uncaring. He saw what he wanted and took it, regardless if that was a burger chain or someone else’s wife. Yet he thought deep down that everything he did was to make himself, and the country, better.

As the two McDonald brothers, Nick Offerman & John Carroll Lynch also are terrific. They seems to convey and deep sense of pride in what they have accomplished, and each of them always is looking out for the other. They are also stubborn and small-minded. So when the business began to really grow, they rebelled against Ray Kroc instead of working with him.

If there are any problems at all with the movie, it is the ‘side dishes’. Other than the three main characters, the other roles are ‘undercooked’. Laura Dern has not much to do, and Linda Cardellini comes into the picture way too late. B. J. Novak blends into the other minor characters, also, so it is hard to tell him apart.

“The Founder” can also be compared in a way to ‘The Social Network”. Both feature a strong leader who finds a unique concept, and then battles two brothers for the ability to take something brand new worldwide. McDonald’s, like Facebook, is an international brand that took a visionary leader to get it there.

xXx: Return of Xander Cage

January 20, 2017 (updated January 20, 2017) Published by

Xander Cage? What, he was gone? Oh, in case you missed it, the first “xXx” movie was with Vin Diesel. But then a second was made, and his character was ‘declared dead’. The extreme athlete in the second was played by Ice Cube. But the ‘Triple X Project’ has lasted into three movies, so that is why Xander Cage is back.

The leader of the ‘Triple X Project’ is NSA Agent Gibbons (Samuel L. Jackson). His plan is to continue to recruit extreme athletes into the Project, until a satellite falls from the sky and kills him. CIA bigwig Jane Marke (Toni Collette) is then after Xander Cage to make sure he wasn’t prematurely dead so he could help the government catch the bad guys. Xander will not work with the CIA/military crew and instead he has his own crew.

 

The bad guy group has a device called ‘Pandora’s Box’. You might think that device would deliver a steady stream of music fit to your unique tastes. But, no, it is merely a complicated McGuffin thing to chase around the globe. Xiang (Donnie Yen) and his crew stole the device, but it was only a prototype McGuffin. Xiang turns out to be a former Triple X recruit, so now he is a good guy. Many different things happen in many different locations, to show that this is movie that has many places that Xander can go.

There are a few other people in the cast, but it would not make a difference if I named them all. The main draw is Vin Diesel and his gruff voice and gigantic ‘guns’. Is there a story slapped in here somewhere? Sort of, but I could not really tell. Where there action sequences? Well, there were quite a quick edits on the screen and a lot of blurry motion. So I guess that could be taken as an action sequence. Was the dialog stiff and clunky? That is a resounding yes.

 

The people who will go see this movie will like anything that Vin Diesel does. Regardless of how fast or furious he is, or if Vin is full of ‘Groot’, that would not matter in the least. They want lots of fast cars, loud guns and dumb action as its highest level.

Perhaps Shakespeare said it best, being the famous movie critic that he is: “It is a tale told by an idiot, full of sound and fury, signifying nothing.”

A Monster Calls

January 6, 2017 (updated January 8, 2017) Published by

“A Monster Calls” is a heart-wrenching yet artistic view into a 12-year boy and his troubled life. With a slowly dying Mom, a divorced dad who lives far away, and a grandmother with a gruff and unemotional manner, he is dealing with quite a lot. Also, his time in school is marred by a group of bullies who confront him every day. If only he had the size and strength and courage of a Monster…

Conor O’Malley (Lewis MacDougall) lives in a small rural town in the English countryside. His life is in turmoil because his Mom, Lizzie (Felicity Jones) is getting worse with a terminal illness. It is difficult at school, because there are boys that bully Conor, mostly because he has a sick mom and he is a good artist. Mom and Dad (Toby Kebbell ) are divorced, and he lives in California. Dad comes to visit, but he again shows that he is not part of Conor’s life.

When Lizzie gets so bad that she needs to be in the hospital, Conor must stay with his grandmother (Sigourney Weaver). She is strict with Conor, and she cares more about cleanliness and keeping order in her house than she does about Conor. Conor has dreams of being big and strong and getting his way. He wants to set things right, and to get his Mom back. Then one night, something strange happens.

Out on the distant hill, there is an old church and a still older yew tree. The anxiety and pain in Conor’s life is felt by the yew tree. It comes to life, and it comes to visit Conor. The immense humanoid tree seems very scary, yet he speaks with a gentle but authoritative voice. The Monster (voiced by Liam Neeson) has three stories to tell Conor, and when he is done, Conor must tell him one story.

The stories that the Monster tells are illustrated with a beautiful watercolor animation sequence. The first story is about a magical kingdom that has kings and queens. The second story is about a pastor who shames an old man who sells roots and herbs that can cure people. The third is about an invisible man and a monster that helped him. Conor hears the stories, but they do not work out the way that he thought they would.

Conor hears the stories, but he overreacts. He drives away his father and becomes more distant to his grandmother. He goes overboard and destroys everything precious in his grandmother’s living room. He is overcome with rage and fights back against the bully, but sends him to the hospital. In each of these cases, even when he has done something outrageous and destructive, he does not receive any punishment. Conor is simply dealing with too much stress, they all say.

But nobody knows about the Monster, and nobody knows about the stories. They surely don’t know that Conor now has to tell his story, and Conor is very afraid. The Monster said that he was sent for healing, but Conor’s mom is still in bed at the hospital. Conor is sad, angry and confused. Exactly why did the Monster come to visit with Conor?

The story of “A Monster Calls” is very simple and direct. It focuses on Conor and what he is going through. He feels alone and powerless until the Monster calls upon Conor. But the final story reveals the full sadness in Conor’s life and what he truly wants. He is ashamed to have the Monster know what he feels inside. The dread and sadness of the story are then lifted up by the artistic beauty of the story sequences and the emotional release at the end.

Lewis MacDougall is a major young actor who can handle the tricky role of Conor. He is well cast and performs in a very believable way. Felicity Jones does ok with the Lizzie role. However, not a great deal is asked of her in the role, and she fades out near the end.  Sigourney Weaver does a sturdy job as the grandmother, who at first seems very mean and harsh, but she learns that Conor is more important than just things in the house.

The Monster is voiced by Liam Neeson, who has a very distinct quality of overwhelming scariness in his tone, but has a soft and comforting aspect as well. The Monster design is very well-done CGI. It has the unfortunate tendency of bringing to mind a similar character from the movie “Guardians of the Galaxy”. So the Monster is a huge giant, and he is a big tree. This movie might be called “The BFG 2: The Big Friendly Groot”.

Hidden Figures

January 6, 2017 (updated January 8, 2017) Published by

In the early days of the Space Race, when the USA and the USSR both worked to be the first in space, there was limited technology. The only ‘computer’ available was a person who excelled in math and could handle very complex calculations. The math experts and engineers who ran NASA in the early 1960’s were brilliant people. Almost all of then were men, and even more were White. That’s why this true story of three Black women is so outstanding.

When a Black person (‘Negro’ was the phrase used back then) was the best ‘computer’, and that person was also a woman – well that could lead to whole lot of trouble. Katherine Johnson (Taraji P. Henson) was a complete master of math, and could calculate complex re-entry points down a few hundred yards. She was needed for her skills in doing the computations, but the NASA engineers all looked down on her. She was not like them, so they did not think she was quite as good…

Katherine also had two good friends at the NASA facility, Mary Jackson (Janelle Monáe) and Dorothy Vaughan (Octavia Spencer). Mary had the skills and the desire to become an engineer, but the schooling was not available to ‘colored folks’. That is, until she challenged the local rulings and was permitted to take night classes at the all-White school. Dorothy was the leader of several talented Black women who were on staff at NASA. Yet she was not permitted to have the title of Supervisor. The White office manager Vivian (Kirsten Dunst) would not help Dorothy to advance, because she was Black, and therefore, unqualified.

 

Katherine had to face countless times when bigotry and low expectations hindered her progress. The chief of the lab was Paul Stafford (Jim Parsons). He would give Katherine work to review that was incomplete because sections had been removed, since she did not have the security clearance. But when the Manager of the NASA facility Al Harrison (Kevin Costner) found out how smart Katherine was, he made sure she got all the information that she would need. He even removed the limitations of ‘Colored’ bathrooms, so that Katherine would not need to run across the campus.

Also, the lab obtained its first IBM mainframe computer system, and Dorothy Vaughan had been teaching herself how to code programs on the new device. She became an expert and she was in charge of several other women and became a real Supervisor. Mary Jackson earned her degree in engineering and also continued to work at NASA on the space program.

Seeing that this is a true story of real people involved at the early stages of NASA, this movie shows the struggles that many of these women had to overcome. Before any Equal Rights laws were passed, these smart and powerful women showed that they were equal to the White men. They did that just by being able to perform at their highest levels. They did not allow the racism and sexism to fester and make them bitter. The fought back in the best way they knew how – they excelled at what they did.

 

The three main characters are played by three fantastic actresses: Janelle Monáe, Octavia Spencer and Taraji P. Henson. They all handle the character with grace and with dignity, even when the White world around them is harsh and cruel. They all show a deep courage and persistence to achieve great things. Also, Kevin Costner is a great addition, because he shows an understanding that success shows no ‘Color Line’. His character would not allow bigotry to stand in the way of getting the best results.

“Hidden Figures” does a terrific job in bringing to light a little-known aspect of the early days of NASA. The social norms of that era were broken so that some very talented Black women could have a chance to make a big difference in the success of the program. It is great story to tell, and it does it in a quiet, dignified manner.

Silence

January 6, 2017 (updated January 8, 2017) Published by

Sometimes, movies need to be more deeply emotional and have the epic grandeur of a sweeping historical look at Western and Eastern cultures as they clash over religion and basic tenets of faith. Or you could just see “Rogue One” again. Your choice…

But in “Silence”, the passionate work of Martin Scorsese, the story of ancient Japan is brought to life. It is viewed through the eyes of two Portuguese Jesuit priests; Padre Rodrigues (Andrew Garfield) and Padre Garrpe (Adam Driver). In the late 1600’s, the missionary work to Japan had been met with fierce resistance by Japan’s rulers.

Rodrigues and Garrpe plead with the head of the order (CiarĂĄn Hinds) to make a journey to Japan. They have learned that a close mentor and fellow priest named Father Ferreira (Liam Neeson) had been tortured to the point of rejecting the One True Faith. They want to travel to Japan and find Ferreira, so they can learn the truth.

They make it to China, and they are paired up with a Japanese fisherman named Kichijiro (Yōsuke Kubozuka). He agrees to lead them back to his homeland to find the “Hidden Christians”. These are converts created by the prior missionaries. But all the priests and Jesuit brothers have been expelled or killed. Father Ferreira also faced torture and perhaps wound up instead becoming a Buddhist.

Rodrigues and Garrpe get separated and both eventually are captured. Rodrigues has an interpreter (Tadanobu Asano) who can speak both Japanese and very good English. He explains that any foreign religion can never take root in Japan, because the outsider cannot see the island kingdom has a culture that will never believe as the Westerners.

So it is a clash of Western ideas, thought and religion against the history of Japanese culture and upbringing. Rodrigues will face losing the very one thing that he took vows to honor and protect, or he will see many of the village Christians tortured and killed because of his stubbornness.

The movie that Scorsese has made is a long, slow exposure to the wearing down of the human soul. The Japanese officials do not hate Rodrigues, Garrpe or Ferreira. They do not hate Christians or those who deliver the Gospel, the Jesuits and the missionaries. But they demand conformity and order. So they root out Christians and put them to death. So it sure seems like they hate them…

Andrew Garfield does a heart-wrenching job as Padre Rodrigues. He thinks himself as a humble and holy man, yet he borders on arrogance because he thinks only he can know the Truth. Adam Driver and Liam Neeson have much smaller roles, but they seem to be sincere in their own beliefs.

The visual imagery is fantastic, with the wide sweeping vistas of a shoreline, or mountainside or a steamed-up area of hot springs. Clouds and fog and haze are in many scenes. This brings to mind some the animated movies of Hayao Miyazaki, or the epic films from Akira Kurosawa. Scorsese can borrow the beautiful look of the movie from the best Japanese directors.

However the storyline is so morbid and predestined that the extended run time hurts the picture. Rodrigues is put into a no-win situation, and there are only two possible outcomes. He will either renounce his Faith, or he will die. But to get to that end, the movie seems to drag on and on. More tortures, more denials, more angry outbursts, more slow panoramic shots that lead to the next one…

So be forewarned. If you do not want to see some nasty things done to people in captivity, you might not like the movie. If you do not want to know in great detail about the difficult spread and quick demise of Christianity in Japan, you might not like the movie. If you do not think that Andrew Garfield, Adam Driver and Liam Neeson are fine capable dramatic actors, you might not like the movie.
In other words, if you would rather go and see “Rogue One” again, but you see this movie instead, you might suffer in “Silence”.

Why Him?

December 23, 2016 (updated January 8, 2017) Published by

In today’s world, and R-rated comedy means more vulgar words and juvenile ideas, and not much of any highly sophisticated adult-related concepts. Today’s ‘dumbed down’ culture demands more formula driven comedies, not the better ones from the old days (“Caddyshack”, Animal House”, “Blues Brothers”, “Stripes”). Sometimes even the formula style comedy can hit a few high notes and be something fun to watch. That is especially true when the leads are Bryan Cranston and James Franco.

“Why Him?” is the story of Ned Fleming (Bryan Cranston) the owner of a family-run printing business in Grand Rapids. Ned and his wife Barb (Megan Mullally) have a daughter Stephanie (Zoey Deutch) who is in California attending college. They also have a younger son named Scotty (Griffin Gluck). Ned and Barb learn that Stephanie has a boyfriend and he wants the whole family to come out and meet him.

The boyfriend is Laird Mayhew (James Franco) who is a multi-millionaire slacker dude who made a mint creating an online video gaming company. He is friendly and totally outgoing, but is lacking in many social graces. He is loud, rude, vulgar, and is heavily tattooed.  Laird is an online gaming genius and a business wiz, but he lacks any type of social filter and he blurts out everything he thinks about at every second. When Ned and Laird meet – well — it does not go over well.

 

Laird is planning on asking Stephanie to marry him, and his idea is to make sure Ned is OK with that. Ned is not OK with that, and he wants to find anything that he can to use against Laird. Laird has Stephanie in his corner, and slowly he gets more help from Scotty and Barb. Laird has a full-time assistant/estate director named Gustav (Keegan-Michael Key) and with his help, Laird is able to win over everyone, except for Ned.

So it is a back-and-forth between Ned and Laird, all concerning Stephanie and a marriage proposal. There are quite a few funny moments, but there are even more periods of slack so-called comedy. When a major plot point takes place on a toilet, well, things could turn out crappy. And an artificial intelligence device called ‘Justine’ that Laird invents has the voice of Kaley Cuoco (of “The Big Bang Theory”) and makes jokes about how her voice sounds just like the girl from “The Big Bang Theory”.

Bryan Cranston is a joy to watch, but he gets stuck in the grouchy curmudgeon role. He gets to play off the slacker goofball that is James Franco, and Franco gets his role just right. There is not a whole lot of growth or development in either character, because the main function for each is be annoyed with the other one.

Megan Mullally does OK with the mom role, and Zoey Deutch as Stephanie proves that she has a mind of her own. Griffin Gluck is kind of stuck to the side.  Keegan-Michael Key has a bizarre Slavic accent and a character that does not really do that much of anything. There are a lot of loose ends and odd things in this movie. Such as a ‘work of art’ that is a stuffed moose in a glass enclosure full of moose urine…

And as Chekov once famously said “If you show a glass box of moose urine in Act One, you must later see that used in Act Three”. Wait, did he say a ‘glass box of moose urine’ or did he say a ‘gun’? Either way, you can see that “Why Him?” is loud and occasionally funny vulgar comedy. It is much more enjoyable if you have a thing for toilets and moose urine, so that might narrow the audience a little bit.

Man Down

December 2, 2016 (updated December 6, 2016) Published by

Is there an issue with Post Traumatic Stress Disorder? Of course there is, and it needs to be addressed. Is there a potential for family issues when a solider comes back to his family from the war front? Yes, and it can be quite severe. Is the best way to present these problems wrapped up in a movie that cannot decide if it is a serious look at the situation, or an overly dramatized version of the warrior’s mental disconnect?

That is “Man Down”, which follows the solider named Gabriel Drummer (Shia LaBeouf) who is married to Natalie (Kate Mara) and has a young son named Jonathan (Charlie Shotwell). He joins the Marines with his best friend Devin (Jai Courtney). Gabe gets sent to Afghanistan, while Devin recovers from an injury back in the States. Devin soon joins him over there in the thick of the nasty action.

 

Later, Gabe has a sit-down session with Captain Peyton (Gary Oldman) about ‘the incident’. It is finally revealed that a mistake by Gabe led to an ambush attack that had killed Devin. But then, later on when Gabe is back with his family, Gabe shuns his wife and his son to hang around with Devin. Eventually Gabe and Devin prowl about the bleak apocalyptic landscape for his son. But Devin did not make it back…

The late Devin is Gabe’s closest friend and Gabe’s metal state is in question. Captain Peyton talked with Gabe about his reaction to ‘the incident’, and Gabe is still in denial. So now Gabe and Devin are searching a destroyed cityscape searching for his son. They meet a guy named Charlie (Clifton Collins Jr.) who says he knows nothing. But there are many clues that he knows Gabe’s son, and where he might be hiding.

But how much of Gabe’s post-war travels with Devin are real? Exactly what happened in ‘the incident’? And what happened back on the home front between Devin and Kate, when Gabe was deployed overseas? Does Captain Peyton know how broken Gabe is on the inside?

Any of these questions could be enough to construct a deep and meaningful movie. But the way that the various incidents and episodes are put together on the screen make a little too jumbled. The connection between the bleak deserted place and the happy home front does get revealed, and it is done in a very subtle way. But the various sequences do not seem to tie up as neatly as they should.

 

Shia LaBeouf does a workable job as Gabe. He is mostly very understated, but then at some points he is a little bit overemotional and melodramatic. Kate Mara and Jai Courtney have very cookie-cutter roles, and they do the best that they can.  Gary Oldman puts some empathy into his character and makes a very good impression. Clifton Collins Jr. has a brief role, but is creepy and odd-ball as that character.

A movie a few years back about the mental tribulations of John Nash was called ‘A Beautiful Mind’. This movie might be called ‘A FUBAR Mind’. That would describe the nightmare of delusions that Gabe finds himself in during the movie. It is truly scary place to be. But is might not be the best way to bring attention to the real problems of soldiers.

bad-santa-2-feature

Bad Santa 2

November 23, 2016 (updated December 7, 2016) Published by

“Bad Santa”, back in 2003, unleashed quite a few “Bad” types of movies (“Bad Teacher”, “Bad Moms”, etc.) It brought a very hard edge to idea of a ‘Christmas movie’. Well, 13 years later, the raunchy comeback kid returns with “Bad Santa 2”. This is the movie that will put the “X” in X-Mas.

Willie Soke (Billy Bob Thornton) is living in Phoenix, still as bad-tempered and mean-spirited as ever. He drinks all day holding crummy jobs until he again meets up with Marcus (Tony Cox). Marcus is his diminutive friend in the thievery business who tried to kill Willie during the last heist. Marcus is out of jail and knows about a big score they can pull off up in Chicago.

 

Willie is a small-time safe-cracker, but the drinking and hard living has made problems for him. One of his problems is Thurman Merman (Brett Kelly) who got to know ‘Santa’ in the first movie. Willie cannot get rid of the lovable little cherub with the angelic face. Marcus is a creepy little dwarf, but he promises a big money payoff in Chicago.

Once there, Willie and Marcus get hooked into a large charity organization that raises lots of dollars. There will be many Santas collecting the loot, and if they get into the company safe, the cash will be theirs. But then Willie meets the person who organized this heist, Sunny Soke (Kathy Bates) his long estranged mother.

Sparks fly and insults hurl and put-downs become the order of the day. Thurman follows Willie to Chicago to be with him. The charity owner’s wife Diane (Christina Hendricks) finds a new ‘friend’ in Willie, because her husband in cheating on her and stealing from the charity.

The final day of the robbery is planned out, and the three main participants are planning to double-triple-cross each other. The safe is full of cash and the characters are all ready to get rich. Or perhaps dead…

 

The movie producers waited for this many years to make a sequel, and this sort of takes a lot of wind out the sails. The whole thing is a retread of the original, and they think that it will be ‘better’ with many of the same actors and with many more curse words and insults. Well, most of the lines are maxed out on the crudeness credit card, and there are a few that are pretty funny.

But mostly it is a failed trip down the memory chute of better forgotten characters and dialog. Billy Bob Thornton can slum down his acting ability, and Kathy Bates also leaves the award-winning ways in the dirt. The addition of Tony Cox and Brett Kelly make it resemble the original, but without the same motivations as the first one.

This is another entry in the curmudgeon Christmas movie, a small group of movies that take the light, peacefulness, and hope out of the holiday. When the title even reminds you that it is ‘Bad’, there is not that much to expect. If you are looking for disgusting behavior, crudity and vulgarity, all wrapped up in a dull brown paper, then this is the one for you.

Merry Eff’n Christmas, as Willie would say…

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