JMcNaughton, Author at tmc.io 🍿 watch movies with friends 48

Silence

January 6, 2017 (updated January 8, 2017) Published by JMcNaughton

Sometimes, movies need to be more deeply emotional and have the epic grandeur of a sweeping historical look at Western and Eastern cultures as they clash over religion and basic tenets of faith. Or you could just see “Rogue One” again. Your choice…

But in “Silence”, the passionate work of Martin Scorsese, the story of ancient Japan is brought to life. It is viewed through the eyes of two Portuguese Jesuit priests; Padre Rodrigues (Andrew Garfield) and Padre Garrpe (Adam Driver). In the late 1600’s, the missionary work to Japan had been met with fierce resistance by Japan’s rulers.

Rodrigues and Garrpe plead with the head of the order (Ciarán Hinds) to make a journey to Japan. They have learned that a close mentor and fellow priest named Father Ferreira (Liam Neeson) had been tortured to the point of rejecting the One True Faith. They want to travel to Japan and find Ferreira, so they can learn the truth.

They make it to China, and they are paired up with a Japanese fisherman named Kichijiro (Yōsuke Kubozuka). He agrees to lead them back to his homeland to find the “Hidden Christians”. These are converts created by the prior missionaries. But all the priests and Jesuit brothers have been expelled or killed. Father Ferreira also faced torture and perhaps wound up instead becoming a Buddhist.

Rodrigues and Garrpe get separated and both eventually are captured. Rodrigues has an interpreter (Tadanobu Asano) who can speak both Japanese and very good English. He explains that any foreign religion can never take root in Japan, because the outsider cannot see the island kingdom has a culture that will never believe as the Westerners.

So it is a clash of Western ideas, thought and religion against the history of Japanese culture and upbringing. Rodrigues will face losing the very one thing that he took vows to honor and protect, or he will see many of the village Christians tortured and killed because of his stubbornness.

The movie that Scorsese has made is a long, slow exposure to the wearing down of the human soul. The Japanese officials do not hate Rodrigues, Garrpe or Ferreira. They do not hate Christians or those who deliver the Gospel, the Jesuits and the missionaries. But they demand conformity and order. So they root out Christians and put them to death. So it sure seems like they hate them…

Andrew Garfield does a heart-wrenching job as Padre Rodrigues. He thinks himself as a humble and holy man, yet he borders on arrogance because he thinks only he can know the Truth. Adam Driver and Liam Neeson have much smaller roles, but they seem to be sincere in their own beliefs.

The visual imagery is fantastic, with the wide sweeping vistas of a shoreline, or mountainside or a steamed-up area of hot springs. Clouds and fog and haze are in many scenes. This brings to mind some the animated movies of Hayao Miyazaki, or the epic films from Akira Kurosawa. Scorsese can borrow the beautiful look of the movie from the best Japanese directors.

However the storyline is so morbid and predestined that the extended run time hurts the picture. Rodrigues is put into a no-win situation, and there are only two possible outcomes. He will either renounce his Faith, or he will die. But to get to that end, the movie seems to drag on and on. More tortures, more denials, more angry outbursts, more slow panoramic shots that lead to the next one…

So be forewarned. If you do not want to see some nasty things done to people in captivity, you might not like the movie. If you do not want to know in great detail about the difficult spread and quick demise of Christianity in Japan, you might not like the movie. If you do not think that Andrew Garfield, Adam Driver and Liam Neeson are fine capable dramatic actors, you might not like the movie.
In other words, if you would rather go and see “Rogue One” again, but you see this movie instead, you might suffer in “Silence”.

Why Him?

December 23, 2016 (updated January 8, 2017) Published by JMcNaughton

In today’s world, and R-rated comedy means more vulgar words and juvenile ideas, and not much of any highly sophisticated adult-related concepts. Today’s ‘dumbed down’ culture demands more formula driven comedies, not the better ones from the old days (“Caddyshack”, Animal House”, “Blues Brothers”, “Stripes”). Sometimes even the formula style comedy can hit a few high notes and be something fun to watch. That is especially true when the leads are Bryan Cranston and James Franco.

“Why Him?” is the story of Ned Fleming (Bryan Cranston) the owner of a family-run printing business in Grand Rapids. Ned and his wife Barb (Megan Mullally) have a daughter Stephanie (Zoey Deutch) who is in California attending college. They also have a younger son named Scotty (Griffin Gluck). Ned and Barb learn that Stephanie has a boyfriend and he wants the whole family to come out and meet him.

The boyfriend is Laird Mayhew (James Franco) who is a multi-millionaire slacker dude who made a mint creating an online video gaming company. He is friendly and totally outgoing, but is lacking in many social graces. He is loud, rude, vulgar, and is heavily tattooed. Laird is an online gaming genius and a business wiz, but he lacks any type of social filter and he blurts out everything he thinks about at every second. When Ned and Laird meet – well — it does not go over well.

Laird is planning on asking Stephanie to marry him, and his idea is to make sure Ned is OK with that. Ned is not OK with that, and he wants to find anything that he can to use against Laird. Laird has Stephanie in his corner, and slowly he gets more help from Scotty and Barb. Laird has a full-time assistant/estate director named Gustav (Keegan-Michael Key) and with his help, Laird is able to win over everyone, except for Ned.

So it is a back-and-forth between Ned and Laird, all concerning Stephanie and a marriage proposal. There are quite a few funny moments, but there are even more periods of slack so-called comedy. When a major plot point takes place on a toilet, well, things could turn out crappy. And an artificial intelligence device called ‘Justine’ that Laird invents has the voice of Kaley Cuoco (of “The Big Bang Theory”) and makes jokes about how her voice sounds just like the girl from “The Big Bang Theory”.

Bryan Cranston is a joy to watch, but he gets stuck in the grouchy curmudgeon role. He gets to play off the slacker goofball that is James Franco, and Franco gets his role just right. There is not a whole lot of growth or development in either character, because the main function for each is be annoyed with the other one.

Megan Mullally does OK with the mom role, and Zoey Deutch as Stephanie proves that she has a mind of her own. Griffin Gluck is kind of stuck to the side. Keegan-Michael Key has a bizarre Slavic accent and a character that does not really do that much of anything. There are a lot of loose ends and odd things in this movie. Such as a ‘work of art’ that is a stuffed moose in a glass enclosure full of moose urine…

And as Chekov once famously said “If you show a glass box of moose urine in Act One, you must later see that used in Act Three”. Wait, did he say a ‘glass box of moose urine’ or did he say a ‘gun’? Either way, you can see that “Why Him?” is loud and occasionally funny vulgar comedy. It is much more enjoyable if you have a thing for toilets and moose urine, so that might narrow the audience a little bit.

Man Down

December 2, 2016 (updated December 6, 2016) Published by JMcNaughton

Is there an issue with Post Traumatic Stress Disorder? Of course there is, and it needs to be addressed. Is there a potential for family issues when a solider comes back to his family from the war front? Yes, and it can be quite severe. Is the best way to present these problems wrapped up in a movie that cannot decide if it is a serious look at the situation, or an overly dramatized version of the warrior’s mental disconnect?

That is “Man Down”, which follows the solider named Gabriel Drummer (Shia LaBeouf) who is married to Natalie (Kate Mara) and has a young son named Jonathan (Charlie Shotwell). He joins the Marines with his best friend Devin (Jai Courtney). Gabe gets sent to Afghanistan, while Devin recovers from an injury back in the States. Devin soon joins him over there in the thick of the nasty action.

Later, Gabe has a sit-down session with Captain Peyton (Gary Oldman) about ‘the incident’. It is finally revealed that a mistake by Gabe led to an ambush attack that had killed Devin. But then, later on when Gabe is back with his family, Gabe shuns his wife and his son to hang around with Devin. Eventually Gabe and Devin prowl about the bleak apocalyptic landscape for his son. But Devin did not make it back…

The late Devin is Gabe’s closest friend and Gabe’s metal state is in question. Captain Peyton talked with Gabe about his reaction to ‘the incident’, and Gabe is still in denial. So now Gabe and Devin are searching a destroyed cityscape searching for his son. They meet a guy named Charlie (Clifton Collins Jr.) who says he knows nothing. But there are many clues that he knows Gabe’s son, and where he might be hiding.

But how much of Gabe’s post-war travels with Devin are real? Exactly what happened in ‘the incident’? And what happened back on the home front between Devin and Kate, when Gabe was deployed overseas? Does Captain Peyton know how broken Gabe is on the inside?

Any of these questions could be enough to construct a deep and meaningful movie. But the way that the various incidents and episodes are put together on the screen make a little too jumbled. The connection between the bleak deserted place and the happy home front does get revealed, and it is done in a very subtle way. But the various sequences do not seem to tie up as neatly as they should.

Shia LaBeouf does a workable job as Gabe. He is mostly very understated, but then at some points he is a little bit overemotional and melodramatic. Kate Mara and Jai Courtney have very cookie-cutter roles, and they do the best that they can. Gary Oldman puts some empathy into his character and makes a very good impression. Clifton Collins Jr. has a brief role, but is creepy and odd-ball as that character.

A movie a few years back about the mental tribulations of John Nash was called ‘A Beautiful Mind’. This movie might be called ‘A FUBAR Mind’. That would describe the nightmare of delusions that Gabe finds himself in during the movie. It is truly scary place to be. But is might not be the best way to bring attention to the real problems of soldiers.

Bad Santa 2

November 23, 2016 (updated December 7, 2016) Published by JMcNaughton

“Bad Santa”, back in 2003, unleashed quite a few “Bad” types of movies (“Bad Teacher”, “Bad Moms”, etc.) It brought a very hard edge to idea of a ‘Christmas movie’. Well, 13 years later, the raunchy comeback kid returns with “Bad Santa 2”. This is the movie that will put the “X” in X-Mas.

Willie Soke (Billy Bob Thornton) is living in Phoenix, still as bad-tempered and mean-spirited as ever. He drinks all day holding crummy jobs until he again meets up with Marcus (Tony Cox). Marcus is his diminutive friend in the thievery business who tried to kill Willie during the last heist. Marcus is out of jail and knows about a big score they can pull off up in Chicago.

Willie is a small-time safe-cracker, but the drinking and hard living has made problems for him. One of his problems is Thurman Merman (Brett Kelly) who got to know ‘Santa’ in the first movie. Willie cannot get rid of the lovable little cherub with the angelic face. Marcus is a creepy little dwarf, but he promises a big money payoff in Chicago.

Once there, Willie and Marcus get hooked into a large charity organization that raises lots of dollars. There will be many Santas collecting the loot, and if they get into the company safe, the cash will be theirs. But then Willie meets the person who organized this heist, Sunny Soke (Kathy Bates) his long estranged mother.

Sparks fly and insults hurl and put-downs become the order of the day. Thurman follows Willie to Chicago to be with him. The charity owner’s wife Diane (Christina Hendricks) finds a new ‘friend’ in Willie, because her husband in cheating on her and stealing from the charity.

The final day of the robbery is planned out, and the three main participants are planning to double-triple-cross each other. The safe is full of cash and the characters are all ready to get rich. Or perhaps dead…

The movie producers waited for this many years to make a sequel, and this sort of takes a lot of wind out the sails. The whole thing is a retread of the original, and they think that it will be ‘better’ with many of the same actors and with many more curse words and insults. Well, most of the lines are maxed out on the crudeness credit card, and there are a few that are pretty funny.

But mostly it is a failed trip down the memory chute of better forgotten characters and dialog. Billy Bob Thornton can slum down his acting ability, and Kathy Bates also leaves the award-winning ways in the dirt. The addition of Tony Cox and Brett Kelly make it resemble the original, but without the same motivations as the first one.

This is another entry in the curmudgeon Christmas movie, a small group of movies that take the light, peacefulness, and hope out of the holiday. When the title even reminds you that it is ‘Bad’, there is not that much to expect. If you are looking for disgusting behavior, crudity and vulgarity, all wrapped up in a dull brown paper, then this is the one for you.

Merry Eff’n Christmas, as Willie would say…

Bleed for This

November 17, 2016 (updated December 22, 2016) Published by JMcNaughton

This true story is a good one that few people know about. It is worthwhile to see the lengths that someone can go when they have the internal willpower to get back into the life that they love

Hacksaw Ridge

November 3, 2016 (updated December 22, 2016) Published by JMcNaughton

War is Hell, as it is said, but a movie about War can go many different ways. “Hacksaw Ridge” plays up the unusual angle of a World War II conscientious objector who was the first one to win the Congressional Medal of Honor. He refused to carry a weapon on the battlefield, and instead carried 75 wounded men to safety on Okinawa.

Desmond Doss (Andrew Garfield) grows up in a backwoods area in Virginia. He was raised by his strict alcoholic father (Hugo Weaving) and loving mother (Rachel Griffiths). When his brother goes off to WWII, Desmond also decides to enlist. His new girlfriend Dorothy (Teresa Palmer) is surprised, because Doss is such a gentle soul.

Doss proclaims status as conscientious objector is valid in the Army. But it does not sit well with his superiors, Sergeant Howell (Vince Vaughn) and Captain Glover (Sam Worthington). They try every way possible to make Doss uncomfortable so he will leave on his own. The base commander orders Doss to pick up a rifle. When he refuses, Doss is threatened with court marshal.

Doss misses the leave from the base when he was to be married to Dorothy. Desmond’s father pulls some old favors from a World War I buddy. Desmond Doss is set free again to become a medic for the unit.

As the war winds down in Europe, the savage battle rages on in Japanese waters. On Okinawa, the unit is sent to perform an impossible mission: take Hacksaw Ridge. The long climb up rope ladders deposits the troops in a barren field of death. Other units have tried to take the Ridge, and many have died fighting the Japanese.

The fierce battle starts death coming from every direction. There are tunnels and bunkers and heavy weapons that the Japs are bringing down on the troops. Doss and his unit are slogging and fighting on, at the cost of many dead and wounded. The Japanese retreat into hiding, getting ready to come in full force again.

Doss remains in the field, up on top of the Ridge. He hears a weak cry and goes to help a soldier. And then there is another, and another. He devises a way to lower the wounded down the side of the cliff, so he can stay and care for more wounded. Doss becomes the only one able save some of the solders. He helps Sergeant Howell among others.

Captain Glover is shocked to see so many of his men in the field hospital the next day. He finds out that Desmond Doss treated and carried out each of the 75 men. Doss and the rest of the troops are ordered to take the Ridge again. But this time, all the men are ready to reach the goal, knowing that Doss had the courage to stay up on the Ridge all night and save so many.

Andrew Garfield does a marvelous job with the difficult role of Doss. He plays a man of principles who is put down for his beliefs, but who is so strong in his conviction that he makes up for the fact that he will not fight. In a bloody and gruesome situation, Doss continued to find a way to save his fellow solders.

Every other actor does a really good job with the roles that they portray. But a special nod must go to Vince Vaughn, because in this role he is stretching his acting ability to new level. He plays a drill sergeant with a slight sarcastic streak. He is nowhere as good as R Lee Ermey in “Full Metal Jacket”, who was the real deal.

Mel Gibson is the director, and he is making his way back to place of respectability in Hollywood. Gibson might be criticized for the level of violence and gore in this movie. But it is a War movie, of course, so there will have to be something that will be bloody. The first part of the movie is almost a fantasy of small town and rural life, so the next part with the blood and guts does come as a shock.

The true life story of Desmond Doss is worth telling, and this movie tells the story well. It dips into a section of extreme war time violence that is disturbing. But Doss made the choice not to fight, he made the choice to help save. He was recognized and rewarded for his efforts.

Inferno

October 28, 2016 (updated December 22, 2016) Published by JMcNaughton

Dan Brown as authored three books with a protagonist named Robert Langdon; ‘The Da Vinci Code’, ‘Angels & Demons’ and ‘Inferno’. All have now been made into a movie with Tom Hanks playing Langdon. The most recent ‘Inferno’ uses imagery from Dante’s description of Hell. So now the audience knows what they are in for…

Robert Langdon (Tom Hanks) is a famous professor at Harvard. Yet he wakes up in a hospital room in Florence, Italy. He has no memory of the last few days. Dr. Sienna Brooks (Felicity Jones) has been helping take care of him, but there is an assassin who comes in and attempts to kill Langdon. Brooks helps Langdon escape.

After much lengthy exposition, they find clues to a super virus designed by a mad biologist-billionaire named Bertrand Zobrist (Ben Foster). He planted a virus to wipe out 90% of humanity. Zobrist was being chased by international agents of the World Health Organization (WHO), and when cornered, he killed himself rather than reveal the location of the deadly virus.

Zorbist hired a super-secret security firm run by Harry Sims (Irrfan Khan). They were supposed to carry out his final wishes, but Sims finds out that the virus will be fatal to most of the world’s population. So he joins forces with the head of WHO, named Elizabeth Sinskey (Sidse Babett Knudsen). She does not trust him, but she has no choice.

Christoph Bouchard (Omar Sy) finds Langdon and Brooks, and he wants to know the location of the virus. He lied about working for WHO, because he wants the virus to sell it on the black market. Langdon and Brooks go from Florence to Venice, and then to Istanbul. Langdon uses his special knowledge of ancient history and symbols to find the location of the virus.

If this all sounds fascinating and exciting, then you would be mistaken. The characters exist only to spout off overheated rhetoric and exposition. Every conceivable situation feels contrived and over-the-top. People know way too much about ancient languages and historical artifacts. Main characters seem to change in a blink of an eye from a reasonable person to money-hungry would-be arms dealer or even a Zobrist inspired bio-terrorist.

Every person in this movie has difficulty being believable, but mostly that is because the story line makes them say and do things that are absurd. Irrfan Khan comes off the best, because his character is somewhat mysterious and morally ambiguous. Tom Hanks has a lot of dialog, but he appears to ‘sleep talk’ his way through it all. Felicity Jones is weighed down with an improbable switch of her character arc midway in the movie.

There is a lot of talking and running, and going from one museum or city to another. There is much movement, but very little in plot development. The major bad guy has committed suicide at the beginning of the movie, and he is not around to fight against Langdon. There is a supposed prior love interest of Langdon’s that is brought up, and that never is resolved. Many doors are opened, but nothing comes from any of it.

Dante’s Inferno was his representation of Hell, put down in words. The movie ‘Inferno’ is just a reimagining of the same Hell, but as a movie experience.

The Magnificent Seven

October 10, 2016 (updated October 10, 2016) Published by JMcNaughton

Pity the poor remake. So many people think that the remake is never as good as the original. But in this case the very first original was ‘The Seven Samurai’, then remade as ‘The Magnificent Seven’ in 1960. And now comes along a new take on the old Western story, with new a new cast and a fresh look.

As the Civil War has ended, a little town in Northern California is overrun by a mean-spirited land baron named Bartholomew Bogue (Peter Sarsgaard). The people of Rose Creek sit between him and a lot gold in the local hills. Emma Cullen (Haley Bennett), whose husband was shot in cold blood by Bogue, finds and hires a protector.

She meets up with Sam Chisolm (Denzel Washington), a bounty hunter. He knows of Bogue and has had his own troubles with him. Chisolm finds a small group of hired guns to help him fight the wicked army of thugs that Bogue will bring to town.

These include Josh Farraday (Chris Pratt), a gambler; Goodnight Robicheaux (Ethan Hawke) who is a sharpshooter and his partner Billy Rocks (Byung-Hun Lee), an expert with knives. Also in the group is Jack Horne (Vincent D’Onofrio), a bear of a mountain man and a tracker: Vasquez (Manuel Garcia-Rulfo), a Mexican outlaw, and Red Harvest (Martin Sensmeier), a Comanche Indian.

Once these seven men come into town, they meet up with local sheriff and a group of Bogue’s men. There are over twenty thugs to take on the much smaller group. After a tense stand-off, there is major gunfight in the town streets. The Chisolm group survives and comes out on top.

But there will be a much bigger battle that is yet to come. The Seven all fortify the town and train the local townsfolk to take up arms and fight the good fight. Bogue has much bigger plans in mind, with a huge group of ornery thugs and much more sophisticated weapons at hand.

The group of Seven and the people of the town are ready for the fight of their lives. And for some of them, it will be the last day of their lives. But all of them, led by Chisolm are ready to stick it out and not surrender…

With a large ensemble cast, it can be tough to get a very precise idea of every character. But Denzel Washington has such a calm and soothing presence, he can make you believe that anything is possible. Chris Pratt does his comic relief best, being a funny character with a very good aim and a love of the bottle. Ethan Hawke does a terrific job with a Civil War Confederate rifleman who has seen one too many battles.

Everyone else is also very good in the roles they play, with each having a key scene or two that give their character a better depth. Some of the have a lack of times, this limits how well the audience gets to know them.

A few of the choices are a tiny bit off the mark, such as the voice used by Vincent D’Onofrio as Jack Horne. It is high-pitched and squeaky for such a big bear of a man. Also, the costuming for Haley Bennett seems a little too much Victoria’s Secret for a plain wife of a rancher.

But these are tiny little issues compared to the beauty of the background scenery, the wonderfully stirring score (the final work by James Horner), and the fantastic action sequences in the gunfight scenes and the final battle in the town.

This might not be your father’s ‘Magnificent Seven’, but you can depend on these guys for a rollicking good time…

Miss Peregrine’s Home For Peculiar Children

October 10, 2016 (updated November 7, 2016) Published by JMcNaughton

Jake Portman (Asa Butterfield) is a young teenager living in Florida, with a deep admiration and affection for his grandfather Abe Portman (Terence Stamp). Abe would tell Jake many wild stories about a far-off school that Abe used to attend. The horrible death of Abe gives Jake and his father Frank Portman (Chris O’Dowd) the idea to visit the Isle of Wales to see where Abe grew up.

On the Isle, Jake wanders into a large mansion and it changes from broken down to tip-top shape. Jake has gone from 2016 back to 1943. It is the work of Miss Peregrine (Eva Green), who is the loving but strict leader of the Home for Peculiar Children.

Jake meets all of the children, but he develops a crush on Emma (Ella Purnell) who is one of the students. Jake finds out the Nazis would bomb that building that night, but Miss Peregrine has the ability to turn back time for 24 hours to create a safe ‘time loop’ for the children.

There is an evil man named Mr. Baron (Samuel L. Jackson) who is a shape-shifter and can appear to be anyone. He leads a group of crazy people who will attack the Peculiar Children and eat their … eyeballs. Baron is also the cause behind the Hollows, invisible monsters that has earlier killed Jake’s grandfather.

Many of the Peculiar Children have unusual abilities. Emma can float and can control air, there is one who is pyrokinetic, another who is an invisible boy. There is one who can control and maintain plants, and another who has bees that live in his stomach, and a boy who dreams many future events. There is a young girl who is an amazingly strong child, and one who can control and direct the newly dead.

The story twist and turns back and forth between 1943 and 2016, and from the Isle of Wight to Florida and back again and also to London. There is a sunken ocean liner that is lifted with the forced air from Emma. There is another hidden Home in London that gets attacked by Baron and the evil crew. Miss Avocet (Judi Dench) has to run away and the Peculiar Children help her before Baron can kill her.

Jake has never found any special Peculiar ability that he might have. Except for the fact that he can see the Hollows, who remain invisible to everyone else. Miss Peregrine knows that Jake will be very helpful in the fight against the Hollows and against Mr. Baron. She will be able to use his special talents to keep the other Children safe.

So that is the direction of this new movie that NOT aimed for small children. There are some scary situations, along with many that are just down right odd. Yet, for a Tim Burton movie, it seems subdued and not as wild as many of his earlier ones. There is a bit of the darkness along with a crazy-quilt of characters. Just not as many as you might have expected in a Burton production.

Eva Green did a beautiful job in the role, and Samuel L. Jackson was very over-the-top as the big villain. Asa Butterfield was fair, but mostly bland, and there was not chemistry at all between him and co-star Ella Purnell. Judi Dench has a short role but is fun to watch, Terence Stamp has just the right look as the Peculiar grandfather.

This movie is available with 3-D, but except for a handful of scenes it does not lend itself to any great viewing. The production qualities were very clear and impressive. However the overly large cast and the odd shifting between time periods and places made the story very hard to follow.

By all means, leave your kids at home to go see this latest Tim Burton movie, especially if you have a taste for the Peculiar.

Deepwater Horizon

October 7, 2016 (updated October 10, 2016) Published by JMcNaughton

The ‘Disaster Movie’ from the ’80s is back, but in a more professionally produced package. There are no airplanes falling from the sky, but there is an Inferno, and it does tower. There is no sinking cruise ship, but a floating oil rig in the Gulf is in deep(water) trouble. The actual events of 2010 are recalled and given the up-close-and-personal treatment. “Deepwater Horizon” makes a statement about the strength of ordinary men and woman in a very extraordinary situation.

Mike Williams (Mark Wahlberg) is an oil rig engineer ready to take on another three week shift on the Deepwater Horizon rig. His wife Felicia (Kate Hudson) wishes for his safe return, as usual. He meets “Mr. Jimmy” Harrell (Kurt Russell) who is the supervisor on the rig. Mr. Jimmy is a no-nonsense leader who believes in safety first. Andrea (Gina Rodriguez) is a worker in the control room who helps keep the rig on target.

TransOcean is the company who owns the rig, and it is being leased by BP (British Petroleum). A few BP executives are on board, including Donald Vidrine (John Malkovich). They are worried that rig’s drilling has not been completed and tested in time, and now they are weeks overdue and millions are being lost. So there are reductions made in testing and not every normal regulation has been followed completely. The oil needs to be drilled already, dammit!

While running some functional testing, the results are unclear. The BP bosses, like Donald, want a quick retest done. But “Mr. Jimmy” and Mike and many other oil rig workers want every option completely tested. This includes Caleb Holloway (Dylan O’Brien) a guy on the main drill line floor. He notices that after the aborted test, there is some violent shuddering in the drill line. He starts to see the mud and oil oozing up from the drill. This is not a normal result.

Within minutes, the rig explodes with highly pressured oil and gas that had been trapped in the faulty drill line. Methane seeps into the air ducts, ready to ignite – and there is no place to hide. There are 11 people who do not make it out alive. But the remaining one hundred plus workers, engineers, pilots, cooks and everyone assigned to work on the Horizon are in trouble. There are many injured and people are in shock. The story of how the rest of them got out and helped each other makes for the second half of the movie.

Movies that are based on true life situations are interesting. There is a build up to an oncoming oil rig disaster or a double bird strike on a jet out of JFK. You basically know the story. But there so many details of the actual situation that the movie portrays, that you are still amazed to see the whole thing unfold.

Mark Wahlberg plays the smart yet humble oil rig expert, and he shows how average guy can become a hero in the right circumstances. Kurt Russell it a force to be reckoned with, and his character is devoted to by-the-book safety measures. “Mr. Jimmy” will not let the sneaky executives pull any fast ones, but when they get him out of the room…

Kate Hudson does her best to act like the loving wife, and she is nervous when she hears the news. Dylan O’Brien plays a typical oil rig grunt, the guys who are there pulling the pipe and manning the drill at all hours. The money-grubbing monster had to be played by someone, so John Malkovich was the only logical choice.

The acting plays second fiddle to the visual chaos of the Horizon under assault by flaming jets of gas and oil. The action scenes are so realistic that you also feel under assault. Everyone is covered in oil and blood, and the horror takes a human toll. The means to escape are few, and pathways to survive are slim. Special effects, computer enhanced imagery, sound design and mixing are all on display.

Peter Berg has taken a eerie chapter from America’s recent past with this event leading to the worst oil spill in history. But rather than focus on the long-term affects to the ecology of the Gulf, he instead narrows it down to the workers on the rig. We feel the confusion and despair of the men and women who made up that team. And at the very end, there is a fitting tribute to the 11 souls who perished on the disaster. With additional review (from this movie), perhaps there is some hope for changes and continued vigilance on the deepwater oil rigs.

Author: JMcNaughton