PET SEMATARY Final Trailer!

PET SEMATARY is in theatres Thursday

SYNOPSIS

Based on the seminal horror novel by Stephen King, Pet Sematary follows Dr. Louis Creed (Jason Clarke), who, after relocating with his wife Rachel (Amy Seimetz) and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall (John Lithgow), setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.

DIRECTED BY

Kevin Kölsch and Dennis Widmyer

BASED ON THE NOVEL BY

Stephen King

SCREEN STORY BY

Matt Greenberg

SCREENPLAY BY

Jeff Buhler

STARRING

Jason Clarke, Amy Seimetz, Jeté Laurence, Hugo & Lucas Lavoie and John Lithgow

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In Theaters April 5th

http://www.fandango.com

The Hummingbird Project (2018) Movie Review

‘The Hummingbird Project’ just has to based on a true story. It must have really happened. The setup, the punch, the end result. It has a name attached and everything! It’s real! That’s my story and I’m sticking– what?! It isn’t real?! Impossible. This felt so much like true events that I searched for information on its characters, hoping I’d find out more about them. But I was fooled. From what’s going on in the world today, plus such vivid details in the film, it felt like every bit of this happened in a story already forgotten amongst all the rest of how to get more money for ourselves and how to get it faster than anyone else. Oh, and of course, without regard to anyone or anything. Sure, the telling of two men managing to make digital information move faster, between the Kansas Electronic Exchange and New York Stock Exchange, than anyone else can seem exciting, but I assure you, it’s quite banal. The characters are not, however, which is why I can’t say this is one to skip.

Director Kim Nguyen uncovers for his audience how cutthroat a business the digital world has become. Vincent (Eisenberg) and Anton (Skarsgård) are cousins working in New York. They have a shared dream of building a line of fiber-optic cable from Kansas to New Jersey that would beat out the competition and give everyone using it a leg up on everyone else as far as digital information is concerned. Every millisecond counts, after all. If this procedure goes well, they will make millions. They’re the perfect team to get this done… on paper. They can talk a good game and do have the smarts but are impractical, even farcical when it comes to executing their own proposal. Vincent is a fast talker who’s, well, very much like Jesse Eisenberg but Anton is quite different. That difference is the story and, comparatively, quite appealing.

Vincent talks people out of their money to help the pair advance in their business. That’s what he does best. With the other side of his mouth, he can communicate to another person he’s taking advantage of, that if they help him, it’ll benefit them. It’s for the best if they give Vincent a piece of their property to dig under. Sure he may have to part with a few bucks, but in the end, Vincent comes out on top.

He too good at getting them everything they want that you know it’s too good to be true. Yep. He suddenly falls ill… leaving Anton. Anton is a special nerd who isn’t good on his own. He’s not the hustler Vincent is and when pressured tends to break down. They’re an unreliable team but if it wasn’t for their old boss, Eva Torres (Hayek), trying to stop them at every turn, they’d have gotten a lot further.

Eva is the powerful and manipulative trader at the top who lost Vincent and Anton as employees but will not lose her speed to them. What it comes down to is, they’re in way over their heads. Once they found out Eva was tipped off to what they were doing, maybe they should have gotten out of the pool.        

Skarsgård was fantastic in this. He was comedic yet, simply… strange. This character is unlike anything he’s done before which is always a plus for any actor and certainly his audience. Eisenberg was incredible. I’ve yet to see him in anything I didn’t love him in. Here his performance is stirring and powerful. He nails the role every single time. And Hayek was strong in the devious, scheming administrative role that usually goes to a man. The film these actors were in together wasn’t quite as good as they were in their roles, but it was thought-provoking at times and an insanely deep ride to be on. Though it isn’t all that exciting, it does move at a pace that will keep you involved in the story to see it all play out. As I’ve stated though, it’s the list of well-chosen actors that will make you have to stay and see what would keep a man with stomach cancer from giving up his optic dreams. His idea is absurd. The logic behind it makes no sense. What’s a millisecond right? Thing is, apparently, to the stock market, it’s everything. 

This film will be opening at Harkins Shea 14 this Friday, March 22nd.


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JOHN WICK: CHAPTER 3 – PARABELLUM Trailer

John Wick: Chapter 3 – Parabellum

In this third installment of the adrenaline-fueled action franchise, super-assassin John Wick (Keanu Reeves) returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn.
Summit Entertainment presents a Thunder Road Films production, in association with 87Eleven Productions.

Starring: Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Saïd Taghmaoui, Jerome Flynn, Jason Mantzoukas, Tobias Segal, Boban Marjanovic, with Anjelica Huston, and Ian McShane.
Directed by:  Chad Stahelski

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In Theaters May 17

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The Wedding Guest Movie Review

Written and directed by Michael Winterbottom of ‘The Trip’ movies, ‘The Wedding Guest’ does a good job of disguising from the audience what the film is truly about. It starts out as a thriller of intrigue and deception, but builds into a cherished friendship and, dare I say, a relationship between two people who least expected to be in one; especially with one another. I’d like to add that the title is incredibly misleading. In fact, if one were to go by the title, someone would be upset at what they might think they’re venturing into. They could assume perhaps a comedy or romance is in order, yet I assure you this is anything but a farce or a love story. It’s a beautifully shot suspense by cinematographer Giles Nuttgens (Colette, Hell or High Water) which manages one hell of a unique look at the areas where it was shot.

At first, you’re on a trip through India and Pakistan with a man you haven’t yet been introduced to, but you are aware of what he’s doing and you’re certain he’s up to no good. He gets on a plane, rents a car, grabs duct tape and buys some guns. If it’s a wedding he’s planning on crashing, who isn’t he happy with?! You might speculate it’s the groom at this point. Jealousy?

The genre ‘thriller’ for which the movie is tagged is half correct. While watching, you could be somewhat disappointed in how it’s playing out because, on occasion, the film itself can’t decide what category to fall under. I must add that by the time it’s over, you’ll glance back on the film as a whole and say to yourself, ‘Well done, Winterbottom.’ That said, you still can’t ignore where the film ultimately has a hiccup or two. While it does its job of entertaining you, there are areas of the script that are a bit ho-hum and hard to overlook. Most importantly, Winterbottom needed to get to the point quicker. Regardless, you’ll excuse this. Mostly because of the cast.

Dev Patel (Lion, Slumdog Millionaire) and Bollywood film and stage actress, Radhika Apte, give outstanding performances. Their characters, Jay and Samira, are trapped in a seemingly dicey and ever slippery situation, but both are well aware of the game they’re playing and are quite adept in the art of manipulation. Their firsthand knowledge of a good con keeps them ahead of the game and also has them skeptical of one another. Jay finds out Samira isn’t quite as innocent as she seems. Though he’s guarded, he eventually feels something stir and wishes he had met her under different circumstances. 

The plot is that Samira lives in Pakistan where her family is going to make her marry someone she doesn’t love. Jay has been hired to kidnap Samira from her impending nuptials before it’s too late. He’s to bring her to the man she loves so they can run away and be together. This is where the title comes in. Though it’s lucky for her that Jay nabs her before the wedding happens, he’s not exactly a guest. In what is originally sold as a real kidnapping, you’re worried for her safety when Jay busts into her home. He isn’t aware that he’s helping her out of an arranged marriage, so the audience doesn’t learn this until right away either. When the true motive is introduced it all starts falling into place.

As I’ve mentioned, it’s sometimes slow but the more and more you get to know them, the more and more sexual tension builds. You want to see them together and before you know it you’re vested in their relationship. In the end, you come to the conclusion that Samira was more than likely the mastermind behind everything all along. Jay, as well as countless other men, may well have been a fly buzzing to close to her trap. Though you don’t see it at first, there’s some real genius in this film. ‘The Wedding Guest’ is unpredictable, daunting and has a creatively disguised wolf in sheep’s clothing. What more can you ask for from your noir?

In Phoenix find it playing at Camelview at Fashion Square!

Cold Pursuit Movie Review

In this film, director Hans Petter Moland has remade his original film called ‘In Order of Disappearance’ that starred Stellan Skarsgård for the American audience. Since I liked this film but found Liam Neeson’s ability to carry the role a bit difficult to accept, I’ll be seeing if the original were something American audiences needed to discover sooner. If you like your action mixed with comedy this will satiate the pallet. The action is good, and the comedy is dark. My point about Neeson is that if you were curious about and or looking for the sign that it’s time for Liam Neeson to call it quits on the tough guy roles, look no further than his performance in ‘Cold Pursuit,’ or as I thought of the movie the entire time I was watching it, a strangely comedic take on ‘Taken.’ I’m sorry but it has to be said. No longer can he be taken that seriously as a badass fighter or even as menacing. As Nels in ‘Cold Pursuit,’ Neeson looks weak and thin and seems in no way capable of physically pulling off what is asked of him… nor is it explained where he would have procured his ‘particular set of skills.’

To be fair, ‘Cold Pursuit’ has an interest in meeting more than just the expectation of the ‘Taken’ fans. With the humorous elements woven through the script, it speaks to Martin McDonagh (Three Billboards Outside of Ebbing, Missouri) and even Guy Ritchie (Snatch) devotees, as well. That said, you absolutely do not want to miss the dark comedy here for which the film is loaded. Neeson was hard to swallow but Nels does have a reason for being ruthless which is the murder of his son, Kyle. In case you come across this question in a trivia game someday, Kyle is played by his real-life son, Micheál Richardson.

Nels is an ordinary, everyday family man who owns his own snow plowing business. He resides high in the bitter cold of the resort town of Kehoe, Colorado where he clears the roads for those traveler’s brave enough to chance the trip to ski in the demanding weather. I must mention that the cinematography is breathtaking. Nels has a cabin outside of the tourist trap with his wife Grace (Dern). Grace isn’t in the picture long. She’s distraught and… outta here. When they find out he was killed, Nels vows to hunt the killers down and wreak havoc upon them. This leads to my biggest beef with the film which is Tom Bateman as drug lord Trevor ‘Viking’ Calcote. He the man who Nels hunts but is not at all a convincing bad guy. And not because he’s a vegan! Bateman does look like a weasel in the film which works in his favor to a degree. And I know the bully, or the alpha, is usually the weak one but this is another casting choice I would have reconsidered. The performance wasn’t strong enough to convince me he wouldn’t turn tail and run at the slightest inclination there might be some sort of confrontation, let alone lead others to do anything malicious. His ten-year-old son Ryan (Nicholas Holmes) is a far more interesting character. And I sincerely mean that.

In a brilliant turn of events, Viking draws the attention of the Native American elder White Bull (Tom Jackson), who’s the head of his own gang. A turf war starts. This is the last thing our gangster wannabe needs. Nels and Natives? Now it’s getting good. Members of these rival gangs start dropping like flies.

William Forsythe enters the picture and you finally accept that this might be where Nels received some of his skills. Anyway, Forsythe always adds to a film, an asset no matter how he’s used and playing brother to Nels, he helps the story immeasurably. There are two local cops played by Emma Rossum and John Doman who do the same. By the end, justice is served, and you’ll walk away having enjoyed the hell out of this movie. Parts are unbelievable, yes, but what about going to a movie isn’t fantasy? You’ll like the scenery, the score, the characters, and the vengeance. You’ll begin to see the bigger picture playing out and how insane it’s all becoming. And just maybe, you won’t be ready to say to Neeson’s agent that it’s time he hangs up his punching bags. There still might be a few more action pictures left in him?  I’ll leave that to you to decide.

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Pet Sematary Trailer 2

PET SEMATARY IS BACK!

SYNOPSIS

Based on the seminal horror novel by Stephen King, Pet Sematary follows Dr. Louis Creed (Jason Clarke), who, after relocating with his wife Rachel (Amy Seimetz) and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall (John Lithgow), setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.

 

DIRECTED BY

Kevin Kölsch and Dennis Widmyer

EXECUTIVE PRODUCED BY

Mark Moran

PRODUCED BY

Lorenzo di Bonaventura, Steven Schneider, Mark Vahradian

 

BASED ON THE NOVEL BY

Stephen King

 

SCREENPLAY BY

Jeff Buhler

STARRING

Jason Clarke, Amy Seimetz, Jeté Laurence, Hugo & Lucas Lavoie and John Lithgow

Social Media:

#PetSematary
Official Site: http://www.paramount.com/
Facebook:
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http://www.instagram.com/ParamountPics
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In Theaters April 5th

http://www.fandango.com

Miss Bala Movie Review

“Miss Bala” is actually a remake of an earlier Spanish-language version. But this new one is bigger on the action, violence and explosions, because – wwll – because it is a Hollywood remake. The story gets into cross-border action between the United States and Mexico, specifically in Tijuana and San Diego. The Mexican drug cartels, crooked local Mexican cops, crooked Mexican Federales, the U.S. Drug Enforcement Agency, and even the CIA get thrown into the mix. The story uses the local Tijuana beauty pageant as a vehicle to jump start a tense action thriller with a long and winding resolution.

Gloria Meyer (Gina Rodriguez) works as makeup artist in the Los Angeles area. She was born in the US, but has spent much of her childhood in Tijuana, Mexico. Her best friend there is named Suzu (Cristina Rodlo), and Suzu is planning on being in the Miss Baja California beauty contest. Gloria is with Suzu when she registers, and that night they decide to celebrate at the hot local club. However, the place is way too hot. The local Federale general, who is also a crooked drug kingpin, is scheduled to attend. So a group of actual drug cartel members break in to assassinate him. This group is led by Lino (Ismael Cruz Córdova). Lino finds Gloria hiding in a bathroom, and tells her to leave quietly. The shooting starts and people scatter everywhere. Gloria looses track of Suzu, and vows to find her. The next day she goes to a local cop to get help.

Instead, she is kidnapped by Lido and his henchmen. She is unwittingly brought into a plan to blow up a Mexican DEA safe house. She is terrified, and feels there is no way to escape. But when Lido make Gloria sign up for the beauty contest, she finds a way to ditch the cartel. But she is found by DEA Agent named Brian (Matt Lauria). He forces Gloria to go undercover and report to him. Or else, she will be prosecuted for the deaths at the DEA safe house. Gloria goes back to Lido and his gang of thugs. However, Lido has a new plan for Gloria. She is sent across the border with a secret stash of cash and drugs. Since she has a valid American passport, they do not question her. She meets up with another cartel henchman named Jimmy (Anthony Mackie). He tells Gloria to send a message to Lido – he has a mole in his outfit.

DEA Agent Brian is told about a big transfer of weapons to happen in Tijuana. Gloria lets him know about it and they plan an ambush. A major shootout occurs in a parking lot, and all hell breaks loose. Lido and the cartel members are under fire from the DEA and from Mexican police. Gloria is told to find her own way out, so she decides to instead stay with Lido. They escape and the bad guys find their way to a new safe house far away. Gloria finds that the beauty contest will be rigged, and the judges have been bought off. Gloria will win the contest, and that will give her private ‘access’ to the local Federale general. This means that Lido has a new assignation plot in the works.

Gloria finds that she has the power, in the end, to find her friend Suzu and to take out some really bad guys. Oh yes, all of this while looking really hot in a tight red dress and wearing heals. The people who told Gloria one thing were hiding information, or were telling flat out lies. She had to come up with ways to escape all sorts of deadly situations. She was caught in automatic round crossfire, and she was still walking tall, never hit or even scratched. Man, that woman needs to buy a lottery ticket – NOW!


Unlike other recent movies, “Miss Bala” gets about inch deep into the reality of drug smuggling and cartel operations. “Traffic” was crystal clear in showing how destructive illegal drugs can be. The movie “Sicario” gets into details about the cross-border drug smuggling operations. Even a movie the “The Mule” showed the heinous nature of the cartel methods of distributing drugs. This movie only uses cartels and Mexican Federale and DEA agents as devices to push and manipulate Gloria around the way they want. Even at the end, when it opens up a slight potential for Gloria as a continuing franchise character, someone who just be willing to do this same thing for the CIA, it is not of her free will.

Director Catherine Hardwicke takes a very pedestrian approach to the movie, by setting up selected trigger events that push the story forward. It looks really good, and there is a lot of up-beat music, even during the periods where there is great danger. Gina Rodriguez is quite good, but the role gives her limited room to create a full character. She is consistently reacting to things done by other people. Her character is led around to do this and that, but she never indicates that she would do something totally different. Also playing Lino is Ismael Cruz Córdova, and he play quite a charming sociopath. He is sometimes low-key and charming, and in the next minute he can blow away a traitor in the group. He is very convincing in this role.

“Miss Bala” is a remake of the original Spanish-language version, but something was lost in the translation.

Serenity Movie Review

The word serenity means the state or quality of being serene, calm, or tranquil; sereneness. It conjures up peace of mind that, in many cases, one can only dream of as we live our daily lives. We strive for it but might only catch moments here and there. Can you imagine a serene world where everyone in the world lives on a beautiful, perfect island? An island where everyone is happy and no one grows old? Believe it or not, it exists. In the film ‘Serenity’ it does anyway. Baker Dill (Academy Award®-winner Matthew McConaughey) lives on this tropical heaven. This paradise is called Plymouth island and it’s where Dill has everything he needs when he needs it. He barely gets by but he’s completely content with fishing for just one certain tuna that always escapes him. He has never questioned his existence until now.

What brings him to start is the re-emergence of his ex-wife, Karen Zariakas (Academy Award®-winner Anne Hathaway), who finds him on Plymouth. Karen, knowing he needs the money, offers him a golden opportunity. She uses Dill’s son Patrick (Sayegh) as bait to lure him in. She tells him that her husband, Frank Zariakas (Clarke) is extremely abusive to her and Patrick and asks if he’ll consider helping her escape his clutches. She wants Dill to take Frank out on a late tuna run and, essentially, toss him overboard to fend for himself… preferably in shark-infested waters. The offer, the mention of Partick and seeing her face again bring about feelings that Dill has suppressed. He now questions his life, whereabouts, and reality itself. Beautifully shot, you can see how if someone lived a life such as Dills’, he’d accept anything not to penetrate it. Why would he want to open up a doorway into the past that might bring him out of this utopia? This may sound like an intriguing film but, unfortunately, how it’s cut might have stopped it from being as good as it could have been.

The film has intense moments and the cinematography is gorgeous. Had it been put together differently; the story might have had a chance. Halfway through watching it, I thought to myself that it made a lot of sense that it, originally slated to come out in October of last year, was changed to January where it’ll be forgotten if ever seen. This might be better for all involved. Hathaway is stunning but not in a good way. Her damsel in distress character is vapid and mousy and McConaughey’s performance is straight up uncomfortable to watch… especially as he sweats all over the camera lens. It’s perplexing why they’d accept the roles, unless, as I suggested, the film was cut in such a way that it ruined the original intent. The world writer/director Steven Knight (Locke) was trying to convey simply doesn’t come through with the dialogue coming out of his actors’ mouths, the way they behaved and the structure of the film itself. That said, it’s just a bad movie. The more story revealed, the less sense it makes… and then there’s the music. The serious music trying to sell you on a sincerely divine plan of some sort makes the film more laughable as it goes on. If its stars interest you, wait for cable to see ‘Serenity.’ I can’t suggest you see this at the theatre.

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Glass Movie Review

M. Night Shyamalan brings his two hit films ‘Unbreakable’ and ‘Split’ together after nineteen years to celebrate an almost perfect sci-fi, thriller marriage in ‘Glass.’
Within the story of ‘Glass,’ the main characters from the two previous pictures are unwillingly united for reasons they’re unaware of, however, once they see each other again, it’s agreed upon that fate has brought them together again to continue where they left off.
Samuel L. Jackson is, once again, Elijah Price or ‘Mr. Glass’ as he prefers to be called. He’s a comic book enthusiast who’s convinced that Superheroes truly exist and proves so by using his incredibly gifted brain to be a Supervillain. At the moment he’s in a mental hospital being helped by his doting mother. Mrs. Glass is played by, Charlayne Woodard, who returns after ‘Unbreakable.’ Bruce Willis returns as David Dunn, the security guard now business owner, who helps catch criminals by touching people and receiving telepathically a crime that has been committed. The business David owns is in something he knows well and that is security. His son, Joseph, who’s played by Spencer Treat Clark who played the part originally all those years ago, helps him capture a criminal post vision.

Then there’s James McAvoy. Let’s talk about James McAvoy. He joins them as Kevin Wendell Crumb and, of course, ‘The Horde’ which means we’ll also see Patricia, Dennis, The Beast, Barry, Heinrich, Jade, Ian, Mary Reynolds, Norma, Jalin, Kat, B.T., Mr. Pritchard, Hedwig etc., the personalities who live within Kevin’s brain and take over his body when they have the light that Kevin so desperately avoids. To them, holding the light is being the personality able to control the body completely and make their presence known to the outside world. Whichever one has or keeps the light has all the power. The Beast wants this power but can be controlled… for now. Casey Cooke, played by Anya Taylor-Joy, was the only person to survive The Beast and decides maybe she can help control him again. Look for her to step in at some point and give it a try.

Sarah Paulson makes her entrance as Dr. Ellie Staple. She’s convinced that these humans are delusional. She captures them and tells them they have three days to accept that reality, using their weaknesses to control the narrative. She keeps Glass heavily sedated, uses hypnotic strobe lights to control ‘The Horde’ and keeps David in a room that will fill with water and drown him if he tries anything stupid. These safeguards make it impossible for them to escape. Or do they? Kevin’s personalities, one by one, try to break the barrier. Here’s my small soapbox moment. I must say that it was wrong to see James McAvoy’s performance ignored after ‘Split.’ This time, with the way he goes in and out of characters continually, it would be a travesty if he were to be overlooked. To this film, he was an absolute godsend. Little by little, more is divulged and you grow more curious as to what the big reveal will be. You know it’s coming.

I believe that ‘Glass’ was the perfect way to advance the story. Without revealing too much, I want to make it known that I think you should avoid listening to any negative press the film might be getting and say to you, ‘Just go and see for yourself.’ Sure there will be things to question, some quite obvious, but they’re harmless issues and don’t take anything from your belief in what’s going on before you. The fascinating twists that Shyamalan once again delivers to you in this plot keeps you riveted and will leave you fulfilled. The cinematography, score, and intensity of the script are reason enough to see this but the acting by McAvoy is extraordinary. That said if you can’t enjoy a sci-fi without using it as an opportunity to search for and find every mistake that renders it incapable of being real, maybe this isn’t for you. However, if you want to see an excellent sci-fi film that thrills the hell out of you and captures what you so loved about M. Night Shyamalan in the first place, you will not be disappointed.

The Oath Movie Review

In ‘The Oath,’ actor and comedian, now producer, writer, and director of a feature film, Ike Barinholtz, plays Chris. Chris is the everyman and Barinholtz plays him quite well. ‘The Oath,’ is a movie that needs its audience to connect with the lead in order to have faith in its message so casting was pivotal. The message is political and very powerful but no matter how you lean politically it’s a strong movie for both sides. Through a brutal comedy, you see both sides somewhat shredded and hopefully, everyone comes out on the other side the better for it. I think that’s the central reason the film was made. One blatant and glaring spotlight is directed on the idea that the country is to fall in line with whatever the president says or wants. Nowhere in the Constitution of the United States of America does it even suggest we are to support the president, a person, but instead, the president is to support what he swore AN OATH to protect and that’s the Constitution. The Constitution, in turn, protects the country and her people.

In the film, the president is asking that people sign The Patriot’s Oath. This is an oath of loyalty to him. Not only is he asking, though you are not required to, is giving you a tax deduction if you do sign… and there’s a deadline. The movie centers around this deadline moving closer and closer. The day will be after Thanksgiving… ‘Black Friday.’

Today’s political climate is all over this movie. With midterms fast approaching us and a 2020 presidential campaign looming ever closer, the film is released at the perfect time for reflection… no doubt on purpose.

Chris is very progressive and against The Patriot’s Oath. He is continually educating his wife Kai (Tiffany Haddish), also progressive but not as dynamic as he, that what the government is asking of its citizens is wrong. He’s an angry patriot and his anger increases as he witnesses American citizens grow more hostile toward one another; dividing like at no other point in history. Racists feel free to scream statements at people such as, ‘Get out of my country!’ Arguments and talking points are used to spread lies and fear, much like they are in the news you watch today. Chris believes he’s right and you are wrong which is ultimately the problem… there must be something that brings everyone back together. It can’t be just blind loyalty to only your beliefs.

The family is coming for Thanksgiving to Chris’ house and as tension toward the Oath builds, Chris prays to a God he doesn’t believe in, that he can get through the family visit. The day is here and, unable to let it go since the deadline to sign is tomorrow, Chris asks of his family members to reveal who has signed. At this point, the film digs deeply into the human psyche, and the bonds we develop, more than at any other time. Not only do we see who is with Chris and who is not, but there are a few unwelcomed visitors from the Citizens Protection Unit known as the CPU (think  Dept. of Homeland Security) there to strongly suggest to people, in this case, Chris, to sign. This is where the movie goes from being a comedy that forces us to look inward, into something darker. That said, should we be led there so we can see we’re all capable of making mistakes? Anyway, the CPU isn’t there just to ‘ask’ Chris to sign, as all the other family members, even Kai, have done, but to ‘tell’ him to. In a very cryptic way, Barinholtz may be trying to remind us all of what’s important. Family. Friends. Water. Air. Who and what are we without these? Can he continue to fight against what seems to be the popular choice or should people who are signing an oath to a person wake up and see some of his point of view?

Barinholtz is great in this. I’m impressed with his work behind and in front of the camera. Tiffany Haddish brings on the laughs but also gets to show that she’s competent enough to explore a more serious tone for her audience. Nora Dunn and the rest of the cast are exceptional in coloring the landscape that’s been created, rendering you incapable of avoiding the subject yet entertaining you at the same time. Another thing the film does is emphasize how bad things get at a moments notice and how quickly arguments can escalate out of control if cooler heads don’t prevail. See ‘The Oath’ for all the reasons I’ve listed but also look at it this way… it could serve as a warning to you to keep you from bringing up the topic of politics this year during the holidays. It comes out to today so see it as soon as possible.

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