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Coco Movie Review

November 22, 2017 (updated November 22, 2017) Published by JMcNaughton

“Coco” is a wonderful new movie from some really talented people at Pixar. These are the folk who make the refreshing and creative movies there, not the ones who toil in the Pixar ‘sequel’ division. This is a bright and colorful celebration of Mexican traditions and culture, especially the ‘Día de los Muertos’ (Day of the Dead). That is when family members who have passed away are remembered, a time when music and rejoicing fills the air.

Young Miguel Rivera (Anthony Gonzalez) is from a poor village, but his family has banished music for generations. Ever since his great-grandmother, named Coco (Ana Ofelia Murguia) had her father disappear into the world of a musician. He left to make a name for himself, but he never returned. Mamá Imelda (Alanna Ubach), who was Coco’s mother forbade any more music, and instead made shoemaking the family business. Now Coco is very frail and invalid, but she still dreams of her ‘Papa’.

Miguel has hidden love of music, and of a long-dead musician named Ernesto de la Cruz (Benjamin Bratt). He was a famous artist who had starred in movies and had many hit songs. But he died young and never knew if he had any family. Miguel thinks that he could be related to de la Cruz and that maybe he could have some of his songwriting talent. Miguel ‘borrows’ the famous de la Cruz guitar from the superstar’s shrine.

Miguel finds himself in the Land of the Dead, with all of his dead relatives around him. He must get a blessing from a family member to ever get back to the normal world. And he better hurry, because at sunrise it will be the end of ‘Día de los Muertos’ and Miguel could find himself stuck on the wrong side forever. It is lucky that he also has hus adopted street dog named Dante to guide him in there.

He meets Hector, another deceased musician who claims to know Ernesto de la Cruz, If Hector can bring Miguel to de la Cruz, and perhaps he can get his famous relative to give a blessing and get Miguel back home. But things in the spirit world, as well as in the real world, are not always as they seem. When secrets are revealed and mistaken identities are finally known, then everyone involved can all be at peace.

Every actor doing a voice role has been cast with perfect care. Every major part is played by a Mexican or Hispanic artist. This really adds to the authentic nature of the movie and also shows the respect given to that culture. The design of the movie gets right to the heart of Mexican love of color and vibrant music. Each image is a beautiful nod to the style and classy nature of Hispanic art.

The movie is also available in 3-D, and this does two things. First it does add some depth to the look and feel of the design features, but it can also add a small layer of darkness to a film that should be seen on a large screen and with the brightest image. So it cuts both ways for the 3-D aspect, and is not a required thing to enjoy the movie.

Yes, it must be said that couple of years ago, the movie came out called “The Book of Life”. This movie also did a terrific job with the similar theme of ‘Día de los Muertos’. But I would say that “The Book of Life” hit a home run, but it was an inside-the-park type. “Coco”, on the other hand, hits a full Grand Slam…

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Three Billboards Outside of Ebbing, Missouri – Movie Review

November 17, 2017 (updated November 17, 2017) Published by Shari K. Green

Do not, under any circumstances, miss this movie. It’s one of the most unique and highly entertaining films of the year. Written and directed by the skilled and very distinguished Martin McDonagh (In Bruges, Seven Psychopaths), whose work never fails to impress, bewilder and engage you, likewise, Three Billboards will surprise you, shock you, delight you as well as alarm you. I don’t know what I was expecting going in but what I got was purely visceral and elicited, more than once, a stirring of genuine discomfort for what Mildred (McDormand) was going through.

Important to pull you in, all characters in the film are rich in tone and have strong personalities. From the target of the Billboards, chief of police Willoughby (Harrelson), to his hotheaded underling, Dixon (Rockwell), the players of the narrative are well developed and entrenched within a captivating and engrossing story about despair and hopelessness. The film is beautifully shot with fitting music to accompany the actors who are expertly cast for each role. All things considered, this is easily one of the best films of the year.

A tragedy happened in Ebbing, almost an entire year previous, that changed Mildred’s, an independent and strong divorced mother of two, life forever; her teenage daughter, Angela (Kathryn Newton), was raped and murdered. In a flashback scene, we learn that Mildred has every reason to feel a little guilty for it happening. Though Mildred has a son to live for, she has been devastated by her loss and refuses to let the police sit and allow her daughter’s death to go unsolved any longer. Fearing they’re not doing as much as they should and that Angela’s death is turning into a cold case, she rents Three Billboards and posts messages to Chief Willoughby, reminding him that he has an unsolved murder on his hands, lest he had forgotten. In a deep red with black lettering the signs read, ‘Raped While Dying,’ ‘And Still No Arrests?’ and ‘How Come, Chief Willoughby?’

After the billboards, with their very potent and direct messages of what happened to her daughter and who it is not doing anything about her murder, go up, Mildred draws unwanted attention from everyone in town. She finds that Willoughby has many admirers and that the citizens of Ebbing don’t appreciate her attacking and questioning him the way that she has. It’s at this point we learn more about his current situation and suddenly a suspect list begins to emerge; so do outstanding performances.

Every word McDormand’s Mildred utters is done so with such diligence and precision that the anguish Mildred is suffering through practically assaults you as the characters in the film assault one another. You’ll agree that McDormand will be a strong contender for an Academy Award this year but so might Sam Rockwell be with his turn here as the slightly deranged mama’s boy of a police officer who’ll stop at nothing to support his boss. With these two actors at the helm, and an almost muted offering by Harrelson who is carrying the weight of the world on his shoulders, you’ll not only be happy you saw this movie this weekend but you’ll get back in line to watch it again. The end leaves the audience to guess what ultimately happens so what better way to solve a mystery than to watch more closely and research everything once again for anything you may have missed.

*Exclusively at Harkins Camelview at Fashion Square

Wonder Movie Review

November 17, 2017 (updated November 15, 2017) Published by JMcNaughton

“Wonder” is based on a popular book by the same name that deals with a young boy with a severely deformed face. Due to some genetic trait, the youngster was born with many medial issues and has undergone 27 surgeries to make him inch toward being normal. He has a close-knit family, with a loving mother and father a slightly older sister. His world is about to radically change, because mom will no longer home-school the boy and he will attend fifth grade with all other kids his age. It will be a world of ‘Wonder’.

Auggie Pullman (Jacob Tremblay) is the boy with a medically-corrected face and a huge heart. Isabel (Julia Roberts) is his mom and will no longer put her life on hold to home-school Auggie. She was close to getting a Master’s degree and wants to pursue that once more. His dad, Nate (Owen Wilson) is always very supportive, but he knows to let mom have her way. His sister Olivia (Izabela Vidovic) – called Via – is about to start high school. So, there are many changes in the Pullman household.

Auggie is very shy and awkward with people that he meets. They usually stare at him because of his face, and knows it make them uncomfortable. He tries to downplay that it makes him feel a little weird about himself, because he wants to expand his world. He normally loves to run around with a space helmet and pretend he is an astronaut, because that makes him feel better. But when he goes to school, he will need to fend for himself. He meets the principal named Mr. Tushman (Mandy Patinkin). There is also a kid in his class that seems to like him named Jack Will (Noah Jupe). But there will also be some people there who will snub Auggie and some who will bully him.

The movie follows the school year for Auggie and for Via. They both have some challenges, but then they both meet some new good friends. For Auggie, there is the new routine of a middle-school, and for Via it is learning to branch out into theater and a new romance. Their time in school has its ups and downs, but with help from mom and dad, they seem to work out the issues. There is a school play, a science fair, an overnight field trip – all the usual things to school-age kids. The most troubling event that happens is when the family dog gets ill.

Each of the main characters gets a little mini-chapter in the movie, where they get to tell more of what they think of the whole thing. It works out ok for most of the characters, even when it retreads a couple of scenes over and over (from a different perspective). There is no great revelation, other than to choose to ‘be kind’. There are some valiant attempts to give this movie more meaning than just a different type of kid that goes to a new school.

But this resembles the 1985 movie “Mask” which was a true story of a young boy with a similar problem. That movie did a good job to make an awkward kid feel ok about a facial deformity. It turned out to be very popular and won quite a few awards. So perhaps “Wonder” is destined to join in that exclusive club. But it will all depend on the acting and the story. In this case, the acting is superb, but the story is very ho-hum.

Jacob Tremblay and Noah Jupe (in a smaller role) are both incredibly good in their roles. Tremblay has the added weight of facial prosthetics to give him the look of Auggie. But they are terrific in this movie and make a very good impression. Izabela Vidovic as Via also does a great job to play the sister that tends to be ignored by mom and dad always giving time to the younger, sicker brother. Julia Roberts and Owen Wilson do a fine job as the mom and dad, but their story is not one that is front and center. Mandy Patinkin plays his role like a favorite uncle at a family reunion.

The biggest issue is that there is not all that much going on. The movie stretches over a year period, but the characters do not seem to grow at all. There is no big hurdle to get over, nor any major issue to tackle. It is all just there, going on from one day to the next. The level of bullying is not all that major, and the difficulties adjusting to the new school come and go quickly. So there is not any tension built up or any big outcome that you look forward to…

Dealt Movie review

November 10, 2017 (updated November 10, 2017) Published by Shari K. Green

Dealt is a fascinating documentary about an extraordinary individual who overcame tremendous odds to become, not only a black belt in karate but an award-winning Mechanic Magician. Every goal he set for himself was met and sometimes exceeded.
At an early age, an unlikely event befell him, and he felt he had no choice but see the mountain on top of him as something to climb rather than to simply lay under and do nothing to get it to move. A lesser person may have faced this with great contempt but Richard Turner ignored the weight that had just been dropped on top of him and found a way to adjust it to suit him. How? With loving support, the strength of character and a deck of cards.
The incredibly likable, energetic and humorous Richard can trick the best of them and with only what he’d call one small roadblock in his life, Richard is blind.

The film is magnificent as it goes through his life in sections, when he lost his sight and what brought him to meet the magician that turned his life around. That magician was Dai Vernon, one of the most important figures in magic ever. It’s said even Harry Houdini couldn’t figure out his tricks. Vernon taught Richard, who started his interest in cards from watching westerns, how to properly handle a deck, starting with how to hide a trick from your audience. From that moment on, there wasn’t a time when he was without a deck in his hands. He became so close with Vernon that he was even told some of his secrets which have never been shared.

Visually, to get the point across as to what life was like for Richard, director Luke Korem shows us what he experienced as his vision started to go but quickly refocuses attention on the fact that for most of his life he refused to live as a blind man. Teased as a young boy, when he grew up and had more control over his life, he examined his circumstances and didn’t see being blind as a disability but as a challenge, one he accepted without fear as some might choose to. He and his wife had a son and named him Asa, his middle name is Spades, who he loved very much and who assisted him but no one other than those two individuals has ever really helped him. Even so, he all but hid the fact that he couldn’t see from anyone who didn’t need to now that about him, even from a live audience. Soon with his tremendous experience came success and with success came attention but whenever people mentioned his abilities and skill with cards, they’d always equate them with the fact that he couldn’t see which upset him greatly. This became a hurdle that was difficult to jump.

The documentary is over an hour long and in that time, we see Asa leave for college and though he tries to suppress it, Richard crumbles. The boy who has been by his side since he was old enough to peek over a card table is gone. The mighty and impenetrable Richard Turner, maybe the first time, now realizes how much he truly has depended on someone other than just himself. This is how the documentary ends, with Richard finally admitting to himself that it’s okay to accept your weaknesses and the generosity of others. Perhaps the healthiest thing he did was see the loss of his visions as a blessing in disguise. He would have never accomplished what he had otherwise. Similarly, you wouldn’t have known about this had I not told you about it. Since I did, do something for YOU and see this over the weekend!

*In Phoenix at Harkins Shea 14 or a theatre near you.

Daddy’s Home 2

November 10, 2017 Published by Shari K. Green

If you’ve been burned by a sequel you thought would be amusing and it didn’t deliver, don’t let that experience keep you away. If you liked Daddy’s Home, be on the lookout for more of the same here. More of the same isn’t a bad thing. It’s the holiday’s and there’s nothing like a festive holiday comedy to share with the gang, or if your case happens to be that a film gives you a little break from that reality, that works, too.

In the first film, we meet the very epitome of cool, in dad Dusty (Wahlberg), and the easygoing, cordial stepdad to his children by the name of Brad (Ferrell). What unfolds is the story of two dad’s showing the difference in being a more confident and masculine male as opposed to being more modest or in touch with your famine side. The struggle is more within Brad as one might imagine. Immediately upon seeing Dusty, he feels as though he has already lost the fight.

Sara (Cardellini), the children’s mother, has learned to cope with them but it wasn’t easy at times. Now that it’s Christmas the men, who have worked out a pretty good system themselves, have decided that instead of dividing the children, they’ll have a ‘together Christmas.’ This decision is made after young daughter Megan, played by the ever-adorable Scarlett Estevez from TV’s Lucifer, says she doesn’t like Christmas because it’s not normal for her as it is for friends who don’t have to bounce from house to house.

The holiday also brings visits from grandpa’s Kurt (Gibson) and Jonah (Lithgow), who resemble one another as much as Dusty and Brad do. A suggestion is made to rectify this imbroglio they’re in by renting a vacation home away from home for a few days. Not only do they all have to continue being nice to one another up close but so do their fathers. For extra kicks, Kurt is negative and seems hellbent on causing problems, starting with asking Dusty how could he stand asking permission from another man to see his own children.

Brad’s father is the complete opposite. He’s supportive of everyone and gets all the love and attention a grandfather could want… deservedly so since Kurt isn’t the loving sort though Dusty has tried his best.

The family retreat creates many a hysterical scene from the actors, especially little Scarlett who knocks it out of the park whenever she interacts with anyone. This is also when the macho between the four men jettisons to eleven. In the audience, both men and women alike, will chuckle and truly appreciate the humor of a scene involving one of their other daughters ‘fiddling with the thermostat’ which sends all the men in the house into hysterics. Laughs were plentiful and I heard many an, ‘I’ve been there!’ comment from where I was sitting.

John Cena Makes an appearance near the end as another dad. Every time I see him in a comedic role I hope he gets one with of larger significance. However, maybe what makes it so striking is that he says something uncharacteristic of what he looks like and who he seems to be that it wouldn’t work, but I’d sign up to find out. His presence is strong and as the alpha male he’s used very well.

Though Daddy’s Home 2 has its downsides and moments that make you roll your eyes, it’s hard not to enjoy a Sean Anders film, even when he has Lithgow using silly terms such as ‘buttquack.’ Anders, who wrote Sex Drive, Hot Tub Time Machine and We’re the Millers, knows his way around a joke and how to deliver it. He directed and helped write the first Daddy’s Home and you’ll be glad it stayed in his hands this time around, too. He creates opportunities for the main cast to strut their stuff. He most likely told all involved that they could use his film as a vehicle to frolic, let loose and rejoice. That advice clearly worked from what they showed us in their performances.

Daddy’s Home 2 was quite good comparing it to other comedies this year. I rather liked it. This testosterone-filled comedy is, for the most part, is one to take your family to the movies to see this holiday season. Not only for the comedy but for the reason it shows you how far acting like someone you’re not will end up costing you in the end.

Murder on the Orient Express Movie Review

November 10, 2017 Published by Shari K. Green

This film is about detective Hercule Poirot and his train ride into hell. Actually, that might make for a more pleasing introduction, but it doesn’t really fit here. Poirot isn’t the sort of character the underworld would have their sights on. That aside, he’s just short of irritating, as a matter-of-fact. His mustache is way over the top and I couldn’t help but think of Peter Seller’s incredible ‘Inspector Clouseau’ when he spoke. The comparison didn’t help matters as I often found myself drifting and wishing I was watching a Seller’s classics instead. They entertained me much more.
Also, if you’ve read the book this is based on or seen the original film, you might not want to grab a seat on this train as there’s no station it could pull into that you haven’t already dropped your bags. It’s really that simple. It’s ‘Clue’ (the mystery, thriller based on the popular game), on a train only it’s not as much fun.

Poirot tells is that he’s good at what he does because he always sees things as they should be. This is both a blessing and a curse for him as he can’t so much as have a conversation with somewhat that he isn’t sniffing out their every flaw. Having the shade his mustache affords him for cover and being the straightforward man, he is, he also has no trouble pointing these flaws out to the person on the opposite side of his spyglass. When Poirot lands on the train he quickly begins meeting his fellow passengers. All of them open up to him who is, as I mentioned, sizing them up while conversing with them.
His character isn’t set up anymore beyond this. You know he’s a detective but what you don’t understand is why you need other characters literally telling you that for the entire opening of the film. As far as the setup, not much is known about any of the other characters in the film either, which is a big loss with a cast such as this. The elements are in place for this to be a massive success but it fails to deliver which ultimately falls on Branagh’s shoulders. I think most of his attention went to his acting instead of on the rest of the film.

All in all, the actors did a fine job portraying their characters but as the story moves forward you don’t find them very memorable. They remain nothing more than background in a mystery that you have already solved, except for the puzzle in your head that’s still unworking. It stares up at your asking why have the amazing cast if you’re not going to use them better? I digress. My original point is that it is quite obvious who the killer is. I won’t tell you but when our master detective finds the victim, the ‘whodunit’ of it all isn’t too hard to figure out. For me, this meant the film wasn’t as engaging as I had hoped it would be.
Maybe I expected too much. I’ve enjoyed most of Kenneth Branagh’s work but this one misses the mark. I’m all for interesting camera angles but some overhead shots seemed unnecessary and useless. He continued using perplexing and erratic camerawork throughout which didn’t win him any favors, however, the performances and music might make it worth the trip for you. There is a slight hint that there could be another film with Poirot on the way so, if that’s the case, I hope he learns from his mistakes with this one.

Last Flag Flying Movie Review

November 10, 2017 (updated November 9, 2017) Published by JMcNaughton

The movie “Last Flag Flying” is a somber reflection of the human costs of war, and it just happens to have a wild and raucous fun side. It deals with the start of the Iraq war, when a man loses a son in combat, but then calls on old Viet Nam war buddies to help him out. The result is a quiet declaration that war is never good, but that the military way of life is required (and preferred) in a dangerous world. And that patriotism is more than flying flags, it is being ready to defend your way of live and your beliefs.

Larry “Doc” Shepherd (Steve Carell) seeks out an old friend in Portsmouth named Sal Nealon (Bryan Cranston). Sal runs a run-down bar and grill (with no grill). They both served in Viet Nam many years ago. There is some unspoken reason that Doc spent a couple of years in the brig. But they brush that off and go to find one other pal from that old war. Richard Mueller (Laurence Fishburne) is now a Baptist pastor and is happily married. When they were back in the war zone, the former Marines were not holy, but a Holy Terror.

Doc reveals that his reason to seek out his buddies is that could help him bury his son. Larry Jr. was also a new Marine who went over to Iraq in 2003, but he returned in a military casket. Doc needs the help of Sal and Mueller so that he can cope with the loss of his only son. Also, on top of that is the death of his wife earlier that year. So, the aging crew gets on the road to travel first to Arlington, then to Dover – to where his son is delivered from overseas.

They meet a young Marine named Washington (J. Quinton Johnson) who was a close friend of Larry Jr. and he tells them how he was killed. Doc refuses to have his son buried in Arlington, instead he wants to transport his body to his home in New Hampshire. The initial thought is to rent a U-Haul truck, and that has limited success. The Marine corporal in charge will help in getting the body and casket to Doc’s hometown. But he ordered Washington to take the train and stay with the old fogeys and with the casket as a moving Honor Guard.

There is not a huge action-packed sequence that happens, and most activity happens in cars, trucks and trains. But the amazing thing to watch is not the events or action, but the perfectly cast actors in each role. They each have a very distinct character and they interact with a wit and sparkle that brings each to life. The old war dogs have a deep secret that they eventually talk about, and they do everything that they can to right an old wrong.

All the acting of Steve Carell, Bryan Cranston and Laurence Fishburne is excellent. Cranston has the most frantic and watchable role. But Carell does an incredible job with the role as a broken man. Fishburne is a middle-ground of dignity and reason between the other actors. They have a very observable way of making the old friends who have not met in over twenty years look believable and natural. Also, Richard Linklater style of direction fits the story well, as it flows and meanders to the conclusion.

This movie will not ask you to stand up and cheer for foreign wars, whether they be in the South Asian Pacific or in the Middle East. It will ask you to silently bow your head to honor those whom have made great sacrifices to ensure America’s freedom. Hoorah…

Thor Ragnarok Movie Review

November 3, 2017 (updated November 2, 2017) Published by JMcNaughton

Thor is one of the superhero characters from Marvel Comics Avengers team. Now after two stand-alone movies featuring Thor, and the two movies with all Avengers, Thor is back in action. But this time he will have a new adventure that will ‘Ragnarok’ his World. But first, a bit of an introduction to Thor…

Thor (Chris Hemsworth) is the Norse God of Thunder and the son of Odin (Anthony Hopkins). Thor has a half-brother named Loki (Tom Hiddleston) who is the God of Mischief. Thor can always count on Heimdall (Idris Elba) the protector of the access point between Thor’s world of Asgard and the other realms. Thor has just conquered a monster which could bring about the Ragnarok, an end-of-times destruction of Asgard.

Thor returns home and finds that things are not quite right with Asgard. Odin is lounging about and Loki is nowhere to be seen. Except that Loki is pretending to be Odin and is running the place. Loki leads Thor to Earth to find Odin, but they run into a Supreme Sorcerer. Yes, Dr. Strange (Bennedict Cumberbatch) is watching over Earth and does not want Loki around. Odin is hidden in Norway, and when the brothers find him, he explains about Hela (Cate Blanchett). Hela is the first-born and the true leader of Asgard, but only when Odin is gone.

Hela is unknown to the brothers and they want to fight her off. But she sends them into exile into a distant planet called Sakaar. This planet is ruled by a strange person named the Grandmaster (Jeff Goldblum) who is an oddball. He runs the planet that is a trash dump of the universe. Thor is captured by Scrapper 142 (Tessa Thompson) who is a bounty hunter, but also was a prior Adgardian Valkyrie warrior. Thor is chosen to fight in a gladiator-style face-off with the Grandmaster’s current champion.

The current champ turns out to be Hulk (Mark Ruffalo), who the alter-ego of Bruce Banner and another of the Avengers. But now Hulk is powerful and adored for his fighting skills. Thor finally gets Hulk and Scrapper 142 to agree to escape and head back to Asgard. Oh yeah, they also take Loki, who had landed on Sakaar and had become a favorite to the Grandmaster.

Meanwhile, Hela had been ruling Asgard by killing off anyone who did not agree with her. She had raised an army of dead warriors, and had destroyed most of the population. She has an ally with Skurge (Karl Urban) who is a warrior torn between Hela’s power and the destruction she creates. Heimdall is in hiding and saving as many of the Asgardian people as he can. He cannot wait until Thor comes back to challenge Hela.

While the plot does cover a wide range of places and characters, it never drags or never seems to be forced. The interaction between Thor and Loki is always interesting. Also, the interaction between Thor and the Hulk is very amusing. Even later, when it is between Thor and Bruce Banner it is really fun to watch. There are many places for some broad humor and many gags that are really great. This movie chooses not to take everything too seriously.

The director Taika Waititi has done mostly smaller independent comedies and minor films. But now he has been given a much larger canvas, and he paints a beautiful picture. The story gives Thor and Hulk some time to bond and to become closer. There are plenty of the standard Marvel action CGI sequences, but the story still has fun with many of the smaller sequences. Dr. Strange makes for a nice crossover appearance. And also, there is a short segment in Asgard where a play is being put on to honor Loki, and you can guess the actors who show up to play Odin, Loki and Thor.

All the acting is straight out terrific, with special regards for Tessa Thompson and Idris Elba. They both play such tough warriors who want also to save as many as possible. Chris Hemsworth is dependable as Thor, and Mark Ruffalo plays the big green Hulk (in motion capture) and also Bruce Banner. The dialog is sharp and right to the point.

The 3-D aspect is a basic conversion after the main work is done, so it does not add too much to the overall movie. The scope and overall design call out to see this movie on the biggest screen possible, including an IMAX presentation. The colorful design of Sakaar is fantastic and the world is brought to life.

“Thor Ragnarok” is a worthy entry into the ever-growing number of great movies created by the Marvel Movie Machine. This will leave you anxious for the next time the Avengers return for “Avengers: Infinity War”.

Acts of Vengeance – Movie Review

October 27, 2017 Published by Shari K. Green

If you don’t mind a little Philosophy with your action movies ‘Acts of Vengeance’ is for you! The movie is told in parts, each start with quotes such as, ‘Action is the only truth.’ from the Roman Emperor Marcus Aurelius’ writings from the book, Meditations. Antonio Banderas plays a lawyer named Frank Valera who loves his wife and daughter very much. He’s at work but on a phone call to his child, he makes a promise to her that he will make it to her performance in a talent show later in that night. You know what’s going to happen next and so does he. He is held up at work and knowing his wife and daughter are probably angry, he excuses the fact that they don’t come home right away but as the evening hours tick by, he becomes more concerned. Around midnight, the police come to his door; his wife and daughter have been found murdered. Banderas does an adequate job of not holding back the pain that a revelation of this magnitude would bring him.

Frank’s mood darkens and he runs from life. He eventually decides that defending suspected criminals is not something he is interested in continuing to do so he leaves the law firm. He stumbles on an MMA ring which gives him the outlet that he needs to work out his frustrations and the loneliness that pursues him on a daily basis. As time passes, a police officer friend of his, Strode (Urban), informs him that the investigation into their deaths has gone cold. In an unnecessary voice-over, done in typical Banderas fashion (deeply and quietly), Frank tells us that he realizes he has been punishing himself but now it’s time to find the guilty party… if he has to himself.

Playing detective, he gets himself injured but happens upon a book that gives him some much-needed introspection and he starts to train harder and sharpen his mind to prepare for battle. He even stops talking so he can better listen to what’s important. During another confrontation, he’s shot and is helped by an ER nurse named Shelia. Predictably he leaves her immediately but the men he fought had a German Shepard who has grown attached to Frank and isn’t quite so easy to leave behind. As it turns out, the pooch ends up being more of an asset than a pest. Part 3 of the 5-part narrative starts by telling us that ‘There is nothing that hinders you from doing what must be done.’ A relationship develops between him and, oh did I tell you Shelia makes a return? Yes, Shelia is back, and they begin to bond. This confuses him because his life is changing for the better but he’s ill-prepared, still wanting only for the past to return.

Upon further investigation, he thinks he knows who the guilty party is. Not surprisingly, it’s friend Strode. He follows him and after breaking into his home, he finds the reason Strode would end the life of his innocent wife and child. They meet and during a melodramatic confession, Strode happily shouts out the reason… possibly in case you didn’t already figure it out yourself or read it in an earlier clip. In a life and death fight with Strode, Frank’s inner monologue echoes the words of whom he considers the greatest stoic of all which are, ‘The best revenge is to be unlike your enemy.’ Does he learn from the passages he has been reading all this time or does he break with Marcus Aurelius and kill Strode? You’ll have to find out yourself when you see Acts of Vengeance, out today at AMC Arizona Center and On Demand!

Wonderstruck – Movie Review

October 27, 2017 Published by Shari K. Green

Wonderstruck is a great title, would probably be a remarkable book to read but it’s not so much a wonderful feature film to sit through unless prepared. Watching it feels as if you’re reading it. Everything takes too long to happen. Not surprisingly, it is based on a critically acclaimed novel; one written by Brian Selznick. Don’t get me wrong. I’m not saying this isn’t worth a watch because it is in that it’s beautifully orchestrated, well-crafted and is quite inspiring to watch but it could be a dash too slow for some.

It starts introducing us to the main character, Ben (Fegley). In 1977, he lives through the death of his mother, Elaine (Williams), whom he admired so much. Being very independent and capable, she has told Ben very little about his father except for his name. She was the type of woman who knew enough to develop Ben’s curiosity but sees no reason to fill his head with the knowledge he doesn’t truly need. Instead, she teaches him what matters to her most such as a favorite quote by Oscar Wilde that also becomes Ben’s favorite, ‘We are all in the gutter but some of us are looking at the stars.’ She encourages his astute, youthful and insightful imagination when he asks about its meaning and instead of answering the questions she makes him tell her what it means. When she dies a short time later, he holds on dearly to all she gave and taught him.

Living with his aunt now, his interest in his father, who’s from New York, grows. To find out what we’re in for at this point, we can break the title of the film down. Wonder can mean to marvel and speculate about the origin of something like the solar system, which Ben does often. Struck is to encounter something suddenly or unexpectedly. Not only is Ben an admirer of the skies, wondering if his father was, too, but lightning strikes him when he’s on the phone and poor Ben loses his hearing. It’s here we cut to 1927 where a young deaf girl, Rose (Simmonds) fantasizes about a life beyond hers. She admires an actress named Lillian Mayhew (Moore) and decides to go to New York to find her.

Now the very accomplished director Todd Haynes (Carol) takes the material he has been given of these two youngsters and cleverly marries them by building a cohesive plotline. He manages to structure the suspense to keep you guessing as to what Ben and Rose are headed toward and why. Choosing music by the incredibly brilliant composer Carter Burwell, who has scored or composed over 100 films, (Three films this year; Goodbye Christopher Robin and Three Billboards Outside Ebbing Missouri, as well as this one) was genius on Haynes’ part. Flipping back and forth between the 1920’s and the 1970’s made the music incredibly important to remove you from one time period and plop you, emotionally and all, into the other on a continual basis. In fact, you feel as if you’re in two movies, but the music never loosens its grip on you and you’re firmly planted in the story.

On his quest, Ben meets Jamie (Michael), a child as alone as Ben who is looking for a friend. The pair goes to the Museum of Natural History and Ben is taken with what he has been missing from this world. They run all over the building, passing this display and that display while Rose, fifty years earlier is doing the exact same thing in the exact same building walking passed the very same pieces and display cases. As this happens and as the boys investigate an unbelievable coincidence, you’ll feel the interest in you intensify because this must be leading to a beautiful… something. But honestly, this is where the film lets you down. An incident here, an act of fate or chance there leads not to wonder or spectacle but to regularity and commonality that one was hoping in this world they’d be escaping. The film is beautifully done with gorgeous music and superb acting by all but the souvenir at the end of this trip was that there really wasn’t anything worth taking.

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