Wonderwheel-movie-screening

Wonder Wheel Advance Movie Screening

Movie Screening Summary: WONDER WHEEL tells the story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny (Kate Winslet), an emotionally volatile former actress now working as a waitress in a clam house; Humpty (Jim Belushi), Ginny’s rough-hewn carousel operator husband; Mickey (Justin Timberlake), a handsome young lifeguard who dreams of becoming a playwright; and Carolina (Juno Temple), Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment. Cinematographer Vittorio Storaro captures a tale of passion, violence, and betrayal that plays out against the picturesque tableau of 1950s Coney Island. Starring: Jim Belushi, Juno Temple, Justin Timberlake and Kate Winslet. Written and Directed by Woody Allen.

Official Site: www.WonderWheelMovie.com
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Hashtag: #WonderWheel

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Advance Movie Screening For WONDER WHEEL

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, December 6
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, December 13
Location: AMC Town Square
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Roman J. Israel, Esq. – Movie Review

Another fabulous film coming at you before we close out 2017 is Roman J. Israel, Esq.  If you love Denzel Washington, see it now because in this film you’ll see him, simply put, in a way you’ve never seen him before.  His character Roman is a criminal attorney with a civil-rights background who has been working for low wages for thirty-six years.  Instead of becoming a lawyer to get what he can out of people who hurt for his expertise those most, he became one because he’s passionate about helping those individuals who are in desperate need.  He fights for those who have been wronged and despairs when he sees the lawyers of the day allow their first-time offenders to receive sentences of ten years in prison rather than spending the time to go to bat for their clients as they should. 

Roman J. Israel, Esq., so named for the dignity the title possess, is a bit of an egghead and a savant, with a photographic memory.  He believes in social justice and wants to do the right thing as did his mentor and his hero’s but as it becomes harder to be an idealist in a world who’ll fight you tooth and nail for their right not to be protected, Roman feels the earth his career was based on begin to shift out from under his feet.  That earth is not as steady as it once was. 

Washington brings Roman to life so convincingly that you wonder if this wasn’t the real Washington all along.  Going through the loss of all that is dear to him, Roman gets upset and nervous and it shows.  When he’s most troubled, Washington gives him ticks such as playing with his glasses, pulling at his hair.  He displays other behavioral abnormalities that ultimately sell the role.  His performance is magnificent and as the story builds to its inevitable conclusion the more you’re lost in this character and feel for his circumstances.  We learn he’s a forceps baby which tells Roman that he’s fully aware of this world not being one he wanted to enter, especially since he sees what others choose to ignore but in a city that has hardened from corruption, his heart has remained in the right place… until now, that is.

His partner and owner of the law practice, a well-known civil-rights litigator by the name of William Jackson, falls very ill.  While he’s in the hospital, Roman, who has always been the brains behind the operation doing a lot of the grunt work, takes on the cases.  He’s only to go to court and get continuances for the cases but due to his strong beliefs, he can’t help but get involved to try and right what he sees is wrong and fight against the racism, greed and authoritative tendencies of society in the United States and its court system.

George Pierce (Farrell), who was a former student of Jackson’s, handles the liquidation of the company after Jackson’s death and has to let Roman go.  Aware of his intelligence, George hires him for his company and the story picks up speed.  A lot of the dialogue here seems very deliberate, to speak of what is going on in the country today which, if you’re following politics at all, you could find very engaging and appreciate hearing.  It isn’t tedious and it doesn’t assault you but watching an optimist become a realist the way writer/director Dan Gilroy (Nightcrawler) shows Roman slowly become is both heartbreaking and frightening.  Working for George isn’t easy for him because he’s forced to do what he hates and he metamorphoses into what he ultimately despises.  He also becomes ‘Tired of doing the impossible for the ungrateful.’  However, as Roman loses himself, we see who he is turning around and that is someone with the power and control to achieve what Roman sadly never could.

I recommend Roman J. Israel, Esq. for anyone who likes a powerful story with characters driven not by lust or ambition but by the dedication and the commitment to do what’s right.  This is a heavy drama that requires your full attention and once you give it you’ll applaud what you get in return.   

The Man Who Invented Christmas Movie Review

“The Man Who Invented Christmas” is a spritely look at the creation of a small book in 1843 that led to a revival and appreciation for the Christmas holiday. Charles Dickens came up with “A Christmas Carol” a couple of months before Christmas in that year. It was major effort on his part, but he felt inspired to create a book that would counter his critics. They had called him out after poor reviews on his recent books. This is a fanciful retelling of how Dickens came up with the ideas for “Carol”, and how he got inspirations to write the characters of the novella. In this version, the actual characters of the book become real to Dickens and lead him on to finish the book.

Charles Dickens (Dan Stevens) is a popular author in London who has had a major hit with ‘Oliver Twist’. But his recent work has been lackluster and the public is less than enthused. Dickens needs to create a new book and do it soon, and it must be a smash hit. His agent, John Forster (Justin Edwards) tries to get the publishers to advance Dickens money to create a new book. Dickens wants to do a book about Christmas, and he decides to handle it all himself. He will write and book in two months’ time, get it illustrated, published and into the stores by Christmas time. Too bad he is suffering from major writer’s block…

Dickens starts to come up with a way to tell the story of a miserly old man and how three Christmas spirits visit him one Christmas Eve and change his life. The old penny-pinching scoundrel is named Scrooge (Christopher Plummer) and that character comes alive in Dickens’ real world. Scrooge, and many other fanciful characters from “A Christmas Carol”, join with Dickens on his quest to write the book. His wife (Morfydd Clark) thinks that Charles is acting a little funny, but that is par for the course. His father, John Dickens (Jonathan Pryce), also comes to stay for a few months and that adds to the commotion. John had been an uneven influence on Charles growing up. John had spent time in the Debtors Prison, which caused Charles to be put into a terrible workhouse environment.

As Dickens becomes more obsessed with getting the book out in time, the figure of Scrooge and others from the book haunt him all the time. In his first draft, he decides to let Tiny Tim perish from illness. But his agent and his wife overrule the cruel outcome that would have pleased Scrooge. Scrooge’s delight at the little Tim’s passing makes Dickens change the story and makes Scrooge change his mind. The story gets completed and the illustrator gets the pictures done. The final book gets into bookstores before Christmas and soon everyone loves “A Christmas Carol”. The book is resounding success, and it has never been out-of-print, beginning in 1843

The idea to delve into the back-story of how the influential book was created is a fresh approach to the Christmas classic. Luckily, the story behind the story is enthralling and it is filled with as many interesting people as the book. Charles Dickens life and times growing up in London and becoming a famous author is a fun and uplifting story. Dan Stevens does wonderful job with such an expressive face and knowing eyes. His portrayal is also balanced with Christopher Plummer as Scrooge. It is a role that is comfortable for the experienced actor and he nails it.

The movie moves quickly into a world filled with Dickens’ imagination and his literary friends. The soundtrack, by Mychael Danna, is bright and gives an appropriate bounce to the proceedings. The story gets into a somewhat dark area right near the end, but it rebounds again into a light and breezy ending. The treatment of the events that surround the creation of “A Christmas Carol” can make even a Scrooge be thankful for the holiday spirit.

A Quiet Place – Trailer

IF THEY CAN’T HEAR YOU, THEY CAN’T HUNT YOU…


“A QUIET PLACE”


STARRING

EMILY BLUNT

JOHN KRASINSKI

NOAH JUPE

MILLICENT SIMMONDS

A QUIET PLACE Official Channels

Official Site: http://www.paramount.com/

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Twitter: https://twitter.com/paramountpics

#AQuietPlace

In Theaters April 6th 2018

http://www.fandango.com

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Three Billboards Outside of Ebbing, Missouri – Movie Review

Do not, under any circumstances, miss this movie.  It’s one of the most unique and highly entertaining films of the year.  Written and directed by the skilled and very distinguished Martin McDonagh (In Bruges, Seven Psychopaths), whose work never fails to impress, bewilder and engage you, likewise, Three Billboards will surprise you, shock you, delight you as well as alarm you.  I don’t know what I was expecting going in but what I got was purely visceral and elicited, more than once, a stirring of genuine discomfort for what Mildred (McDormand) was going through.

Important to pull you in, all characters in the film are rich in tone and have strong personalities.  From the target of the Billboards, chief of police Willoughby (Harrelson), to his hotheaded underling, Dixon (Rockwell), the players of the narrative are well developed and entrenched within a captivating and engrossing story about despair and hopelessness.  The film is beautifully shot with fitting music to accompany the actors who are expertly cast for each role.  All things considered, this is easily one of the best films of the year.

A tragedy happened in Ebbing, almost an entire year previous, that changed Mildred’s, an independent and strong divorced mother of two, life forever; her teenage daughter, Angela (Kathryn Newton), was raped and murdered.  In a flashback scene, we learn that Mildred has every reason to feel a little guilty for it happening.  Though Mildred has a son to live for, she has been devastated by her loss and refuses to let the police sit and allow her daughter’s death to go unsolved any longer.  Fearing they’re not doing as much as they should and that Angela’s death is turning into a cold case, she rents Three Billboards and posts messages to Chief Willoughby, reminding him that he has an unsolved murder on his hands, lest he had forgotten.  In a deep red with black lettering the signs read, ‘Raped While Dying,’ ‘And Still No Arrests?’ and ‘How Come, Chief Willoughby?’

After the billboards, with their very potent and direct messages of what happened to her daughter and who it is not doing anything about her murder, go up, Mildred draws unwanted attention from everyone in town.  She finds that Willoughby has many admirers and that the citizens of Ebbing don’t appreciate her attacking and questioning him the way that she has.  It’s at this point we learn more about his current situation and suddenly a suspect list begins to emerge; so do outstanding performances.

Every word McDormand’s Mildred utters is done so with such diligence and precision that the anguish Mildred is suffering through practically assaults you as the characters in the film assault one another.  You’ll agree that McDormand will be a strong contender for an Academy Award this year but so might Sam Rockwell be with his turn here as the slightly deranged mama’s boy of a police officer who’ll stop at nothing to support his boss.  With these two actors at the helm, and an almost muted offering by Harrelson who is carrying the weight of the world on his shoulders, you’ll not only be happy you saw this movie this weekend but you’ll get back in line to watch it again.  The end leaves the audience to guess what ultimately happens so what better way to solve a mystery than to watch more closely and research everything once again for anything you may have missed.

 

*Exclusively at Harkins Camelview at Fashion Square

Wonder Movie Review

“Wonder” is based on a popular book by the same name that deals with a young boy with a severely deformed face. Due to some genetic trait, the youngster was born with many medial issues and has undergone 27 surgeries to make him inch toward being normal. He has a close-knit family, with a loving mother and father a slightly older sister. His world is about to radically change, because mom will no longer home-school the boy and he will attend fifth grade with all other kids his age. It will be a world of ‘Wonder’.

Auggie Pullman (Jacob Tremblay) is the boy with a medically-corrected face and a huge heart. Isabel (Julia Roberts) is his mom and will no longer put her life on hold to home-school Auggie. She was close to getting a Master’s degree and wants to pursue that once more. His dad, Nate (Owen Wilson) is always very supportive, but he knows to let mom have her way. His sister Olivia (Izabela Vidovic) – called Via – is about to start high school. So, there are many changes in the Pullman household.

Auggie is very shy and awkward with people that he meets. They usually stare at him because of his face, and knows it make them uncomfortable. He tries to downplay that it makes him feel a little weird about himself, because he wants to expand his world. He normally loves to run around with a space helmet and pretend he is an astronaut, because that makes him feel better. But when he goes to school, he will need to fend for himself. He meets the principal named Mr. Tushman (Mandy Patinkin). There is also a kid in his class that seems to like him named Jack Will (Noah Jupe). But there will also be some people there who will snub Auggie and some who will bully him.

 

The movie follows the school year for Auggie and for Via. They both have some challenges, but then they both meet some new good friends. For Auggie, there is the new routine of a middle-school, and for Via it is learning to branch out into theater and a new romance. Their time in school has its ups and downs, but with help from mom and dad, they seem to work out the issues. There is a school play, a science fair, an overnight field trip – all the usual things to school-age kids. The most troubling event that happens is when the family dog gets ill.

 

Each of the main characters gets a little mini-chapter in the movie, where they get to tell more of what they think of the whole thing. It works out ok for most of the characters, even when it retreads a couple of scenes over and over (from a different perspective). There is no great revelation, other than to choose to ‘be kind’.  There are some valiant attempts to give this movie more meaning than just a different type of kid that goes to a new school.

But this resembles the 1985 movie “Mask” which was a true story of a young boy with a similar problem. That movie did a good job to make an awkward kid feel ok about a facial deformity. It turned out to be very popular and won quite a few awards. So perhaps “Wonder” is destined to join in that exclusive club. But it will all depend on the acting and the story. In this case, the acting is superb, but the story is very ho-hum.

Jacob Tremblay and Noah Jupe (in a smaller role) are both incredibly good in their roles. Tremblay has the added weight of facial prosthetics to give him the look of Auggie. But they are terrific in this movie and make a very good impression. Izabela Vidovic as Via also does a great job to play the sister that tends to be ignored by mom and dad always giving time to the younger, sicker brother. Julia Roberts and Owen Wilson do a fine job as the mom and dad, but their story is not one that is front and center. Mandy Patinkin plays his role like a favorite uncle at a family reunion.

The biggest issue is that there is not all that much going on. The movie stretches over a year period, but the characters do not seem to grow at all. There is no big hurdle to get over, nor any major issue to tackle. It is all just there, going on from one day to the next. The level of bullying is not all that major, and the difficulties adjusting to the new school come and go quickly. So there is not any tension built up or any big outcome that you look forward to…

Last Flag Flying Movie Review

The movie “Last Flag Flying” is a somber reflection of the human costs of war, and it just happens to have a wild and raucous fun side. It deals with the start of the Iraq war, when a man loses a son in combat, but then calls on old Viet Nam war buddies to help him out. The result is a quiet declaration that war is never good, but that the military way of life is required (and preferred) in a dangerous world. And that patriotism is more than flying flags, it is being ready to defend your way of live and your beliefs.

 

Larry “Doc” Shepherd (Steve Carell) seeks out an old friend in Portsmouth named Sal Nealon (Bryan Cranston). Sal runs a run-down bar and grill (with no grill). They both served in Viet Nam many years ago. There is some unspoken reason that Doc spent a couple of years in the brig. But they brush that off and go to find one other pal from that old war. Richard Mueller (Laurence Fishburne) is now a Baptist pastor and is happily married. When they were back in the war zone, the former Marines were not holy, but a Holy Terror.

 

Doc reveals that his reason to seek out his buddies is that could help him bury his son. Larry Jr. was also a new Marine who went over to Iraq in 2003, but he returned in a military casket. Doc needs the help of Sal and Mueller so that he can cope with the loss of his only son. Also, on top of that is the death of his wife earlier that year. So, the aging crew gets on the road to travel first to Arlington, then to Dover – to where his son is delivered from overseas.

They meet a young Marine named Washington (J. Quinton Johnson) who was a close friend of Larry Jr. and he tells them how he was killed. Doc refuses to have his son buried in Arlington, instead he wants to transport his body to his home in New Hampshire. The initial thought is to rent a U-Haul truck, and that has limited success. The Marine corporal in charge will help in getting the body and casket to Doc’s hometown. But he ordered Washington to take the train and stay with the old fogeys and with the casket as a moving Honor Guard.

 

There is not a huge action-packed sequence that happens, and most activity happens in cars, trucks and trains. But the amazing thing to watch is not the events or action, but the perfectly cast actors in each role. They each have a very distinct character and they interact with a wit and sparkle that brings each to life. The old war dogs have a deep secret that they eventually talk about, and they do everything that they can to right an old wrong.

 

All the acting of Steve Carell, Bryan Cranston and Laurence Fishburne is excellent. Cranston has the most frantic and watchable role. But Carell does an incredible job with the role as a broken man. Fishburne is a middle-ground of dignity and reason between the other actors. They have a very observable way of making the old friends who have not met in over twenty years look believable and natural. Also, Richard Linklater style of direction fits the story well, as it flows and meanders to the conclusion.

 

This movie will not ask you to stand up and cheer for foreign wars, whether they be in the South Asian Pacific or in the Middle East. It will ask you to silently bow your head to honor those whom have made great sacrifices to ensure America’s freedom. Hoorah…

 

Three Billboards Outside Ebbing, Missouri Advance Movie Screening

Movie Screening Summary: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

http://www.foxsearchlight.com/threebillboardsoutsideebbingmissouri/

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Advance Movie Screening ForTHREE BILLBOARDS OUTSIDE EBBING, MISSOURI

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: Harkins Shea
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 15
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

LAST FLAG FLYING Screening in Phoenix Tomorrow!

In 2003, 30 years after they served together in the Vietnam War, former Navy Corps medic Larry “Doc” Shepherd (Steve Carell) re-unites with ex-Marine Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne) on a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his home in suburban New Hampshire. Along the way, Doc, Sal and Mueller reminisce and come to terms with shared memories of the war that continues to shape their lives.

Find your chance to receive special advance movie screening passes below. 

LAST FLAG FLYING 

Location:

11/9/17
7 PM
Harkins Camelview at Fashion Square
7014 E Camelback Road ANC-03A
Scottsdale, AZ 85251

JON FAVREAU’S ALL-NEW BIG-SCREEN ADVENTURE “THE LION KING” ROARS TO LIFE WITH ALL-STAR CAST

The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film “The Lion King” includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way. From Disney Live Action, “The Lion King” is slated for U.S. theaters on July 19, 2019.

“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.

Lions rule the African savanna in “The Lion King,” which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king SimbaBeyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his iconic performance from Disney’s 1994 animated classic. Chiwetel Ejiofor (“Twelve Years a Slave,” Marvel Studios’ “Doctor Strange”) was called on to portray Simba’s villainous uncle Scar, and Alfre Woodard (“Juanita,” Marvel’s “Luke Cage”) portrays Simba’s no-nonsense mother, Sarabi. JD McCrary (OWN’s “Tyler Perry’s The Paynes,” Apple’s “Vital Signs”) fills the shoes of Young Simba, a confident cub who can’t wait to be king, and Shahadi Wright Joseph (NBC’s “Hairspray Live,” Broadway’s “The Lion King”) brings tough cub Young Nala to life.

Every kingdom comes with a trustworthy advisor or two. John Kani (“Coriolanus,” Marvel Studios’ “Captain America: Civil War”) was cast as the wise baboon Rafiki, and John Oliver (HBO’s “Last Week Tonight with John Oliver,” Comedy Central’s “The Daily Show with Jon Stewart”) was tapped as hornbill Zazu, Mufasa’s loyal confidant. When Simba goes into exile, he relies on two newfound friends—Seth Rogen (“Sausage Party,” “Neighbors”) lends his comedic chops to naïve warthog Pumbaa, and Billy Eichner (“Billy on the Street,” FX’s “American Horror Story”) joins the cast as know-it-all meerkat Timon.

While most of the animals in the kingdom respect the king, the hyenas have other plans. Florence Kasumba (NBC’s “Emerald City,” Marvel Studios’ “Black Panther”) portrays Shenzi, Eric André (Adult Swim’s “The Eric André Show,” FXX’s “Man Seeking Woman”) is Azizi, and Keegan-Michael Key (“Predator,” Netflix’s “Friends from College”) plays Kamari.

“The Lion King” is directed by Favreau (“The Jungle Book,” Marvel Studios’ “Iron Man”) and produced by Favreau, Jeffrey Silver (“Beauty and the Beast,” “Edge of Tomorrow”) and Karen Gilchrist (“The Jungle Book,” “Chef”). Jeff Nathanson (“Catch Me If You Can,” “Pirates of the Caribbean: Dead Men Tell No Tales”) penned the screenplay based on the 1994 screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton. Tom Peitzman (co-producer “Kong: Skull Island,” “Alice in Wonderland”) and Thomas Schumacher (“The Lion King,” “Beauty and the Beast”) are executive producers, and John Bartnicki (“The Jungle Book,” “Chef”) is co-producer. The award-winning team of artists tapped to bring the African savanna and its animal inhabitants to life include visual effects supervisor Rob Legato, who conceived the virtual production on “Avatar,” won Academy Awards® for his work on “The Jungle Book,” “Hugo” and “Titanic,” and was nominated for an Oscar® for his work on “Apollo 13.”

The film’s animation supervisor is Oscar®-winner Andrew R. Jones (“The Jungle Book,” “Avatar,” “World War Z”). VFX supervisor is Adam Valdez (“The Lord of the Rings: The Fellowship of the Ring,” “The Lord of the Rings: The Two Towers”), who won an Oscar for his work on “The Jungle Book.” Five-time Oscar nominee Caleb Deschanel, ASC, (“Jack Reacher,” “The Patriot”), is director of photography, and James Chinlund (“War for the Planet of the Apes,” “Marvel’s The Avengers”) serves as the production designer. Oscar winner Ben Grossman (“Alice in Wonderland,” “Hugo,” “Star Trek into Darkness”) is virtual production supervisor, and Mark Livolsi, ACE, (“The Jungle Book,” “Saving Mr. Banks,” “The Blind Side”) and Adam Gerstel (“Transformers: The Last Knight,” “The Jungle Book”) are editors. Hans Zimmer (“Dunkirk,” “Hidden Figures”), who won an Oscar for his score for the animated classic, will score the adventure.

ABOUT THE MOVIE:

From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The all-star cast includes Donald Glover as Simba, Beyoncé Knowles-Carter as Nala, Chiwetel Ejiofor as Scar, James Earl Jones as Mufasa, Billy Eichner as Timon and Seth Rogen as Pumbaa. Utilizing pioneering filmmaking techniques to bring treasured characters to life in a whole new way, “The Lion King” roars into theaters on July 19, 2019.