Star Wars: The Last Jedi Movie Review

“Star Wars: The Last Jedi” continues the new story of the Skywalker Saga begun in “Star Wars: The Force Awakens”. That prior movie was a smash hit, and it set the table set for many options and story lines. So, now this next step in the story takes some very bold moves and it makes a solid impact on the Star Wars legacy. Rian Johnson has created a masterful addition to the line of ‘Star Wars’ movies, and he can be proud that his is among the best.

Based on the prior ‘Force Awakens’ movie, there are some old favorites and some new characters in the current movie. The Resistance is led by General Leia Organa (Carrie Fisher). The secluded Luke Skywalker (Mark Hamill) has been located by Rey (Daisy Ridley). Luke had been isolated on a remote planet by choice because he failed in training new Jedi students, including his nephew Ben Solo (Adam Driver). Ben has turned to the Dark Side of the Force, led by Supreme Leader Snoke (Andy Serkis) a cruel master of the First Order. His group has taken over the galactic government and rules by military might. Ben Solo is now known as Kylo Ren, and he is responsible for death of his father. His mother is Leia and she is on the run from the First Order.

General Hux (Domhnall Gleeson) is Snoke’s current henchman, and his troops are hunting down the Resistance. Poe Dameron (Oscar Isaac) is a hot-shot Resistance pilot who leads a daring raid on Snoke’s star fleet. His new friend Finn (John Boyega) is ready for action. Finn is a former Stormtrooper, but he switched sides to join the Resistance. He meets up with Rose (Kelly Marie Tran), who has low-level job but will become a major asset to Finn.

Rose and Finn set out on a quest to find a person who can get them access into First Order Star Destroyer craft. Luke meets Rey on his isolation planet, but he is not moved to join up and help the Resistance. Chewbacca (Peter Mayhew) is assisting Rey to convince Luke to come back. Chewy soon becomes friends with the little creatures on the island called Porgs. They are like mini penguin-type birds with huge expressive eyes.

Rey has a strong connection with the Force that is unexplained. Her power becomes big concern for Luke, because he had seen that before in Ben Solo. But when Ben turned to the Dark Side and became Kylo Ren, Luke knew he had failed. Rey had fought Kylo Ren (in the prior movie) and now they have some type of telepathic bond. They can communicate and they know that something big is about to happen.

Rose and Finn find a nameless thief (Benicio del Toro) on a distant planet called Canto Bight. This low-life thief says he is a master codebreaker who can get into the Star Destroyer and stop General Hux from catching Leia and the Resistance remnants. Leia suffers in an attack and is put into medical sick bay. The command passes to Vice Admiral Amilyn Holdo (Laura Dern), who stops Poe from attempting to attack Snoke’s star fleet. They have suffered too many losses.

 

Rey and Kylo Ren join up in a light saber battle in Supreme Leader Snoke’s headquarter office, with red-robed Guards protecting him. Thsis sequence is a magnificent production of fight choreography that just elevates the entire movie. Rose and Finn are caught and are threatened by Captain Phasma (Gwendoline Christie). Phasma was Finn’s old boss as the commander of the Stormtroopers. BB-8 is a personable little droid, who was saved in the prior movie by Rey, and now is very helpful to Rose and Finn.

 

Poe is working to undermine Vice Admiral Holdo’s command, but Leia comes back to be in control. There is a major sacrifice made to allow the remaining Resistance fighters to escape Hux and Kylo Ren. There is a final battle in an old Resistance base on a nearby planet. This allows for a major one-on-one battle between Kylo Ren and Luke Skywalker, which can be described as an ultimate ‘Jedi Mind Trick’.

The build-up for this movie has been huge, and Rian Johnson has delivered a major success. The story line fits in perfectly with the prior movie, and the original characters are well placed in the overall structure. There is a welcome amount of humor and lightness, along with the heavier aspects of life and death, sacrifice and treachery, and good versus evil.

There are strong characters and a good mix of people facing tough decisions, and then dealing with the consequences. The acting is top notch all around. Special kudos to Mark Hamill, who is coming back to a character he has not portrayed in decades. Plus, the visual shot selection and special effects are outstanding. Also, the wonderful John Williams is back doing the music that made him a legend back in the day…

Is it the most perfect movie? It is a bit over-long, and there are some extra moments that go on too long. The whole section with Finn and Rose going to Canto Bight and meeting up with the ‘thief’ breaks the rhythm of the overall movie. There dangerous villains that are disposed of too quickly. The plot point of Luke refusing to help out, but then changing his mind is a bit obvious. But beyond the nit-pick items, this is one damn fine movie. There are even little bits with R2-D2, and C-3PO, and with the Master Yoda’s ghost…

 

And the most important thing – no Porgs were injured during the filming of this movie!

THE MIRACLE SEASON Trailer

THE MIRACLE SEASON

Release: April 13, 2018

Director: Sean McNamara

Writers: David Aaron Cohen, Elissa Matsueda

Producers: Mickey Liddell, Pete Shilaimon, Mark Ciardi, Scott Holroyd

Genre: Drama

Cast: Helen Hunt, William Hurt, Danika Yarosh, Erin Moriarty

SYNOPSIS

Based on the inspiring true story of West High School girls’ volleyball team.  After the tragic death of the school’s star player Caroline “Line” Found, the remaining team players must band together under the guidance of their tough-love coach in hope of winning the state championship.

THE MIRACLE SEASON Official Channels

WEBSITE: miracleseason.movie

FACEBOOK: facebook.com/miracleseason

TWITTER: twitter.com/tweetLD

INSTAGRAM: instagram.com/miracleseason

#LiveLikeLine

Production Company: LD Entertainment

Distributor: LD Entertainment / Mirror

In Theaters April 13, 2018

http://www.fandango.com

Annihilation Trailer

…in theaters February 23, 2018

Based on Jeff VanderMeer’s best-selling Southern Reach TrilogyAnnihilation stars Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny and Oscar Isaac. It was written and directed by Alex Garland (Ex Machina, 28 Days Later).

Facebook: https://facebook.com/annihilationmovie

Instagram: https://www.instagram.com/annihilatio…

URL: http://www.annihilationmovie.com

Hashtag: #Annihilation

#WhatsInside

In Theaters February 28 2018

http://www.fandango.com

Lean on Pete Trailer

ACCLAIMED FILMMAKER ANDREW HAIGH RETURNS WITH AMERICANA ODYSSEY IN FIRST TRAILER AND POSTER FOR LEAN ON PETE, STARRING CHARLIE PLUMMER, STEVE BUSCEMI AND CHLOЁ SEVIGNY.

The film premiered to exceptional reviews at The Venice Film Festival in competition and also played Telluride and Toronto earlier this year.

From acclaimed filmmaker Andrew Haigh (Weekend; 45 Years), and based on the beloved novel by Willy Vlautin, comes Lean on Pete—a deeply moving story about love, loneliness, family, and friendship, told through the unique prism of one boy’s connection to a very special racehorse.

Fifteen-year-old Charley Thompson (Charlie Plummer) arrives in Portland, Oregon with his single father Ray (Travis Fimmel), both of them eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean On Pete. The horse’s gruff owner Del Montgomery (Steve Buscemi) and his seasoned jockey Bonnie (Chloë Sevigny) help Charley fill the void of his father’s absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend’s life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn’t seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home.

Featuring an incredible breakout turn by Charlie Plummer (The Dinner; King Jack; Ridley Scott’s forthcoming All The Money in the World) and memorable supporting work by indie stalwarts Buscemi, Sevigny and Steve Zahn, Lean on Pete is a compassionate and heartrending look at the desire for love, family, and acceptance that drives all of us.

Visit Lean on Pete WEBSITE: http://bit.ly/LeanOnPeteFilm
Like Lean on Pete on FACEBOOK:
http://bit.ly/LeanOnPeteFB
Follow Lean on Pete on Twitter: http://bit.ly/LeanOnPeteTW
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In Theaters March 30th

http://www.fandango.com

I,-Tonya-advance-movie-screening

I, Tonya Advance Movie Screening

Movie Screening Summary: Based on the unbelievable, but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, and a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona Golden, Craig Gillespie’s I, TONYA is an absurd, irreverent, and piercing portrayal of Harding’s life and career in all of its unchecked––and checkered––glory.

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Advance Movie Screening For I, TONYA

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Thursday, December 21
Location: Harkins Shea
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Bright Advance Movie Screening

Movie Screening Summary: Set in an alternate present-day where humans, orcs, elves and fairies have been coexisting since the beginning of time, this action-thriller directed by David Ayer (Suicide Squad, End of Watch, writer of Training Day) follows two cops from very different backgrounds. Ward, a human (Will Smith), and Jakoby, an orc (Joel Edgerton), embark on a routine night patrol that will alter the future of their world as they know it. Battling both their own personal differences as well as an onslaught of enemies, they must work together to protect a young female elf and a thought-to-be-forgotten relic, which in the wrong hands could destroy everything.

Release: December 22
Distributor: Netflix
Genres: Action & Adventure
Director: David Ayer
Cast: Will Smith, Joel Edgerton, Noomi Rapace, Lucy Fry, Edgar Ramirez, Ike Barinholtz, Enrique Murciano, Jay Hernandez, Andrea Navedo, Veronica Ngo, Alex Meraz, Margaret Cho, Brad William Henke, Dawn Olivieri, and Kenneth Choi.
Writer: Max Landis
Producers: David Ayer, Eric Newman, and Bryan Unkeless
Run Time: 117 Min

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Advance Movie Screening For BRIGHT

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, December 20
Location: Harkins Arizona Mills
Movie Screening Time: 7:00pm
[button link=”http://www.gofobo.com/COMICSPHX” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Darkest-Hour-movie-review

Darkest Hour – Movie Review

The nominations for ‘Darkest Hour’ alone will make you want to bolt to the theatre and see it but spectacular are the performances of Gary Oldman and Kristin Scott Thomas.  Now that I got that out of the way, let me introduce the film by saying that there is a particular audience for it.  If you love history and if you love war pictures, well, the behind the scenes drama of war, this could very well be one of your favorites for the year.  It’s the best of its kind to come along in a long time.  Gary Oldman gives an exceptional Oscar-worthy performance and for that alone, it’s well worth your time.

It’s long at two hours and five minutes but only a few times do you feel its length.  The film centers around a very short period of time in 1940 during World War II.  With Nazi soldiers breathing down their necks, Parliament makes a decision.  The Prime Minister of England is hoisted from his position for being too weak with Hitler, but they struggle with knowing that quite a crisis will befall his replacement. They now toil with who that replacement will be.  Who can handle the evil that Hitler has shown himself to be?  They need someone strong and, as you already know, decide to give Winston Churchill a try though many have their doubts.

We go heavily into the life of Churchill during these days.  We even see him in bed, as he demands his breakfast, to get to know him more.  It’s easy to see that he’s gruff with everyone he’s around, his wife and his secretary, but for some, it’ll take a while to see another thing… Churchill is played by… Gary Oldman!  It really is Oldman peeking out from behind a pound of makeup and camouflaged beneath tons of padding to make him more believable.  He’s outstanding and watching this on the big screen will allow you to absorb the performance that much more which is something I truly hope you do.  He deserves that much, and you’ll be the richer for having witnessed it the way director Joe Wright (Atonement, Hanna, Pride & Prejudice) meant for you to see his portrayal.  If you’re not aware of the importance of who this man was in the grand scheme of things and in the larger picture of ‘what could have been,’ this movie can serve not only as a captivating piece of history or reminder for you but a cautionary tale of how close we once came to no longer being who we are today and how close things still can escalate to put us in that same position.

Churchill kept his wits about him and saw that England was done for sure if Hitler wasn’t stopped.  He had a broad strategic approach and unlike the previous Prime Minister, he knew the situation couldn’t be met with talks of peace.  He realized Hitler knew nothing of peace.  He approached the United States for help but was sadly turned away and as Hitler got closer, he had another political battle.  He had to convince his own party that fighting was the only thing they could do if they were to survive the assault on their country.  He went to the people of England and put it to them, in a scene you won’t soon forget, and got his answer.  Fight.  As the enemy swarms the shores of Dunkirk, Churchill calls on all of England to help and is on his way to victory.

Darkest Hour is remarkable and I recommend you get your ticket early and get to the theatre to see this TONIGHT!  You’ll be moved, you’ll be that impressed and I think you’ll agree… Oldman is on fire in this film.  His supporting cast is equally as good.  You’ll be thoroughly entertained.  By the way, after seeing this movie, one might feel compelled to watch Dunkirk.  It’s only logical that you do.  Though they feel quite different because they’re made by different directors they are perfect for back to back viewing.

The-Disaster-Artist-movie-review

The Disaster Artist – Movie Review

This is a film for the dreamers.  If you’ve ever been told you can’t do something or if you’ve let a dream go because you felt it was impossible to continue to strive for, no point in continuing to reach for the sky, see ‘The Disaster Artist’ to be reminded that your limitations only lie within you.  Nothing is truly impossible if you put everything you’ve got into your goals and if you accept the fact that sometimes… you need a helping hand.  Anyone who has been driven wild by doubt, especially if you’ve wanted to work in the film business in any way, will be inspired by the story of Tommy Wiseau who is played absurdly and honorably by James Franco.  He and his friend Greg (Dave Franco) set out to make their dreams come true and Tommy would never have made it had he not been open to listening to someone, something not that easy for him.  Greg never left his side, he believed in him every step of the way and remained loyal, constantly reminding him to never give up.

Tommy Wiseau made a film called ‘The Room’ in 2003, which has overtaken Ed Wood’s 1959 film ‘Plan 9 From Outer Space’ as the worst movie ever made.  ‘The Room’ did find its audience in almost the same fashion as 1975’s ‘The Rocky Horror Picture Show’ built its congregation of loyal fans.  Some may have considered the films bad, others loved them and they created cult followings after playing at midnight for people looking for late night entertainment that wasn’t like everything else… and where they felt a part of something special.  Any film, even if considered the worst, should hold its head high to be in the company of Plan 9 and Rocky Horror.  If they prove anything, it’s at least that Tommy’s film could continue to be seen by many and will be around for decades to come.

‘The Disaster Artist’ is about the making of ‘The Room.’  James Franco is the director of the film but not only does he tackle this incredibly eccentric character from behind the lens but, as I previously mentioned, he also brings him to life in what’s arguably his best character yet.  In fact, he could possibly be getting a gold statue for the role.  He does a more than adequate job directing, as well.

He doesn’t try to remake ‘The Room’ here but instead demonstrates the incredibly long and difficult road it takes to get ‘The Room’ from Wiseau’s script, which was a very heady idea to be sure, to the screening of the film.  He meets Greg, a young actor who is about to give up on his dreams of ever getting to Hollywood and they move to LA together after knowing one another for a short time where unbeknownst to Greg, Tommy has an apartment where they can hunker down and start the process of auditioning.

About halfway through the film, you’ll realize you’re continually being eaten away by wanting to know who this Tommy Wiseau is exactly.  As you get further in, his quirks, his aggressive nature, his weaknesses will intrigue you more and more and you’ll want to know more.  Who is this man?  Where did he come from?  Where did he get his unending supply of money?  Why does he look like the walking dead… why does he talk like that?!  He has no specific talent and it seems that by helping Greg, who makes a pact with him that they’d always push one another, his true goal is to only help himself.

In the end, he pays five million dollars to make his film and it tanks.  It’s awful.  This might have ended things for most people but through the support of others he has met along the way, ‘The Room’ still thrives and now has this solid piece, ‘The Disaster Artist’, paying homage to it and to Tommy himself.

‘The Disaster Artist’ isn’t mocking the movie but instead, it’s acknowledging what strong-willed people, when not jealous of the others’ successes, will go through for something and someone they believe in.  The scenes showing the crew and actors on set waiting around for something to happen are fantastic.  If you’ve ever made a film or even been part of a large group of people working toward one common goal, you’ll appreciate the humor used here.  The movie is hysterical and it’s not going too far out on a limb to say it very well could develop its own cult following.  A24 never disappoints and this is definitely one to see!

The Shape of Water movie poster

The Shape of Water

This film is, essentially, a sonnet.  A sonnet to love that bursts to life with a breathtaking opening.  It’s presented to you with intricate imagery and topped with a poem at the end to nicely complete the fable.  ‘The Shape of Water’ is called a fairy tale and from the poster, you can see it certainly looks like one.  Director Guillermo del Toro (Pan’s Labyrinth, The Devil’s Backbone) was quite obviously inspired by ‘The Creature from the Black Lagoon.’  Regardless of what it’s labeled, a love story, a fairy tale, a thriller, it’s hard to really describe it as any one thing in particular.  That task seems better left for the individual viewer of this magnificent work of art.  At one moment you’ll see it as a thriller where you’re biting your lip, filled with anxieties, another you’ll feel the anguish that makes it a drama but there’s no doubt it’s a brilliant fantasy. 

The plot of the story is a woman falling in love with an amphibian.  We see beauty in all things.  She most certainly does.  The movie is an ode to love, for people and for other creatures no matter who or what they are, and that’s the strong central message del Toro makes very clear.  That and how important the color green is to him.  Everything is green.  The start of the film is waterlogged and wonderful and you’ll appreciate how green lends to the temperature of the film as a whole.  As we begin the story in the apartment (above a theatre) that belongs to our protagonist, Eliza Esposito (Hawkins), we are swept away to another time and place.  Eliza is a perfect damsel in distress.  She’s short, mute and low on friends but appreciates everything she has, especially a little alone time in her bathtub where she relieves herself from the tensions of the day.  

The year is 1962, right before the death of Kennedy and the death of what people considered to be their hope for their country… did I mention the film gets political at times?  Eliza works with Zelda (Spencer) in a secret government laboratory.  They’re cleaning women and generally keep to themselves but due to a wrong place, wrong time situation, are one day pulled into something they weren’t expecting.  Asked to clean up a bloody mess after Mr. Strickland (Shannon) gets a horrific injury, the women are privy to more information than they care to be.  For Zelda, it’s just, ‘do the job, move on and forget it happened.’  For Eliza, very curious by nature, it’s a matter of finding out the ‘why’s’ of the bigger picture.  She sees a creature, known as only the asset, wrongly imprisoned and feels sorry for it as it’s tortured by cold, heartless men.  When next she sees the creature, not intimidated by it, she gives it part of her lunch.  A bonding begins.

The creature is possibly going to be used for space exploration and the lab Eliza works is not the only research facility that wants him.  She tells her friend and neighbor Giles, played magnificently by Richard Jenkins, about the creature who is intrigued but when she speaks of a plot to rescue her new charge, he’s more than concerned.  Sadly, you’ll grow concerned, too, as the film nears its conclusion.  Up to the point where her plot to remove the asset from his imprisonment ends, it’s a well-structured, beautifully formed and stunningly shot film.  It’s a fascinatingly violent film with peculiar lusts along with joy and guilt hidden in dark places BUT the end seems rather flat.  Be that as it may, don’t be deterred from seeing it.

Afterall, it’s not as if your imagination can’t move beyond what del Toro does on screen and fill in a few blanks… it’s a shame that it must. 

Wonder Wheel Movie Review

“Wonder Wheel” is a new movie from Woody Allen full of drama and dialogue, Allen’s favorite topics. However, in this case the drama is weak and the dialogue is ponderous and overblown. Woody Allen is not devoid of talent, but in this case, he seems to have misplaced his writing skills. They were replaced with a first-year college student attempt at writing ‘serious’ drama. The story is very slim and the characters are two-dimensional at best. The actors are giving it their best shot, but it’s hard to make an impact with such light-weight material.

In 1950 at Coney Island, there is a large Ferris wheel ride called (strangely enough) “Wonder Wheel”. Ginny (Kate Winslet) is a failed actress with a young son, and her first husband left her. She is now married to Humpty (Jim Belushi), an easy-going guy who works at the merry-go-round in the amusement park. Humpty and Ginny, who works as a waitress at a bar in the park, both live with her son in a tiny apartment next to the Wonder Wheel. They have little money, and things are usually tense between them. But it is about to get worse.

Humpty has a grown daughter from his first marriage, named Carolina (Juno Temple). She had left and gotten married to a gangster, and Humpty was not pleased. But her marriage went bad, and she left the mob life, and then talked with the FBI. Carolina is now a marked woman, and she is being chased by some thugs who want to kill her. But Carolina goes back to the one place that she knows will have someone to take her in. She goes back to Humpty and his meager life. But she will now share a space with Humpty and Ginny and her son, and this makes everyone feel on edge. She also has dangerous thugs coming after her, so everyone is also very nervous.

Ginny destroyed her first marriage by being unfaithful, and she is again falling into this same pattern this time. She is sneaking away to make time to be with Mickey (Justin Timberlake). He is a grad student and works as a summer lifeguard in the park. Mickey also acts a narrator during the entire movie, which makes his character seem even more awkward. He talks a good game to Ginny, so much so that she thinks he is truly in love with her. Mickey then meets Carolina, so his infatuation is torn between the two women. Ginny is furious and makes several bad decisions that will affect everyone involved.

There are numerous loose ends and unanswered plot points. Ginny takes a lot of money that Humpty had saved, and she spent it on Mikey. Ginny’s son has a habit of starting fires and causing destruction. Ginny’s first husband was a drummer and she was an actress, but all of these things are mentioned and appear to have some deeper meaning. But nothing becomes of any of the things that get mentioned and discussed. So why bring any of these up at all? No answer…

There is something very odd about the screen images at some points. There are times when the screen is awash in a garish reddish-orange color, but it slowly turns into a dark blue tint. Sometimes a character is in a harsh bright light, and then other times when they are hidden in shadow and darkness. Part of this is supposed to reflect living under the lights of the Ferris wheel next door. But it is not a good look for the movie. The characters are subject to a weird pattern of lighting that does not look realistic.

The screenplay is a major sticking point. The dialog seems very ‘theater’ based, and not so much prepared for a cinematic experience. The script feels very full of high ideals and expectations. But it fails to deliver on any of it. There is talk of metaphors and allusions to great theater works, but it just shows how weak this story line is compared to those major works. The actors are doing a admirable job putting their best effort into the movie. However, the result is off-the-mark because the story and the dialog lets them down. Woody Allen has made some very memorable movies. This is not one of those movies.

Coney Island is probably a great place to visit in real life. The actual Wonder Wheel looks very impressive and must be a fun ride. But the Woody Allen treatment of “Wonder Wheel” is not all that good. His version goes around and around, but it never gets you anywhere. This one from Allen is not worth the ride.