If Beale Street Could Talk – Trailer

IF BEALE STREET COULD TALK

Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel — the first English-language feature film based on the work of the author, to whom the movie is dedicated.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancĂ© Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.

Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.

Director: Barry Jenkins

Writer: Barry Jenkins

Producers: Megan Ellison, Barry Jenkins, Adele Romanski, Sara Murphy, Jeremy Kleiner, Dede Gardner

Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Brian Tyree Henry, Michael Beach, Ed Skrein, Diego Luna, Dave Franco, Pedro Pascal

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Official Site: BealeStreet.movie

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Twitter: @BealeStreet

In Select Theaters November 30

http://www.fandango.com

Lizzie Movie Review

There’s a nursery rhyme, for lack of a better term, that you probably heard while you were growing up that goes as follows, ‘Lizzie Borden took an ax and gave her mother forty whacks; When she saw what she had done she gave her father forty-one.’ This was based on Lizzie Borden and the murder of her parents and the movie does a great job of getting down to ‘IF’ Lizzie was guilty, why did she do it? The very thought of it is horrible and you immediately think her a monster but was she guilty? If she were, was she pushed too far? Was she in her right mind? At trial, a jury of all men deliberated for ninety minutes and returned a not guilty verdict because they, ‘refused to believe a woman of her social standing could commit such a heinous crime.’

 

During the film, we learn that Lizzie’s (Sevigny) father, Andrew (Sheridan) and his icy cold second wife Abby  (Shaw) are very wealthy. Andrew requires an undeserved amount of respect from everyone, from those he employs to work around the house and from his daughters and their stepmother. All are to do as he says and to submit. He takes advantage of those in his charge and when the movie picks up, in the year 1892, we learn that everyone does do as they’re told
 everyone except for Lizzie. She’s very strong willed and refuses to be ruled over. Lizzie has seizures, something he sees as an embarrassment to his name. He doesn’t even want her going to the theatre in case she has a ‘spell’ that others may see.

 

Lizzie is very kind to animals and staff, paying particular notice to the new maid, Bridget (Stewart) who starts teaching to read. The film then leads to Lizzie and Bridget having a lesbian affair. This is handled quite beautifully with one woman offering love to someone who had never been allowed to experience it before. Before this, we see Andrew at his worst after he discovers that Lizzie had pawned some of her mother’s jewelry. He does something appalling and Lizzie lets him know that she’ll not be victimized by his fear tactics. Soon after she finds out that her father is changing his will. This is when it’s suggested that a plan has already been in place for her to murder her father for his misdeeds and his mistreatment of her, her sister and of Bridget.

 

The blows to the head come next, which are no surprise, of course, but it’s gripping to find out how it actually happens and what happens directly after. Since all we ever really knew of were the whacks themselves, if it were Lizzie, we, at this point, could certainly find a reason to empathize. Even though they were beyond brutal to sit through and watch. So brutal it hardly leaves room for doubt who would have delivered to these people such savagery but someone who was greatly pained by them. The film’s pacing can be slow at times but the sets, the acting and the history of it all are fascinating. Stewart and Sevigny are fantastic, and I have to strongly suggest you see this for the performances if nothing else.

 

In Phoenix, it’s playing at the following theatres:

 

AMC Desert Ridge 18

Camelview at Fashion Square

Tempe Marketplace 16

Arizona Mills 24

Harkins Arrowhead Fountains 18

Assassination Nation Advance Movie Screening

Movie Screening Summary

High school senior Lily and her three best friends live in a world of selfies, emojis, snaps and sexts. But when their town of Salem is besieged by a massive data hack, resulting in half the citizens’ private info spewed into the public view, the community descends into anarchy. Lily is targeted after being falsely blamed for the hack—and bands together with her friends to survive a long, blood-soaked night.

Starring Odessa Young, Hari Nef, Suki Waterhouse, and ABRA. Written + Directed by Sam Levinson.

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Advance Movie Screening For ASSASSINATION NATION

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Advance Movie Screening Details

Movie Screening Date: Wednesday September 19th
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Movie Screening Time: 7:30pm
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Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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A Simple Favor Movie Review

Allow me to start this with a simple and direct message to you
 see this movie this weekend. Director Paul Feig works very well with powerful women allowing them to show their strengths, such as Melissa McCarthy, Sandra Bullock, Mary-Louise Parker and now he does the same with Anna Kendrick and Blake Lively in this dark film, ‘A Simple Favor.’ Lively is exceptional and I wouldn’t be surprised if we see her on stage during award season.

With this film, Feig gives these two women the opportunity to have something brilliant added to their resumes and a chance to shine in the type of story usually given to the opposite sex. This is an intriguing, provocative crime-drama that leads you down a fascinating trail and you won’t want it to end. The characters are following the same bread crumbs and with how the narrative plays out, it manages to do something not always achieved these days
 surprise the hell out of you.

First, we meet Stephanie (Kendrick), a widowed, overly energetic, devoted but bored mother of a young son named Miles (Satine). She’s a vlogger who, when we first see her, is telling her followers about the simple favor her friend Emily (Lively) has asked of her. Staring into the camera she says she’ll start from the beginning for her new friends, presumably us, and she tells everyone what happened. This goes on throughout the film. We go back to when she first met Emily who she instantly clutches onto. Emily’s son Nicky (Ho) and Miles ask to have a playdate. Stephanie would like this as she wants to know Emily. Emily is everything Stephanie isn’t. She’s tall, uncommonly beautiful, confident with a scent of arrogance Stephanie can’t help but admire. Though a play date isn’t something Emily usually does, she agrees. They end up at Emily’s gorgeous home which Stephanie would die to have and they begin to reveal secrets about themselves
 secrets that will prove to be useful later. Emily warns Stephanie that she doesn’t want to be friends with her. Little things like this are said as Stephanie, and you, become more interested in knowing who she is.

Though the script is heavy on the dramatic aspect of the story, it’s reasonably amusing, as well. Nicky is relatively colorful most of the time, delivering rather comical lines, however subpar they may be. It’s obvious Feig doesn’t work as well with children as he does with adults.

Now we’re to the favor
 and we’re all caught up with the vlog. Emily asks Stephanie to pick up Nicky and watch him until she gets home. She happily does, however, Emily never returns. Days later, she still hasn’t and single mom with time on her hands, Stephanie, begins playing Jr. Sleuth, looking for her friend. Unable to forget the mystery woman who so intrigued her, Stephanie gets to know her attractive husband, Sean (Golding), who adds that, like Stephanie, he didn’t know much about Emily. He tells her that he tried to get close, but she was hard to reach; she was like a ‘beautiful ghost.’

Deciding she likes playing Nancy Drew, she goes to the office building where Emily worked in public relations and finds a shady character and clues. After putting up posters and trying desperately to find out who she was and where she went, Emily’s body turns up in another state. As Stephanie gets closer to Sean, she kicks pursuing answers as to what led to Emily’s death, into high gear. What happens next is something she isn’t quite prepared for. Luckily, instinct and some advice she received from the friend who still haunts her, literally as well as figuratively, helps her handle herself surprisingly well when faced with moments of challenge and deception.

This film is impressive in so many ways. The music, the costumes, the characters, and the script but what stands out most is Lively whose performance, though not always on screen, infects you as you watch this play out
 and stays with you long after.

Website & Socials:

 

Official Site: http://www.ASimpleFavor.movie

Facebook: http://www.facebook.com/ASimpleFavorMovie

Twitter: http://www.twitter.com/ASimpleFavor

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White Boy Rick Movie Review

“White Boy Rick” must be the most truthful movie title yet. The main character is white, and yes, he is basically a boy. Oh, and his name is Rick. This is based on a true story. It tells a complex drama of what becomes of a lower middle-class family from Detroit. This is set back in the mid 1980’s, when the American Dream turns into a virtual nightmare for many inner-city people. Many jobs dried up in the city. Yet – guns flowed into the streets, along with crack cocaine. And that result was the set up for this story.

Richard Wershe, Sr. (Matthew McConaughey) lives in a very run-down section of Detroit. His daughter Dawn (Bel Powley) is living with drug addiction. His son Richard Wershe, Jr. (Richie Merritt) is 14 years old, and he works with his dad. Rich (the Senior) does gun sales to make money for the family. Rick (the Junior) goes with him to gun shows. Ricky sometime takes this merchandise to the local black street gang to sell the illegal small arms. The black gang takes a liking to ‘White Boy Rick’, since he has the guts to approach the gang. He becomes an accepted and trusted member.

But there are FBI agents on the horizon (played by Jennifer Jason Leigh, Rory Cochrane, and Brian Tyree Henry). They force Ricky to act as undercover informant to the street gang. It is either that or the Feds will shut down Rich (the Senior) and his semi-legal weapons operation. They also get Ricky into setting up a small side-deal business of distributing crack cocaine. That way, Rickey can get information on the street level dealers, who can lead the FBI up to the top-level distributors. Ricky is in with the gang, he is running his own drug operation and he is still getting orders from the Feds.

But after the big parties and trips to Vegas, there is an incident that comes to a head. The main gang leader (Jonathan Majors) believes that Ricky is really a rat, and he orders up a hit on the young boy. When the bad things all go down, it goes down hard. Ricky survives, and Rich and Ricky have to start over. They also get his sister Dawn out of a drug flophouse and work to get her off the crack. Rich (the Senior) also has his parents who live across the street (Bruce Dern and Piper Laurie). They help out with Dawn and get her back to normal life. Ricky also finds out that he has a new-born daughter.

Ricky feels the need to get back into the drug trade, so he can get some cash flow back into the family. He gets approval from his dad and the rest of the family. Ricky is still only 17, and he has become a big shot in the underground crime network. The FBI comes back to visit, and they are not too happy. Ricky is forced to (again) go undercover and try to get the goods on some of his cocaine contacts. But if he does not help them, he and his family will all face charges. The outcome for ‘White Boy Rick’ does not look good at this time. At his age (17) – he could be sent to prison for life. That would be a lo-o-ong time.

“White Boy Rick” is a thoughtful retelling of Ricky’s true life adventure into the seedy side of life. Matthew McConaughey nails it as a caring father with great intentions and horrible execution. Richie Merritt is very new actor, and he holds his own in the midst of some very talented co-stars. Bel Powley has a very difficult character, but she makes Dawn’s pain and struggle with addiction a real thing. Bruce Dern and Piper Laurie are both good, but wasted in such minor roles.

 

This movie has something to say, but it has trouble picking a single topic. Drugs are bad, no wait, so is inequality in criminal sentencing for blacks versus whites. Guns are trouble for the neighborhood, but crime is commonplace and violent crime is on the rise. The Feds are smart to set up a young white kid as an informant, but no – there is so much police corruption and dirty cops are everywhere. To reduce crime, get tough on criminals, but wait – mandatory sentencing is bad


So the acting is superb, but the story bobs and weaves and never chooses a single lane.

 

The Happytime Murders Movie Review

With this film, director Brian Henson, son of Jim Henson, is definitely leaving his mark. Not unlike the way a dog covers what the last one left behind, it’s as if he wants you to know that these aren’t your father’s Muppets… definitely not his. Some might not care for how he brazenly bastardizes his families legacy but for those of you who saw the Red Band trailer and liked the idea of raunchy puppets cursing at one another, watching porn and having sex, this most likely won’t be an issue. ‘The Happytime Murders’ would have been a really fun short film. Stretching it into a feature was reaching too far but it doesn’t mean you won’t have some laughs; it’s just ego on Henson’s part to believe adults will be so enraptured by foulmouthed puppets to bear with the time it takes to watch all the way through.

 

One could argue that there’s something twisted and devious about Henson using the puppets in this manner when his father, much to the delight of millions of people all over the world, utilized them to educate young children and entertain families but depending on how you look at it, Brian Henson is very much entertaining a specific audience, as well
 just not the same one and not in as artful a way. Essentially, many of you won’t appreciate this type of crude humor and that’s okay. This film wasn’t designed for you and it seems Henson is okay with that because it doesn’t make it any less funny to those he created it for.

 

‘The Happytime Murders’ brings together a detective named Edwards (McCarthy) and former detective turned private investigator, Phil Phillips (voice of Bill Barretta) when members of The Happytime Gang (an old puppet television show) are murdered one by one. Phil’s brother Larry, who was ‘police officer Shenanigans’ on the show (which brought up thoughts of ‘Super Troopers’) is one of the victims. Edwards and Phillips were once partners in the department until an incident occurred that caused Phil to be released and excommunicate from the department. The tensions are high between these two but they’re both on the right side of the law and with only one goal in mind, they agree to work together. To bring some mystery in a caper that has little of it, Phil, who we know is a good guy, gets fingered for the killings and it’s up to Edwards, with help from Phil’s secretary Bubbles (Rudolph), to clear his name and find the real killer.

McCarthy is believable in her character to the degree I honestly don’t believe anyone, but she could have pulled this off. It’s time someone gives her a role in something other than a comedy, but she makes Edwards and all her animosity toward her old partner believable and thus more palatable when the jokes wear thin.

 

What I liked very much but think may have been largely missed because of the sexual perversions that you end up surprised with, was the discrimination by humans toward the puppets, who now must live among us. It seems they still ‘sing and dance for the man,’ even though they don’t want to… but how will they be taken seriously when they’re just colored felt and fluff? Even animals attack them on a daily basis, dogs especially, as they’re seen as nothing but a plaything. One of my favorite scenes is of two smalls dogs barking at a puppet while he screams at them that he isn’t a squeaky toy. Pay attention closely because there are several gems like that hidden in the background.

 

It isn’t difficult to shock people using sex, but it is challenging to keep the interest of an audience for over an hour using nothing but dirty jokes. I can’t say this is worth seeing at the theatre unless you’re paying matinee price but for those curious enough to see it, as you may have been with seeing ‘Sausage Party’ and ‘Team America,’ please know what you’re getting into. It’s going to be naughty but just have fun. And be sure to stay during some of the credits to watch a little of how they made this world come to life.

BlacKkKlansman Movie Review

Getting straight to the point, no credits or anything to distract from the message the filmmaker is presenting, ‘BlacKkKlansman’ starts with an old fake news clip. An actor, played by Alec Baldwin, tells his audience about how white American children have been forced to go to school with an inferior race, the black race, who are listening to Martin Luther ‘Coon,’ and have become super predators. I’m actually being nice in telling you what the despicable character and his distorted vision of reality says as he looks straight into the camera and into the racist soul of certain people in that period of time. However much the film may depict a particular year in the past (BlacKkKlansman is based in the 70’s), it’s really showing you our present, especially at the end of the film
 it’s shattering to see, on the big screen, who we are today.      

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

The film is set in Colorado Springs and is actually based a retired African-American police officer Ron Stallworth’s (played expertly by John David Washington), book which is hard to believe is true, though it all is. Stallworth, tired of being treated like a second-class citizen and participating in infiltrating the rallies of the Black Power Movement, he decides to turn the tables. With help from fellow officers, he dupes the local chapter of the Ku Klux Klan, and eventually David Duke (Grace) himself, to become a card-carrying member of, the KKK. His skin tone would never allow him to get close to members of the Klan so Stallworth sets everything up via the phone and his partner, Flip (Driver), who has to deny to the members that he’s Jewish, meets with them. Though the film has plenty of comedic moments, here is where it gets really intense and shows what a master of the narrative Spike Lee is. This is the best piece of work he has put out since his earlier films and you won’t want to miss this on the big screen.

Throughout the film, images and verbal messages are used to get an incredibly important directive out to the audience. People are people, you are powerful and, chief among them, believe what you see. The alt-right and the KKK and white supremacists exist, they’re not something made up in a film or by a news channel, who is just trying to tell the American people the truth. Racism is a horrible thing yet more common than anyone wants to admit and ‘BlacKkKlansman’ has been made because the people that racism targets are tired of it. There is no superior race as characters in the film, in scene after scene, suggests and SAYS there is but there are a great many people out there who honestly believes there is. This film is fascinating and incredibly entertaining but also, it’s a reminder that what we have done in our past, can be
 is being mirrored in our streets today. I can’t possibly express to you all the reasons why but as an American with an open mind, it’s crucial you don’t miss this eye-opening, impressive film. 

 

Official Website: http://www.blackkklansman.com/  

Facebook: https://www.facebook.com/blackkklansman                     

Twitter: https://twitter.com/BlacKkKlansman                 

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SKYSCRAPER Movie Review

Somehow someone settled on the title ‘Skyscraper’ for this new action film starring Dwayne Johnson. After watching, I think a better title may have been ‘101 Ways to Best Use Duct Tape.’ At no time ever has an action film had its star running around trying to be the hero with almost nothing at his disposal except for this ‘strong, cloth-backed, waterproof, pressure sensitive, adhesive, miracle-working cure-all. But writer/director Rawson Marshall Thurber does and it sorta works believe it or not. Maybe an even better title would be ‘101 Uses for Duct Tape-Towering Inferno Dies Hard.’ I might sound as if I’m being a little harsh with the comparisons to earlier films, ‘The Towering Inferno’ with Paul Newman and ‘Die Hard’ with Bruce Willis but I assure you if you’ve seen them, you’ll do the same. ‘Skyscraper’ is that predictable. I did enjoy the excitement and taking the journey but as almost anyone who has seen a big budget action thriller will say, the script was hardly original.

Instead of a police officer from New York running around inside a building in L.A. trying to stop German bad guys from making a profitable getaway in a giant high rise where his wife is held hostage, we have Scandinavian bad guys doing almost the same thing. However, our hero is Will Sawyer (Johnson), an ex-FBI agent who is also from America but this time the building is in Hong Kong. There are other similarities, but you get the picture. ‘The Towering Inferno’ references are obvious without my having to mention them, I’m sure. Oh, I have to mention that the end of ‘Rocky’ is in there, too, but you’ll catch that without my having to point it out to you.

After tragedy strikes in his past, Will becomes an independent security consultant working from home. He’s delighted to get a chance to work in the largest building in the world ‘The Pearl’ in Hong Kong, through an old friend who gets him the job. His job is to make sure the building is 100% secure and ready to be insured so that the giant residential section can now be opened to the public. This building is immense, beautiful and boasts all the possible amenities a high-tech building could have and all the updates. The units will sell quickly. Its eccentric builder and owner loves his building so much that he lives in the penthouse. Until his task is done, Will, with family in tow, are the only people presently staying in the building until his job is completed.

Neve Campbell plays his wife, Sarah, who’s ex-military. She is both mentally and physically strong. You’ll like her, particularly toward the end of the film where she gets to land a good swift kick to an irritatingly absurd character; but their children are not at all realistic. They are way too calm in the ‘heat of the moment’ so to speak. If I’m a little kid and I’m faced with burning to death or falling to my death, I’m not going to be calmly, statically asking mommy if I was going to die. I’d be screaming bloody murder!! Maybe you don’t want to go too realistic with it but c’mon! A little emotion would have been nice to sell SOME panic in SOMEONE!

Villains take over the building and, wanting something from the owner, set it on fire. They will get what they want this way, right? Seeing the chaos at The Pearl and getting set up as the guy who started it, Will must get in to save his family. Not a challenge for Johnson! Nah. He scurries up a construction crane, a blood pressure raising scene, by the way, and gets himself inside. Every movie he makes is live streamed to the public and is being watched by a crowd who has gathered below. Based on what they see, they’ve deemed him someone innocent of charges being thrown about on the news and worthy of getting through this whole mess he’s in, so they cheer his every successful move; each of which is mostly predictable had it not been for one thing
 that duct tape! I’d fill you in more but would prefer you discover what he’s doing with it on your own. It’s better this way. Trust me.

‘Skyscraper’ is Dwayne Johnson in an action flick. Awesome! The poster is good and the trailer is good so, we’re all going to go see it. No matter what you hear, despite your best judgment, Rotten Tomatoes rating aside, you’re gonna go see it because
 why not? It has everything an action film needs. Great CG and visual effect, strong characters that you want to see do well, provocative, albeit somewhat weak, story (despite its glaring references to other pictures) and most importantly, the suspension of disbelief. You’ll lose yourself in the film for a little while and isn’t that the whole reason to go see a movie like this? It’s nothing new but you’ll have fun. Go so seeing this one on the big screen this weekend. It’s the way to go with this type of movie.

Sicario: Day of the Soldado Movie Review

The definition of the word Sicario is a hired gunman or assassin, esp. in Latin America. The film ‘Sicario,’ starring Emily Blunt, Josh Brolin and Benicio Del Toro was an incredibly powerful and violent film that took audiences by surprise. Director Denis Villeneuve, who went on to direct ‘Arrival’ and ‘Blade Runner: 2049’ didn’t direct ‘Sicario: Day of the Solado,’ which may be surprising to learn when you consider the fact that it was nominated for three Oscars. That said, it was instead directed by Stefano Sollima, who very much did carry on the dark brutality that both stories, written by Taylor Sheridan, who wrote ‘Wind River’ and ‘Hell or High Water,’ required. Not pulling punches, Sollima moves the second tale of the franchise, not quite a sequel but more of an offshoot, at an electric pace.

The film starts by showing a group of individuals being smuggled over the U.S. border from Mexico. This has turned into a substantial for-profit business for the Mexican Cartel as many of them are terrorists willing to pay big dollars. Rather than be caught, these men are prepared to and do blow themselves up if cornered. Pivotal to what’s going on in American politics today, several do the deed in a store. The last one alive is about to take his life for the cause and consequently end the lives of everyone around him, is confronted by a white woman as she begs for him to spare her and her child
 thus the theme of the narrative materializes. The comparisons to today can’t be ignored.

The U.S. Secretary of Defense (Modine) hires government agent Matt Graver (Brolin) to help them seal Mexico off and make it appear as necessary to do so as possible. They want to stop the Mexican cartels once and for all. As unscrupulous and underhanded as he is, he suggests getting dirty and to make it appear as if one of the other cartels initiates the fight by attacking the other. He tells them they’re going to have to ‘kidnap a prince’ and explains that the king will start the war for you. He hires the unforgiving Alejandro (Del Toro) to help him kidnap rich, spoiled Isabela Reyes (Moner) the teenage daughter of the notorious cartel leader, Carlos Reyes. They stage everything to look like a rival gang of her fathers has her by allowing her to see pertinent information so she can relay it all back to her father. After, they set in motion a rescue. However, nothing ever goes as planned.
Day of the Solado, a word that means soldier, explores what it means to be a soldier, which is an enforcer of the rules he’s lead by, and what it means to be a man with a conscience. When Alejandro finds himself having to choose between the two, a second story emerges and helps rounds out the reasons for shootouts and the action and criminal element of the film and the more political motivation of the script.

Isabela Reyes is a character you’ll grow to abhor less as the movie winds down. Isabela Moner is an actress you’ll grow to adore as she does a fantastic job giving you what her director asks of her, but the script could have been a little more pointed as to what is expected from its audience. In fact, all the characters were hard for you to read, except for one and that’s Cynthia Foards. Played by Catherine Keener, Foards is a badass who isn’t in touch with her feelings and doesn’t care about yours, especially when it comes time to order a scene to be cleaned.

Even though it’s nothing like ‘Sicario,’ the acting in ‘Sicario: Day of the Solado’ is reason enough to see the second chapter. Oddly, it doesn’t necessarily matter which order you see them in but if you’re a fan of the genre, see them both. Also, you might be happy to learn there is a plan for number three. How it’s presented in the film will definitely leave you scratching your head… but in a good way, I promise.

Hotel Artemis Movie Review

If you put yourself into the year 2028 and you are in L.A. then the “Hotel Artemis” might be the safest place to stay. There are riots (over lack of water) out on the streets, and the hand-basket is full on its way to Hell. The problem is that the Hotel is about to experience the worst night ever, which makes for crazy, loopy movie full of odd characters and violent situations. Kinda like a normal day in L.A. The Artemis is a members-only hotel, which also operates as a make-shift hospital for criminals. But something major is afoot…

The person in charge is Nurse Jean Thomas (Jodie Foster), who runs the underground operation on the penthouse floor of the building, located in mid-town L.A. She is quick with a kind word and high-tech medical supplies that can fix up all types of bad guys and gals. There is an elaborate list of rules that all the guests must follow, the most important is not to hurt or kill other guests or the staff. When the other person on staff is the muscle-bound hulk called Everest (Dave Bautista), it is better not to get him riled up.

But on this night, all the valued guests are checked into their rooms. And each guest then referred to by the decor theme of that room. Waikiki (Sterling K. Brown) is an injured thief checked into a room with Pacific Ocean scenes on the walls. Nice (Sofia Boutella) has a bullet wound in her room with an Italian countryside flair. Acapulco (Charlie Day) is a loud and obnoxious arms dealer with a room that shouts Ole. Waikiki has a brother in very bad shape in room Honolulu (Brian Tyree Henry), and he might not make it. But the final open room is going to Niagara (Jeff Goldblum) who is a major crime kingpin in L.A. — and he owns the building.  He is also known as ‘The Wolf King’ because — it’s a cool name…

But this will be no ordinary night. There is a mobster in Detroit that is paying Nice for an assassination of a highly prominent person at the Hotel. Acapulco is attempting to get out of the country and flee from some bad deals he made. Waikiki and Honolulu are fresh from a robbery that has laid up Honolulu bad. They also are in possession of some precious jewels but these belong to ‘The Wolf King’ and he gets upset when they go missing. Nurse also happens to see a police officer named Morgan (Jenny Slate) right outside the back door who needs help. Everest tells Nurse it is a terrible idea to try and help her, and things will not go right. He is right, as usual…

When ‘The Wolf King’ arrives with his crazy son Crosby (Zachary Quinto) the wheels are set in motion, just before it all goes off the track. The people in the Hotel are avoiding the riots below, but there are plenty of violent moments up in the penthouse. Some of the guests will not survive the night, and there will be many blood infusions — but just as much blood spilled.  Nurse has some deep secrets in her past, and the Officer Morgan helps her to remember the awful truth of her history. ‘The Wolf King’ has more to do with the Nurse’s tragic back-story than she first thought, and now revenge creeps into her mind.

The story is a little clichĂ© and the concept a bit derivative of the “John Wick” universe. All the characters are mostly stereotypes, and only Nurse Jean Thomas has any real humanity in her story. Jodie Foster does a fine job with her portrayal of a shut-in with issues from the past and issue with any spaces bigger than the hallway. Every other character is pretty much a one-note look at a specific type. Dave Bautista does have a lot of fun as an orderly with pretty big chip on a pretty big shoulder. More likely than not, this set up would work for ‘John Wick’ just as well as it does for ‘The Wolf King’. But even as a copy of other ideas, this works out well.

Drew Pearce does a lot with the concept, even when it does not become fully-fleshed out. The idea is wild, and the futuristic setting has some nice touches. The characters are stock, for the most part — but everyone plays them with a lot of gusto. There are a few big fight sequences, and a much longer series of build-ups to the finale. The production design goes full Art Deco for the interior of the Hotel, which gives it a glamorous, yet old-timey look.

At the “Hotel Artemis”, you can check in any time you like, and only if you are still alive – then you can leave…