Megan Leavey Movie Review

This is a film about Megan Leavey, a Marine K9 Handler and the bomb-sniffing German Sheppard, Rex, with whom she’d do anything to save as he did her on the battlefields of Iraq.  They were involved in over 100 missions and saved countless lives but now, she must save Rex.  It begins by introducing us to Megan (Mara) and what ultimately leads her to make the decision to join the Marines.  Like many stories that lead to this same resolution, she’s from a broken family and after her best friend kills himself, she feels displaced and assumes the Military will give her what she’s desperately missing; some discipline and some personal strength.

Being new on base and still a bit naïve, she gets caught urinating in a bush and finds herself on kennel cleaning detail as her discipline.  She’s not happy but it could be worse.  She’s not terribly fond of a dog named Rex when their paths first cross and he’s not too fond of her either but before long, she likes how being around the animals makes her feel and the respect they give her is unlike any she’s gotten in her entire life.  She does the only thing that would possibly make her happy at this point in her life; she convinces Gunny Martin (Common) to let her train to be a handler.  It’s explained to her that being in control and being confident at all times is key to this job.  She’s told that everything she feels goes ‘down leash.’  If you can’t control yourself, you can’t control the animal.  When she has this down, Megan finally feels she has grown up and it shows in character. 

Soon, she and Rex are off to Iraq and she’s warned to be careful as there are large bounties out for female handlers.  She learns a lot, especially by making mistakes, but she also teaches the men in her unit that a woman is just as good as a man.  Similar to the views of this particular enemy, women only go so far in battle and Megan and Rex are somewhat relegated to only working at checkpoints; not allowed to go on missions.  This frustrates her.  This doesn’t last long, though.  Three months after her arrival, being the only handler available, she finally gets the opportunity she’s been hoping for and is directed to the front lines.  Well trained and following the prompting of this master, Rex finds a massive stash of arms, saving many lives in the process.  And just like that, they are the heroes of the unit.  Moving forward, their courage and abilities make them the team most wanted for missions.

After being incredibly successful, Corporal Megan Leavey and Rex are both wounded by an IED.  She’s sent to the hospital and is separated from the dog, who she now considers hers.  Another thing handlers are warned never to do is to ever see the dogs as theirs.  They belong to the Marines.  The dogs are soldiers, not pets.  Unable to forget him and his unconditional love, she does everything in her power to track him down.  Deciding not to re-enlist, she continues her quest after being told he is going to be retired.  Desperate to adopt him, she’s then told he’s not adoptable because he’s too aggressive and the military would rather put him down than take the chance Rex would mistake a child’s toy gun as a real gun and possibly take an innocent life.  All of that said, she fights harder to save him.  Putting her life on hold, she gets a petition going and even approaches Senator Chuck Schumer in the hopes of being listened to about what Rex means to her.  He may not stand on two legs, but being that he was a soldier in battle, he deserves the chance to live. 

Megan Leavey is a touching film and if you’re in need of a good cleansing cry, this would be the picture for you to see this weekend.  Mara is delightful, the script is engaging and the story is powerful.  There’s also a special treat so stay for the end because you get to see the real Rex and Leavey which adds more heart and even more of a reason to see the film.

Victoria & Abdul Trailer

Story: The extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favor with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.

Director
: Stephen Frears (“The Queen,” “Philomena,” “Mrs. Henderson Presents”)

Writer: Lee Hall (“Billy Elliot”), based on Victoria & Abdul: The True Story of the Queen’s Closest Confidant by Shrabani Basu

Cast: Judi Dench, Ali Fazal, Adeel Akhtar, Simon Callow, Michael Gambon, Eddie Izzard, Ruth McCabe, Tim Pigott-Smith, Julian Wadham, Olivia Williams, Fenella Woolgar

For more info, please follow the film on social:

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In Theaters Sept 29th

http://www.fandango.com

The Glass Castle Trailer

The Glass Castle

Lionsgate presents, a Gil Netter/Lionsgate production.​

Directed by: Destin Daniel Cretton.  Starring: 

Chronicling the adventures of an eccentric, resilient and tight-knit family, THE GLASS CASTLE is a remarkable story of unconditional love.  Oscar® winner Brie Larson brings Jeannette Walls’s best-selling memoir to life as a young woman who, influenced by the joyfully wild nature of her deeply dysfunctional father (Woody Harrelson), found the fiery determination to carve out a successful life on her own terms. 

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#TheGlassCastle

In Theaters August 11th

http://www.fandango.com

Battle of the Sexes Trailer

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Directed by: Valerie Faris & Jonathan Dayton

Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Austin Stowell, Jessica Mcnamee, Natalie Morales and Fred Armisen

In Theaters Sept 22nd

http://www.fandango.com

Tommy’s Honour Movie Review

Director Jason Connery, son of actor Sean Connery, is usually in front of the camera. Appearing in over seventy films, he now has five directing credits to his name. Tommy’s Honour, a piece about the birth of the golf pro of today, is his latest achievement. Appearing in Film Festivals across the globe, the Phoenix Film Festival being one of them where it had the honour of closing the fest, it’s getting great buzz and as it’s now at a theatre near you, I must recommend you see it. It’s an engaging movie with history about the evolution of the professional golfer and in my opinion; you don’t have to be a fan of the game to enjoy the spirit within the movie. Interestingly enough, the players went from being paid employees, hired to play the game for rich men who bet on the winners, to then playing on their own terms… and it would not have been possible if not for Young Tommy Morris (Jack Lowden) who made it happen.

At the time Tommy was the best player, one that the members of the club St. Andrews for whom he played, could always count on. He, well aware of his skills and knowledge of the game, refused to continue to play and only take home a small percentage of his own winnings. Not appreciating how the men of St. Andrews have always treated his father Old Tom, (Peter Mullan), he rejects the idea of ending up like his dad, crawling around on the ground setting up Tees for men who only looked down at him. Tommy decides it’s time to redesign how players are seen and how the game is played and with one game he does just that. Shocking every man in the club, especially Alexander Boothby (Sam Neil), he makes some requests that the members deny, fearing that next Tommy will expect to be called a Gentleman and demand entrance through the sacred door.

Tom, greenskeeper at St. Andrews, who’s responsible for establishing many of the game’s rules as well as making their balls and clubs, is fine with his station in life. When Tommy suggests rising above it, he gets a little nervous. Being a much better course designer these days than player, Tom is no longer asked to play; therefore he can no longer bring home the extra money his family needs. Having his son around to help run things and support the family has always been the plan. What starts concerning Tom, even more, is that at the time Tommy decides to carve his own path in golf, he also meets a woman, Meg (Ophelia Lovibond), who he falls instantly in love. Now his parents worry that he, along with this woman they do not trust, will destroy his future… and theirs.

What accent heavy dialogue you can make out in Tommy’s Honour, (you’re likely to miss a few words here and there so it’s worth mentioning), will affect you. It’s a thought-provoking and compelling story. With the characters being set up so well, you root for Young Tommy right away and want him to achieve his goals and prosper. You also feel for his family but when Meg enters the scene that may start to turn. As previously mentioned, Tommy has never been encouraged to dream or to love but he does now. With what he has achieved and where he sees his future heading, he insists on being his own man, no matter who likes it or who doesn’t. Suddenly, a sports movie about Tommy planning to tour different courses collecting his winnings and forever changing the face of the game turns into a heavy drama. Be prepared when it does… that’s all I’ll say about that.
Ophelia Lovibond is fabulous as she faces Tommy’s unforgiving mother and Peter Mullan expresses Old Tom impressively through not only dialogue but his face, especially when he sees his actions has cost him so much. This is an incredible cast in a wonderful story. See it playing in Phoenix at the theatres listed below or at a theatre near you, today.

Harkins Fashion Center 20

Superstition Springs 25

Harkins Arrowhead Fountains 18

AMC Desert Ridge 18

Shea 14 Theater

A United Kingdom

Your first thought upon walking out of A United Kingdom very well may be one of bewilderment at the story itself.  Not that it could happen, of course, (look at today’s headlines, this type of forbidden love is still happening) but that a King was questioned and almost denied his wish.  Anyway, you might next have the inclination to Google this to learn more about these individuals.  It could also be, as it was mine, to gather all of the performances of David Oyelowo to date and, find out what he’s up to next so that you can see all of this man’s work. 

Not to disparage the other performances in the production but he delivered the story of a man choosing love over country beautifully.  He never waivered in his ability to sell us on the saga that deep within him, he believed the people of his county would, in due time, not require him to make that sacrifice and did so with the strength and compassion you rarely see with such balance.

It would be impossible not to be impressed with this entire cast and it would be nearly pointless to try and look beyond director Amma Asante’s (Belle) achievements with the film.  She does an exceptional job with this labored piece and with only five directing credits under her belt, quite a feat, she handles the very difficult true life events like a master. 

A United Kingdom was a hefty project to take on.  It’s about Seretse Khama (Oyelowo) and Ruth Williams (Pike) and the political climate of their countries at the time they met in the 1940’s.  He’s heir to the kingdom of Botswana and she’s a white woman from London and despite what their families feel about their union, they insist on being together and will be, even though they’ll be under great scrutiny.  Her father has disowned her for being with a black man and his people, especially members of his own family, would prefer their leader be with his own kind.  Not considering others feelings and only listening to their hearts, they marry and move to South Africa where, unfortunately for all, apartheid is starting to grow.  Their union becomes widely known and a topic of great discussion.  Ruth is a likable person and does her best to be friendly, learn the language and fit in as his family members do their best to make her want to leave.  Oyelowo is outstanding when he addresses his tribe with a moving speech and speaks of Ruth with tears in his eyes, asking to see who would truly deny him his love.  It’s a stirring confrontation and a memorable scene. 

What ultimately doesn’t really work, but may have been better with a seasoned director, is the setup.  This story is a pure and true love so strong that this couple defies all rules, family and country to be with one another should have had you cheering their achievements.  However, as it’s told, you don’t really care.  The reason for this is that we meet Ruth and Khama when they first meet and almost immediately they’re in love and getting married.  There isn’t time for you to feel for these people or for the plight in which they find themselves.  Asante does a wonderful job of keeping the rest of the story flowing, especially the focus on the British government wanting the diamonds and minerals on his land, but sadly, missing this crucial step of giving the audience time to identifying with what the couple is going through or to feel compassion for them, hurts her very efforts.  It’s the single most important goal before telling the rest of the narrative for it to have worked as a well-structured and cohesive piece.  It is a good drama about pressures put on them both and his overcoming his uncle asking him to renounce his birthright to the throne for marrying a white woman, but it isn’t as romantic as it claims to be.  Keep in mind it is a true story… life doesn’t always come out as we plan. 

I do recommend A United Kingdom but I’d say wait for VOD or DVD instead of paying to see this at the theatre.

A United Kingdom Advance Screening

Prince Seretse Khama of Botswana causes an international stir when he marries a white woman from London in the late 1940s.

Find your chance to receive special advance movie screening passes below. 

Phoenix, Arizona

Date: Wednesday, February 15
Location: Harkins Scottsdale 101
Time: 7:00pm
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The Founder Advance Screening

The story of Ray Kroc, a salesman who turned two brothers’ fast food eatery, McDonald’s, into one of the biggest restaurant businesses in the world.

Find your chance to receive special advance movie screening passes below.

Phoenix, Arizona

Date: Tuesday, January 17
Location: Harkins Scottsdale 101
Time: 7:00pm
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jackie

Jackie

“Jackie” is a film about what Jacqueline “Jackie” Kennedy had to endure directly after the assassination of not just the President of the United States of America, the country she loved so much and the man she most admired, but the assassination of her husband, Jack Kennedy, who was that President.  It’s an accurate portrayal of a woman in agony.  She loses the husband she always had to share with the world and has to share the pain of this, as well.  Nothing can be personal; nothing private.  The delicate nature of the story itself is handled beautifully.  To your joy, what is evident from the first moment she speaks is that Portman will not only get a Best Actress nomination but quite possibly win the Oscar this year.  She is Jackie. 

To begin the film the theatre goes dark and sounds of gun shots fill the house.  It’s November 22, 1963.  Dallas.  We also spend time in 1961 when the First Lady is giving a tour of the White House.  This is broadcast on television and is, some would consider, the defining moment for the American people, who fell in love with Jackie when Kennedy first took office, that she was their queen.  Why we’re flashing back to her life becomes clear when we are suddenly in a room on her estate in Hyannis Port, Massachusetts with “the journalist” (Crudup) from Life Magazine who is there to talk to her for his publication about the assassination and her life since. 

Many have told the Kennedy stories in books and on film but not so have they delved quite so deeply into the woman behind the man especially when it comes to touching the sensitive subject of her life directly after the his death. 

Quite addled, she clings to what she has left of the soon to be past position she held of First Lady with more than high acclaim in the world.  There are key moments in the film where we see her pain and if you’ve done any Kennedy reading you’ll recognize the truth telling of this piece, especially about why she wore her blood-stained dress, ‘Let them see what they’ve done’, and how difficult it became for, not only her, but for the Johnsons’ to get her to leave, which is why I appreciated this movie even more.

It isn’t the tale of Camelot but a reminder of how it all ended”
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Using real clips mixed in with those of director of photography, Stéphane Fontaine, who also shot this years, “Captain Fantastic”, one of my top five for 2016, Larraín creates for us the real trauma that was happening at the time.  The story may not be pretty but it does her justice in a way that it shows not only her vulnerability and vanity but her misery and contempt for what “they” did to her.  Writer Noah Oppenheim tells of one of the darkest times, the story of Jackie planning Jack’s funeral procession.  She wants the world to know that a good man was murdered and much to the chagrin of all around her, she wants the parade to be long and large, one like that of Lincoln.  Being, clearly, a very intelligent woman, she knew her children were at risk so she takes certain precautions with them during this time.

As I previously mention, Portman is fascinating in this role.  Billy Crudup isn’t really given much to do but be a character for Portman to act opposite of.  His character could have been a lamp and it wouldn’t have mattered.  Sarsgaard isn’t the best Bobby but again, the film was not about him; it’s about Jackie and if you want to see a film where only one role is sufficient enough for the film to stand on its own, it’s this.  Only she is truly necessary to move the story along.  This is a must see for anyone who likes biography’s and for anyone who lived through the Kennedy era and like to peek inside the dynasty that once was.  It’s a brave film.  It isn’t the tale of Camelot but a reminder of how it all ended; how one woman suffered through it and how we as a country were never the same.