The-Disaster-Artist-movie-review

The Disaster Artist – Movie Review

This is a film for the dreamers.  If you’ve ever been told you can’t do something or if you’ve let a dream go because you felt it was impossible to continue to strive for, no point in continuing to reach for the sky, see ‘The Disaster Artist’ to be reminded that your limitations only lie within you.  Nothing is truly impossible if you put everything you’ve got into your goals and if you accept the fact that sometimes… you need a helping hand.  Anyone who has been driven wild by doubt, especially if you’ve wanted to work in the film business in any way, will be inspired by the story of Tommy Wiseau who is played absurdly and honorably by James Franco.  He and his friend Greg (Dave Franco) set out to make their dreams come true and Tommy would never have made it had he not been open to listening to someone, something not that easy for him.  Greg never left his side, he believed in him every step of the way and remained loyal, constantly reminding him to never give up.

Tommy Wiseau made a film called ‘The Room’ in 2003, which has overtaken Ed Wood’s 1959 film ‘Plan 9 From Outer Space’ as the worst movie ever made.  ‘The Room’ did find its audience in almost the same fashion as 1975’s ‘The Rocky Horror Picture Show’ built its congregation of loyal fans.  Some may have considered the films bad, others loved them and they created cult followings after playing at midnight for people looking for late night entertainment that wasn’t like everything else… and where they felt a part of something special.  Any film, even if considered the worst, should hold its head high to be in the company of Plan 9 and Rocky Horror.  If they prove anything, it’s at least that Tommy’s film could continue to be seen by many and will be around for decades to come.

‘The Disaster Artist’ is about the making of ‘The Room.’  James Franco is the director of the film but not only does he tackle this incredibly eccentric character from behind the lens but, as I previously mentioned, he also brings him to life in what’s arguably his best character yet.  In fact, he could possibly be getting a gold statue for the role.  He does a more than adequate job directing, as well.

He doesn’t try to remake ‘The Room’ here but instead demonstrates the incredibly long and difficult road it takes to get ‘The Room’ from Wiseau’s script, which was a very heady idea to be sure, to the screening of the film.  He meets Greg, a young actor who is about to give up on his dreams of ever getting to Hollywood and they move to LA together after knowing one another for a short time where unbeknownst to Greg, Tommy has an apartment where they can hunker down and start the process of auditioning.

About halfway through the film, you’ll realize you’re continually being eaten away by wanting to know who this Tommy Wiseau is exactly.  As you get further in, his quirks, his aggressive nature, his weaknesses will intrigue you more and more and you’ll want to know more.  Who is this man?  Where did he come from?  Where did he get his unending supply of money?  Why does he look like the walking dead… why does he talk like that?!  He has no specific talent and it seems that by helping Greg, who makes a pact with him that they’d always push one another, his true goal is to only help himself.

In the end, he pays five million dollars to make his film and it tanks.  It’s awful.  This might have ended things for most people but through the support of others he has met along the way, ‘The Room’ still thrives and now has this solid piece, ‘The Disaster Artist’, paying homage to it and to Tommy himself.

‘The Disaster Artist’ isn’t mocking the movie but instead, it’s acknowledging what strong-willed people, when not jealous of the others’ successes, will go through for something and someone they believe in.  The scenes showing the crew and actors on set waiting around for something to happen are fantastic.  If you’ve ever made a film or even been part of a large group of people working toward one common goal, you’ll appreciate the humor used here.  The movie is hysterical and it’s not going too far out on a limb to say it very well could develop its own cult following.  A24 never disappoints and this is definitely one to see!

The Shape of Water movie poster

The Shape of Water

This film is, essentially, a sonnet.  A sonnet to love that bursts to life with a breathtaking opening.  It’s presented to you with intricate imagery and topped with a poem at the end to nicely complete the fable.  ‘The Shape of Water’ is called a fairy tale and from the poster, you can see it certainly looks like one.  Director Guillermo del Toro (Pan’s Labyrinth, The Devil’s Backbone) was quite obviously inspired by ‘The Creature from the Black Lagoon.’  Regardless of what it’s labeled, a love story, a fairy tale, a thriller, it’s hard to really describe it as any one thing in particular.  That task seems better left for the individual viewer of this magnificent work of art.  At one moment you’ll see it as a thriller where you’re biting your lip, filled with anxieties, another you’ll feel the anguish that makes it a drama but there’s no doubt it’s a brilliant fantasy. 

The plot of the story is a woman falling in love with an amphibian.  We see beauty in all things.  She most certainly does.  The movie is an ode to love, for people and for other creatures no matter who or what they are, and that’s the strong central message del Toro makes very clear.  That and how important the color green is to him.  Everything is green.  The start of the film is waterlogged and wonderful and you’ll appreciate how green lends to the temperature of the film as a whole.  As we begin the story in the apartment (above a theatre) that belongs to our protagonist, Eliza Esposito (Hawkins), we are swept away to another time and place.  Eliza is a perfect damsel in distress.  She’s short, mute and low on friends but appreciates everything she has, especially a little alone time in her bathtub where she relieves herself from the tensions of the day.  

The year is 1962, right before the death of Kennedy and the death of what people considered to be their hope for their country… did I mention the film gets political at times?  Eliza works with Zelda (Spencer) in a secret government laboratory.  They’re cleaning women and generally keep to themselves but due to a wrong place, wrong time situation, are one day pulled into something they weren’t expecting.  Asked to clean up a bloody mess after Mr. Strickland (Shannon) gets a horrific injury, the women are privy to more information than they care to be.  For Zelda, it’s just, ‘do the job, move on and forget it happened.’  For Eliza, very curious by nature, it’s a matter of finding out the ‘why’s’ of the bigger picture.  She sees a creature, known as only the asset, wrongly imprisoned and feels sorry for it as it’s tortured by cold, heartless men.  When next she sees the creature, not intimidated by it, she gives it part of her lunch.  A bonding begins.

The creature is possibly going to be used for space exploration and the lab Eliza works is not the only research facility that wants him.  She tells her friend and neighbor Giles, played magnificently by Richard Jenkins, about the creature who is intrigued but when she speaks of a plot to rescue her new charge, he’s more than concerned.  Sadly, you’ll grow concerned, too, as the film nears its conclusion.  Up to the point where her plot to remove the asset from his imprisonment ends, it’s a well-structured, beautifully formed and stunningly shot film.  It’s a fascinatingly violent film with peculiar lusts along with joy and guilt hidden in dark places BUT the end seems rather flat.  Be that as it may, don’t be deterred from seeing it.

Afterall, it’s not as if your imagination can’t move beyond what del Toro does on screen and fill in a few blanks… it’s a shame that it must. 

All the Money in the World

ALL THE MONEY IN THE WORLD follows the kidnapping of 16-year-old John Paul Getty III (Charlie Plummer) and the desperate attempt by his devoted mother Gail (Michelle Williams) to convince his billionaire grandfather (Christopher Plummer) to pay the ransom.  When Getty Sr. refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal.  With her son’s life in the balance, Gail and Getty’s advisor (Mark Wahlberg) become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.

  Directed by: 

Ridley Scott

Written by: 

David Scarpa

 Based on the book by: 

John Pearson

Cast: Michelle Williams, Christopher Plummer, Mark Wahlberg, Romain Duris, Charlie Plummer and Timothy Hutton

In Theaters December 22nd

http://www.fandango.com

AVENGERS: INFINITY WAR opens in U.S. theaters on May 4, 2018!!!

AVENGERS: INFINITY WAR

MARVEL STUDIOS

An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios’ “Avengers: Infinity War” brings to the screen the ultimate, deadliest showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

Website and Mobile site:  http://www.marvel.com/avengers

Like us on Facebook: http://www.facebook.com/avengers

Follow us on Twitter:  http://www.twitter.com/avengers

Instagram: https://www.instagram.com/marvel

Directors:                           Anthony and Joe Russo

Producer:                           Kevin Feige

Executive Producers:       Louis D’Esposito, Victoria Alonso, Michael Grillo, Stan Lee

Screenplay by:                   Christopher Markus & Stephen McFeely

In Theaters May 4, 2018

http://www.fandango.com

Love, Simon – Trailer

LOVE, SIMON

Director: Greg Berlanti

Screenplay by: Isaac Aptaker and Elizabeth Berger

Producers: Wyck Godfrey and Marty Bowen

Cast: Nick Robinson, Katherine Langford, Alexandra Shipp, Jorge Lendeborg Jr., Miles Heizer, Keiynan Lonsdale, Logan Miller, Jennifer Garner, Josh Duhamel, Tony Hale.

 SYNOPSIS

Everyone deserves a great love story. But for seventeen-year-old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing. Directed by Greg Berlanti (Dawson’s Creek, Brothers & Sisters), written by Isaac Aptaker & Elizabeth Berger (This is Us), and based on Becky Albertalli’s acclaimed novel, LOVE, SIMON is a funny and heartfelt coming-of-age story about the thrilling ride of finding yourself and falling in love.

LOVE, SIMON Official Channels

Website: LoveSimonMovie.com

Facebook: https://www.facebook.com/LoveSimonMovie/

Twitter: https://twitter.com/lovesimonmovie?lang=en

Instagram: https://www.instagram.com/lovesimonmovie/

#LOVESIMON

In Theaters March 16, 2018

http://www.fandango.com

Limited time, purchase “PITCH PERFECT 3” tickets on Fandango & receive free download of Freedom! ’90 x Cups mashup!

The aca-awesome collaboration between the Bellas and The Voice Top 12 aired on NBC’s The Voice.  For a limited time, fans who purchase their PITCH PERFECT 3 tickets on Fandango receive a free download of the Freedom! ’90 x Cups mashup!

Now graduated from college and out in the real world where it takes more than a cappella to get by, the Bellas return in Pitch Perfect 3, the next chapter in the beloved series that has taken in more than $400 million at the global box office.

After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren’t job prospects for making music with your mouth.  But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.

Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Hana Mae Lee, Ester Dean, Alexis Knapp, Chrissie Fit, Kelley Jakle, Shelley Regner, Elizabeth Banks and John Michael Higgins all return and are joined by additions including John Lithgow and Ruby Rose.  Pitch Perfect 3 is again produced by Paul Brooks of Gold Circle Entertainment and Max Handelman & Elizabeth Banks of Brownstone Productions, and is directed by Trish Sie (Step Up All In).

PITCH PERFECT 3 – In Theaters December 22

Cast: Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, John Lithgow, DJ Khaled, Hana Mae Lee, Ruby Rose, Alexis Knapp, Chrissie Fit, Ester Dean, Shelley Regner, Kelley Jakle with John Michael Higgins and Elizabeth Banks

Directed by: Trish Sie

Screenplay by: Kay Cannon and Mike White

Story by: Kay Cannon and Craig Mazin

Based on the Book by: Mickey Rapkin

Produced by: Paul Brooks, Max Handelman, Elizabeth Banks

Executive Producers: Jason Moore, Scott Niemeyer, David Nicksay

Disney•Pixar’s “Incredibles 2” – Teaser Trailer

Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transition for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible.

Directed by Brad Bird

*Released in 2004, “The Incredibles” grossed more than $633 million worldwide. Earning more than $70 million opening weekend, “The Incredibles” posted the second-largest opening at the time for an animated feature.

INCREDIBLES 2

DISNEY•PIXAR

Website:  http://disney.com/incredibles2

YouTube: https://www.youtube.com/DisneyPixar

Facebook: https://www.facebook.com/PixarTheIncredibles/

Twitter: https://twitter.com/disneypixar

Instagram: https://instagram.com/pixar

 

In Theaters June, 15th 2018

http://www.fandango.com

Roman J. Israel, Esq. – Movie Review

Another fabulous film coming at you before we close out 2017 is Roman J. Israel, Esq.  If you love Denzel Washington, see it now because in this film you’ll see him, simply put, in a way you’ve never seen him before.  His character Roman is a criminal attorney with a civil-rights background who has been working for low wages for thirty-six years.  Instead of becoming a lawyer to get what he can out of people who hurt for his expertise those most, he became one because he’s passionate about helping those individuals who are in desperate need.  He fights for those who have been wronged and despairs when he sees the lawyers of the day allow their first-time offenders to receive sentences of ten years in prison rather than spending the time to go to bat for their clients as they should. 

Roman J. Israel, Esq., so named for the dignity the title possess, is a bit of an egghead and a savant, with a photographic memory.  He believes in social justice and wants to do the right thing as did his mentor and his hero’s but as it becomes harder to be an idealist in a world who’ll fight you tooth and nail for their right not to be protected, Roman feels the earth his career was based on begin to shift out from under his feet.  That earth is not as steady as it once was. 

Washington brings Roman to life so convincingly that you wonder if this wasn’t the real Washington all along.  Going through the loss of all that is dear to him, Roman gets upset and nervous and it shows.  When he’s most troubled, Washington gives him ticks such as playing with his glasses, pulling at his hair.  He displays other behavioral abnormalities that ultimately sell the role.  His performance is magnificent and as the story builds to its inevitable conclusion the more you’re lost in this character and feel for his circumstances.  We learn he’s a forceps baby which tells Roman that he’s fully aware of this world not being one he wanted to enter, especially since he sees what others choose to ignore but in a city that has hardened from corruption, his heart has remained in the right place… until now, that is.

His partner and owner of the law practice, a well-known civil-rights litigator by the name of William Jackson, falls very ill.  While he’s in the hospital, Roman, who has always been the brains behind the operation doing a lot of the grunt work, takes on the cases.  He’s only to go to court and get continuances for the cases but due to his strong beliefs, he can’t help but get involved to try and right what he sees is wrong and fight against the racism, greed and authoritative tendencies of society in the United States and its court system.

George Pierce (Farrell), who was a former student of Jackson’s, handles the liquidation of the company after Jackson’s death and has to let Roman go.  Aware of his intelligence, George hires him for his company and the story picks up speed.  A lot of the dialogue here seems very deliberate, to speak of what is going on in the country today which, if you’re following politics at all, you could find very engaging and appreciate hearing.  It isn’t tedious and it doesn’t assault you but watching an optimist become a realist the way writer/director Dan Gilroy (Nightcrawler) shows Roman slowly become is both heartbreaking and frightening.  Working for George isn’t easy for him because he’s forced to do what he hates and he metamorphoses into what he ultimately despises.  He also becomes ‘Tired of doing the impossible for the ungrateful.’  However, as Roman loses himself, we see who he is turning around and that is someone with the power and control to achieve what Roman sadly never could.

I recommend Roman J. Israel, Esq. for anyone who likes a powerful story with characters driven not by lust or ambition but by the dedication and the commitment to do what’s right.  This is a heavy drama that requires your full attention and once you give it you’ll applaud what you get in return.   

A Quiet Place – Trailer

IF THEY CAN’T HEAR YOU, THEY CAN’T HUNT YOU…


“A QUIET PLACE”


STARRING

EMILY BLUNT

JOHN KRASINSKI

NOAH JUPE

MILLICENT SIMMONDS

A QUIET PLACE Official Channels

Official Site: http://www.paramount.com/

Facebook: https://www.facebook.com/Paramount

Instagram: http://www.instagram.com/ParamountPics

Twitter: https://twitter.com/paramountpics

#AQuietPlace

In Theaters April 6th 2018

http://www.fandango.com

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Three Billboards Outside of Ebbing, Missouri – Movie Review

Do not, under any circumstances, miss this movie.  It’s one of the most unique and highly entertaining films of the year.  Written and directed by the skilled and very distinguished Martin McDonagh (In Bruges, Seven Psychopaths), whose work never fails to impress, bewilder and engage you, likewise, Three Billboards will surprise you, shock you, delight you as well as alarm you.  I don’t know what I was expecting going in but what I got was purely visceral and elicited, more than once, a stirring of genuine discomfort for what Mildred (McDormand) was going through.

Important to pull you in, all characters in the film are rich in tone and have strong personalities.  From the target of the Billboards, chief of police Willoughby (Harrelson), to his hotheaded underling, Dixon (Rockwell), the players of the narrative are well developed and entrenched within a captivating and engrossing story about despair and hopelessness.  The film is beautifully shot with fitting music to accompany the actors who are expertly cast for each role.  All things considered, this is easily one of the best films of the year.

A tragedy happened in Ebbing, almost an entire year previous, that changed Mildred’s, an independent and strong divorced mother of two, life forever; her teenage daughter, Angela (Kathryn Newton), was raped and murdered.  In a flashback scene, we learn that Mildred has every reason to feel a little guilty for it happening.  Though Mildred has a son to live for, she has been devastated by her loss and refuses to let the police sit and allow her daughter’s death to go unsolved any longer.  Fearing they’re not doing as much as they should and that Angela’s death is turning into a cold case, she rents Three Billboards and posts messages to Chief Willoughby, reminding him that he has an unsolved murder on his hands, lest he had forgotten.  In a deep red with black lettering the signs read, ‘Raped While Dying,’ ‘And Still No Arrests?’ and ‘How Come, Chief Willoughby?’

After the billboards, with their very potent and direct messages of what happened to her daughter and who it is not doing anything about her murder, go up, Mildred draws unwanted attention from everyone in town.  She finds that Willoughby has many admirers and that the citizens of Ebbing don’t appreciate her attacking and questioning him the way that she has.  It’s at this point we learn more about his current situation and suddenly a suspect list begins to emerge; so do outstanding performances.

Every word McDormand’s Mildred utters is done so with such diligence and precision that the anguish Mildred is suffering through practically assaults you as the characters in the film assault one another.  You’ll agree that McDormand will be a strong contender for an Academy Award this year but so might Sam Rockwell be with his turn here as the slightly deranged mama’s boy of a police officer who’ll stop at nothing to support his boss.  With these two actors at the helm, and an almost muted offering by Harrelson who is carrying the weight of the world on his shoulders, you’ll not only be happy you saw this movie this weekend but you’ll get back in line to watch it again.  The end leaves the audience to guess what ultimately happens so what better way to solve a mystery than to watch more closely and research everything once again for anything you may have missed.

 

*Exclusively at Harkins Camelview at Fashion Square