Aquaman-advance-movie-screening

Aquaman Advance Movie Screening

Movie Screening Summary

From Warner Bros. Pictures and director James Wan comes an action-packed adventure that spans the vast, visually breathtaking underwater world of the seven seas, “Aquaman,” starring Jason Momoa in the title role. The film reveals the origin story of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.

The film also stars Amber Heard (“Justice League,” “Magic Mike XXL”) as Mera, a fierce warrior and Aquaman’s ally throughout his journey; Oscar nominee Willem Dafoe (“Platoon,” “Spider-Man 2”) as Vulko, council to the Atlantean throne; Patrick Wilson (“The Conjuring” films, “Watchmen”) as Orm/Ocean Master, the present King of Atlantis; Dolph Lundgren (“The Expendables” films) as Nereus, King of the Atlantean tribe Xebel; Yahya Abdul-Mateen II (Netflix’s “The Get Down”) as the vengeful Black Manta; and Oscar winner Nicole Kidman (“The Hours,” “Lion”) as Arthur’s mom, Atlanna; as well as Ludi Lin (“Power Rangers”) as Captain Murk, Atlantean Commando; and Temuera Morrison (“Star Wars: Episode II – Attack of the Clones,” “Green Lantern”) as Arthur’s dad, Tom Curry.

Wan directs from a screenplay by David Leslie Johnson-McGoldrick (“The Conjuring 2”) and Will Beall (“Gangster Squad,” TV’s “Training Day”), story by Geoff Johns & James Wan and Will Beall, based on characters from DC, Aquaman created by Paul Norris and Mort Weisinger. The film is produced by Peter Safran and Rob Cowan, with Deborah Snyder, Zack Snyder, Jon Berg, Geoff Johns and Walter Hamada serving as executive producers.

Wan’s team behind the scenes includes such frequent collaborators as Oscar-nominated director of photography Don Burgess (“The Conjuring 2,” “Forrest Gump”), his five-time editor Kirk Morri (“The Conjuring” films, “Furious 7,” the “Insidious” films), and production designer Bill Brzeski (“Furious 7”). They are joined by costume designer Kym Barrett (“The Matrix” trilogy, “The Amazing Spider-Man”) and composer Rupert Gregson-Williams (“Wonder Woman”).

www.Facebook.com/AquamanMovie
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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday December 17
Location: Harkins Arizona Mills IMAX
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date:Monday December 17
Location:Century El Con 20 and XD
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Monday December 17
Location: Regal Red Rock IMAX
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Monday December 17
Location: Regal Winrock IMAX
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

What Men Want Red Band Trailer

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test.

WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.

Directed by:

Adam Shankman
Starring:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

Social Media:

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In Theaters February 8th, 2019

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Fantastic Beasts: The Crimes of Grindelwald Movie Review

Fantastic Beasts: The Crimes of Grindelwald” is the newest “Wizarding World” magical spell created from the boundless mind of J.K. Rowling. It takes a close look at the Wizarding community in the pre-Harry Potter years. The Hogwarts school plays a much smaller part of this story, but it does make a welcome appearance. After the first movie in this sequence (“Fantastic Beasts and Where to Find Them”), this next chapter follows along with the main character of Newt Scamander (Eddie Redmayne). Newt will figure prominently into the new story line, along with the other people he meets.

In the first movie, Newt was the one who captured the criminal Gellert Grindelwald (Johnny Depp) while Grindelwald was hiding in New York City. Newt met many magical people in New York, and one “Non-Maj” (non-magical person, in England they are called ‘muggles’).While in New York, Newt made very close friends with Tina (Katherine Waterston) and her sister Queenie (Alison Sudol). There is also Jacob Kowalski (Dan Folger), who is a non-magical type, but shares a bond of love with Queenie. Jacob was supposed to have his memory wiped out at the end of the first film, but he still remembers everything.

Newt’s brother Theseus (Callum Turner) is a high-ranking fellow in the British Ministry of Magic, and he attempts to convince Newt that he needs to be on their side. Grindelwald has gotten his followers to break him out of the jail cell he was being held in for three years, located in New York City. Grindelwald is out on the loose, and he is hunting the person who created much destruction in New York. He is looking for Credence Barebone (Ezra Miller), since he controls something called an Obscurus. This is a powerful Dark Magic object that Grindelwald wants to use to destroy the non-magical world, so he can take over.

Newt, Tina, Queenie and Jacob wind up in France to also look for Credence, because he is the key to finding Grindelwald. Newt has also had a visit with a Professor from Hogwarts named Albus Dumbledore (Jude Law). Dumbledore has a keen interest in stopping Grindelwald, however there is a close personal bond between Grindelwald and Dumbledore. Dumbledore is prevented from moving against Grindelwald, and he implores Newt to find Credence and then Grindelwald. Creedence has been located, and he is employed at a magical Freak Show with a close friend named Nagini (Claudia Kim). Nagini has a curse that turns her into a large snake (shades of Harry Potter movies that are set in the future!). There is also Leta Lestrange (Zoë Kravitz) who is an old Hogwarts BFF to Newt, but she is now engaged to Newt’s brother Theseus. Oh, and don’t forget Yusuf Kama (William Nadylam), who is also on a separate quest to find and kill Grindelwald, for personal and family reasons…

Yikes, there are a lot of characters and plot points to try to keep straight. Rowling screenplay creates a very rich and deep Wizarding World. Yet the incredible number of overlapping plot and interwoven characters make it hard to track of all of them. There a whole mess of characters, and the main ones are very well defined. But there are a huge number of side characters that get introduced and get such limited screen time that you do not know why they are important or what their ultimate purpose might be in the series. However, director David Yates does a fantastic job to take a complex story and give it a calm and steady push to the screen.

Also, the productions, sets and physical designs are all amazing and leap out from the screen and make the story come alive. Plus, getting the right actors to inhabit these roles make a major difference. Eddie Redmayne is true genius at making an oddball character come alive. Dan Folger has also just the right amount of comic relief and sense of wonder at seeing the Wizarding World up close and personal. Johnny Depp is creepy and charismatic as Gellert Grindelwald. And Jude Law is a perfectly cast Albus Dumbledore, the future Headmaster of Hogwarts.

Even if it is long movie with a lot going on, this is still a magical experience. Thanks to J.K. Rowling and the entire team that put this together, it is a “Fantastic Beast” of a production. It assumes that you are up to speed on all the Wizarding World goings-on, so it is best to see the prior movie (“Fantastic Beasts and Where to Find Them”) before your put your effort into this one. The special effects are very seemless and help to drive the story. A couple of the sequences are exciting to watch and keep you energized for the next one.

Oh, and then that FINAL reveal of the secret identity and background of THAT character! And how they are related to that OTHER character! OH – WOW! How can they keep all that a secret???? What does all this mean for the future of Newt and of future movies? You will just need to see for yourself…

FANTASTIC-BEASTS-THE-CRIMES-OF-GRINDELWALD

Fantastic Beasts: The Crimes of Grindelwald Advance Movie Screening

Movie Screening Summary

“Fantastic Beasts: The Crimes of Grindelwald” is the second of five all new adventures in J.K. Rowling’s Wizarding World™. At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

https://www.fantasticbeasts.com

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Advance Movie Screening For Fantastic Beasts: The Crimes of Grindelwald

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date:Wednesday, November 14th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Suspiria Movie Review

‘Suspiria,’ a remake of the 1977 cult classic of the same name, is a psychological thriller more than it is a horror. After watching, you’ll have an uneasy feeling in your gut for what it is you witnessed so the film does handle the responsibility of manipulating your state of mind quite well. However, it’s too long for no other reason than ego and indulgence on the part of the director, Luca Guadagnino (Call Me by Your Name). The performances were strong but even they can’t keep you interested for two and a half hours when the director constantly takes you in different directions, asking more effort on the part of the viewer to keep up than he may have originally bargained for. Movies are meant to be entertainment AFTER a long hard day of work, not be an addition to the workload. That said, if you can handle the length and get through an ostensibly uninteresting German psychiatrist character who doesn’t quite belong, there is a lot here. This being the case, I’d like to note that ‘Suspiria’ isn’t for those without an imagination. With its plot points perhaps incorrectly framed leading occasionally to boredom, it may take a lot out of you but what you’ll get in return if you’re willing to commit, is worth consideration. It does attack your faculties at first, but you’ll appreciate it more and more once you leave the theatre and it hits you as to exactly what it is you just observed. It’s unnerving, chilling and rather grotesque… but in a good way.

 

The story is, on the surface, about the experiences of Susie Bannion (Johnson) a dancer from America who goes to Berlin to dance with the famous Helena Markos Dance Company. When we finally get to the dancing in the film, you’ll be mesmerized by the power of it, the choreography and the performances. This is also when the true reason for the company to exist is revealed.

Susie comes at a time when a girl named Patricia (Chloë Grace Moretz) leaves the troop and Madame Blanc (Swinton), the woman who wrote and is directing the piece, is looking for her replacement. Susie is just that person. At this point in the film, you’re becoming aware of what the women who run the dance company are. They’re witches and once taken into the coven, you’re needed for a purpose and you’re not to leave. As Susie dances, we’re made blissfully aware of what happens if you try. This scene hooks you because with every step she performs, she jerks and manipulates the body of someone attempting to escape and it’s not a pretty sight.

 

Since we already know that the witches in this school of dance are more concerned with finetuning their witchcraft rather than churning out gifted students to graduate and live happy lives, you feel cheated out of the reason for staying but the dance sequence toward and the climatic ending itself will more than atone for Guadagnino’s mistake in revealing too much too soon. Artistically, the film is beautiful. The images are frightening. The cinematography is outstanding. What plays in your mind as you toy with whether or not the film is a nightmare someone can’t escape or a fight between good and evil is a direct result of how well it’s shot.

At times it’s tedious but other times it’s brutal and worth the dark halls you must meander through. Regardless, it’s satisfyingly imaginative so saddle up if you’re pleased more by artistry than by instantaneous indulgences. On the big screen is the way to see ‘Suspiria’ but might I suggest a matinee if you wouldn’t be happy when it lags.

The Nutcracker and the Four Realms Movie Review

“The Nutcracker and the Four Realms” is a new Disney movie based on a (very old) story from 1816 called “The Nutcracker and the Mouse King”. So the ‘House of Mouse’ finally gets to work on the ‘Mouse King’. The famous music by Tchaikovsky is based on this story, and some of his memorable themes are also in here. The story has evolved over these years, and now it has the main character Clara going into the realm of a fantasy world to fight evil and make things right. Similar story patterns are found in “The Chronicles of Narnia” and “Alice in Wonderland, as well as finding adventure like ‘Indiana Jones’. So call it — “Indiana Clara and the Realm of Naria in Wonderland”…

 

In 18th century London, Clara Stahlbaum (Mackenzie Foy) is missing her dead mother, and her father, Mr. Stahlbaum (Matthew Macfadyen), does not know how to deal with it. On Christmas Eve, the family goes to visit Clara’s godfather, named Drosselmeyer (Morgan Freeman). He is an inventor, like Clara, and he sends her out to solve a mystery. But she goes straight into a new fantasy dimension, a land of Four Realms. She meets the rulers of three of the Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. The Sugar Plum Fairy (Keira Knightley) acts as her guide to the new world. But the Fourth Realm is off-limits. It ruled by Mother Ginger (Helen Mirren). But the Sugar Plum Fairy says Ginger is nothing but an evil tyrant, bent on the destruction of all four Realms.

Clara gets some help from a friendly border guard, and some mice who seem at first to be evil, but then come around to being her best ally. Clara finds out that she was the first one to come to this magical place. Her deceased mother had also come to the land as a child, and she became the Queen. So Clara is officially named the returned Princess. But there is deception afoot. When one of the current rulers becomes obsessed with being the Ruler of all the Realms, she plots against the other rulers, and against Clara. But Clara proves that she is a clever girl after all. Using her scientific knowledge and her skills at design, she makes an alliance with the other Realm rulers, including the Mouse King. They all work in unison to stop the destructive power of the Tin Soldier Army – led by.. Well you will just have to see the movie to find out who that is…

This movie adaptation is just one in a string of versions and revisions to the original story. This one downplays the excellent music of Tchaikovsky to instead rely on a serviceable soundtrack from James Newton Howard. But the basic issue is the lack of originality and the failure to add anything new or fresh to the story. So many themes and plot devices, up to and including some of the screen imagery, have all been done before. This version has two directors and two writers, so there must have been some conflict in the overall concept and execution.

 

Mackenzie Foy is a perfect Clara, with her wonderful expressions and knowing glances. But Keira Knightley really takes a shine to the Sugar Plum Fairy and gives the role a deliciously off-kilter performance.   She starts off so sweet and kind, and before you know it, she is ready to take no prisoners. She has a crazed range between overly too-sweet BFF and turns into a loony power-obsessed Fairy. Helen Mirren does okay in a limited role, and Morgan Freeman only has an extended cameo appearance.

 

This one would be a pleasant time to spend with the kids or grandkids. There is just enough of the classical ballet and music that the older fans will remember how wonderful the original really was. Of course, the real test is whether this movie can stand up to the best Nutcracker adaptation ever – “Care Bears Nutcracker Suite”!

The House with a Clock in its Walls Movie Review

Eli Roth, known for making horror films that leave nightmares in their wake, this time tries his hand at something for the younger crowd with, ‘The House With a Clock in its Walls,’ based on the novel by John Bellairs. While this is a family movie, it does have a touch of darkness I wasn’t quite expecting to see. With its creepy puppets and dolls, the frightening CG creatures, some nice some not so nice, and the house itself which appears to be alive and often crabby, the film just might not be right for someone under the age of eight. This would especially be the case if a child has never been exposed to anything similar to Goosebumps. Magic swirls around the story and the world a young boy, Lewis (Vaccaro), who finds himself forced to live with his kooky uncle in Michigan after the death of his parents from a car accident.

Lewis is still upset about his loss but immediately warms to the idea of living with his eccentric uncle Jonathan (Black) after getting to know him more. He’s helped by getting to know his uncle’s friend and neighbor, Florence (Blanchett), and he begins to see that through them he might eventually be part of a family once more. Jonathan and Florence’s relationship is much like that of a married couple. They bicker and argue but also care about one another and seem to have Lewis’ best interest in mind as they introduce him to the life of witches and warlocks. They give him some books and he quickly learns spells of his own. At school, he’s told by his friend, Tarby (Suljic), that his uncles’ house is haunted. Lewis believes it at first due to the strange noises and loud ticking clocks but is shown that the rumor is far from the truth. Wanting to impress his friend, Lewis gets himself into trouble when he decides to prove to Tarby that he’s wrong by showing him some of the magic he’s learned. Not easily able to impress the boy, Lewis goes further. He opens a forbidden cabinet and offers a blood oath to a book on necromancy that he finds which raises from the dead the previous owner of the house, Isaac Izzard (MacLachlan). Isaac has been waiting for someone to bring him back to life so he could wipe all people from existence.

‘The House With a Clock in its Walls’ is solid entertainment. The CGI is well done, Blanchett is dramatic and comical, Jack Black’s crazy warlock is impressive and the barking chair that seems to be his pet will leave smiles on the faces of the young and old alike. In fact, this might be a good introduction for kids to watching something heavier. Again, this will appeal to the older kids in the family, but you might want to leave the much younger ones at home. I don’t think you want this film to be how they learn about death which is a subject well breached here. It can be scary but its intentions of teaching a boy about his spirit and about being adventurous are not missed. I can see where the studio might be able to take this trip a little further if they were so inclined.

The new trailer for “Mary Poppins Returns” has arrived!!

In Disney’s “Mary Poppins Returns,” an all-new original musical and sequel, Mary Poppins is back to help the next generation of the Banks family find the joy and wonder missing in their lives following a personal loss. Emily Blunt stars as the practically-perfect nanny with unique magical skills who can turn any ordinary task into an unforgettable, fantastic adventure and Lin-Manuel Miranda plays her friend Jack, an optimistic street lamplighter who helps bring light—and life—to the streets of London.

“Mary Poppins Returns” is directed by Rob Marshall. The screenplay is by David Magee and the screen story is by Magee & Rob Marshall & John DeLuca based upon the Mary Poppins Stories by PL Travers. The producers are John DeLuca, p.g.a., Rob Marshall, p.g.a. and Marc Platt, p.g.a. with Callum McDougall serving as executive producer. The music score is by Marc Shaiman and the film features all new original songs with music by Shaiman and lyrics by Scott Wittman and Shaiman. The film also stars Ben Whishaw as Michael Banks; Emily Mortimer as Jane Banks; Julie Walters as the Banks’ housekeeper Ellen; Pixie Davies, Nathanael Saleh and introducing Joel Dawson as the Banks’ children, with Colin Firth as Fidelity Fiduciary Bank’s William Weatherall Wilkins; and Meryl Streep as Mary’s eccentric cousin, Topsy. Angela Lansbury appears as the Balloon Lady, a treasured character from the PL Travers books and Dick Van Dyke is Mr. Dawes, Jr., the retired chairman of the bank now run by Firth’s character.

Twitter:           https://twitter.com/disneystudios

Instagram:      https://instagram.com/marypoppinsreturns

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Hashtag:          #MaryPoppinsReturns

In theaters nationwide December 19

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WHAT MEN WANT – TRAILER

WHAT MEN WANT

 

SYNOPSIS

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test. WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.


STARRING:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

 

DIRECTED BY:

Adam Shankman

 

PRODUCED BY

Will Packer and James Lopez 

EXECUTIVE PRODUCED BY

Adam Shankman, Taraji P. Henson, Amy Sayres,

David McFadzean, Dete Meserve, Matt Williams

 

Click the icons below to follow What Men Want on Social!

 

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#WhatMenWant

In Theaters JANUARY 11

http://www.fandango.com

CAMERAS ROLL ON WARNER BROS. PICTURES’ “WONDER WOMAN 1984”

CAMERAS ROLL ON WARNER BROS. PICTURES’

“WONDER WOMAN 1984”

Director Patty Jenkins Reteams with Star Gal Gadot for the

DC Super Hero’s Return to the Big Screen

 

BURBANK, CA, June 13, 2018 – Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.  Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office.  “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal.  And Chris Pine returns as Steve Trevor.

Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film.  Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”).  Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.

Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

Set to open in theaters November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment.  It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.