Hut Hut Huddle Up! STAR WARS: THE LAST JEDI TRAILER DEBUTS DURING HALFTIME ON ESPN’S “MONDAY NIGHT FOOTBALL”

STAR WARS: THE LAST JEDI TRAILER DEBUTS TONIGHT

DURING HALFTIME ON ESPN’S “MONDAY NIGHT FOOTBALL”

Tickets to Star Wars: The Last Jedi Go on Sale Everywhere Following the Trailer Launch

 

SAN FRANCISCO, CALIF. Lucasfilm announced that the trailer for Star Wars: The Last Jedi will debut on ESPN’s “Monday Night Football” on Monday, October 9, during halftime of the National Football League (NFL) game between the Minnesota Vikings and the Chicago Bears in Chicago. The game starts at 5:15 p.m. PDT/8:15 p.m. EDT. 

Following the trailer launch, tickets to the highly anticipated cinematic event will be on sale everywhere movie tickets are sold. 

Star Wars: The Last Jedi opens in U.S. theaters on December 15.

 

ABOUT THE MOVIE:

In Lucasfilm’s Star Wars: The Last Jedi, the Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks age-old mysteries of the Force and shocking revelations of the past. 

The film stars Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern and Benicio Del Toro.   

Star Wars: The Last Jedi is written and directed by Rian Johnson and produced by Kathleen Kennedy and Ram Bergman. J.J. Abrams, Tom Karnowski and Jason McGatlin are the executive producers.

Join the Justice League in a thrilling Virtual Reality experience!

Put your powers to the test in immersive VR experiences, leading up to
the film’s much-anticipated November 17th release and beyond

Warner Bros. invites fans to join the Justice League in a thrilling Virtual Reality experience that allows you to step into the shoes and feel the powers of the iconic DC Super Heroes: Batman, Wonder Woman, The Flash, Aquaman, and Cyborg.  The Justice League VR experience will be rolled out in stages—to be released prior to, during, and after the theatrical opening of Justice League, on November 17, 2017.  The four-stage unveiling will culminate with the at-home Justice League VR: The Complete Experience.

The first taste of the VR experience kicks off globally with a promotional demo in partnership with Gillette: Justice League VR: Join the League – Gillette Edition.  It will be available for iPhones and Android phones starting September 7 for free download from Apple App Store, the Google Play Store and at http://justiceleaguethemovie.com/vr.  This demo version is an interactive, gaze-based experience and will have up to 90 seconds of gameplay per character.  The experience requires Google Cardboard or an equivalent VR viewer to play.

The following month, the Justice League booth at New York Comic Con will offer attendees a more in-depth sneak peek of the HTC Vive version of the experience with the Justice League VR: Join the League – New York Comic Con Edition.  Users will be able to use the HTC Vive’s controllers for an enhanced version of the Super Hero simulations.  Located at the Javits Center, New York Comic Con runs from October 5 through October 8.

The IMAX VR: Justice League Experience will be unveiled at IMAX VR Centres beginning on November 17—the opening day of the feature film—and will be an IMAX exclusive for its first two weeks.  This totally immersive and completely interactive adventure will test if you are able to master your Super Hero powers. For more details and locations please visit http://imaxvr.imax.com.

Finally, in December, the VR experience comes home with an expanded Justice League Virtual Reality: The Complete Experience, to be released for transactional purchase on multiple VR platforms.  Featuring additional modes and expanded missions, the home-based VR experience will support controllers, spatial tracking and room scale tracking, depending on the platform. Targeted platforms include HTC Vive, Oculus Rift, Samsung GearVR, Google DayDream and Sony PSVR (subject to change).

The Missions include:

Play as the Justice League members and see if you can master their powers:

  • Outrace your enemies as BATMAN
  • Fight Parademons as WONDER WOMAN
  • Face a creature from the deep as AQUAMAN
  • Stop a ticking bomb as THE FLASH
  • Take out enemy drones as CYBORG

In addition, other characters from the DC universe may be added to the VR experience.

You can’t save the world alone. Join the league!

http://justiceleaguethemovie.com/vr

About Justice League:

Ben Affleck, Henry Cavill, Gal Gadot, Raymond Fisher, Jason Momoa and Ezra Miller star in the action adventure Justice League.

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.  Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat.  But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

 Justice League was directed by Zack Snyder from a screenplay by Chris Terrio and Joss Whedon, story by Terrio & Snyder.  Based on characters from DC Entertainment; Superman created by Jerry Siegel and Joe Shuster.  Charles Roven, Deborah Snyder, Jon Berg and Geoff Johns produced the film, with Jim Rowe, Wesley Coller, Curtis Kanemoto, Chris Terrio and Ben Affleck serving as executive producers.

Opening beginning on November 17 in 3D and 2D in select theatres and IMAX, Justice League will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

The Dark Tower Movie Review

By now, we’re all used to movies being two hours long, right?  That’s the norm these days.  With The Dark Tower at only 95 minutes, I felt I had just adjusted myself in the seat and I was hopping out of it again headed home.  Part of why it felt short was because what should have been an imaginative and vivid excursion across worlds, that promised so much, was dark (as in hard to see) and dull; almost as exciting as someone reading a menu.  Well, maybe not THAT dull.  There are a few moments that will thrill you.  The scenes that center on guns and bullets are quite enterprising but that’s about all The Dark Tower brings.  A scene fighting monsters is so amateurish if I had been watching a student film, I would have graded it higher.  

Perhaps directed by someone other than Nikolaj Arcel, who doesn’t have very much directing experience other than the film, A Royal Affair, we would have a much better, action-packed, colorful thriller on our hands.  Arcel may want to stick to writing which he is very good at doing.  As it is, we have this disjointed, routine, uninspired misfire that falls short of the expectations of, not only the general audience but of most of the Stephen King fans that have seen it.

The Dark Tower is a movie based on a series of eight King books; it’s number seven in the set.  The Tower, itself is a point where all universes connect.  The film is about Good vs. Evil but doesn’t give the impression that it believes in either.  Being that it’s a series, bringing number seven about doesn’t make sense and also leaves one to wonder if the previous six books are crammed into one film.  If so, this could be why it appears to be so vexing and why King fans are not or will not be too happy.  What is being missed and what is the point in doing this to a wonderful, successful series?

Anyway, rather quickly, we are introduced to the antagonist of the tale, the Man in Black, played mutedly by Matthew McConaughey.  We also meet Jake Chambers, (Tom Taylor).  He’s a young boy who has the ‘Shine.’  The Shine, referenced also in the King book and film, The Shining, is an amazing psychic ability.  The presence is strong with this one!  The Man in Black only wants to use Jake’s powers to his advantage to destroy the Tower but is also aware that the ‘mind of a child’ can work against him and this plan. 

We then make the acquaintance of the protagonist, Roland (Idris Elba), also known as a Gunslinger.  His guns are made from the metal of the Excalibur and he is the last living Knight who has the strength to defend the universe against the Man in Black.  What’s on the other side of the universe is death and destruction and the Tower is the only thing holding it back.  Children like Jake, and their strong, potent, telepathic minds, are being used to attack the Tower. 

In the beginning, we see that Jake has fevered dreams about the destruction of his world.  He stumbles on the mid-world of his dreams and meets the Gunslinger.  This Gunslinger is sold as powerful and almost unbeatable but the film almost immediately turns on that theme and shows him to be weak and vulnerable to a tiny stab and to infection.  Jake meets Roland, teams up with him to help stop evil from winning, there are battles and… The End.  Yes.  It’s like that.

So, maybe if you love the books and would like to examine this close enough to look for a few of the Easter eggs within, such as the Shine and the Man in Black seeming to resemble Randall Flagg, the bad guy from, The Stand, check it out for the curiosity factor.  I’d recommend going to the matinee or waiting for cable release.  Either way, you’re going to be disappointed in the results.  Maybe pick up a book instead?  

Valerian and the City of a Thousand Planets Movie Review

Luc Besson has a history of involvement in many action-packed fun movies. His movies are more concerned with moving the plot along than just pure logic. When he creates a new world, such as in “The Fifth Element”, it can be impressive and very detailed. When he has a strong emotional tie to the material, he treats it with great care. That is what is happening with “Valerian and the City of a Thousand Planets”. He wanted to bring the graphic novel source material to life.

“Valerian and the City of a Thousand Planets” makes a quick update on the state of human space exploration. In the first few minutes, it visually shows that an International Space Station is welcoming humans of every race up on board to make a new home. Soon there are non-human species that also arrive, so the station gets bigger and bigger. It soon has to be moved out to its own little corner of the galaxy, now that it is home to hundreds of species and tens of thousands of beings.

This place is called ‘Alpha’ and it ruled by large council. There is a Defense Minister (Herbie Hancock) and a leading General Filitt (Clive Owen).  There are two Federal agents working to keep the peace in space. Major Valerian (Dane DeHaan) is ready to defend the Federation laws in space. There he is joined by Sergeant Laureline (Cara Delevingne). They are about to go on a super-secret mission, but Valerian has just had the oddest dream. He was captivated with a vision of a planet called Mül. This perfect world is destroyed by sinister outside forces, and the dying princess of the Mül people cried out to Valerian.

But first the mission needs to happen, so they meet a military team on a distant planet. Valerian and Laureline are disguised as tourists in a freakish bazaar. This multi-dimensional place has lots of gaudy visitors and gift stalls. There are also pirates selling stolen one-of-a-kind items. Items like the “converter” which is the same small armadillo-like creature from Mül. This is the last of its kind, and someone wants it bad. But Valerian gets into the deal and takes the “converter” before the aliens can buy it for the big ugly beast pirate (voiced by John Goodman). Valerian and Laureline get away, but the danger is just beginning.

But in Alpha, there is a growing danger in the planet-size spaceship-conglomerate. There is an area near the core that has become a dead zone. It is radioactive, and nothing that comes in will ever come back out. If it is not stopped, it could take over everything. General Filitt is now being guarded by Valerian and Laureline. The “converter” creature is being held by Laureline. Mystery beings break into the council chambers and kidnap General Filitt. Valerian gives chase and goes into the dead zone, so they lose contact. Laureline goes to try and find him. She finds Valerian, but soon Laureline gets kidnapped by some ugly monster type creatures.

Valerian finds a place called “Paradise Alley”. He meets Jolly the Pimp (Ethan Hawke) who sets him up with a shapeshifting entertainer named Bubble (Rihanna). Bubble agrees to help Valerian find Laureline and get her out.  Laureline is being dressed up to attend a fine dinner for the monster king, and is not pleased when she becomes part of the menu. Valerian and Bubble arrive to help her escape. Valerian and Laureline go on to find General Filitt and the mystery creatures that have been making a home in the dead zone.

The visuals created in “Valerian and the City of a Thousand Planets” are breath-taking. The various worlds created are amazing and the creatures are fantastic. The ease in which it goes from current time to many centuries into the future is interesting. But then the story gets wrapped up in the job that Valerian and Laureline must do, and it totally bogs down. Any sense of wonder and awe gets disrupted.

The direction is very broad and enveloping, because Luc Besson is caught creating these new worlds. But then the people who fill these worlds start to fail him. Dane DeHaan starts out in smart-alec mode, doing a Keanu Reeves voice over. Cara Delevingne has little personality to make her the smarter and more likable of the two. There is no chemistry between them, and the jokey quips feel too forced.

Clive Owen is a non-impressive bad guy. Ethan Hawke has little more than a cameo. Rihanna is good edition and her story has some pizzazz. Herbie Hancock is an odd choice, but does little more than appear as a concerned face on a screen. John Goodman has few lines in voiceover for a big ugly beast.

The 3D effects are helpful to bring more life to the great production design, but it gets wasted a lot during the long stretches in dark and dreary places. The story and the acting cannot come close to the efforts put into the visual aspects.

Overall, this is fine movie to see if you are a big Luc Besson fan, especially if you liked “The Fifth Element”. If you like a good well-visualized alien world, then go see this.  It is a fun little summer popcorn flick, but don’t work your brain too hard by trying to make any sense out of it.

Wish Upon Movie Review

Wish Upon was not only predictable but sophomoric in its intention and style.  There wasn’t anything about this self-professed horror movie that would come anywhere close to startling even a new fan of the genre and definitely will not be surprising or shocking your average movie watcher. 

Often, the narrative seems to lack the discipline that’s needed to stay on track and be true to the characters, instead relying on the audience to grasp and accept what is being portrayed without a complete structure set up and we’re also asked to not mind the obvious stereotypes.  Most jarring of these would be the females being nothing but jealous of one another and decidedly empty between the ears.  This is used in a somewhat comedic way but to a ridiculous extent. 

The dialogue between the main character, Clare (King), and a senior boy, Paul (Slaggert), whom she has a crush on, is possibly the biggest example of regurgitating tired plotlines to the degree that they lose what could have been unique almost from the very beginning.  

What I mean by that is the use of the wish itself could have been so much better.  Not until the very end of the film are they even used creatively. 

To back up a bit, Clare is raised by her father, Jonathan (Phillippe) after her mother’s suicide.  She hasn’t had the best of lives but she has a few best friends who stick by her side and her father loves her very much.  Jonathan stumbles upon a beautiful box and gives it to her as a gift.  The box has Chinese writing all over the outside of it and, conveniently, the high school she’s in has a Chinese language class that she happens to be taking.  The box doesn’t open but she can read the script on the outside of it that reads, ‘seven wishes.’  She soon realizes that if she makes wishes upon it… they do come true.  How?  She wishes for something to happen to her mortal enemy.  This wish is quite awful and something that, if it were to happen, would baffle all medical science.  She’s shocked to find out it does happen.  Knowing that it was impossible and had to have been her wish, she tries again to see if she now possesses the power we’d all wish to have and it once again comes true.  After using several wishes and happy that she now has almost everything she has ever wanted, she all but abandons the person she was before getting the box and, oddly, doesn’t mind when she, at last, learns about the ramifications of using the box. 

I’ll let the movie explain more about that but if she is going to get a wish, the box, or what controls it, gets something in return.  What it wants is blood.  What it gets is blood.  So, what ultimately doesn’t work here is that you could have seen the wishes coming a mile away.  In fact, you see the entire story unfold in your mind before it plays out on screen.  Not even the consequences are original which adds the humdrum and stale to what was expected to be a fun flick.  The box that gives you seven wishes and how that came about is interesting but it’s counter productive to have a provocative idea and disappoint the audience by doing nothing avant garde with it.  Wish Upon instead plays it safe and uses a formulaic thread or technique that works.  Every step it takes has been done before and I believe the filmmakers missed a real chance to have something really memorable.

I feel I must admit that the acting wasn’t much better.  Joey King is excruciatingly awkward and somewhat too childlike for the role while Ryan Phillippe needs to be checked for a pulse.  There isn’t one performance that really stands out in a positive manner. 

In its defense, I would like to say that if you don’t watch many horror films, prefer not to or aren’t supposed to watch anything bloody or gory, then this may be perfect for you.  This isn’t a bad introduction to the category and isn’t much of a fright.  I would, however, suggest you catch it at a matinee.  There are some humorous moments and it does wrap up well but fans of horror and thrillers in general… this is not for you.  

Spider-Man: Homecoming Movie Review

Live-action Spider-Man films have been around since 2002. The first set of movies starred Toby Maguire, and then later Andrew Garfield. But what did these five movies lack? They were not created with the involvement of Marvel Studios, as part of their ‘Cinematic Universe’. These other ones also did not have Tom Holland in the role of Peter Parker. Now things are getting better and better…

“Spider-Man: Homecoming” starts with a direct nod to “The Avengers” (2012), with the aftermath of the fight over New York City against the alien race of Chitauri. The clean-up crew is led by Adrian Toomes (Michael Keaton), and when he is pushed out of the job by the government, he takes much of the alien technology. Eight years later, he and his crew have an underground network of alien-based weapons sold to the highest bidder. Toomes has created a flight suit and calls himself the Vulture.

Peter Parker (Tom Holland) is in high school, and with no specific back story, he is an amateur crime-fighter called Spider-Man. He is noticed by Tony Stark (Robert Downey Jr.) and he joins Stark on a mission in Germany. For details on that, see “Captain America: Civil War” (2016). Stark gives Peter a Spider-Suit upgrade. It is very high-tech, but it is limited by the “Training Wheels Protocol”.  Peter keeps his secret identity hidden from his Aunt May (Marisa Tomei). But by accident, his best friend Ned (Jacob Batalon) finds out.

Peter and Ned attend a science-based high school in New York, and they are part of the Academic Decathlon team. Also on the team are Liz (Laura Harrier) and Michelle (Zendaya). Peter attempts to live as a secret superhero while also navigating high school. Peter wants so much to be part of the Avengers. He calls and reports in daily to Happy Hogan (Jon Favreau), so that Happy will report this to his boss Tony Stark. Peter decides to live a little dangerously, and he and Ned disable the “Training Wheels”.

Perter Parker as Spider-Man has a couple of run-ins with thugs that have the Toomes alien-tech weapons. He even has a run-in with Toomes (as the Vulture). He tries to get the attention of Tony Stark, and he wants to let him know that bad things are afoot. There are some pretty decent fight scenes in a New York bank, and then at the Washington Monument. Spider-Man has a number of high-tech tricks up his sleeve, even when he meets up with the Vulture on the Staten Island ferry. However, things get out of hand. Iron Man has to come to the rescue, and Peter Parker gets demoted.

But later, when he gets a date with Liz to the school Homecoming dance, he finds that the danger has only begun. Peter Parker will need his strength and his will to beat the Vulture in a final fight. Little does he know that his school life and his secret Spider-Man life are about to cross paths. The events that lead up to this are a bit of a surprise, so you can find out when you see what happens…

“Spider-Man: Homecoming” is a welcome change to the Spider-Man movies, and now that it folds into Marvel’s Universe, that makes it even better. The addition of Tom Holland as Peter Parker is terrific. He is much more in line with what a high school nerd kid should look like. Just because he has super Spider-Strength and Spidey-Senses, he still is awkward asking a girl out to a dance. Or even worse, learning to slow dance with his Aunt May…

All the casting is brilliant, especially Michael Keaton as the Vulture. The Toomes character does not get much in the way of development, but Keaton is great with a sarcastic line or a flinty, squinty sneer. All the high school related characters are fine, and the criminal gang of Toomes is also pretty good. Robert Downey Jr. and Jon Favreau are again doing the roles that they do so well. Marisa Tomei does not have a lot of time in the movie, but she still makes an impression…

Overall, because there were six writers, I guess that some ideas did not have time to get fleshed out. Adrian Toomes goes from a blue-collar worker to an underground super criminal in a matter of minutes. Peter Parker’s experience with the radioactive spider is glossed over, so you can watch other movies to get into his back-story. Because Peter is a high school kid, he does not have a car, so getting around is more difficult. But he does make it to where he needs to go.

However, the overall attitude of the movie is refreshing and self-referential. It is almost like a PG-13 version of “Deadpool”. It has a humorous side, but it also gets into a father-figure situation between Peter Parker and Tony Stark. Plus there are some nice little cameo performances every once in a while: Chris Evans as ‘Steve Rogers: School Fitness Adviser’ on the school TV. Also, there is cute segment with Gwyneth Paltrow again playing Pepper Potts, helping Tony Stark announce the latest Avenger.

It’s enough to make your Spidey-Senses tingle…

Transformers: The Last Knight Movie Review

Bayhem: defined as the non-stop assault of wild images and loud sounds that come at you from a movie directed by Michael Bay. That is what is expected from his movies, and “Transformers: The Last Knight” will not disappoint the Bay fans out there. It is a long, non-stop and nonsensical action meat grinder of a movie. Are there giant robots – yes of course. Are there gaping plot holes – yes of course. Are there spectacular scenes of motion and movement – yes of course. Will Bay fans eat it up – yes, without a doubt.

To sum up: Autobots are good guy robots that transform into various vehicles. Decepticons are the bad guy robots that fight the Autobots, and they also transform. Autobots are led by Optimus Prime (Peter Cullen) who always pledges support to the humans. The robots go all the way back into history, back to the days of King Arthur. The last living descendant of Arthur, along with the “Last Knight” are needed to fend off an attack on Earth from the crazy robot who has taken over the robot planet and is going to smash it into the Earth. Or something like that…

Actually, there is a very broad outline of what goes on in this movie. There might be an overall plot line, but it is obscured by all the action set pieces. Cade Yeager (Mark Wahlberg) is a friend of Optimus Prime and is hiding a group of Autobots in a junkyard in the dessert. Viviane Wembly (Isabela Moner) is a Professor at Oxford in England, and she is the final one related to Arthur. Sir Edmund Burton (Anthony Hopkins) is an English earl with a vast knowledge of the Transformers history and why they are always coming back and mucking around on Earth. William Lennox (Josh Duhamel) is a military guy who is sometimes helping Cade and most times chasing after him. Due a set of some unclear circumstances, they all get together to work with the Autobots and save the world.

The action scenes are fantastic, yet the excessive editing cuts made them all look very choppy. The visual special effects are overwhelming and overbearing. They are done professionally and look terrific, yet the images are just thrown at you for more than two hours. It can just wear you down. The audio sound effects are growling and grinding and full of a lot of noise. There is a bombastic score playing under everything else, which increases the sound level. It is impressive and disturbing at the same time, like not being able to turn away from a bad car crash.

The story meanders from the US to England, where Sir Burton has brought Cade and Viviane together. There is some special staff that used to belong to Merlin, but it was given to him by an ancient Autobot. Viviane is the only one who control the staff, since she is the last of Arthur’s line. Cade had been given a special talisman that identifies him as “The Last Knight”. So, the major money of this movie went to the visual effects and not the script. However, there are a handful of performances that are OK. The plot is secondary to the stunning special effects, so call it a wash.

 

Mark Wahlberg is always a great action figure, even if the movie bumps into crazy dialog that could come from “The Happening”. He plays the earnest and trustworthy guy who can fight off anyone with his brains and brawn. Isabela Moner does a fair job in her role, nothing too special, but plays it with no problems. Anthony Hopkins does a delightful job as the slightly befuddled old guy who has a glint in his eye and tells you he knows more than he says. Just hope that he does not consider you a “friend that he would like to have for dinner”.

Granted, if Michael Bay is your thing and you have a deep appreciation for all things ‘Transformer’, then by all means, this is the movie for you. However, everyone else still need to determine how much of an action-packed blast in the face you can stand. If you have extra bucks, you can even see the “No Reason to be 3-D” version. It has 3-D on top of the already crowded screen of visual ADHD fever dreams. There are few scenes that use the 3-D to a good effect, but it sails through the film just fine without it.

More than likely “Transformers: The Last Knight” will make a ton of money, either here or abroad. Can it be too much to ask that Bay finally give up ‘his’ franchise? Or will he get enough incentive to come up with a sixth movie… “Transformers: The Ring of the Register”?

 

The Mummy Movie Review

Universal Studios has long history of horror and fantasy movies from back in the day. It is time to revive those golden years with something they call the “Dark Universe”. Many of the creatures and monsters from the past will be remade, with the first one in the series called “The Mummy”. This will not be the same one as the 1999 version with Brendan Fraser. No sir, this will star Tom Cruise! But it will have the same big bad monster as the last time, however it will be a female version…

Nick Morton (Tom Cruise) and Sergeant Chris Vail (Jake Johnson) are attached to an Army unit in a far off village in Iraq. Nick is helping to locate “precious antiquities” in the desert, and a bomb explosion has uncovered an ancient Egyptian tomb. Jenny Halsey (Annabelle Wallis) is searching for the same buried treasures, and she has a special pass from the London government to assist Nick and Chris Vail. However, what they find is soon to be discovered not as a burial site, but an Egyptian tomb/prison for a wicked Princess Ahmanet (Sofia Boutella).

Ahmanet had become an evil power-hungry killer, who had murdered the Pharaoh and his family. Her punishment was to be entombed alive, as far away from Egypt as possible. But now her sarcophagus is being unearthed and flown to London. There is a secret group there that oversees finding all monsters and destroying them. It is led by Dr. Henry Jekyll (Russell Crowe), however he has a bad tendency to turn into Mr. Hyde. Not the nicest chap on the block. The plane ride does not end well, with Chris Vail being possessed by ‘The Mummy’ (Ahmanet) and Nick shooting him dead. The plane is about to crash, and Nick saves Jenny, but he does not survive.

Until he does survive, without any explanation. But wait, Chris Vail is still there, and he is dead. But Nick can see him sometimes. The Mummy has broken out of her coffin, and attacks the guards at the plane crash site. She sucks the life from them, and they become her un-dead zombie slaves. There is a secretly stashed knife in an abbey nearby. It was smuggled out of Egypt by the Crusaders years ago. But there is a special crystal gem that gives the knife special powers. It was taken off the knife years ago, and now The Mummy needs it badly.

Jenny and Nick work together to help Dr. Jekyll finally capture The Mummy. Jekyll plans to kill and examine the remains of Princess Ahmanet, to find out how she become The Mummy. But Nick has a special bond with The Mummy, because she needs a new victim to kill in a ritual that will make him an Egyptian god. Oh, yeah, there’s lots going on, and the action goes on full tilt. But there is a confusing mish-mash of why most of this happening. Dead Chris Vail is still around on occasion, and he lightens up the mood. Nick is always overwhelmed when he tries to fight off The Mummy, the evil Mr. Hyde, and all the un-dead zombies chasing after him.

So this is pretty typical summer movie, with a bare plotline and tons of wild action. The major reintroduction of The Mummy, and Jekyll & Hyde as an aside, is real reason for the movie. This will become one of many based on the old creatures and monsters in the Universal Studio catalog. They want you to forget the 1999 version (with Brendan Fraser) and take this movie as the exciting start of something big. We will see how that goes. All the acting is OK, for a summer monster movie.

Tom Cruise runs and fights and gets along with his co-stars well. Annabelle Wallis does fine, but not memorable. Russell Crowe is low-key as Dr. Jekyll, and then turns into crazy-town when he becomes Mr. Hyde. Jake Johnson could have been used a lot more to lighten up the tone of the movie. Sofia Boutella is an attractive lady, but she has makeup and shrouding strands that bring her looks down quite a lot…

This creature feature can also be found playing in ‘No Reason to be 3-D’. 3-D does not show up well in dark and dimly-lit scenes, and there are plenty of them here. There are very few times in the movie where any 3-D stands out as a benefit to the scene. It just makes you put on dark glasses in a dark theater to watch a dark movie. It seems like more of a money grab then a way to make a more enjoyable product.

So, make room for sweet nostalgia in your new monster movies. Don’t look for well thought-out plots and dialog. Look for stunts and explosions and visual CGI. Don’t expect great character development, but get ready for lots of action in exotic places. Stay away from light-hearted comedy touches, get ready for serious ACTING!. This is not the 1999 “The Mummy”.

Tom Cruise, you’re no Brendan Fraser!

Wonder Woman Movie Review

The latest entry in the DC Comics Extended Universe is “Wonder Woman”. DC has been playing catch up to Marvel in attempting to create a unified movie universe of all their superheroes. Not every example so far has been great, but that is about to change. Being the first major movie to feature a female superhero, “Wonder Woman” has a lot to prove. It proves that a woman can be just as super a hero as any man. Maybe even more, because when she dances, it’s in reverse and in high heels!

On an island hidden from the rest of the world live the Amazon women. They are a group of warriors who train and live apart from the world. They live with a command from Zeus himself to always protect and save humanity. There is another god, Aries, the god of War who would bring death and destruction on the Earth. The only little girl on the island is Diana, but she is no Disney princess. As she grows up, she trains and can fight with powers far above this world. The peaceful island world finally comes into the real world, when a World War I plane falls into the ocean. Diana (Gal Gadot) saves the stranded pilot named Steve Trevor (Chris Pine). He is the first man ever to be on the island.

The Amazons find out about World War I when Germans come to battle on the shoreline to capture Steve Trevor. The Queen and Diana learn of a ‘Great War’ and they know that Aries has returned to trouble mankind. Diana and Steve leave to reach London, so he can deliver secret papers stolen from the Germans. The Allied forces have nearly reached a peace pact with the Germans. But there is an evil German General Ludendorff (Danny Huston) who is willing to work with a disfigured Doctor Poison (Elena Anaya). Together they want to disrupt the peace process by killing off everyone in London.

Diana and Steve learn of these plans and they assemble a team to go to the front and find Ludendorff. They are helped by Sir Patrick Morgan (David Thewlis), who is leading the London peace accords. They get some people together including Sameer (Saïd Taghmaoui), a smooth-talking thief, Charlie (Ewen Bremner) an expert marksman, and the Chief (Eugene Brave Rock). Diana (known as Diana Prince) will lead the fight against the German plan to scuttle the Armistice. They all go to France to the front, and find themselves in the trenches along with the other soldiers. Diana becomes Wonder Woman with her wrist gauntlets, boots, shield and sword. She enters the no-man’s land between the trenches and leads a fight to defeat the German forces.

Diana is sure that the evil General is Aries in disguise, ready to create the War that will lead to the destruction of all mankind. Steve is not too sure, but he and the team will together try and prevent the poison gas from being dropped on London. There is great mayhem and battles going on at the very end. It appears that Wonder Woman might have found a fight that she cannot win. However, there is sacrifice and much effort from all parties involved to end the conflict and bring peace. But how does it end? Who will live on to fight another day, and who will fall on the field of battle? You will need to find out for yourself!

Director Patty Jenkins has put together a fantastic group to create an enjoyable movie. Unlike many of the DCEU movies so far, this is not overly dark and plodding. It does deal with terrible subject of war, but it brings a hopeful enthusiasm to the screen with Wonder Woman’s faith in humanity. The need for a super hero to save people can be done with a female fighter and leader. It is not limited to alien super-strong guys from another planet, or to a guy with cool toys and neat bat outfit. Diversity is a way to give everyone a chance for greatness.

Gal Gadot has taken this role and created a super cool hero that you can admire. She has hints of her greater powers, but she does not feel that she is more special than the other people on her team. Diana has true empathy for the victims of war, and she feels deep outrage when helpless people are put into danger. She seeks truth and a balance of force, but she knows that if she gets pushed to the limit, she will fight back and can win. She becomes Wonder Woman by being true to herself and by following the teachings of her Amazon tribe.

Chris Pine falls into his character with great ease. He finds a way to make Steve Trevor a real person who has a deep love for his country and a knack for finding trouble. His character works well with the ‘Diana Prince’ character in London, to teacher her about social norms, and about ice cream. Everyone else is very well cast and they do an excellent job. Even when Danny Huston and David Thewlis get close to chewing the scenery.

‘Wonder Woman” will make you forget about the TV version, and Gal Gadot will own that role forever. She takes it and makes it a new “Wonder” of  the world. No doubt about it. This new “Wonder Woman” is quite a Gal!

Universal Pictures’ Dark Universe Announcement

Welcome to a new world of gods and monsters.  Witness the beginning of a Dark Universe.  Universal Pictures announced that its series of films reviving the studio’s classic monster characters for a new generation will be known as “Dark Universe.”  
Dark Universe
films will be distinguished by performances from some of the most talented and popular global superstars stepping into iconic roles, as well as electric new talents whose careers are starting to break through.  While previously announced, the stars of both imminent and future Dark Universe projects are gathered for the first time in the attached photo: The Invisible Man and Frankenstein’s Monster will be played by, respectively, blockbuster icon Johnny Depp and Academy Award® winner Javier Bardem, who appear together later this summer in Pirates of the Caribbean: Dead Men Tell No Tales.  Those actors join superstar Tom Cruise as soldier of fortune Nick Morton and Oscar® winner Russell Crowe as Dr. Henry Jekyll, who lead the all-star cast of The Mummy, along with Sofia Boutella, the actress who embodies the title role in that film.

At its organizing principle, Dark Universe films are connected by a mysterious multi-national organization known as Prodigium.  Led by the enigmatic and brilliant Dr. Henry Jekyll, Prodigium’s mission is to track, study and—when necessary—destroy evil embodied in the form of monsters in our world.  Working outside the aegis of any government, and with practices concealed by millennia of secrecy, Prodigium protects the public from knowledge of the evil that exists just beyond the thin membrane of civilized society…and will go to any length to contain it. For more visit: www.WelcometoProdigium.com.