Brigsby Bear Movie Review

Brigsby Bear is nothing if not quirky.  It’s a story about a boy who never has to give up his childish things because, essentially, he never has to grow up.  Well, until he’s rescued, that is.  I’ll explain. 
In the situation the main character, James (Mooney), finds himself, he wouldn’t know how to grow up so the subject would never be breached.  He lives in a perfect world with supportive parents who love him, take good care of him and always let him watch his favorite show, Brigsby Bear. 
Not unlike a popular children’s show of any era, from Mister Rogers to Barney, Brigsby Bear is fun and educational and James has watched it so long he couldn’t live without it.  It’s who he is.  It’s who he is because it was actually produced for him by his parents to teach him what they wanted him to learn and to inject only their feelings and belief system.

It turns out, though always taken care of by them, James’ parents, Ted (Hamill) and April (Adams), kidnapped him when he was a baby and they’ve been keeping him in an underground bunker, in the middle of the desert, ever since.  Sadly, never being around other children or seeing the real world, James is childlike, yet he’s in his twenties.  He’s immature and his life is only what they have allowed it to be. 
He hasn’t mentally grown beyond the age of a ten-year-old and his mind knows only what Ted and April have fed it.  The world of Brigsby, a sci-fi series given to him to watch on VHS, has so penetrated his psyche that no amount of truth could drill it out.  It’s who he is.  This is tested when the police finally discover what Ted and April have done and come to ruin the only world James has ever known.   

When he is taken away from the only parents he has ever known, he meets Detective Vogel (Kinnear) and his birth family and is introduced to the harsh reality of the real world; most especially, that the Brigsby Bear show is gone forever.  Or is it?  Saying too much will give away what’s so compelling about this flick.  It’s completely original… strangely and so absurdly unlike anything I’ve seen before.  An adult who acts like a child because he has been treated as one his whole life.  What a fascinating concept.  Saying too much at this point would give away the plot. 

He does try and thwart having to grow-up as much as he can but when he looks at the broader picture, he knows what he has to do to grow up and finally move on.  All he asks of everyone is to let him do it in his own way.  It’s this part that makes this narrative so unique.  Well, that and the unconventional jokes that make you draw back a bit… but that’s all on purpose.      

Brigsby Bear is an amusing ride.  There are a few bumps in the road but overall the story has heart, integrity and is surprisingly clever.  You’d do well to put it on your summer must-see list for the experience of watching the cooperation, love and support that helps a man-child become a man.  The saying goes that it takes a village to raise a child so imagine… 

mother! Trailer

Directed by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer 

Written by: Darren Aronofsky


A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. From filmmaker Darren Aronofsky (Black Swan, Requiem for a Dream), mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.

mother! Official Channels

Hashtag: #mothermovie 

Facebook: /OfficialMotherMovie

Twitter: @MotherMovie

Instagram: @MotherMovie 

Website: MotherMovie.com  

In Theaters September 15th

http://www.fandango.com

Eli Roth’s Death Wish Trailer is here!

DEATH WISH

Release Date: November 22, 2017

Genre: Action-Thriller

Director: Eli Roth

Screenplay: Joe Carnahan, based on a novel by Brian Garfield

Producer: Roger Birnbaum

Cast: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Camila Morrone, Dean Norris and Kimberly Elise

Metro-Goldwyn-Mayer Pictures presents director Eli Roth’s reimagining of the classic 1974 revenge thriller Death Wish. Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of Chicago violence when it is rushed into his ER – until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly vigilante is a guardian angel or a grim reaper. Fury and fate collide in the intense, action-thriller Death Wish.

Paul Kersey becomes a divided person: A man who saves lives, and a man who takes them; a husband and father trying to take care of his family, and a shadowy figure fighting Chicago crime; a surgeon extracting bullets from suspects’ bodies, and the vigilante called “The Grim Reaper” who detectives are quickly closing in on.

Updated from the original novel by Brian Garfield, director Eli Roth  and screenwriter Joe Carnahan’s (The Grey, Narc) Death Wish also stars Vincent D’Onofrio (The Magnificent Seven, TV’s Daredeviland Law & Order: Criminal Intent), Elisabeth Shue (Leaving Las Vegas), Camila Morrone, Dean Norris (Breaking Bad) and Kimberly Elise (The Great Debaters). It’s a knife’s-edge portrayal that challenges our assumptions, and pushes our buttons.

By bringing the complex psychology of Brian Garfield’s book up-to-the-moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish brings audiences to the height of unforgettable suspense.

DEATH WISH Official Channels

Site: http://deathwish.movie/ 

Instagram: https://www.instagram.com/deathwishmovie

Twitter: https://twitter.com/DeathWishMovie 

Facebook: https://www.facebook.com/deathwishfilm

#DeathWishMovie

In Theaters November 22nd

http://www.fandango.com

kidnap-movie-poster-hero

Kidnap Advance Movie Screening

Movie Screening Summary: A typical afternoon in the park turns into a nightmare for single mom Karla Dyson (Academy Award winner Halle Berry) when her son suddenly disappears. Without a cell phone and knowing she has no time to wait for police help, Karla jumps in her own car and sets off in pursuit of the kidnappers. A relentless, edge-of-your seat chase ensues, where Karla must risk everything to not lose sight of her son. In this tense, action-fueled thriller, directed by Luis Prieto and from the producers of SALT and TRANSFORMERS, one mother’s heroic attempt to take back her son leads her to ask herself how far she will go to save her child.

Release Date: August 4
Studio: Aviron Pictures
Genre: Thriller
Director: Luis Prieto
Writer: Knate Lee
Cast: Halle Berry
Rating: R
Runtime: 81 Min

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Advance Movie Screening For Kidnap

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, August 1
Location: Harkins Arizona Mills
Movie Screening Time: 6:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, August 1
Location: AMC Town Square
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Dunkirk Movie Review

I think that with Dunkirk, Christopher Nolan, writer/director of such outstanding films as Memento, The Dark Knight Trilogy, Inception and Interstellar, will finally get his Best Director Oscar Nomination, if not win.  He could possibly capture gold from the Academy for Best Screenplay, as well.  This is a near perfect film.  It’s hard to find a flaw in the presentation of its visuals and its sound.  To find something, one would have to be really digging for it and if you are, you’re certainly missing the entire point of this beautifully crafted piece. 

Dunkirk is meant to enlighten you as to what people will do to help one another endure when pushed to the brink of survival; even if they themselves don’t make it.  People were willing to risk their lives to be sure others survived at Dunkirk.  These people were just every day British citizens and those they were rescuing were the 400,000 British soldiers, trapped on a beach in France just over twenty miles from the shores of England.  I knew nothing of their heroism but it is well displayed here and the only way to see how and why they were so desperately needed and welcomed is at your nearest IMAX theatre; THIS I can’t stress enough.

The story centers around three different points of view of this agonizing situation; by land, by air and by sea.  Prepare yourself because shortly after the opening, the story and the accompanying music is relentless as it crescendos to a crowning finish.  You’ll be clutching your seat and biting your lip watching these poor souls do whatever it takes to live through the night.  Tom Hardy is a pilot with an eagles eye look on the entire goings on.  It was interesting seeing a war film from this perspective and, once again as he did with Bane in The Dark Knight Rises, he’s able to suck you into his character with just his eyes since his face is covered with an oxygen mask the entire time.

On the land portion, you’re with the most vulnerable in the attack; the soldiers who are stuck with nowhere to go.  These men are the last chance England has of fending off the advancing attack from the Germans.  If they fall they’ll lose the war.  Had things not happened the way they did, the history books would read very differently right now.  German soldiers are moving in on the town on one side of the beach.  The British and French soldiers are dodging their bullets to get to the beach where they are hoping to get onto a ship to sail to England.  The trouble here is that the ships can’t get to them because the water is too shallow.  With no other choice but wait, they are also having bombs dropped on them from the German Air force.  They are bona fide sitting ducks.  The cast of young actors, Fionn Whitehead and Harry Styles among them, do a fine job of expressing fear as well as the spirit of duty to their homeland.  You will weep when you put yourself in their place, which you can’t help but do.  In the opening scene alone it becomes hard to peg this film a Drama or an Action.  The two genres work together from there to move you and they never stop their assault.

On the sea, you meet a few of the heroes who volunteer their vessel and their time to bring the boys home.  Mark Rylance does a beautiful job of explaining to his sons, and to one soldier he rescues, why it’s important that they go to Dunkirk.  It’s their duty.  The way he said the word Dunkirk still rings in my ears… the speech was so filled with passion. 

What Christopher Nolan did so well to bring this true story to life was to, basically, keep it as simple as possible so that the important and more meaningful events stood out most.  There was no narrative or unnecessary scenes explaining who the people in the film were. 
There was no need to overwhelm you or pollute the screen with names, dialogue, back stories and plotlines that led you anywhere but on that day, on that beach, in that ocean or looking down on it all.  This also keeps you in their skin and involved in their conflict at all times, maneuvering the plane, running from the bombs and dodging the bullets. 
When you see the boats come for them, you’ll remember the tag line on the poster that says, ‘When 400,000 men couldn’t get home, home came for them’ and a shiver will run down your spine.  Just try not to cry along with Kenneth Branagh who, if you didn’t love before this, you will after. 
Enjoy the film and remember, don’t cheat yourself out of seeing this on an IMAX screen; the way it was meant to be seen.

The Disaster Artist Trailer

Based on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau’s cult–classic disaster piece THE ROOM (“The Greatest Bad Movie Ever Made”), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend– and no limit to what you can achieve when you have absolutely no idea what you’re doing. 

STARRING:  Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Josh Hutcherson

DIRECTED BY:  James Franco

In Theaters December 1

http://www.fandango.com

Home Again Trailer

HOME AGAIN stars Reese Witherspoon (“Big Little Lies,” Wild, Walk The Line, Sweet Home Alabama) as Alice Kinney in a modern romantic comedy. Recently separated from her husband, (Michael Sheen), Alice decides to start over by moving back to her hometown of Los Angeles with her two young daughters. During a night out on her 40th birthday, Alice meets three aspiring filmmakers who happen to be in need of a place to live. Alice agrees to let the guys stay in her guest house temporarily, but the arrangement ends up unfolding in unexpected ways. Alice’s unlikely new family and new romance comes to a crashing halt when her ex-husband shows up, suitcase in hand. HOME AGAIN is a story of love, friendship, and the families we create.  And one very big life lesson: Starting over is not for beginners.

Cast: Reese Witherspoon, Pico Alexander, Nat Wolff, Jon Rudnitsky, Michael Sheen, Candice Bergen, and Lake Bell

Directed by: Hallie Meyers-Shyer

Written By: Hallie Meyers-Shyer

Produced By: Nancy Meyers and Erika Olde

Distributor: Open Road Films

#HomeAgainMovie

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In Theaters Sept 8th

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War for the Planet of the Apes Movie Review

When the ‘Planet of the Apes’ franchise restarted in 2011, the focus was on how the apes got started and how humans lost control of the planet. “Rise of the Planet of the Apes” focused on Caesar (Andy Serkis) who become a genetically-enhanced ape. Then in 2014, “Rise of the Planet of the Apes” moved forward with a large group of very intelligent apes fighting off the remaining humans, who had been killed off by a world-wide simian flu. The next movie is “War for the Planet of the Apes” and it brings the human/ape conflict to breaking point.

In this movie, the apes are gaining much more control. But there is a breakaway Army group that has a blood-lust for killing every last ape. Caesar is still in control, and the splinter military group is led by The Colonel (Woody Harrelson), a sadistic monkey-killing machine. The Army group invades the apes’ nesting area, and Caesar’s wife is killed. He goes to seek revenge on The Colonel with his friends Maurice (Karin Konoval) and Rocket (Terry Notary). They meet up with an orphaned human girl, and decide she can come with. They call her Nova (Amiah Miller).

On the way they meet an escaped monkey from a zoo, who calls himself ‘Bad Ape’ (Steve Zahn). Bad Ape knows that The Colonel has camped in an abandoned weapons depot. The military has captured all the apes from Caesar’s village and are holding them as prisoners. Caesar is caught also, and he meets The Colonel who explains his plans. All the apes are used as forced labor to rebuild a defensive wall around the depot to protect the soldiers. Caesar correctly guesses that the wall is not being built to keep out the apes. The Colonel is building the wall to keep out the actual military, which are after The Colonel and his extremist ideas – and his radical followers.

The tiny group of apes outside the compound finds a way to get into the compound. Soon they are breaking out all the imprisoned apes, and even Caesar is let free, but first he must confront The Colonel one last time. He regular Army attacks, and all hell breaks loose. The apes have beaten the humans, and it may not be the last time…

This movie is the exciting conclusion of the rebooted ‘Planet of the Apes’ trilogy. The story is sleek and streamlined, with many references to other movies. There is a little bit of “Apocalypse Now”, “The Great Escape” and “Stalag 17”, along with shades of the Moses story from the Bible. Even with diverse sources, the movie ties it all together with a single sang. The motion-capture work done by the actors to play the apes is incredible. Andy Serkis would be an Oscar winner if they would give them out for “Best Performance as a Different Species”.  Woody Harrelson is perfect playing a bat-crazy loon that happens to control a large cache of Army weapons. Steve Zahn does a great job being a bit of humor relief in a tense and serious movie.

The direction is direct and to-the-point, and gets you into the story with no problem. The cinematography is beautiful in the wide-open shots, and it can be frantic and driven in the battle scenes. The movie score is quite good and does not overload the action on screen. But the way the actors can make a fictional ape come alive with all the feelings and emotions, well — that is worth even a second viewing.

The original plan was to make these three movies for the ‘Planet of the Apes’ reboot project. But seeing how much better each movie has become, and how polished the story is progressing – it would not be a surprise to hear of a new effort in a short while. So if you are interested to see if the third picture is a series can be any good, then see this. There are no little yellow minions and no little cartoon cars. There is only a great story with an amazing amount of acting that is CGI-enhanced.

The Journey Movie Review

This is an incredibly fascinating film.  It’s about the past without showing too much of it visually.  Their past is that the Catholics want Northern Ireland to be independent of England and the Protestants approve of England ruling over them.  The war that has been going on has caused many deaths due to bullets flying by and bombs going off.  Even children aren’t immune to the carnage.  Times have changed and the new Prime Minister of England Tony Blair (Stephens), wants to work to end this fight once and for all.

The Journey stars Colm Meaney, as former Irish Republican Army (IRA) leader, Martin McGuinness, who plays the role of the Protestant.  Meaney has worked in the film business since 1981 and in television before and since.  He has 117 acting credits which is quite a feat.  You’ve seen him in such films as The Dead, Far and Away, The last of the Mohicans and Layer Cake among others.  The man opposite him, playing the profoundly conservative British loyalist or Catholic, Ian Paisley, is Timothy Spall.  Spall started work in the entertainment business at virtually the same time as Meaney.  He has a few more credits than Meaney has though you may recognize him most for his work as Peter Pettigrew in the Harry Potter franchise.  He has worked in films such as The Missionary, Love’s Labour’s Lost, A Series of Unfortunate Events and did voice work in Chicken Run and Alice Through the Looking Glass to name a few. 

These two people primarily carry the entire film without dropping character once.  The Journey is a story of two strong-headed men who have been keeping a civil war going on now for almost forty years. 

When they were younger, they were called as The Troubles; now they are referred to as politicians.  It’s 2006 and time to engage in what comes to be known as the Northern Ireland peace talks.  Maybe this war for Northern Ireland can end and if so, these two men are a big part of making that happen smoothly; if it can happen at all.  Getting them in the same room together is hard enough but, ‘talking’, as well?!?  That’s a ludicrous notion but it’s worth a try.  These two could continue a war or end it with just a simple handshake.  What happens once they’re in the limo together, however, is quite riveting indeed.

All of the performances in The Journey are outstanding but these two stood out because they were such a big part of the script.  I’d guess that at least ¾ of the film is just these two talking but don’t let this scare you away.  They’re so good that the dialogue they speak, how they’re delivering it and the information they’re serving you will have you feeling as if you had just been in an entertaining lecture.  It was mastery the way the story of these two men unfolded and I’m here to be a voice for a film that I might not have noticed by just the title.  I don’t want you to miss it.  Don’t be frightened by the fact that they are alone most of the excursion.  They’re absorbing and move everything forward with skill and precision.  I’m not certain, had the roles gone to other actors that it would have turned out as good, to be honest. 

Looking at the work they’ve done in the past might give you a sense of how good they are in this and thusly how good the movie will be.  If you like history, as I do, I’ll ask you to trust me about this and be sure not to miss this well-crafted gem.  Some history buffs may not appreciate exactly how the two characters get together because they weren’t going for historical accuracy but that aside, how their relationship unfolds is of little consequence when put next to the larger picture of the ultimate prize.  I don’t want to say what happens in the end in case you don’t know but do watch the credits for pictures of the real Martin and Ian.

The Last Face Movie Review

I’m giving this film probably more praise than most because in its heart is such a good message and the performances are marvelous.  It’s so well cast.  Some scenes, though not many, are done staggeringly well.  Theron knocks it out of the park as an international aid organization director, Dr. Wren Petersen.  She hits a home run in this role!  She’s a scene stealer more than once when she shows how vulnerable she is yet how powerful she can be when pushed.  It’s downplayed but Bardem is sexy as Dr. Miguel Leon, a relief-aid doctor who has equal heart and hormones to give.  When Wren sees this dark haired, male version of everything she has always wanted to be, she has to know him. 

Sean Penn, two-time Academy Award® winner and the director of the film, loves a cause and this certainly fits the agenda, however, some of its significance may have been lost due to confusing the narrative of humanitarians and their work with a love story that seems out of place.  Don’t fret.  By the end of the movie, it does seem to come together but one shouldn’t have to put so much work into something to keep track of what the theme is. 

It’s beautifully shot and is compelling; this story of international aid relief, but it seems to fall apart structurally.  With this director, I can’t figure out why.  Perhaps because you can’t fit a love affair into the middle of a ferocious battle of a Liberian Civil War.  Are you losing your vision?  Yes, I believe it’s possible to fall in love in any circumstance but maybe when we want to make a certain statement, stay the course rather than wander off into La-La Land. 

When it’s on topic, this movie is brutal and hellish.  Penn doesn’t pull any punches when he aims for the target.  War is savage and in this very graphic film, he wants you to see it and maybe, for once, realize this is what people are living with every single day of their lives.  It’s quite shocking to see an infant killed in front of its mother for no reason, villagers running for their lives, with bullets ripping through bodies of the people they are trying to outrun and babies die because they dare be born.  It’s also horrific to see young soldiers being brainwashed and turned into monsters who can do despicable things without a thought. 

No training prepares doctors for what they’ll see in Africa but they try to only see that they are needed and Penn wants you to see that they are always needed.  Compassion is needed.  People are starving.  People are dying.  People should be able to just be… like we can.  Well, same goes for these two lovers.  With their work keeping them apart, they want a chance to just keep this incredibly difficult relationship alive while staying alive themselves.

So, it may be almost impossible for some to keep up with the back and forth between past and present with these characters.  The, ‘are they or aren’t they?’ gets a bit old when you aren’t 100% sure of the timeline you’re in but I think it’s worth a watch.  Is it a theater watch?  No.  Wait for VOD.  It’s worth it to see if this couple is a casualty of war.