Forever My Girl Movie Review

High School sweethearts, Liam (Roe) and Josie (Rothe) are about to get married. We open on Josie and her maid of honor, Kiera (Alexandria), getting her ready for her march down the aisle when through the door comes some devastatingly bad news… her groom isn’t coming. We cut to eight years later and find out why he left sweet and innocent Josie before her brother could walk her to meet Liam at the altar. Fame and fortune came knocking on his door in a big way (think Blade Shelton) and Mr. Liam Page answered it with a fast lurch of enthusiasm and a bit of self-indulgence, not thinking much about who was getting left behind and hurt in the process. He no longer had time for a wife; only for himself. When we see Liam again, he’s on stage singing ā€œDon’t Water Down My Whiskey,ā€ which is not only quite good but Alex Roe does sing it himself for the film. Liam performs for a sell-out stadium crowd and has a team of people taking care of him. Fans scream for him to return to the stage after his last song, but he makes his way to his manager and insists he gets him a particular girl in the front row that he had been eyeballing all night.
I’m thinking this is to get us a bit hot under the collar at his behavior. It doesn’t exactly work because we can tell right away that he’s isn’t like a sailor; isn’t ā€˜a girl in every port’ kind of guy. The girl he sees reminds him of Josie, for whom he has been unable to forget, though he had definitely left her behind to ache… alone. It’s obvious in some of the following scenes that he has never really tried to rid his memory of her and that outside of casual sex, thinking of her is his only real connection to anyone.

Liam learns that his best friend from High School is killed in a car accident and he takes off for home, leaving behind an already scheduled tour and stunned manager and publicist losing his mind.
Here, the narrative gets a little confusing because he has become incredibly successful, which takes a lot of discipline and when he goes back home, it’s implied or downright said buy his father, Pastor Brian (Hickey) that he had gotten into drugs and was a bit of a mess. That perplexity notwithstanding, it’s a good build up, even though you do see what’s coming. Though the story wants you to be really irritated with his character, you do like him and you hope that while he’s in town to go to his friends funeral, that he’ll run into Josie.
So, he runs into Josie and he tries to apologize for his behavior. He tells her that he knows he had put his wants and desires before hers. He wants her to believe him when he says he realizes that you can, basically, have your cake and eat it, too.

Happy to see she’s had success as well, he goes to the flower shop that she owns, to ask her out. She shows him something else that his selfishness caused him to miss out on when he left. She introduces him to her daughter, Billy (Fortson). She was named after Liam’s mother. Seeing her and hearing her name, he immediately knows what he could never replace and what he missed… the birth of his daughter and being there for her and watching her grow up. Billy is smart, cute and nothing gets by her, much like the actress who played her.
Liam begs to be a part of her life and must now prove he is worthy to be in it. A scene where Billy complains about riding in his convertible is simply priceless. She doesn’t make jumping into fatherhood easy on him but they get used to one another and she warms up to him rather quickly. When he buys her a guitar, they bond over music and suddenly you can just imagine where a sequel could go.

Forever My Girl follows the pattern of formulaic scripts that have come before it. It’s a, ā€˜boy leaves girl at altar to seek fame and fortune but his roots in the town and in family are buried deep and can’t be pulled out quite so easily’ story. But at its core, it’s loving and it has a good message of forgiveness. It works. It has a slow-motion, playful montage scene to complete the look but it gives us something that many films of the genre do not; a strong leading male character who’s sensitive and willing to admit he’s wrong and give up everything for his true love… loves.

Interview with Alex Roe from Forever My Girl

Alex Roe Interview

 

I got a chance to sit down with Alex Roe, born Michael Roe-Brown, a handsome English actor who has been in films such as 2000’s horror/thriller, ā€˜The Calling,’ the action/sci-fi film ā€˜The 5th Wave’ in 2016.Ā  In 2017, he was in both the horror film ā€˜Rings’ and the drama ā€˜Hot Summer Nights,’ which also starred TimothĆ©e Chalamet.Ā  Now this year comes the romance and his biggest part yet in ā€˜Forever My Girl,’ for which he not only played a country singer but did the actual singing on two songs in the film.Ā  By the way, not only is he good with his accent, he sounds like an authentic country singer from the south when he belts out the tune, ā€˜Don’t Water Down My Whiskey.’

He’s just fantastic and has a big career ahead of him.Ā  Born on June 18th, he shares a birthday with another famous Brit, Paul McCartney, he’s much younger, of course.Ā  Born in 1990, he’ll be turning twenty-eight this June.Ā  He was really nice to talk to and was charming and genuine.Ā  Alex sings when he knows no one is around to hear him, yet gets himself in a movie where he’s a big country singing sensation.Ā  He’s not a bit shy but has such a gentle personality that he comes across that way.Ā  He definitely leaves an impression on those who meet him, as he does in the film.Ā  I hope you enjoy the interview.

We start and as I turn on my H5 Zoom Recorder he looks at it with concern.

AR: It looks like it could survive a nuclear attack, this thing.

SKG: It probably could, actually.

He eyes me suspiciously.

AR: You know something I don’t, don’t you?Ā  All of your equipment is nuclear proof.

SKG: I know I can count on it to get a good interview.

He puts his hand to his head.

AR: Radio toĀ sound dude. Ā And…

Alex pauses a moment before saying, ā€˜Speeding!’ Ā Which is what is said when sound is ready to go and start to record.Ā  I said, ā€˜Exactly!’  Actually, I wanted to tell him I could use his talents on set as a sound engineer the next time I shoot a short film but decided to get on with why I was actually there as time was of the essence… nor would I dare say such a thing.Ā  Anyway, I had to know about his singing.

SKG: Did you pick this role because you know you have a good voice and wanted to show off that talent?

AR: I picked this role because… uh… because I thought it would be a really interesting challenge.Ā  To have a go at playing a country singer.

SKG: You were already prepared then?

AR: I had sung at home and stuff and I had sung, like, in the shower and like when people were out so, I knew I could carry a tune and if they were ready to take the risk on me, that I would be able to work hard enough to hopefully make something work. But, umm… yes, I definitely took it partly because of the challenge of that.

In case you missed that… he sings in the shower.Ā  One can only imagine.Ā  Okay, on to the film.

SKG: Forgiveness played a large role in the film, as well.

AR: I thought the story of forgiveness and family and home and all of that kind of stuff was… nice.Ā  It was different than the stuff I’d been doing.

SKG: The strongest message in the film, I thought, was to forgive and move on with your life.Ā  Do you find that an easy thing to do?

AR: I think everyone finds it really difficult to do but I think it’s really important.Ā  I think you can really, kind of, be set free by forgiveness, you know?

I nod my head in agreement as I believe it, too.Ā  It’s so obvious that holding onto regret and anger will eat you alive.Ā  His character, Liam, has many regrets that even being a mega-rich country singer can’t wash away.Ā  Alex recognizes this.

AR: There’s a real strength in it.Ā  Even with, like, little moments where you could not forgive, and you do, there’s definitely this empowering feeling cuz you’ve made the decision to forgive so therefore you’re in control of it and I like that it’s part of this movie.

SKG: Why, in your opinion, does your character, Liam, leave?

AR: (Takes a deep breath) I… think…yeah, that’s tough.Ā  I think, really deep down, I think that he hadn’t really dealt with the loss of his mum. Ā (He’s silent for a moment.)Ā  And I think that as he kind of explains and kinda comes to terms with it, I think he was just running away.Ā  Running away from the potential of feeling the pain that he had pushed aside with his mum and the potential of maybe, like, losing Josie and all of these things.Ā  I think fame was this really, really easy, like, gratification for him… that he could run towards and feel good, like, temporarily; because all these people adore him and stuff like that so, it became, kind of, an easy fix for his problems but those easy fixes are, umm, not long lasting.Ā  They’re easy for a reason.Ā  So, when he comes home he, kind of, figures out how to actually deal with this stuff.Ā  That’s coming home and reconnecting to his roots and stuff.Ā 

SKG: Is there at all a possible chance that he didn’t want to end up like his father, even with religion?Ā  His father is a pastor so maybe even speaking to the religious aspect of the film, maybe he didn’t want to be.Ā  And are YOU religious?

AR: I don’t like to talk too much about my beliefs and stuff, really, but I think that… I don’t think he was necessarily running away from the religion.Ā  I think that it was more of a personal thing than a religious reason why he was leaving town.

SKG: You are building quite a resume of characters.Ā  Is there a certain school of acting or method you like or prefer?Ā  Meisner, Adler… Stanislavski?

AR: I kind of like to take little bits from all of those.Ā  I’ve taken classes and intensive courses and stuff and that was my schooling really.Ā  Taking little bits of everything.Ā  And I think you, kind of… when you start working, you don’t necessarily draw on those techniques… you don’t really realize that you’re drawing upon those techniques that you learned but you are.Ā  They’re ingrained there.Ā  So, like, if it’s listening; like the Stella Adler listening and observing, then that’s something that you, that you just naturally do, hopefully.Ā  Or, you notice that, ā€˜I’m not listening and observing right now and I need to.’  Cuz that’s what acting is; acting and reacting, ultimately.Ā 

SKG: So, nothing specifically?

AR: I don’t know, there’s not one specific school… I think I’m just going to keep learning and keep studying and… yeah… hopefully figure it out at some point.

I certainly don’t think he has much to figure out.Ā  He’s a strong actor who commands the screen when he’s on it and with his parts growing ever larger, he’ll have this thing licked before he knows it.Ā Ā Now, regarding the movie, and a child actress in it, I had to quote W.C. Fields to him who said, ā€˜Never work with animals or children.’

SKG: In ā€˜Forever My Girl’ you worked with this little doll of an actress who plays your daughter.Ā  Her name is Abby Ryder Fortson. Ā W.C. Fields famously said, ā€˜Never work with animals or children.’  You didn’t listen and Abby completely stole the scene.

AR:Ā  Every scene!Ā  As she should.Ā  Yeah, I’m glad that you know who it was that said that cuz people have quoted that to me, but I didn’t know that, that was the person who said it.Ā  But yeah… don’t work with kids and don’t work with animals.Ā  I think with children, there’s an attention span that’s a little bit less than adults, definitely understandably, but I couldn’t get more lucky than to work with Abby.Ā  She’s so smart and so, like, brave and she takes direction really well but is also down to improvise which is really amazing.Ā  Half the stuff that made it into the movie was just Abby and I messing around.

SKG: Oh, really?

AR: Yes.Ā  It was us like, ā€˜Let’s do this in this scene.’ And she’d be so down to have a go at it.Ā 

SKG: Pretty fearless.

AR: Ā I got really lucky cuz she didn’t seem to have a nervous bone in her body, you know?Ā  She was just having fun and enjoying it.Ā  And it definitely makes you check yourself cuz enjoying it is so important.Ā  Seeing a kid enjoy it that much… it kind of reminds you that, ā€˜Yeah!Ā  You gotta enjoy this. It’s fun! Ā 

SKG: Ā At what age did you start?

AR: I did my first movie when I was ten, so I could relate to her as far as, that two-month shoot that I did felt like a lifetime, so I knew that for her this shoot, like, every little moment was gonna feel like a month of experience.Ā  So, that was really cool for me to see someone experience something that I did.Ā 

SKG: You were into it really young.

AR: That was when I did my first movie.Ā  I kind of took a little break from acting and I was playing soccer and, cuz that initial movie I just kind of fell into it… because they did an open audition at my school and I went up to the director and I said, ā€˜Look, I know that I haven’t done a lot,’ I was ten years old and I was like, ā€˜I know I haven’t done a lot but I’m good.Ā  I promise.’ Ā I was like really confident.

SKG:Ā  You have to have that kind of confidence.

AR: Ā I think so.Ā  Abby definitely has that in spades.

SKG: Yes she does.

Wanting some sort of scoop, I pushed my luck a little bit.Ā  Okay, it moved away from the film, I guess, but you can definitely check out my review, for more information.

SKG: Tell me something, give me something, that you haven’t told anyone else before.

AR: (Thinks a moment) Something I haven’t told anyone else.Ā  Oh!Ā  This is… umm… wow.Ā 

After a moment.

AR: I’m so open, I tell everyone everything.

SKG: (I point at him) Now that’s not true!Ā  You wouldn’t tell me if you were religious or not.

AR: I know. (Laughs; continues to think) What’s something that I haven’t told anyone?Ā  Oh, I’m sorry.Ā  I can’t think of anything quick enough.Ā 

SKG: Okay… favorite song and favorite movie.Ā  Let’s hear those.

AR: Favorite movie, acting wise, I think ā€˜Mean Streets.’  Robert De Niro in ā€˜Mean Streets.’ 

SKG: And Harvey Keitel.

AR: That’s a really great one.Ā  Then, favorite song… I think ā€˜Jolene’ by Dolly Parton.

SKG: Jolene?Ā  Dolly Parton?Ā  Did you just say that?

AR: Yeah.Ā Ā 

SKG: Amazing.

AR: You like Dolly Parton?

SKG: Oh, of course.Ā  I used to live in Tennessee.

AR: Wow.Ā  Okay.Ā 

Alex smiles.Ā  Dolly Parton. Ā Wow.Ā  I wouldn’t have seen that coming.Ā  Anyway, check out ā€˜Forever My Girl’ this weekend for some romance.Ā  I think you’ll agree that Alex Roe has a big future in the genre… or any genre he so chooses, for that matter.Ā  Maybe he’ll record an album someday?Ā  Oh!Ā  I should have asked him that question!Ā  Missed opportunity.

“WON’T YOU BE MY NEIGHBOR?” Trailer

Focus Features will release Won’t You Be My Neighbor?Ā 

Directed ByĀ Morgan Neville

From Academy Award-winning filmmaker Morgan Neville (20 Feet from Stardom),Ā Won’t You Be My Neighbor?Ā takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this emotional and moving film takes us beyond the zip-up cardigansĀ andĀ the land of make-believe, and into the heartĀ of a creative genius who inspired generations of children with compassion and limitless imagination.Ā 

94 Minutes

For More Info:

Official SiteĀ IĀ FacebookĀ IĀ TwitterĀ IĀ Instagram

In Theaters June 8th

http://www.fandango.com

Breaking In Trailer

BREAKING IN – In Theaters May 11

Next Mother’s Day, Gabrielle Union stars as a woman who will stop at nothing to rescue her two children being held hostage in a house designed with impenetrable security.Ā  No trap, no trick and especially no man inside can match a mother with a mission when she is determined on Breaking In.

Producers Will Packer (No Good Deed, Obsessed) and Union (Almost Christmas, Being Mary Jane) reunite for this original thriller directed by James McTeigue (V for Vendetta, Sense8).Ā  Written by Ryan Engle (Non-Stop), Breaking In co-stars Billy Burke (Twilight series), Richard Cabral (End of Watch), Seth Carr (Black Panther) and Ajiona Alexus (Empire).

Joining Union and Packer as fellow producers are Will Packer Productions’ James Lopez (Girls Trip, Think Like a Man), and Practical Pictures’ Craig Perry and Sheila Taylor (American Pie and Final Destination series).Ā  Jaime Primak Sullivan, whose story the screenplay is based upon, serves as an executive producer alongside Valerie Bleth Sharp and Jeff Morrone.

Genre:Ā Thriller

Cast:Ā Gabrielle Union, Billy Burke, Richard Cabral, Seth Carr, Ajiona Alexus

Directed by:Ā James McTeigue

Writer:Ā Ryan Engle

Story by:Ā Jaime Primak Sullivan

Produced by:Ā Will Packer, Gabrielle Union, James Lopez, Craig Perry, Sheila Taylor

Executive Producers: Jaime Primak Sullivan, Valerie Bleth Sharp, Jeff Morrone

In Theaters May 11th 2018

http://www.fandango.com

Tully Trailer

Story:Ā Ā A new comedy from Academy AwardĀ®-nominated director Jason Reitman (ā€œUp in the Airā€) and Academy AwardĀ®-winning screenwriter Diablo Cody (ā€œJunoā€). Marlo (Academy AwardĀ® winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis).

Director:Ā Jason Reitman (ā€œJuno,ā€ ā€œUp in the Air,ā€ ā€œYoung Adultā€)

Writer:Ā Diablo Cody (ā€œJuno,ā€ ā€œYoung Adultā€)

Cast:Ā Charlize Theron, Mackenzie Davis, Mark Duplass, and Ron Livingston

For more info, please follow the film on social:

Official SiteĀ IĀ FacebookĀ IĀ TwitterĀ IĀ Instagram

#Tully

In Theaters April 20, 2018

http://www.fandango.com

Phantom Thread Movie Reivew

Paul Thomas Anderson is one of the best in the business. He has given usĀ Boogie Nights,Ā Magnolia,Ā There Will Be BloodĀ andĀ The MasterĀ and in knowing this, you are groomed ahead of time and fixed for a compelling story shot in an extraordinary way that will lead you into a world that you can believe exists beyond the shadow of a doubt… right next door. With Anderson’s new film Phantom Thread, it’s no different.
Even above the story, he cast one of the best actors in the business in Daniel Day-Lewis. Unfortunately for us, Day-Lewis has decided to make this film his last but what a way to go. This fascinating piece and his performance in it will not be forgotten, as their work together in There Will Be Blood will never be.

The opening of this intriguing tale is orchestrated with the movement of the actors.Ā  Right away, we are introduced to Reynolds Woodcock (Day-Lewis) and are witness to what he does for a living. Ā He is a renowned couturiere, or fashion designer, in London in the 1950s, which were really the last decade when women of style had their clothes custom-crafted by garment makers. Ā Reynolds, who lives with his sister, is deeply superstitious and very eccentric with how he handles his work, believing his dead mother is all around him, encouraging his work. Ā He has always been taken care of and doesn’t quite know how to speak with women other than to order them around as he does his models. He’s used to spending some time with women he beds, leading them on and then he moves away rather abruptly. Ā He’s an incurable bachelor and believes marriage only leads to deceit… until he meets a waitress by the name of Alma (Krieps) who doesn’t play into this. Ā She questions and defies him, unlike any woman ever has, and he’s immediately intrigued. Ā He’s both bothered and smitten by her at the same time and begins to see her as his muse. Ā Unlike most people he engages, Alma is unrefined and obnoxious and when she challenges him it throws him off. Ā Reynolds behaves like a spoiled child because he has always gotten his way. Ā He prefers to have the last word and with Alma, he doesn’t always get what he wants.

 

As one might expect from a Paul Thomas Anderson film, Phantom Thread is full of surprises. Ā What you think this movie will be by watching the trailer and what you believe is going on while you’re watching it might not be what’s actually playing out. Anderson is also the cinematographer on the film and to give you the overall feeling of how people lived in the period, he had all of his equipment inside of a small house rather than using a soundstage which set the tone beautifully and helped lend to an aura of madness and authenticity. Ā Reynolds expects Alma to give more than he’s willing to give and as we go deeper into his psyche, we see the vulnerable boy the man holding the thread truly is.

This is an incredibly intelligent film, rich in characters with a beautiful score. Ā The chemistry between Daniel Day-Lewis and Vicky Krieps is strong and Anderson takes advantage of it every chance he gets, using both their strengths and their weaknesses to bewilder his audience. Ā You’ll love the buildup and the dialogue to the final moments. Ā It is slow to start but the payoff is well worth every second. Ā This is legitimately a brilliant film. Ā You’ll want to see it more than once.

The-Commuter-movie-poster-1-sheet

The Commuter Movie Review

Though this genre is what Liam Neeson uses his particular set of skills best for, he may have wanted to take a pass on this ride for the better of the film.Ā  That said, I like anything he’s in and did enjoy him but there were times I felt he was cast only for his name and not for what would have been more plausible.Ā  Neeson is now sixty-five years of age and his character, Mike MacCauley, is sixty.Ā  It was hard to watch him, even using suspension of disbelief, fight an ax-wielding younger man and believe he could stay in the fight, let alone win.Ā  A lot of editing is used to make him look younger and capable, but we’re not fooled.Ā  Outside of tricks used to make him look like he’s a badass, there are a lot of other visuals that are too far-fetched to accept as real, however, they come with high intensity, so you’ll forgive every one of them.

The opening credits are excellent and are used creatively to introduce you, over a span of time, to Mike and his family.Ā  He’s working hard to pay the bills for him and his wife’s mortgage and also his son who is about to go to college and will be needing tuition soon.Ā  The credits also take you on his commute.Ā  Directly after the credits, Mike, an ex-cop, goes into his insurance job where he’s five years from retirement.Ā  He’s called into his boss’s office and is let go.Ā  The news is devastating as he already lives hand to mouth and has no nest egg to rely on.Ā  He goes and has a drink with Alex ā€˜Murph’ Murphy (Wilson) and tells him what happened.Ā  This is where the movie isn’t exactly subtle in a few hints it drops.Ā  At the bar, we also meet Captain Hawthorne (Neill), who Mike used to work with and who has now moved up in ranks.Ā  You won’t exactly miss some of the set-ups here. When Mike leaves the bar, he finds a seat on his train to head home and our adventure begins.

A woman by the name of Joanna (Farmiga) sits across from him and strikes up a conversation.Ā  He tells her that he’s married and she tells him that’s not why she’s talking to him.Ā  She explains that she studies human behavior and says she wants to know what type of person he is by asking him one questions.Ā  That question is if she asked him to do something, anything, would he do it?Ā  He, of course, wants to know what type of thing.Ā  She tells him and also says that a reward would be offered but he’d never know the consequences of his actions.Ā  What she needs is for him to find someone on the train that doesn’t belong.Ā  His interest is piqued and yours will be, as well.Ā  What he is to do when he finds this person is plant a tracking device on a bag that they are carrying.Ā  He’s offered $25,000 for taking it and an extra 75,000 upon completion of the task.Ā  He does suspect that something isn’t right but having just lost his job, a $100,000 payday sure sounds nice.Ā  He has until the Cold Spring stop to finish the deed.

Having accepted the assignment, the film slows down a bit as he wades through the trivial, even boring characters on the train with him.Ā  I have to mention to be on the lookout for a certain Goldman Sachs reference you might appreciate.Ā  Anyway, with threats now coming from Joanna, he’s getting more and more crazed and desperate as he searches for the mystery man.Ā  Eventually, Mike decides he’s not going to find who Joanna wants him to for the reason she wants him to.Ā  Once a cop, always a cop.

There are a great many clichĆ©s in the film and you’ll recognize Collet-Serra’s ode to Hitchcock films but herein lies the fun even though a lot of the CG and hand-held camera work is quite bad at times.Ā  As we move along the tracks our story builds and our energy is heightened.Ā  The movie is always engaging.

You’ll have a lot of fun with The Commuter especially if you’re a Neeson fan and if you are fascinated with action movies that are way over the top.Ā  Again, if you’re a fan of Liam Neeson, you can’t skip what’s sure to be the last of this genre for him.Ā  He’ll give you his all, as he always has, even if this isn’t his best.

 

Official Website:Ā Ā Ā Ā Ā Ā www.TheCommuter.movie

Facebook: Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā https://www.facebook.com/PhantomThread/

Twitter: Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā  @TheCommuterFilm

Instagram:Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā  @TheCommuterFilm

#TheCommuter

Come meet PETER RABBIT who will hop into the Valley this Friday 1/12/18!

PETER RABBIT MEET AND GREET THIS FRIDAY!

PHOENIX, AZĀ (January 10, 2018) – PETER RABBIT will hop into the Valley this Friday to visit with families for photo opportunities. The appearance is coming in advance of the release of the upcoming family film, PETER RABBIT, in theaters February 9th. Ā James Corden voices the character of Peter with playful spirit and wild charm, while Margot Robbie, Elizabeth Debicki, and Daisy Ridley perform the voice roles of the triplets, Flopsy, Mopsy, and Cottontail.

Who:Ā Peter Rabbit

When:Ā Friday, January 12 from 4 PM – 6 PM

Where:Ā Pinspiration

Ā Ā 5410 E. High St., Suite 105

Ā Ā Phoenix, AZ 85054

Synopsis:Ā Peter Rabbit, the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role of his own irreverent, contemporary comedy with attitude. In the film, Peter’s feud with Mr. McGregor (Domhnall Gleeson) escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door (Rose Byrne).Ā  James Corden voices the character of Peter with playful spirit and wild charm, with Margot Robbie, Elizabeth Debicki, and Daisy Ridley performing the voice roles of the triplets, Flopsy, Mopsy, and Cottontail.

Ā Cast:Ā Rose Byrne, Domhnall Gleeson, Sam Neill

Voices:Ā Daisy Ridley, Elizabeth Debicki, with Margot Robbie, and James Corden as Peter Rabbit

Trailer for the the new Gothic Thriller “Winchester”

WINCHESTER

Inspired by true events. On an isolated stretch of land 50 miles outside of San Francisco sits the most haunted house in the world. Built by Sarah Winchester, (Academy AwardĀ®-winner Helen Mirren) heiress to the Winchester fortune, it is a house that knows no end. Constructed in an incessant twenty-four hour a day, seven day a week mania for decades, it stands seven stories tall and contains hundreds of rooms. To the outsider, it looks like a monstrous monument to a disturbed woman’s madness. But Sarah is not building for herself, for her niece (Sarah Snook) or for the troubled Doctor Eric Price (Jason Clarke) whom she has summoned to the house. She is building a prison, an asylum for hundreds of vengeful ghosts, and the most terrifying among them have a score to settle with the Winchesters…

Directed by: The Spierig Brothers (Jigsaw,Ā Predestination)

Produced by: Tim McGahan (Predestination) and Brett Tomberlin

Cast: Helen Mirren (Eye In The Sky, The Queen), Jason Clarke (Mudbound,Ā Dawn Of The Planet Of The Apes), Sarah Snook (Steve Jobs,Ā Jessabelle), Angus Sampson (Insidious,Ā Mad Max: Fury Road), Finn Scicluna-O’Prey (True Story with Hamish & Andy, The Secret River)

Written by: Tom Vaughan, The Spierig Brothers (Jigsaw,Ā Predestination)

#WinchesterMovie

SiteĀ |Ā FacebookĀ |Ā TwitterĀ |Ā InstagramĀ |Ā YouTube

In Theaters February 2, 2018

http://www.fandango.com

Hostiles-movie-poster-hero

Hostiles Movie Review

Hostiles is an engaging western narrative about a stiff and reluctant Army Captain and his journey to tribal lands with a war chief he loathes.Ā  Yes, I did say western, something you don’t see very often.Ā  No matter what genre of film you might deem your favorite and which you’d usually steer clear of, I must insist you look at all of the players involved in this project and consider seeing this even if it might go against your grain.Ā  It made my and many other film critics top movies of the year list.Ā Ā  Hostiles stars Christian Bale as emotionally charged Captain Joseph Blocker, who couldn’t be more indignant and hateful if he tried.Ā  The film is set in 1892 at a time when men like Block have been hardened by years of fighting native Americans, taking their lands and destroying their lives.Ā  Block practically regards them as subhuman.

Older now, the job he is assigned to at his post is that of the jailer.Ā  Currently, he’s at a prison in New Mexico where he’s anything but kind to the natives he leaves them in exposed cells to bake in the sun all day.Ā  One of those natives is Chief Yellow Hawk (Studi), who he despises from previous battles.Ā  For the first time in his years with the Army, he gets an order that he’d rather not fulfill.Ā  He is asked to escort chief Yellow Hawk, who has been imprisoned for seven years and is now riddled with cancer, to Montana to die and be laid to rest in his tribal burial site.Ā  The president, in an attempt to right things with the Cheyenne Indians, is asking this of Block yet even this personal request doesn’t help get through to this soldier who is very set in his ways.Ā  He’s against any native, let alone this once great warrior, being allowed to contrive, petition for and obtain such an honor.Ā  With his future benefits on the line, he unenthusiastically gets a team together to be the chaperone for the chief and his family.Ā  The moment they’re out of sight of the compound, he shows them who he really is.Ā  He humiliates Yellow Hawk by putting him in binds and by cutting of the female’s hair.

While on their trek, they come across Rosalie Quaid (Pike), a young mother whose husband and children were recently murdered by some very hostile Comanche warriors.Ā  Usually quite hostile himself, Blocker shows empathy for the woman when he notices she clutches to and tends to a dead infant as though it were still alive.Ā  Bale brings one of his best performances as he shows a strong aura of altruism and expresses goodwill and humanity in slight gestures, revealing how deeply he understands what the woman is going through and how fear, anger and the loss of love got her to where she barely hangs on by a thread.Ā  Earlier in the film, we see what she and her family go through when the Comanche happen upon them.Ā  Though it isn’t overly gory, it is jarring when they’re killed.Ā  Unable to leave her behind, Block has Rosalie join them and a friendship develops.Ā  I must mention that much like the terrain they ride, Pike’s character has so many peaks and valleys that I wouldn’t be surprised to see her end up with an Oscar nomination.Ā  The individual she portrays is challenging and with her performance, she meets every one of her challenges.

At a post they stop at for the night, Blocker picks up an Army Sergeant turned vicious criminal, Charles Wills (Foster), who needs to be transported to Montana to face trial.Ā  Blocker does this believing Wills will be someone he could easily handle since Blocker was above him as they served in battle together.Ā  Surely they will understand one another.Ā  However, when Wills sees that Blocker has grown a little soft, actually speaking to the natives in his charge, he escapes, and the film gets bloody once again.

Through rhetoric that comes from Block and Wills, and as the film progresses, you’ll realize one thing above all else about why this film was made.Ā  It’s a strong reminder that this country has been fighting in a war and for a long time… that war is Racism.Ā  Blocker and Yellow Hawk have a moment of genuine respect and a mutual meeting of the minds and in that scene, you watch the significant message America needs to hear play out.Ā  If westerns of the past didn’t make it clear, this film makes it crystal.Ā  The natives have been horribly mistreated and judged unfairly but it is possible to peacefully coexist and we must if we’re going to find peace in this world.Ā  It’s through peace and understanding that all things are possible.