Backstabbing for beginners movie

Backstabbing for Beginners Movie Review

Director Per Fly opens his film by showing the Iraqi people and their blind loyalty to the dictator, Saddam Hussein and most importantly, their unwillingness to see him as the monster that he is. It’s a brilliant move to put on display how easy it is for people, though their leader is taking their country into decline and them personally into poverty, malnutrition and slavery, follow anyway, refusing to believe the person they support would do anything to harm them. It’s very much what we are now witnessing all over the world, even in America where it was never thought possible. This movie was made to help us understand the importance of Civics being taught in our schools, something being pulled from today’s curriculum to the detriment of the people and of the state.

Set in New York in September of 2003 and based on a true story, ā€˜Backstabbing for Beginners’ tells the story of a brave young whistleblower named Michael Sullivan (James). Michael, whose father was his hero, desperately wanted to follow in his footsteps. In order to do that, he needed to work to try and help people. His father, a diplomat, died in a bombing at the U.S. Embassy in Beirut when Michael was only five. He worked at the United Nations and spoke of how the U.N. was founded and why it was so important for the world that it exists.

Now, at age twenty-four, Michael finally lands his dream job as a program coordinator working for Pasha (Kingsley), the Under-Secretary-General of the U.N., as his special assistant. Pasha runs the largest humanitarian program in U.N. history, Oil-for-Food. The Oil-for-Food program was started in the late 1990’s to grant Iraq enough oil to purchase food and necessities to its people. Once the Gulf War began, sanctions were imposed and the nation got sicker and poorer.

Michael feels privileged to be working in the office in charge of trying to feed over twenty million starving people, however, instead of honor, virtuosity and the law working to help those in need of support, what he finds is corruption, thievery and bribes. Only some of the money goes to the people, a large chunk of it benefits those at the top. Michael is hired to look for any inconsistencies and to make sure everything is by the book. Working on his first report to hand into Pasha, he finds a great deal of skimming off the top, service fees that don’t add up and kickbacks that need to be investigated. Michael explains how up to or more than 30% of the funds is missing, not to mention that the Kurds are getting skipped for more money to go to Hussein’s hometown. Pasha takes the report and shreds it.

Pasha tells Michael to choose his truths wisely. Michael’s very naĆÆve heart is crushed. Pasha, a good man, does what he can but also does for himself. He’s okay with corruption, justifying everything by saying that he’s happy there’s decreased malnutrition and starvation and that people are getting the staples. Christina Dupre, (Bisset), an officer at the U.N. is tired of the payoffs and malfeasance and she intends to fix things. Michael finally wises up when Christina, who refuses to falsify her report as Pasha does, ends up meeting an untimely death. Michael is also offered a bribe and is told by Nashim (Bilgin), that his predecessor didn’t die in an ā€˜accident.’

This is an important film for idealists to see and should be regarded as a reminder of what we all have to lose if we don’t keep our eye on the ball. It doesn’t matter the country in which you live, power corrupts and if we’re not paying attention, we, like the Iraqi people found out, can crash into anarchy. Twenty billion dollars of the Food-for-Oil money got diverted from the program and everyone seemed to profit. No one, Michael found out, no matter how much you may like them, can be above suspicion.

At least some good came out of Michael getting the position he held. He went to the Wall Street Journal and told his story of finding oil vouchers worth billions and even handed them a list of names he had procured. He went on record, as well, adding that he needed to take responsibility and give his name. Someone had to own what was going on to lend the story the credence it needed to be trusted. What he did led to the largest and most significant changes in the U.N.

The movie has a love scene that doesn’t really seem to fit. Once you’re involved in the story and getting to the truth of things, it’s really the last thing you want to see. Theo James is also not a strong enough actor to show the emotion the part truly needed and Michaels gullible nature and naivete does get old but for the larger part of the story, even though it works some to explain that most of those about to lose democracy are indeed Michael (not aware of what’s going on around them) this is a must-see because the message is too important not to be.Ā 

*’Backstabbing for Beginners’ opens exclusively at AMC Arizona Center

Godard Mon Amour Movie Review

The filmmaker Jean-Luc Godard, who this movie is about, has said of this Michel Hazanavicius film that it’s ā€˜A stupid, stupid idea.’ This quote is then put on the poster and why not? Hazanavicius knew right there that he got it right. You can’t get a bigger endorsement, in my opinion. Michel Hazanavicius, director of ā€˜The Artist,’ which won five Academy Awards, including Best Picture and Best Director, now gives us the fairly humorous ā€˜Godard Mon Amour,’ a subtitled French film originally titled ā€˜Le Redoutable.’ In ā€˜The Artist,’ he showed us the world of silent films by introducing us to one of its actors and focusing heavily on that star’s world. In ā€˜Godard Mon Amour,’ we meet a truly innovative filmmaker from the 1960’s named Jean-Luc Godard (Garrel) when he’s in a state of flux. Already a successful director in the eyes of the public and of the critics with films such as, ā€˜Breathless,’ ā€˜Contempt’ and ā€˜Pierrot le Fou’ he decides he wants to be a revolutionary. He wants more out of life and desires to give more to the world through cinema.

We meet him in 1967 when Godard was regarded as one of the most gifted directors of his generation. He was very avant-garde because about ten years previously, he got involved in the ā€˜Nouvelle Vague,’ a group of French movie directors who came together to shrink away from the cinema of the day that was being created, to give films a more expressive voice.

While making his new movie, ā€˜La Chinoise,’ he starts doubting everything he has ever believed in. He feels he’s old (he’s thirty-seven) and out of touch and marrying an actress Anne Wiazemsky (Martin) almost twenty years his junior, doesn’t help much. She falls in love with his passion and his talent but as he gets more distracted with his heavy interest in politics, he pays less and less attention to her, at one point telling her that love can wait for later. He is always speaking as though his life means nothing but the cinema and when he has switched to politics only, his love life falls in order. He tells her he doesn’t have it in him to make a romantic film, saying, ā€˜Enough with the dictatorship of sentiments… sentiments don’t make revolutions.’ While loving and attentive early on, as the film continues, she’s starting to see what this means for their future. Previous to marrying him, she thought he was fascinating, unpredictable, charming and funny but before long comes to grip with the fact that he’s miserable and therefore incapable of thinking of anyone but himself. To support her husband, the young bride finds herself running from the police during student marches and protests rather than making films with him, even boycotting the Cannes Film Festival during the strikes of the following year.

The cinematography is outstanding and worth watching for that alone. The comedy, when it kicks in, rivals that of early Woody Allen pictures but takes place so far into the film that you may lose interesting getting there. Like the filmmaker Godard himself eventually became, Hazanavicius, is looking for something other than a joke to entertain you. I’d like to go on record as saying that if the film doesn’t please your palate right away, don’t give up on it. It drags on at first but does get better. There’s a lot of ground to cover and the clever way that this profound character is revealed at such a heavy turning point in his life, shouldn’t be missed by anyone who is looking for something meaningful. Hazanavicius is relaying to his audience a time when the filmmaker was trying to stay relevant. He’ll be criticized for creatively yet harshly revealing this time in Godard’s life but it doesn’t mean it should not have been explored.

*Releasing in Phoenix exclusively at Harkins Camelview at Fashion Square.

Check out these Character Posters just released for ā€œSOLO: A STAR WARS STORYā€

SOLO: AĀ STAR WARSĀ STORY

Board the Millennium Falcon and journey to a galaxy far, far away in ā€œSolo: AĀ Star WarsĀ Story,ā€ an all-new adventure with the most beloved scoundrel in theĀ galaxy.Ā Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo befriends his mighty future copilot Chewbacca and meets the notorious gambler Lando Calrissian, in a journey that will set the course of one of theĀ Star WarsĀ saga’s most unlikely heroes.

The film stars Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, and Paul Bettany.

Ron Howard directs ā€œSolo: AĀ Star WarsĀ Story,ā€ and Kathleen Kennedy, Allison Shearmur and Simon Emanuel are the producers. Lawrence Kasdan, Jason McGatlin, Phil Lord and Christopher Miller serve as executive producers. Jonathan Kasdan & Lawrence Kasdan wrote the screenplay.

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Do you have what it takes to handle this horror film?!?

Hidden Content Launches With World Premiere of “The Caretaker” VR at Tribeca Film Festival

New York, NY (April 23, 2018) – Filmmakers Jacob Wasserman, Adam Donald and Ant Gentile announced today the formation of Hidden Content, a full-service virtual reality. Their first project was unveiled yesterday at the Tribeca Film Festival with the world premiere of their narrative 360 Cinema project The Caretaker, the first installment of an original horror anthology series.

Created by Wasserman and Donald as well as filmmaker Nicolas Pesce (The Eyes Of My Mother, Piercing), Ā The Caretaker stars Adelaide Clemens, Tom Lipinski, Clara Wong and Diana Agostini, was produced by Max Born and Schuyler Weiss and executive produced by Gentile and Kimberly Parker. The pilot was a co-production with RealMotion Inc. and audio services were provided by Hobo Audio.

Hidden Content has also teamed with film producer and financier Max Born to produce and acquire a slate of VR films and series, as well as develop a VR/AR distribution platform.

Wasserman, Donald and Gentile have been working in the virtual reality and 360 cinema space for some time, having produced high profile VR commercials and branded content experiences, including Samsung’s ā€œAnatomy of Skiā€ 4D VR Experience for the 2018 Winter Olympics, featuring Olympic gold medalist downhill skier Bode Miller and ā€œ360 Meals,ā€ a journey inside celebrity chef Daniel Boulud’s Michelin-starred flagship restaurant, Daniel.

The trio’s first narrative effort, the interactive VR thriller Broken Night starring Emily Mortimer and Alessandro Nivola, premiered at Tribeca Film Festival 2017 and was also featured at Cannes NEXT 2017.

Hidden Content and Max Born are currently in development on three additional VR genre series and are in talks with outside creators to acquire new content to build out their 2018 project slate.

Skyscraper New Poster Revealed

SKYSCRAPER

Father. Fighter. Hero. There’s no limit when it comes to family.

Official WebsiteĀ |Ā FacebookĀ |Ā TwitterĀ |Ā InstagramĀ | #SkyscraperMovie

Global icon Dwayne Johnson leads the cast of Legendary’sĀ SkyscraperĀ as former FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer, who now assesses security for skyscrapers.Ā  On assignment in China, he finds the tallest, safest building in the world suddenly ablaze, and he’s been framed for it.Ā  A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family who is trapped inside the building…above the fire line.

Written and directed by Rawson Marshall Thurber (Central Intelligence,Ā We’re the Millers), the 3D action-thriller is produced by Beau Flynn (San Andreas,Baywatch), Johnson, Thurber and Hiram Garcia (San Andreas,Ā Central Intelligence).

Skyscraper’s executive producers are Dany Garcia (Baywatch,Ā Ballers), Wendy Jacobson (San Andreas), Eric McLeod (Kong: Skull Island,Ā Pirates of the CaribbeanĀ series) and Eric Hedayat (The Great Wall,Ā Real Steel).Ā  The film will be released by Universal Pictures.

Genre:Ā 3D Action-Thriller

Cast:Ā Dwayne Johnson, Neve Campbell, Chin Han, Noah Taylor, Roland MĆøller, Byron Mann, Pablo Schreiber, Hannah Quinlivan

Written and Directed by:Ā Rawson Marshall Thurber

Produced by:Ā Beau Flynn, Dwayne Johnson, Rawson Marshall Thurber, Hiram Garcia

Executive Producers:Ā Dany Garcia, Wendy Jacobson, Eric McLeod, Eric Hedayat

I Feel Pretty Movie Review

Very few movies make you feel bad for the protagonist of the story and feel horrible about yourself at the same time. ā€˜I Feel Pretty’ does just that. The beginning of the film especially. Renee Bennett (Schumer) is treated horribly by society. She’s completely shunned. If she walks into a building, she’s treated like a leper. People stare at her as if her fat can instantly leap from her body and infest the entire building… how dare she inhabit their earth! Yes. I can see the point being made. This possibly and most likely is how people who hate themselves, for whatever reason, feel about their body, their face… their selves. It’s heartbreaking. However, this is pushed to the limit where the audience may feel uncomfortable about how the film itself makes them feel as they watch.

It’s as if ā€˜I Feel Pretty’ is a giant mirror reminding them that they should put the popcorn down and get back to dieting. This being the case, it most likely won’t be entertaining for some. The movie theatre isn’t necessarily the place you need to be reminded of each and every flaw. Again, I see the point, but must it be beaten into the ground? ā€˜Shallow Hal’ makes this exact storyline work without humiliating and alienating its audience. I was hoping this would be similar to Hal but was quite disappointed in that respect.

But the film redeems itself to an extent when it starts selling the message that it’s not how others perceive you that counts, it’s only how you view you that should ever matter.

Renee is both the protagonist and antagonist in this particular film. What?! Well, she shifts from a kindhearted, fun and friendly person to a lousy, callous pain in the backside in no time flat. What turns her is a journey she takes. While praying that she’ll lose weight, look and feel better, she joins a gym and listens to an instructor who’s a powerful motivational speaker. While listening to her strong words of encouragement, she falls off the exercise bike she’s on (For some reason it can’t hold her weight?!?), hits her head and passes out. When she comes to she sees, not herself, but someone else. She’s healthier, more beautiful but most of all… not fat. She walks around almost the rest of the movie acting like she just won a billion-dollar lottery. She is overly happy with her new lease on life and vows to go get what she wants. And she does just that. Her attitude toward herself also gets her attention, but it isn’t sinking into Renee that she hasn’t changed… she’s still just Renee to everyone else.

Soon, all of her dreams have come true. She has the job she has always wanted, has a boyfriend, even has admirers and her head begins to swell. Not long after, she starts looking at her friends. Suddenly, they’re dragging her down. They’re not dressed well enough and they wear their hair wrong. She wants them to change. Being that the film has been formulaic so far, you can see that a big lesson is coming her way and if she wants to come out of her present situation with only a bruised ego, she needs to realize who she really is.

ā€˜I Feel Pretty’ has sight gags, fat jokes and follows a certain predictable pattern but if you’re a Schumer fan, it’s worth seeing. She hams it up and struts her stuff, clearly, there are no body issues for Schumer as she shows it off a lot. If she ever had issues, she doesn’t now and shouldn’t but this is why the film ultimately doesn’t work. She’s full-figured, yeah, but hardly obese. They’re making fun of how fat she is when she’s, at most, big boned, slightly overweight but is healthy looking. This makes the filmmakers look superficial and tasteless. No. It’s not lost on us that Renee needs to see what everyone else sees but therein lies the rub. They show people, adults mind you, getting both repulsed by the sight of her for her ugly, cellulite ridden, flabby body and yet want you believing that everyone sees this beautiful person within her. The filmmakers can’t have it both ways.

That notwithstanding, Schumer was great, especially when she joins a bikini contest. She holds nothing back. Michelle Williams was very fun to watch as Avery LeClaire, an incredibly hollow human being who ends up being exactly what Renee needs to see that everyone has flaws, no matter how perfect we think they are. All the performances were strong but the movie, outside of a few laughs and a good message, wasn’t as good as it could have been. I feel they were headed in the right direction but got lost along the way. Maybe they should have spent less time writing ways to make fun of fat chicks. That would have been a good start.

THE EQUALIZER 2 TRAILER

THE EQUALIZER 2

 

Denzel is back in action!

 

Not all enemies are created equal.

Denzel Washington returns to one of his signature roles in the first sequel of his career. Robert McCall serves an unflinching justice for the exploited and oppressed – but how far will he go when that is someone he loves?

Directed by: Antoine Fuqua

Cast: Denzel Washington Pedro Pascal Ashton Sanders with Bill Pullman and Melissa Leo

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In Theaters July 20

http://www.fandango.com

Lionsgate’s new ‘Blindspotting’ Trailer

Blindspotting

Starring Daveed Diggs, Rafael Casal, Janina Gavankar, Jasmine Cephas Jones, Ethan Embry, Tisha Campbell-Martin, Utkarsh Ambudkar, and Wayne Knight.

Collin (Daveed Diggs) must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles (Rafael Casal), work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in. Longtime friends and collaborators, Daveed Diggs and Rafael Casal co-wrote and star in this timely and wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland. Bursting with energy, style, and humor, and infused with the spirit of rap, hip-hop, and spoken word, Blindspotting, boldly directed by Carlos López Estrada in his feature film debut, is a provocative hometown love letter that glistens with humanity.

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Jurassic World: Fallen Kingdom Trailer

It’s been four years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment.Ā  Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles.

When the island’s dormant volcano begins roaring to life, Owen (Chris Pratt) and Claire (Bryce Dallas Howard) mount a campaign to rescue the remaining dinosaurs from this extinction-level event.Ā  Owen is driven to find Blue, his lead raptor who’s still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission.Ā  Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times.

With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all-new motion-picture event sees the return of favorite characters and dinosaurs—along with new breeds more awe-inspiring and terrifying than ever before.Ā  Welcome toĀ Jurassic World: Fallen Kingdom.

Stars Pratt and Howard return alongside executive producers Steven Spielberg and Colin Trevorrow forĀ Jurassic World: Fallen Kingdom.Ā  They are joined by co-stars James Cromwell, Ted Levine, Justice Smith, Geraldine Chaplin, Daniella Pineda, Toby Jones, Rafe Spall and Isabella Sermon, while BD Wong and Jeff Goldblum reprise their roles.

Directed by J.A. Bayona (The Impossible), the epic action-adventure is written byĀ Jurassic World’s director, Trevorrow, and its co-writer, Derek Connolly. Ā Producers Frank Marshall and Pat Crowley once again partner with Spielberg and Trevorrow in leading the filmmakers for this stunning installment.Ā  BelĆ©n Atienza joins the team as a producer.Ā Ā www.jurassicworld.com

Cast:Ā Chris Pratt, Bryce Dallas Howard, Toby Jones, Ted Levine, Rafe Spall, BD Wong and Jeff Goldblum

Directed by:Ā J.A. Bayona

Written by:Ā Derek Connolly & Colin Trevorrow

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In Theaters June 22nd

http://www.fandango.com