Get Ready. Get Set. Get NUTS! The Nut Job 2: Nutty by Nature

THE NUT JOB 2: NUTTY BY NATURE

Surly Squirrel (Will Arnett) and the gang are back.  We are once again in Oakton where the evil mayor has decided to bulldoze Liberty Park and build a dangerous amusement park in its place.  Surly and his ragtag group of animal friends band together to save their home, defeat the mayor, and take back the park.

THE NUT JOB 2 also features the voice talent of Katherine Heigl (The Nut Job), Jackie Chan (Kung Fu Panda 3), Peter Stormare (Penguins of Madagascar), Bobby Cannavale (Ant-Man), Isabela Moner (Middle School: The Worst Years of My Life), and Maya Rudolph (The Angry Birds Movie). 


Cast: Will Arnett, Katherine Heigl, Maya Rudolph, Bobby Moynihan, Gabriel Iglesias, Jeff Dunham, Bobby Cannavale, Isabela Moner, Sebastian Maniscalo, Peter Stormare and Jackie Chan.

#TheNutJob2

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In Theaters August 18th

http://www.fandango.com

Patriots Day

Peter Berg, the director of films such as “Friday Night Lights,” “The Kingdom,” “Lone Survivor” and “Deepwater Horizon,” knows how to draw the truth out of a story and present it in an entertaining, authentic yet sometimes unpleasant way without pulling you too far in or out without questioning his skill and intentions.  Often taking on the challenge of telling true life events, he handles these subjects with great care.  He has proven over and over that he doesn’t exploit people and that he’s legitimate and capable and now with “Patriots Day”, he does so again. 

Here, he brings us to April of 2013 and the events that occurred at the Boston Marathon.  Sensitively, he introduces many of the characters slowly, leaving you to wonder their position in the chronicled narrative when see them pop up next.  Some characters are going to participate in the marathon and others come in and out for awhile before you are shown their role.  Two stand out right away; the bombers themselves. 

Seeing them sends you back to the day of the attack and not in a positive way.  Anger wells up from somewhere and you’re not exactly sure of what to do with it.  Everyone is set up perfectly by Berg, these two especially.  Tommy (Wahlberg) is a police officer working the Marathon, a duty that he’s given because he is working off a suspension and is now part of crowd control, something he deeply despises.  After the explosions, he steps up to help Special Agent Richard DesLauriers (Bacon) with the investigation.  Knowing Boston better than an agent from out of town, he is desperately needed in finding the perpetrators.  I’m sure anyone of the Boston police offers present could do this job but we have to make Wahlberg the hero somehow so this works.  After a command center is set up, video surveillance finds the man who leaves one of the bombs to explode where he set it and they use footage from all the stores in the area to trace is steps.  This is how they discover he didn’t act alone.

The bombings themselves are a ballet of both the cinematography of Tobias A. Schliessler, who often works with Berg, and real footage.  When the runners are rounding the finish line and the explosions occur you practically jump from your seat.  Your heart beats faster, your face turns red and your blood boils.  If you’re on the slightly emotional side, you’ll weep.  If not, you’ll at least have a massive lump in your throat to swallow down.  It’s one thing to see the footage on the news but once he introduces you to people who are about to be the victims of this horrendous act, you find yourself pushing away from the screen and wishing you could warn them to get away from the area.  In this respect he did a very good job of bringing the audience into the story.    

When the Tsarnaev brothers are cornered in a town outside of Boston, it gives Berg a chance to play with the action part of the film and we take a break from the heavy drama its been. Berg is at his best when he’s re-enacting everything from the bombings to the capture of Dzhokhar Tsarnaev.  He also unveils that the Tsarnaev brothers had more than just the city of Boston in mind to terrorize.  He does take certain liberties but you desperately need him to at this juncture.  You want and need to cheer what happens to the people who are killing innocent men, women and children and would have continued had it not been for the quick responses of investigators and the Boston Police.  It feels good to see them get their man who’s now on death row. 

Overall, the film is incredibly dramatic and suspenseful, especially when Katherine Russell (Benoist), the wife of Tamerlan Tsarnaev (Melikidze), is interviewed.  Berg plays to your emotions and your sense of pride when she’s interrogated by using dialogue given by a character you wish you could be. 
This is a see at the theatre this weekend movie.  I highly recommend it.  After you do, stay seated.  You get to meet a few people through pictures and recorded interviews talking about their experiences and your chest will swell again when the reason Boston Strong was so prevalent is revealed.     

Live By Night

I love a lot of Affleck’s work.  In fact, it’s safe to say I like most of his work.  This one… not so much.  This confounds me because it’s Affleck!  He’s responsible in one way or another for “Good Will Hunting”, “Gone Baby Gone”, “Argo” and “The Town”.  Great films.  He usually has a firm grasp of story but that’s not the case here.  “Live By Night” is more or less all over the place.  To be completely honest, it doesn’t feel like his voice at all.  It can’t sit still so neither can you.  So I wonder… just went wrong?  I can indicate to you a few culprits.  It’s too slow and there are too many plot lines and both are working in concert to single handedly ruin this film.  It feels as if you’re watching a series of different films in one yet starring the same characters.  It’s a mobster/gangster picture but not.  There are moments when it is but, well, not to confuse you, these moments are few and far between.  It’s hard to even categorize this film.

I’ll try and explain the premise.  To start, in voice over, Affleck introduces his character, Joe Coughlin.  He’s a soldier.  He was miserable as a soldier.  The spoiled boy, yes it feels that way, was being told to do terrible things on the battle field and decides that being told what to do wasn’t for him.  He will forever be his own boss so he gathers two friends and they become bank robbers.  We learn that when it comes to Boston, there are two gangs it’s run by; the Irish and the Italians.  Not wanting to become involved with either, for some reason he doesn’t consider himself gangster material but is a criminal… okay, Coughlin, thinks it a good idea to become involved with the girlfriend of the head of the Irish gang, Albert White.  They even appear in public together.  Immediately, you can see that Affleck didn’t think this through. 
You know what’s going to happen and it does.  Along with a butt kicking, he gets set up and spends a few years in prison.  Now hating White, we have a revenge film where he’ll do anything to work against Albert White.  The man who said he’d never work for anyone again is working for the Italians to take over White’s rum distribution… in Florida.  We change again.  Coughlin enlists the help of the Cubans who were once stealing and instead turns them into assets, who now are happy working with him instead of against.      

There are several people trying to take him down but obstacles are easily overcome and Coughlin becomes the king of Tampa.  He also has a new woman, Graciela (Saldana), for whom he has absolutely no chemistry.  God I wanted to buy into this working for him.  It may actually be the worst part of the film.

So moving beyond that, it does, eventually, become a gangster picture again when a double-cross or two are shed and the movie gets exciting.  This is what the film had promised to be and it’s nice that it gets back to its roots but it’s not enough and it’s too little too late. 
However, what’s also good about “Live By Night”, and I’d say what makes it a worthwhile watch for anyone who wants to study good character actors are some of the performances.  Matthew Maher as a member of the KKK is outstanding.  Elle Fanning is memorable as a victim of circumstance.  Also worth mentioning is Robert Glenister as Albert White and Remo Girone as Italian leader Maso Pescatore.  When they’re on screen, you are lost in their performances.  They evoke “The Godfather” when they’re present and are quite impressive.  More of them would have improved the movie but for some reason we’re spread thinly over a few storylines and you become disinterested in everyone entirely.  So, check this out on DVD or wait for VOD, however you get your entertainment these days, but going to the theatre, my preferred outlet, is not my recommendation. 

The Bye Bye Man

“The Bye Bye Man” may as well be called The Night Night Man because watching it is probably going to put you to sleep.  There’s not much substance here and as original of an idea I had thought it was, it was a huge let down. 

In the opening scene, we go back to 1969 in Madison, Wisconsin.  We see a terrified man killing family and friends, asking them if they had told anyone his name.  Having watched the trailer, you can deduce who he’s referring to; “The Bye Bye Man.”  This sets us up for some real terror.  That was a good intro and you’re certain this will only get better.

Cut to outside of Madison.  We’re in Sun Prairie, WI (a place I once lived as a matter of fact) where some young students, Elliot (Smith), Sasha (Bonas) and John (Laviscount) are renting a big creepy house.  Who couldn’t see that coming?  Well, that’s predictable but that’s okay.  Creepy houses are the center pieces of many a fine horror flick.  Elliot and Sahsa are lovers and John is a childhood friend so they’re doing this together to better afford it.

Right away something sets off Sahsa’s distress meter but this, of course, doesn’t hit her until after the ink is dry on the lease so she enlists her friend Kim (Kanell) to perform a spiritual cleansing and also a séance to be certain the house is evil spirit free.

As can be forecast by you at this point, let’s be honest, you could write the rest of the script, Kim feels a wicked soul and no one obeys the warning signs.

There are a few good shots here like when his name is first said at the séance but for the most part, you’re never frightened in this horror film.  The Bye Bye Man himself has gone bye bye.  I think he forgot he was part of the film, actually, showing up every now and again, doing just enough to keep the director happy and to collect his check.  You want him to appear more because what you see of him early is creepy but it stops rather abruptly. 

We discover, with Elliot, that you aren’t supposed to think of him or say his name.  The more you do, the closer he gets.  Elliot becomes the sleuth for the group and tracks down who the Bye Bye Man is but is often fooled by tricks, as are the others, into thinking what’s not real, is.  There are a few scenes of the dangers they fall into by believing the visions are real but beyond that, we’re left hanging.  I’ve come to see a horror flick, not a guy running around trying to solve a case!  Regardless, he’s being driven mad by a cloaked figure with long boney fingers and scars all over his face that you barely get to see.  He’d most likely chill you to your boney fingers if they’d have concentrated more time on him and if the effects were better than those of any fan of the genre who engages in recreating a scene from their favorite horror film on their cell phones for their Twitter followers.  

The Bye Bye Man is hardly the focus and this will disappoint you highly.  Faye Dunaway was phenomenal as the widow of the man from the beginning of the film so if you’re a fan of hers maybe watch when VOD becomes available.  Please tell me she did this as a favor to someone! Anyway, this movie is just filled with too much ridiculous to recommend you watch it.  Dunaway, Smith and Cleo King are convincing with the material they’re working with but the rest of the cast, overall, are rather weak.  My final thoughts on this film are simple.  There are no scares.  There is no horror.  There’s no originality.  There’s no real reason to invest your time.

The first film was made in 1896… my, how far we’ve come!

New technology enables global fans to interact with a fictional character in multiple languages

 

Los Angeles CA, January 17, 2017 – In anticipation of the worldwide release of Resident Evil: The Final Chapter, Sony Pictures Releasing International (SPRI) is teaming up with artificial intelligence (AI) agency IV.AI to bring the world’s first movie character powered by true AI to social media platforms with the #ChallengeTheRedQueen Messenger Experience.

As the experience launches today, Facebook users can match wits against The Red Queen by messaging the Facebook user The Red Queen on Facebook Messenger.  In Russia, the feature will be available on Telegram.

True to the character that fans know and love, the Red Queen’s dismissiveness and attitude have been embedded in the personality profile of the experience using AI, so that the audience can have genuine interaction with the character. 

In the experience, The Red Queen AI challenges fans of the franchise to test their Resident Evil knowledge and share their accomplishments. This unique messenger experience utilizes automated AI with built-in natural language processing in multiple languages, across a variety of social media platforms enabling fans of the films to interact with the Red Queen character in real time.

Using IV.AI’s sophisticated artificial intelligence ingestion system, the online experience has been created using Resident Evil scripts, films and writers from Sony Pictures Entertainment. Alongside this, IV.AI‘s natural language processing algorithms and emotional analysis based machine learning transforms this data into a natural feeling, interactive artificial character online.

 

Sony Pictures, EVP International Marketing Sal Ladestro explains, “As digital marketers and filmmakers, our goal is to find new ways to push the boundaries of emerging technologies in entertainment IP. Seeing the power of artificial intelligence collaborating with talented scriptwriters and filmmakers is just the beginning. We always strive to enable moviegoers to have unique experiences with our characters and this will set an industry standard of how to use messenger platforms to market our movies.”

 IV.AI CEO, Vince Lynch describes the bot as, “A new way of approaching entertainment via social media. Using customized AI, we can better understand the nuances of a character and allow fans to play along in real life.” Explains Lynch, “I like that we’re taking fictional AI that is normally portrayed as dark and tweaking the sentiment to make it fun and entertaining.

The #ChallengeTheRedQueen experience will go live today and be available to fans in the US, Australia, United Kingdom, Spain, Mexico, and Russia. Fans can find the experience through Facebook Messenger and Telegram by following links –

◦      English: m.me/TheRedQueenBot/

◦      Spanish (Latin America): m.me/LaReinaRojaBot/

◦      Spain (Castilian): m.me/LaReinaRojaES

◦      Russian: https://telegram.me/ObitelZlabot 

 

Resident Evil: The Final Chapter picks up immediately after the events in Resident Evil: Retribution, in which Alice (Milla Jovovich) is the only survivor of what was meant to be humanity’s final stand against the undead. Now, she must return to where the nightmare began – The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.  The film is written and directed by Paul W.S. Anderson.

T2 Trainspotting

T2 Trainspotting is the sequel to the 1996 film Trainspotting. It is directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald, Danny Boyle, Christian Colson and Bernard Bellew.
T2 Trainspotting is based on the novels Porno and Trainspotting by Irvine Welsh and features the original cast of Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle. It will be released in theaters in the UK on January 27, 2017 and in the US beginning March 17, 2017.
T2 Trainspotting First there was an opportunity……then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.

In Theaters March 31st

http://www.fandango.com

Special Movie Premiere Night Experience for “The Shack”

The Shack

Don’t Miss the Special Movie Premiere Night Experience

Thursday, March 2nd – Tickets on Sale Now

 Movie Premiere Night Tickets will Include a Special Celebration After the Film, Featuring Exclusive Cast Interviews, Behind the Scenes Footage, and a Special Musical Performance by Dan + Shay

+ Free Book Download Gift with Purchase while Supplies Last

 The Shack In-Theatres Nationwide on March 3rd
 

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#TheShack

 Based on the New York Times best-selling novel, The Shack takes us on a father’s uplifting spiritual journey. After suffering a family tragedy, Mack Phillips [Sam Worthington] spirals into a deep depression causing him to question his innermost beliefs. Facing a crisis of faith, he receives a mysterious letter urging him to an abandoned shack deep in the Oregon wilderness. Despite his doubts, Mack journeys to the shack and encounters an enigmatic trio of strangers led by a woman named Papa [Octavia Spencer]. Through this meeting, Mack finds important truths that will transform his understanding of his tragedy and change his life forever.

 

Raw – Red Band Trailer

Everyone in Justine’s family is a vet.  And a vegetarian.  At sixteen she’s a brilliant student starting out at veterinary school where she experiences a decadent, merciless and dangerously seductive world.  Desperate to fit in, she strays from her family principles and eats raw meat for the first time.  Justine will soon face the terrible and unexpected consequences as her true self begins to emerge.

DIRECTOR: Julia Ducournau

CAST:  Garance Marillier, Ella Rumpf, Rabah Naït Oufella, Joana Preiss, Laurent Lucas, Bouli Lanners, Marion Vernoux

In Theaters March 17

http://www.fandango.com

A special look into the hive! “Resident Evil: The Final Chapter”

Alice is back!!

In anticipation of the release of RESIDENT EVIL: THE FINAL CHAPTER , Screen Gems has launched a 360 Experience based on the movie. It takes place on the Killing Floor of The Hive and takes you inside the horror of the undead!  When experiencing it on Facebook mobile, you can move around the room 360 style by using your finger.   Here’s the video and a link to Facebook!

 

Facebook: https://www.facebook.com/ResidentEvilMovie/videos/10155648190013709

In Theaters January 27th

http://www.fandango.com

“Moana” the Sing-Along version hits theatres! How exciting!


BURBANK, Calif. (Jan. 10, 2017) –
The epic journey continues for “Moana” fans as Walt Disney Animation Studios introduces an all-new sing-along version of the hit, critically-lauded comedy-adventure “Moana,” coming to theaters nationwide Jan. 27, 2017. Additionally, the original theatrical version of the film will release digitally Feb. 21 and on Blu-ray March 7.

Fans are invited to warm up those vocal cords and set sail with an all-new sing-along version of “Moana” launching in more than 2,000 theaters nationwide on Jan. 27 andexclusively at Hollywood’s El Capitan Theatre on Jan. 20.

“Moana” audiences were swept away by the film’s original songs and score from a dynamic team that includes Tony®-, Emmy®- and Grammy®-winning songwriter Lin-Manuel Miranda (Pulitzer Prize- and Tony-winning “Hamilton,” Tony-winning “In the Heights”), Mark Mancina (“Tarzan,” Broadway’s “The Lion King”) and Opetaia Foa‘i (founder and lead singer of the award-winning world music band Te Vaka).

The sing-along version of “Moana” includes the full feature film with on-screen lyrics, so audiences can belt out the words to their favorite songs, such as the Golden Globe®-nominated “How Far I’ll Go.” Moviegoers can check local listings for showtimes and theaters; the sing-along run will vary by location.

Walt Disney Animation Studios’ 56th animated feature opened domestically on Nov. 23, 2016, becoming the No. 2 Thanksgiving debut ever with $82 million. The film continues to delight audiences around the globe, earning more than $225 million domestically and $450 million worldwide to date. The film has a 95% score on Rotten Tomatoes and an “A” CinemaScore.

“Moana” has received, thus far, nominations for BAFTA, PGA, Golden Globe® and a Critics’ Choice Movie Award for best animated feature. The film’s uplifting soundtrack has dominated the music charts for more than six weeks, peaking at No. 1 on the iTunes Albums chart; it is currently No. 1 on Billboard’s Top Album Sales chart and No. 2 on the Billboard 200 album chart. The soundtrack is available wherever music is sold and at streaming services.

At Hollywood’s El Capitan Theatre, the “Moana” sing-along will begin Jan. 20, one week prior to the nationwide opening. Daily showtimes are at 9:30 a.m. and 12:30 p.m. Tickets are available at El Capitan Theatre (6838 Hollywood Blvd.), by calling 1-800-DISNEY6 (347-6396) or online at www.elcapitantickets.com.

Audiences can soon enjoy the original theatrical version of the film at home and packed with a variety of bonus extras when “Moana” arrives on Digital HD/3D and Disney Movies Anywhere (DMA) on Feb. 21, and on Blu-ray 3D, Blu-ray, Digital SD, DVD and On-Demand on March 7.