Shane Black’s take on The Predator coming September 14th! Here’s the first Trailer!!

THE PREDATOR

Release:Ā September 14, 2018

Director: Shane Black

Written by Fred Dekker & Shane Black.

Based on the characters created by Jim Thomas & John Thomas.

Produced by: John Davis, p.g.a.

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Alfie Allen, Thomas Jane, Augusto Aguilera, Jake Busey, Yvonne Strahovski

SYNOPSIS

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

THE PREDATOR Official Channels

OFFICIAL WEBSITE:Ā www.thepredatormovie.com

INSTAGRAM:Ā www.instagram.com/Predator

FACEBOOK:Ā www.facebook.com/PredatorMovies

TWITTER:Ā www.twitter.com/Predator


HASHTAG:Ā #ThePredator

In Theaters September 14th

http://www.fandango.com

Measure of a Man Movie Review

The film ā€˜Measure of a Man’ is an adaptation of the book ā€˜One Fat Summer’ by Robert Lipsyte. It’s directed by Jim Loach, whose father Ken Loach has been working in the film business for over fifty years. Seeing this movie makes me certain Jim will have the same kind of staying power. Jim had writer David Scearce write the screenplay and make some changes to it to create a more relatable world for him to work with. Doing this has made his twenty-second directing achievement a triumph. His casting choices also helped. Topping off a fabulous cast of young actors whom you may not know quite yet is Judy Greer, Luke Wilson and the crĆØme de la crĆØme, Donald Sutherland.

ā€˜Measure of a Man’ is set in the 1970’s and is a story about an awkward teenager, Bobby Marks (Cooper), trying to fight bullies and his own lack of confidence to grow up and become a man. Depending on how one interprets that, what he wants to do is be helpful to those around him and be a good person but has so much anxiety, he can barely help himself. He’s overweight, uncomfortable in his own skin and outside of his mother (Greer) and sister Michelle (Liberato), is too nervous to talk to girls, save one, Joanie (Danielle Rose Russell), who he grew up knowing. He knows Joanie because his family gets together every year with hers after upstate travel for summer vacation brings them together for picnics, swimming and county fairs. The chubby kid certain that one day her acceptance of him over summer break will blossom into love.

However, this summer, things are different. A lot has changed. Bobby hasn’t changed but other things have and he’s even more uncomfortable. The people upstate have finally let the vacationers know what they think of their visitors, the locals are harsher and less tolerant of the mess they leave and find an easy target in Bobby to take it out on. Joanie frightens Bobby more than anything a thug could do to him. She has matured and is now taking off for a month and won’t explain to him why. Heartbroken, he gets a summer job helping Dr. Kahn (Sutherland) with his lawn and basic yard maintenance. It’s this relationship that becomes the turning point of the film. Kahn is a rich elite who you think is being severe but you come to realize, through his own experience, he’s guiding him into manhood. Kahn also accidentally stumbles onto a sort of friendship he wasn’t quite expecting.

The characters in the film are well thought out and the acting is convincing. Bobby and Michelle’s relationship as brother and sister is hateful yet compassionate and Cooper and Liberato’s performances are spot on. Loach is largely to thank for pulling performances out of his young cast that keep you both amused and captivated. When feeling for the poor youngster, you’ll also feel inflamed when he’s confronted with more than he can handle. I like the movie and believe you will, too. Jim Loach knows how to handle a story. This movie is potent and effective and one not to miss. Include ā€˜Measure of a Man’ in YOUR summer vacation films.

Playing in Phoenix Exclusively at *Harkins Camelview

READ MY INTERVIEW WITH JIM LOACH AND LIANA LIBERATO

COMPLETELY FREE “MAMMA MIA!” event happening on Mother’s Day at Harkins Camelview at Fashion Square!

Need something for your mother and you to do this weekend?

Take her to a free screening of ā€˜Mamma Mia!’ as you both get ready for ā€˜Mamma Mia! Here We Go Again!’ to release on July 20th!!

Only 25 markets will be getting this special MammasDaySingAlong version of the film and Phoenix is one of them!!

These screenings are 100% free at all 25 locations, no strings attached.

This means you don’t even need a ticket to enter.

You just show up at the theater and if there are seats available, they’ll let you in.

No ticketing needed, nothing to reserve in advance, and no purchases required.

-Find out more atĀ WWW.MammasDaySingAlong.com

Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, you are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA.Ā  With the film’s original cast returning and new additions including Lily James (Cinderella, Baby Driver), the musical comedy will open on July 20, 2018.

Mamma Mia! Here We Go Again is produced by Judy Craymer and Gary Goetzman, producers of the original film.Ā  Craymer is also the creator and producer of the worldwide smash-hit stage musical.

Ol Parker, writer of The Best Exotic Marigold Hotel, writes and directs the sequel from a story by Catherine Johnson, Richard Curtis and Parker.  Benny Andersson and Björn Ulvaeus return to provide music and lyrics and serve as executive producers.  Tom Hanks, Rita Wilson, Phyllida Lloyd, Richard Curtis and Nicky Kentish Barnes also serve as executive producers.

Reprising their roles from Mamma Mia! The Movie are Academy AwardĀ® winner Meryl Streep as Donna, Julie Walters as Rosie and Christine Baranski as Tanya.Ā  Amanda Seyfried and Dominic Cooper reunite as Sophie and Sky, while Pierce Brosnan, Stellan SkarsgĆ„rd and OscarĀ® winner Colin Firth return to play Sophie’s three possible dads: Sam, Bill and Harry.

As the film goes back and forth in time to show how relationships forged in the past resonate in the present, James will play the role of Young Donna.Ā  Filling the roles of Young Rosie and Young Tanya are Alexa Davies (A Brilliant Young Mind) and Jessica Keenan Wynn (Broadway’s Beautiful).Ā  Young Sam will be played by Jeremy Irvine (War Horse), while Young Bill is Josh Dylan (Allied) and Young Harry is Hugh Skinner (Kill Your Friends).

Genre:Ā Musical Comedy

Cast: Meryl Streep, Pierce Brosnan, Colin Firth, Stellan SkarsgÄrd, Julie Walters, Dominic Cooper, Amanda Seyfried, Christine Baranski, Lily James, Josh Dylan, Hugh Skinner, Jeremy Irvine, Alexa Davies, Jessica Keenan Wynn, Andy Garcia and Cher

Written and Directed by:Ā Ol Parker

MAMMA MIA! HERE WE GO AGAIN – In Theaters July 20

WebsiteĀ |Ā FacebookĀ |Ā TwitterĀ |Ā InstagramĀ | #MammaMia2

Measure of a Man movie poster

Interview with Jim Loach and Liana Liberato from the film ‘Measure of a Man’

Following in his director father’s footsteps, Jim Loach has become an outstanding storyteller. His father is the well-known director, writer, producer Ken Loach, who directed last year’s impressive film ā€˜I, Daniel Blake’ among countless others. Read more

Tully Movie Review

Going into ā€˜Tully’ I didn’t know what to expect. Sometimes when I know ahead of time that I’ll be reviewing a film, I avoid all mention of the said film, so I can go in without any knowledge of the concept and therefore don’t build any preconceived notions. I especially avoid trailers as I believe, this is especially true of the last few years, they give away too much of the plot. I’ll try not to reveal too much here, myself.

What I knew of ā€˜Tully,’ and all I needed to know to sell me on it, were the stars, the director and the writer. Charlize Theron, Mark Duplass and Ron Livingston in a film directed by Jason Reitman who directed the wonderful ā€˜Up in the Air’?! Enough said! But then written and produced by Diablo Cody, too?! Cody first came on the scene when she wrote her smash hit film ā€˜Junoā€ for which she procured a BAFTA, Writers Guild, Critics Choice and Academy AwardĀ® for Best Original Screenplay. Quite the accomplishment. ā€˜Juno’ was also directed by Reitman. ā€˜Young Adult,’ which I considered to be rather good, as well, Sees Cody and Reitman together also and stars Charlize Theron. Knowing this, I was chomping at the bit for this new film. Still I refused to learn too much of the story, instead, I went in trusting the team that designed the piece. I had heard all I needed to know to get me in the theatre and should do it for you, too. Reitman and Cody make a good team. ā€˜Tully’ is very well written, quite charming and whether you think you can relate to the characters or not, very much worth your time.

Theron plays Marlo, a pregnant mother of two, who’s about to have baby number three shortly. One of her children, her son, has difficulties in school, shows all the signs of autism, and makes getting through the day quite a struggle. She has to brush his body to reduce the anxiety of everyday stimulation for him. Her husband Drew, played by Ron Livingston, of ā€˜Office Space’ fame, works a lot and when home he spends more time playing video games than he does noticing if Marlo has had a good day, is okay or needs his help. He is a good father and they do have a loving relationship, but their communication is more about the kids and problems that arise rather than relaxed and problem free. Then, of course, when she has the baby things get more chaotic for Marlo and, seeing less of him, she begins feeling drained and sleep deprived.

Her concerned and very wealthy brother Craig, played by the charismatic Mark Duplass, offers to pay for Marlo to have a night nanny come over in the evenings and help her. This is so she can get some rest and be more prepared to handle the sunrise. At first, the idea of someone coming into her home and taking care of her child doesn’t thriller Marlo but she eventually finds herself unable to dig herself out from underneath mounds of housework piling up around her. She feels neglectful and, realizing how good it’ll be for her family to have someone help, she accepts the generous gift.

This is when Tully, (Mackenzie Davis from ā€˜Blade Runner 2049’), a young woman in her twenties, enters her life. Still a little nervous about the situations, when she finally meets Tully she feels genuine warmth come from her. Knowing that all will be well, Marlo puts her head on the pillow, closes her eyes and gets the first good night’s sleep she’s had in years.

As the relationship deepens and the help she’s receiving becomes more about the bond between the two women, their conversations and the film itself gets more engaging. It’s also considerably witty. Whether you’re a woman or have been a parent or not, you’ll enjoy the banter between all the characters in the film. The Reitman/Cody union has always been strong and this time it’s not only good but has matured, as well. A twist they throw at you at the end of the film is not only kept well-hidden but is a testimonial to how Cody has evolved as a writer which makes you giddy for her future work. Whatever she has coming up for us, hopefully, she’ll not stray too far from her formula and from these partnerships that work.

For more information, visit the website and check out the social pages:

Official Website:Ā Ā Ā Ā Ā http://www.tullyfilm.com/

Facebook: Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā https://www.facebook.com/tullymovie/

Twitter: Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā  @TullyMovie

Instagram:Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā  @TullyMovie

#Tully

“ANT-MAN AND THE WASP” TRAILER NOW AVAILABLE!

ā€œAnt-Man and The Waspā€

 

From the Marvel Cinematic Universe comes ā€œAnt-Man and The Wasp,ā€ a new chapter featuring heroes with the astonishing ability to shrink.Ā  In the aftermath of ā€œCaptain America: Civil War,ā€ Scott Lang grapples with the consequences of his choices as both a Super Hero and a father.Ā  As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission.Ā  Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from the past.

ā€œAnt-Man and The Waspā€ is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Pena, Walton Goggins, Bobby Cannavale, Judy Greer, Tip ā€œT.I.ā€ Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder-Fortson, Randall Park, with Michelle Pfeiffer, with Laurence Fishburne, and Michael Douglas.

Kevin Feige is producing with Louis D’Esposito, Victoria Alonso, Stephen Broussard, Charles Newirth, and Stan Lee serving as executive producers.

Chris McKenna & Erik Sommers,Ā Paul Rudd & Andrew Barrer & Gabriel Ferrari wrote the screenplay.

 

ANT-MAN AND THE WASP

MARVEL STUDIOS

Website and Mobile site:Ā Ā http://www.marvel.com

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In Theaters July 6th!

http://www.fandango.com

Avengers: Infinity War Movie Review

ā€˜Avengers: Infinity War’ was made for the fans. It is tremendously displayed hardcore action that simply doesn’t stop. If you love Marvel and the Avengers films, they’re topped out here. This is the one to beat and I don’t think it’ll be possible to do such a thing. The end will leave you mystified, shocked and salivating for the next feature. Fully shot on IMAX, I do suggest that you find a way to get to an Imax theatre and see it as it was meant to be seen. The CGI is fantastic and as the characters planet hop, it can’t be fully appreciated on a smaller screen.

There’s not a lot to say that will sell you on the film that you most likely don’t already know. If you’re a Marvel fan, you already know the universe that has been created. If you haven’t seen any of these movies, don’t start with this but hurry, get them all watched and catch this one before it leaves theatres! The Russo brothers, Anthony and Joe, took over directing after Joss Whedon left and, even though Whedon seemed irreplaceable, you’ll be convinced this was the right move. The characters, and there are a lot to get through, are given careful attention and had almost equal time onscreen for everyone to develop even more thoroughly than before.

There are many other reasons why you need to see ā€˜Avengers: Infinity War.’ It’s very well thought out, it’s not predictable, it’s incredibly entertaining and the entire 2 ½ hours go by in the blink of an eye. Unfortunately, waiting for Avengers 4 will seem like a lifetime. While this film is quite morbid and rather sinister, it has to be one of, if not the best because it took the darker path it needed to.

Parrticular actors get a chance to sink their teeth into moments that are meatier, deeper emotionally and even more comical than before. Once such comedic moment is when Hulk loses his confidence after getting beat during battle and Bruce Banner (Ruffalo) must discover a way to take over when needed. Another hysterical scene is when Tony Stark (Downey Jr.) calls an ominous looking character named Ebony Maw (Vaughan-Lawlor) ā€˜Squidward’ due to his resemblance to the character in ā€˜Sponge Bob Square Pants.’

So, while there is a lot of darkness, there’s a wonderful balance of humor, as well, mostly from the previously mentioned characters and from Peter Quill / Star-Lord (Pratt) due to his jealousy of Thor (Hemsworth).

We start by finding out that Asgard was under assault by Thanos (Brolin) who wants all of the Infinity Stones so he can control the universe. He believes that the random death, genocide, of half of a planet’s population, is merciful. Only he has what it takes to rid the planet, therefore the universe, of misery and despair by doing what no one else has the guts to do… murder by the trillions. So, he’s on the hunt for all the stones. Everyone is doing their best to keep them hidden from him but he’s has declared war with them, he’s strong and is winning. He’s not having too much trouble finding the stones and one by one, with what seems like very little opposition, he takes them.

This is particularly entertaining because while you may want our heroes to win, there’s a certain delight in watching them in peril for a change. The fight lasts a long time before they finally come together to deal some serious blows. The length of the film gives you time to truly care for what’s going on in this world and also question moves made by certain characters. Dr. Strange (Cumberbatch) will have you exceptionally perplexed. But, I’ve said enough. I’ll let you find out the rest on your own. If you’re a fan, you must immediately get to the theatre and watch this movie. Then, run right back in and do the same thing. Don’t drink coffee before you go. You’ll regret it about an hour in when you decide you can’t miss a moment of the film.

* There is only one end credit scene.

* Look for Stan Lee on the bus.

Backstabbing for beginners movie

Backstabbing for Beginners Movie Review

Director Per Fly opens his film by showing the Iraqi people and their blind loyalty to the dictator, Saddam Hussein and most importantly, their unwillingness to see him as the monster that he is. It’s a brilliant move to put on display how easy it is for people, though their leader is taking their country into decline and them personally into poverty, malnutrition and slavery, follow anyway, refusing to believe the person they support would do anything to harm them. It’s very much what we are now witnessing all over the world, even in America where it was never thought possible. This movie was made to help us understand the importance of Civics being taught in our schools, something being pulled from today’s curriculum to the detriment of the people and of the state.

Set in New York in September of 2003 and based on a true story, ā€˜Backstabbing for Beginners’ tells the story of a brave young whistleblower named Michael Sullivan (James). Michael, whose father was his hero, desperately wanted to follow in his footsteps. In order to do that, he needed to work to try and help people. His father, a diplomat, died in a bombing at the U.S. Embassy in Beirut when Michael was only five. He worked at the United Nations and spoke of how the U.N. was founded and why it was so important for the world that it exists.

Now, at age twenty-four, Michael finally lands his dream job as a program coordinator working for Pasha (Kingsley), the Under-Secretary-General of the U.N., as his special assistant. Pasha runs the largest humanitarian program in U.N. history, Oil-for-Food. The Oil-for-Food program was started in the late 1990’s to grant Iraq enough oil to purchase food and necessities to its people. Once the Gulf War began, sanctions were imposed and the nation got sicker and poorer.

Michael feels privileged to be working in the office in charge of trying to feed over twenty million starving people, however, instead of honor, virtuosity and the law working to help those in need of support, what he finds is corruption, thievery and bribes. Only some of the money goes to the people, a large chunk of it benefits those at the top. Michael is hired to look for any inconsistencies and to make sure everything is by the book. Working on his first report to hand into Pasha, he finds a great deal of skimming off the top, service fees that don’t add up and kickbacks that need to be investigated. Michael explains how up to or more than 30% of the funds is missing, not to mention that the Kurds are getting skipped for more money to go to Hussein’s hometown. Pasha takes the report and shreds it.

Pasha tells Michael to choose his truths wisely. Michael’s very naĆÆve heart is crushed. Pasha, a good man, does what he can but also does for himself. He’s okay with corruption, justifying everything by saying that he’s happy there’s decreased malnutrition and starvation and that people are getting the staples. Christina Dupre, (Bisset), an officer at the U.N. is tired of the payoffs and malfeasance and she intends to fix things. Michael finally wises up when Christina, who refuses to falsify her report as Pasha does, ends up meeting an untimely death. Michael is also offered a bribe and is told by Nashim (Bilgin), that his predecessor didn’t die in an ā€˜accident.’

This is an important film for idealists to see and should be regarded as a reminder of what we all have to lose if we don’t keep our eye on the ball. It doesn’t matter the country in which you live, power corrupts and if we’re not paying attention, we, like the Iraqi people found out, can crash into anarchy. Twenty billion dollars of the Food-for-Oil money got diverted from the program and everyone seemed to profit. No one, Michael found out, no matter how much you may like them, can be above suspicion.

At least some good came out of Michael getting the position he held. He went to the Wall Street Journal and told his story of finding oil vouchers worth billions and even handed them a list of names he had procured. He went on record, as well, adding that he needed to take responsibility and give his name. Someone had to own what was going on to lend the story the credence it needed to be trusted. What he did led to the largest and most significant changes in the U.N.

The movie has a love scene that doesn’t really seem to fit. Once you’re involved in the story and getting to the truth of things, it’s really the last thing you want to see. Theo James is also not a strong enough actor to show the emotion the part truly needed and Michaels gullible nature and naivete does get old but for the larger part of the story, even though it works some to explain that most of those about to lose democracy are indeed Michael (not aware of what’s going on around them) this is a must-see because the message is too important not to be.Ā 

*’Backstabbing for Beginners’ opens exclusively at AMC Arizona Center

Godard Mon Amour Movie Review

The filmmaker Jean-Luc Godard, who this movie is about, has said of this Michel Hazanavicius film that it’s ā€˜A stupid, stupid idea.’ This quote is then put on the poster and why not? Hazanavicius knew right there that he got it right. You can’t get a bigger endorsement, in my opinion. Michel Hazanavicius, director of ā€˜The Artist,’ which won five Academy Awards, including Best Picture and Best Director, now gives us the fairly humorous ā€˜Godard Mon Amour,’ a subtitled French film originally titled ā€˜Le Redoutable.’ In ā€˜The Artist,’ he showed us the world of silent films by introducing us to one of its actors and focusing heavily on that star’s world. In ā€˜Godard Mon Amour,’ we meet a truly innovative filmmaker from the 1960’s named Jean-Luc Godard (Garrel) when he’s in a state of flux. Already a successful director in the eyes of the public and of the critics with films such as, ā€˜Breathless,’ ā€˜Contempt’ and ā€˜Pierrot le Fou’ he decides he wants to be a revolutionary. He wants more out of life and desires to give more to the world through cinema.

We meet him in 1967 when Godard was regarded as one of the most gifted directors of his generation. He was very avant-garde because about ten years previously, he got involved in the ā€˜Nouvelle Vague,’ a group of French movie directors who came together to shrink away from the cinema of the day that was being created, to give films a more expressive voice.

While making his new movie, ā€˜La Chinoise,’ he starts doubting everything he has ever believed in. He feels he’s old (he’s thirty-seven) and out of touch and marrying an actress Anne Wiazemsky (Martin) almost twenty years his junior, doesn’t help much. She falls in love with his passion and his talent but as he gets more distracted with his heavy interest in politics, he pays less and less attention to her, at one point telling her that love can wait for later. He is always speaking as though his life means nothing but the cinema and when he has switched to politics only, his love life falls in order. He tells her he doesn’t have it in him to make a romantic film, saying, ā€˜Enough with the dictatorship of sentiments… sentiments don’t make revolutions.’ While loving and attentive early on, as the film continues, she’s starting to see what this means for their future. Previous to marrying him, she thought he was fascinating, unpredictable, charming and funny but before long comes to grip with the fact that he’s miserable and therefore incapable of thinking of anyone but himself. To support her husband, the young bride finds herself running from the police during student marches and protests rather than making films with him, even boycotting the Cannes Film Festival during the strikes of the following year.

The cinematography is outstanding and worth watching for that alone. The comedy, when it kicks in, rivals that of early Woody Allen pictures but takes place so far into the film that you may lose interesting getting there. Like the filmmaker Godard himself eventually became, Hazanavicius, is looking for something other than a joke to entertain you. I’d like to go on record as saying that if the film doesn’t please your palate right away, don’t give up on it. It drags on at first but does get better. There’s a lot of ground to cover and the clever way that this profound character is revealed at such a heavy turning point in his life, shouldn’t be missed by anyone who is looking for something meaningful. Hazanavicius is relaying to his audience a time when the filmmaker was trying to stay relevant. He’ll be criticized for creatively yet harshly revealing this time in Godard’s life but it doesn’t mean it should not have been explored.

*Releasing in Phoenix exclusively at Harkins Camelview at Fashion Square.

Check out these Character Posters just released for ā€œSOLO: A STAR WARS STORYā€

SOLO: AĀ STAR WARSĀ STORY

Board the Millennium Falcon and journey to a galaxy far, far away in ā€œSolo: AĀ Star WarsĀ Story,ā€ an all-new adventure with the most beloved scoundrel in theĀ galaxy.Ā Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo befriends his mighty future copilot Chewbacca and meets the notorious gambler Lando Calrissian, in a journey that will set the course of one of theĀ Star WarsĀ saga’s most unlikely heroes.

The film stars Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, Joonas Suotamo, and Paul Bettany.

Ron Howard directs ā€œSolo: AĀ Star WarsĀ Story,ā€ and Kathleen Kennedy, Allison Shearmur and Simon Emanuel are the producers. Lawrence Kasdan, Jason McGatlin, Phil Lord and Christopher Miller serve as executive producers. Jonathan Kasdan & Lawrence Kasdan wrote the screenplay.

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