THE LITTLE STRANGER Starring: Domhnall Gleeson and Charlotte Rampling- Trailer

Story: THE LITTLE STRANGER tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked.  The Hall has been home to the Ayres family for more than two centuries.  But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life.  When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.


Director: 
Lenny Abrahamson (“Room”) 

Writer: Lucinda Coxon (“The Danish Girl”), based on the novel by Sarah Waters 

Producers: Gail Egan, Ed Guiney, Andrea Calderwood 

Cast: Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling 

For more info, please follow the film:

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In Theaters August 31

http://www.fandango.com

First Man Trailer – From Academy Award-winning director Damien Chazelle

On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969.  A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.

Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling.  Isaac Klausner (The Fault in Our Stars) executive produces.  DreamWorks Pictures co-finances the film. 

Starring:  Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Patrick Fugit, Ciaran Hinds, Ethan Embry, Shea Whigham, Corey Stoll, Pablo Schreiber

Director: Damien Chazelle

Official Website | Facebook | Twitter | Instagram | #FIRSTMAN


#FirstMan
 is coming soon to theaters and IMAX.

In Theaters October 12

http://www.fandango.com

Bernard and Huey Movie Review

‘Bernard and Huey’ was a favorite at the Phoenix Film Festival this year. The originality or the story, characters and the acting were refreshing, and it became even more so when the director, Dan Mirvish, stood before us and gave us a little history of how the film came to be. ‘Bernard and Huey’ is based on a cartoon strip of these two men that were in Playboy magazine in the 1950’s. The characters were created by Jules Feiffer who later wrote a script about the two pals who reunite many years after college to find they’re nothing like they once were. Learning the history of the story made the film much more fascinating but the writing had already won me over. The fact that Jim Rash and David Koechner are Bernard and Huey leads one to ask, what could go wrong? Why ask this? Based on characters they’ve played before I knew the characters would be colorful, to say the least. So, the answer to the question is nothing. Nothing goes wrong. Not for the film, that is.

When they were young, Bernard (Rash) was a shy kid who couldn’t speak to girls and Huey (Koechner) was a jerk who took advantage of them whenever and wherever he could; he couldn’t care less who he tortured along the way. Huey enjoyed telling him tales of how he treated lovers and Bernard would learn but was shocked and disgusted as he listened. He tried to be a good influence but nothing doing… Huey and his lack of maturity wouldn’t budge.
When we meet the men, Bernard is rather successful and Huey, having just lost his wife and child due to being a chump, needs a place to crash.

Though he’s no longer a pushover, he’s still kind-hearted and Bernard gives him a place to stay. He’s also loving seeing his hero dethroned. However, letting him back into his life, he recalls all the reasons why they didn’t remain friends. A very ‘Odd Couple’ feeling begins to emerge, and these reasons come rushing back to him when Huey starts taking advantage of him. Bernard has done well but who he once was comes flooding back and he begins to lose faith in himself, especially when it comes to women who he was doing very well with until Huey came back into his life.

Flashbacks are revealing and help you see that Bernard is reverting to his old self because he’s now attempting to one-up Huey and goes too far. Zelda is that too far. Keep in mind, Bernard sees himself as better, more advanced mentally, than Huey but really, they are one and the same and that’s what Bernard has tried so desperately not to reveal to anyone. He hates that Huey’s arrogant, nasty attitude has taken him to have to dive into his own hubris because he has gone to such great lengths to appear above the norm.

Why you’ll love this film so much is the dialogue. It seems perfectly written for Jim Rash to deliver and when he goes head to head with his attempt at getting back at Huey, it works even better. Zelda is that ‘too far’ he’s willing to travel. Bernard starts seeing Zelda, (Whitman) a twenty-something aspiring graphic novelist who is also… Huey’s daughter. Bernard tries to but cannot resist her charms. She likes being with him but is looking for help to get published. Bernard doesn’t want Huey finding out about them, but Huey does find out and doesn’t have the reaction to the news one might think he’d have. Knowing that his child is an extension of himself, Huey knows Zelda is only going to devour him. Bernard isn’t prepared for her but at the same time maybe needs her before he can ever fully grow up.
I’ve spoken of how wonderful Whitman and Rash are but can’t leave out Koechner’s brilliance as a modern-day Neanderthal. His bold hilarity as he works impeccably opposite Rash to bring to life a script based on a comic strip is frustratingly precise. Mirvish couldn’t have cast this film better.

Wont You Be My Neighbor? Movie Review

Fred Rogers or ‘Mister Rogers’ as he was always called later in life, was once a child. As a child, he was known to those who bullied him as ‘Fat Freddy.’ This bullying made him become the man he was, a philanthropic humanitarian and caretaker of young minds. He grew up to understand, feel for and love children to the degree that he changed his life’s path of becoming a minister and having his own church. He grabbed ahold of a wildly new medium at the time, television, and created an avenue in which to speak to children, one on one, and let them all know that they were special and that no matter what they were hearing from people around them, that they were loved and worthy of love. He saw television as a way to educate children and what was mostly seen as a tool used to entertain, he could use to add value to their lives, help them understand how to communicate, how to handle adversity and how to… love their neighbor.

This documentary goes deeply into why certain characters on the show were created. It fills in the blanks of who Fred Rogers was, speaking not only to cast and crew but to his family members, friends and his children, who must have felt that they had millions of siblings across the globe.

Puppets were originally given life as a way to fill in time. One puppet, in particular, Daniel the Tiger, was believed to be who Fred used therapeutically to speak words he himself could never utter. Though it was a kids show, Fred spoke of serious issues, even those paralleling the real world, knowing full well that subliminally children would pick up on and understand the theme he was conveying to them.

Through this documentary, I was immediately taken by this person I never gave much thought to and was thoroughly impressed by the lengths he went through to do the right thing. President Nixon wanted to cut funding to PBS, the Public Broadcasting Station Fred’s show was spread across America through. Upon hearing this and without hesitation, Fred went to Washington and in front of Congress he told them of the great importance to our youth public television was and managed to do did what no one else could have done. He changed their mind on the spot.

He considered the space between the TV and the receiver, where he spoke to the nation’s youth, very sacred ground, filling it on occasion with special episodes when children needed him most, such as the assassination of  Robert F. Kennedy and what happened to American during 9/11. For a short time, he tried a show focusing on helping adults but it didn’t take; best he works his magic with the kids who receive him better.

Director, Morgan Neville, shows some of the parodies that had been created and though he had a sense of humor about them, it was said that what bothered Fred most was when they made fun of the ideology behind the message. There was heartfelt, touching moments with the cast. They spoke highly of him and always felt his love and they, too, were open to receiving that special gift. The end of this film leaves you to wonder what he would have thought of how we live today. Would he be having a special episode for us right now? Believing that true evil came from people who try to break your spirit, he didn’t fear any ridicule and was never afraid to tackle any issue where a tremendous lesson had to be learned. This is why we needed him then and why we need him now.


Social Media:

#MrRogersMovie

Official Website:     http://focusfeatures.com/wont-you-be-my-neighbor/

Facebook:                @MrRogersMovie

Twitter:                      @MrRogersMovie

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Hereditary Movie Review

A24’s done it again and with Toni Collette starring in their latest film, ‘Hereditary,’ they’ve created a must-see horror film; one that will be remembered for a long time to come. She’s one of the most underrated actors working today so I’m glad to see her get this role. Forgive that the film is a bit slow because Collette is outstanding as Annie a, fundamentally, cursed soul. This script allowed Collette a great deal of room to play more than one entity and gave her character above average depth. Horror films usually give female characters one dimension, but Collette’s Annie is to frighten you and throw you off course and she does so with ease.

Annie is writer/director Ari Aster’s female lead, a mother who is fighting many demons in the present as well as evil in her bloodline she was previously unaware of. When her mother passes away, grief-stricken, Annie inherits complications she doesn’t understand but must now deal with, ready or not… like it or not. Though she tries to avoid the truth about her ancestry, several horribly events push her to acknowledge who she is. She says things she never knew she felt, experiences the mythical and sees what she once thought unreal. The complexity of the death of her daughter moves her in a direction the filmmakers made sure the audience would never see coming. This is well hidden in trailers because they lead you to believe her daughter, Charlie (Shapiro), is a problem child to be feared when it turns out that it’s Annie we all need to be concerned with. After all, she is next in line. How this unravels is just a slice of what makes the film such a delightful fright. True or not, making your audience imagine that Annie is the protagonist before they even sit to watch the story unfold is a brilliant move. Centered around her behavior for how she loses her child, the suspense builds in a most unusual fashion, taking this mother down a most unexpected path. The shock and terror come from who you envision she’ll be and you never expect who she ultimately becomes.

In his feature debut, Aster manages to surprise horror fans by giving them a feeling of isolation with the story and making it almost impossible to grasp onto a lifeline that could pull them to safety… because there isn’t one in or around them to find. Annie is unredeemable. As she becomes more desperate, Aster uses fewer clichés and relies a limited amount on what makes a traditional horror film grim and ghastly which will endear you to his style and drive you wild with anticipation for the next nightmare he’ll drag you through.

I did have one issue but didn’t want to give anything away by revealing too much. However, I feel compelled to mention what I thought was a tragic error so I will. The storyline Annie’s son, Peter (Wolff), is involved in won’t be divulged because it’s very jarring, but I must mention that the actor chosen was not a good fit for the part. This felt so wrong that it pulls you out of the story at times. The creepy level is high and the tension you’ll feel will startle and impress. Horror doesn’t work when it’s predictable. ‘Hereditary’ is anything but that.

Mountain Film Review

BAFTA-nominated director, Jennifer Peedom, follows up her film about an angry mob fighting on Everest called ‘Sherpa’ with ‘Mountain’ which keeps us looking in a more positive direction. This film starts impressively with the Australian Chamber Orchestra setting up in front of a screen that begins to play the film. They play along with the movie. It’s synched perfectly which is such a good way to prepare you for the beauty you’re about to witness. Surprisingly, not only does the Orchestra lead you into the story but it stays there the entire time, caressing your ears with breathtaking notes while the screen cradles your eyes visually. Now, one cannot exist without the other; it’s mystifying how well the two go hand in hand.

These mountains do put those who climb them into precarious situations at times but how each circumstance is captured is shocking and or awe-inspiring. One might think the people who are drawn to reach the summit of a mountain mad for not feeling at home at or near the base but it’s not for us to decide who and what is in the hearts of others. The film, with Willem Dafoe as narrator, explores why people are driven to new heights and when it all began. It makes for an appealing subject whether you would have first thought so or not.

Mountains were once considered either hostile or holy there was no middle ground. That changed as people got more familiar with them and more daring. Though people created new ways to soar they never gave up on the introspection and high they achieved when tackling some of their deepest fears… ocean depths, outer space and mountains. One by one the mountains were conquered and some, sadly, turned into tourist traps, for a limited base. Here, you’ll see it all happen along with eye-opening before and after photos of mountains being cleared for play. However, nothing is more surprising to see than the downfall of Everest, the king of all. What I mean by downfall is that of its mystery and of its allure. You’ll see footage of what goes on there, especially at night, and it’ll leave you to wonder if there’s anything left in this world to pursue or since it has been reached, will man ever be satisfied and leave nature be?

The narration is deep and profound, informing as it entertains. It asks what is the ‘siren song of the summit’ that moves us upward? We’re told that fascination replaced fear and skyward we climbed. This abundant planet that we call home offers delights that some feel necessary to explore while others want only to protect it from harm.

From the filmmaker’s curiosity comes this enchanting and gripping footage which stretches beyond the expectations of any documentary of its kind. Aching fingers, soaring bodies, bikes riding trails where bikes should not be, men sleeping where there is no air; it’s exceptional to witness and you get to watch it all without packing your bags.

If you go see this you will not be let down… you’ll only be propelled up. Please, do yourself a favor when watching. You must be seen on the big screen. Watching at home would not do it the justice it deserves.

See this in Phoenix at *Harkins Shea 14

Night School – Trailer #2

NIGHT SCHOOL

Star Kevin Hart and producer Will Packer, who partnered for the hit Ride Along and Think Like a Man series, bring their signature style to Night School.  The comedy from director Malcolm D. Lee (Girls Trip) follows a group of misfits who are forced to attend adult classes in the longshot chance they’ll pass the GED exam. 

Co-stars Tiffany Haddish, Rob Riggle, Taran Killam and Romany Malco join Hart on-screen for the film that Hart produces for his Hartbeat Productions, and Packer via his Will Packer Productions.  www.nightschoolmovie.com  

Cast: Kevin Hart, Tiffany Haddish, Rob Riggle, Taran Killam, Romany Malco

Director: Malcolm D. Lee

Writers: Kevin Hart & Harry Ratchford & Joey Wells & Matt Kellard and Nicholas Stoller and John Hamburg

Produced by: Will Packer, Kevin Hart

Executive Producers: Malcolm D. Lee, Preston Holmes, James Lopez

Official Website | Facebook | Twitter | Instagram | #NightSchool

First Reformed Movie Review

Okay. It starts slow but, if you’ve read my reviews before, you might know what I’m about to say… stick with it. It’s slow for a reason and that’s okay! You can’t rush art. ‘First Reformed’ is simply one of the best pictures of the year. It has been created for us for a reason. One of Hollywood’s best, Paul Schrader (Taxi Driver; American Gigolo; Affliction), has decided to make something quite exceptional that will last beyond his years. It’ll be memorable because he knew what he wanted to say and purposely set out to grab you and shake you up. You won’t soon forget what you see which, of course, is the point… he doesn’t want you to forget anything about it as it’s vital you don’t. It’s a narrative but holds so much truth and knowledge that you feel as if you’re getting schooled at the same time, but not so much so that you won’t feel the storyline that’s being playing out. Everything was well designed.

 

‘Will God Forgive Us?’ is a question that is posed in the film with regard to what man is doing to the environment. You don’t see this as the ultimate message coming at you when you’re first introduced to the character of Reverend Toller (Hawke) but when he agrees to counsel Michael (Ettinger) the husband of a young pregnant woman, Mary (Seyfried), Toller grows as a priest and as a man in ways he couldn’t avoid and the film changes. What Toller always knew to be true of institutions he holds in high regard comes crashing down around him when he, instead of talking, listens to what Michael is saying about man’s responsibilities toward the larger picture; Earth. Schrader set it up so you won’t miss it either.

 

Toller is the Reverend of a small church known more for its historical significance as being a stop along the Underground Railroad rather than its parishioners, so he finds himself salesman of its small store, more than Priest, and he’s rather bored. He journals and sips on what’s supposed to go in the chalice on Sunday’s. Counseling is an escape and he’s happy to do it but when suicide becomes Michael’s only answer to his extreme hate for living in such a cruel world, Toller picks up his cause.

 

Abundant Life, the larger church that keeps Toller’s afloat, is putting on a show to commemorate its being there for 250 years. Abundant Life is run by Pastor Jeffers, played exceptionally well by Cedric the Entertainer, who preaches the word of God but who cares more about what goes into the collection plate. When Toller looks into Michaels environmental research, he finds out that one of the biggest polluters of the planet sponsors Abundant Life, even the restoration of his own church, and he makes a vow to fix things. Feeling as if he failed the activist, he then becomes the activist and decides to do something for God and all mankind… as God would have wanted. Though Schrader doesn’t refer to Trump and what the head of the EPA, Scott Pruitt, is doing to actually stop environmental causes, rather than increase or protect them, you can feel his concern for the near future of man as a species and he wants you to see what people are willing to do to save the only home we have. We all need to do more.

 

‘First Reformed’ is heavy on the religion but for a reason. Trust that Schrader must use this as a vehicle to get you to a certain destination… even though a few times you’re not sure where he’s going. Things go a might askew when Toller seems to be building a relationship with Mary, but it’s done in a way that, as an audience member, you can choose to see it or totally ignore it and stay within the spirit of the calculated directive. Ethan Hawke has you so mesmerized by the time you hit the halfway point that it’s easy to stay focused on the importance of the film’s objective.

Always At The Carlyle Movie Review

At the corner of Madison Avenue and 76th Street in Manhattan’s Upper East Side sits an exquisite and beautiful Rosewood hotel called The Carlyle, which has been described as the very definition of class. It’s a 35-story, 190 room hotel that has been there since 1930, complete with galleries, boutiques, and a famous Café’. The Carlyle has housed many of the most famous and well-off clientele from around the world who feel comfortable there, knowing that what goes on in the hotel stays at the hotel. In this documentary, director Matthew Miele does his best to get some private information out of people and though he has a hard time getting staff and other guests to give anything up, the goal he does achieve is letting us know of the existence of this distinguished landmark. While many of us can’t afford thousands of dollars to reserve a room at the elegant Carlyle, after watching this documentary I wish I could and you will, too.

I feel compelled to tell you that watching this on the big screen would be ideal for it may be the best way to appropriately appreciate its grandeur. If you can’t be there, this is the next best thing. Through watching ‘Always at the Carlyle’ you’ll be totally awestruck by what an exceptional experience staying there would be without stepping one foot inside its lobby.

Miele interviewed entertainers about the hotel who’ve stayed within its walls, as well as other ‘Loyal Guests’ and peppers their comments throughout the film. Some speak so highly of it and spend enough time there that it’s considered their second home. All throughout the hotel are magical reasons to stay, from dining to the personal touches they give each guest. Then there are the paintings that hang on the walls and the nostalgia one has for who stayed there previously such as Princess Diana, Paul Newman, Elizabeth Taylor and more. Some mention the energy each guest has left behind in their wake. The Carlyle is popular with famous guests of all types; Royals, those involved in the film industry, politicians, and sports figures, because most important to the guests is that whatever is said or done there stays there. JFK often stayed, and it’s rumored that Marilyn Monroe had a special way in. True or not true… what’s your opinion?

The Elevator Operator is said to have the best stories as they see everything going on, but they also have the ‘tightest lips,’ so you won’t learn anything from them! This is a key argument for paying such high prices, not to mention the luxurious surroundings you’re bathed in. Regardless of who’s on duty when someone checks in, the staff will not divulge their presence to anyone, not even their own spouse. With so many famous people walking through their doors, the staff does get blown away, they are human after all, but they don’t show it outwardly. They do seem to have some fun getting to talk about who they’ve seen for the documentary, however. They reveal very little but what is said is both fascinating and provocative.

Several staff members have become somewhat famous themselves. Dwight, a departing concierge at the time this was filmed, is one such example, very well known. Another is pianist and cabaret singer, Bobby Short, who played at the Café Carlyle for over thirty-five years. Bobby Short not only had an appearance in Woody Allen’s ‘Hannah and Her Sisters’ in 1986, but Allen used Short’s version of the song ‘I Happen to Like New York,’ which is excellent by the way, for the opening to his film ‘Manhattan Murder Mystery’ in 1993. Several talented musicians speak of how much they adored his music stylings, some of whom play there now. Lenny Kravitz tells of how much he was influenced by the man.

Possibly not surprisingly, Donald Trump says the Carlyle is a joke. This is a comment Bill Murray has a little fun with as he happens to love the place and feels obliged to protect it. Others, and there are many, have only positive things to say. Vera Wang mentions how unique it is, George Clooney can’t help but go on and on about how much he loves it there and why wouldn’t he? He is a staff favorite and knows it. He and Anthony Bourdain talk about the rooms breathtaking views but one of it’s biggest compliments comes from Jon Hamm who says when you’re there it, ‘feels like you made it.’ Piers Morgan covers the monarchy and fills us in on how loved it is by the palace, calling it a royal place which makes sense as the builder of the hotel built it to rival the glorious, stately hotels of Europe.

This is a special documentary. I recommend it because it’s not often you get to see celebrities talk about something other than their latest projects. Here we also have, before she died, Elaine Stritch, a legend, talking about how wonderful it was to stay there. Watch for a special scene during the credits regarding what the hotel did for her. The examples of extraordinary service this establishment delivers that are shown in this film, are enchanting. Shots of the building in the gorgeous New York Skyline will make you wish upon a star that you could be whisked away to a room there during any time period and get a chance to experience just a hint of what the well to do have… if even for a moment. Wes Anderson describes being at the Carlyle as though you’re, ‘Stepping back in time.’ One guest has had over 11,000 overnight stays, a record for which he carries as a ‘Badge of Honor.’ See the film at a theatre near you today to see what they’re all talking about.

Opens in Phoenix this weekend at the Mary D. Fisher Theatre and the Harkins / Shea.

Social Media for the film:#AlwaysAtTheCarlyle

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For more information please visit the Carlyle’s website or follow the hotel’s social media channels

@TheCarlyleHotel – Instagram,Twitter and Facebook

Solo: A Star Wars Story Movie Review

‘Star Wars’ fan? You gotta see this. Period. I know some fans weren’t happy about Ron Howard replacing the original directors of the film, the team of longtime friends, Phil Lord and Christopher Miller (‘Lego Movie,’ ‘21 Jump Street’), and it caused quite a ruckus but, in my opinion, for no reason. Ron Howard may not be known for his action pictures but watch ‘Rush,’ ‘Apollo 13’ and ‘Backdraft’ for examples of how he handles action sequences in film if you’re concerned about his abilities. What’s so good about Howard getting to helm the project is that he doesn’t only count on action to dazzle you but ensnares you by giving the story depth. He does this with familiar images, language and even tones to set the mood and take you back to when you were first introduced to the characters and their world. I’m inclined to think some audience members won’t like the film no matter who directs, for the simple fact that Harrison Ford is Han Solo and Alden Ehrenreich is not. While I realize it’s hard to see anyone else as the captain of the Millenium Falcon, I resisted the urge to automatically dislike the thought of seeing this prequel and went on to enjoy the film for what it offered, not what and who it doesn’t offer. You should, too. For what it’s worth, Ehrenreich plays a magnificent Han Solo. He even looks like him a few times, too.

Here, Han lives a miserable life and being that he’s a young man, has decided that life as a slave to the man isn’t for him. Where he’s from is a dark and dismal existence and he has learned to do whatever it takes, break any laws, to survive. This comes in handy when he decides he’s going to change the course his life is on and leave to become a pilot for the Imperial Army. Of course, slaves don’t decide what they get to do or when so, mind made up, he grabs his pretty but tough girlfriend Q’ira (Clarke) and they make a run for it. Their determination gets them to a not so friendly checkpoint but as you’d expect something happens to make Han the man he becomes. He makes it through… she does not. She encourages him to continue without her which he does, vowing to return to save her.

Later, after making it into the Army and getting to fly for it, but still having dreams of being the ‘good guy,’ he meets Beckett (Harrelson) and Val (Newton) who just happen to need a good pilot. This gets him away from his current situation and one step closer to getting back to Q’ira. Up to this point, the movie was a little slow but the pacing picks up when they need Han’s help for a fuel theft.

With a large weight on top of them, Ron Howard and the writing team of Jonathan and Lawrence Kasdan manage to meet your expectations based on what you’ve always known from the franchise and its characters. They take great pain to include signature lines and memorable situations as ‘The Kessel run in less than twelve parsecs.’ Doing this includes you in on the joke from where it originally derived. Very smart. They show their audience how Han first meets Chewbacca (Suotamo) which is entertaining and comical. There are many other goodies peppered throughout the script for you to treasure.

I will admit that the creation of Han’s last name is rather lame, but it doesn’t compare to how bad the suggestion is that Lando Calrissian is having some sort of relationship with his robot L3. That won’t stop you from loving his character, however.

The graphics and cinematography more than make up for the few things you’ll find wrong with the script, which you’ll only locate when hunting with a fanboy lens, instead of just having fun in a movie because it’s good. When looking closely, what you should find is a message warning of how horribly life can change when under evil leaders instead of whether or not Howard is worthy of the brand because, his ability to mix dramatic nuance with comedy and action, it’s clear that he is. And, unlike before I saw this, I’m very much looking forward to this storyline continuing.