Mortal Engines Movie Review

Gentlemen, start your “Mortal Engines”! This movie is a bit like a NASCAR race; it has a whole lot of characters, they all move at breakneck speed, they all go around and around in circles and with loud volume – but never seem to get anywhere. When the whole thing is finished, there are no Winners. Especially not the viewer. It has a visually stunning design, with a good number of images that are intricate and precise. It is based on a novel that has a unique concept, where a post-apocalyptic world has huge cities that move and rumble around a barren future landscape.

 

The ‘city on wheels’ idea shows us a large city that can only sustain and grow by searching out and taking over many smaller cities. The Big City takes over all of the resources, and assigns all the new people to hard labor. There are battles between the little guys and the ‘City of London’, and the big city always wins. This movie has many twists and turns, so there is a lot of potential for an exciting and well-defined film. There is also potential for a big sloppy mess…

 

Many centuries after the Sixty Minute War, all the people of Earth live in the ‘Traction’ Cities in the Wastelands.  Or people lived behind a Shield Wall (in what is now China). The huge, mobile cities are places where remnants of the past remain. in the ‘City of London’, the large number of people are there hoping that the Energy Project that Engineer Thaddeus Valentine (Hugo Weaving) will finally be working to give them unlimited power. Valentine is thinking of a different type of ‘unlimited power’, but in a different sense.

He works with an historian of the City named Tom (Robert Sheehan). Tom is from the lower class, and he needs Valentine’s help to rise in the ranks. But there is a woman named Hester Shaw (Hera Hilmar) who has a personal goal to kill Thaddeus Valentine. She almost succeeds, but Hester and Tom both are thrown out of the moving ‘City’.  Now they are trapped on foot in the No-Mans-Land. They are picked up for a ‘rescue’ by a nice couple out in the desert in a weird vehicle. But then get taken to Scavenger city to be auctioned off.

 

 

 

Thaddeus Valentine is still in the ‘City’ and he is cooking up some big plans, including finder Hester and killing her. These plans involve a reanimated cyborg named Shrike. This metal monster machine has a death wish for Hester Shaw. Shrike can’t be bargained with. Shrike can’t be reasoned with. Shrike doesn’t feel pity, or remorse, or fear. And Shrike absolutely will not stop… ever, until you are dead! No, sorry — that’s the Terminator. Well, close enough. So Hester has everyone looking for her and she could be in deep trouble.

 

 

 

Tom and Hester find that the Scavenger auction was interrupted by Anna Fang (Jihae). She is a well-known rebel and the leader of the Anti-Traction League. She hates the moving cities and fights them in every way possible. Anna finds Hester, along with Tom. She rescues the two of them, just as Shrike finds Hester and announces that he will kill her for running away. Because, you see – Hester was raised by the undead cyborg monster man when her mother was killed by Thaddeus Valentine. It’ a complicated relationship… So there is more that happens, and just as scattered and confusing.

This movie ought to have a Bingo card that will allow the viewer to match each scene or idea with another movie. Main villain is actually the Father of the main character? Yup, that would be “Star Wars: The Empire Strikes Back”. High-speed chases and battles as shown in a bleak landscape? “Mad Max: Fury Road”. A deadly cyborg who is conducting an unstoppable quest to find and kill a young woman? “The Terminator”, of course. Far future technology that looks like mid 1890’s Steampunk? How about “The Golden Compass”.

 

There are some wonderful ideas that could be developed for “Mortal Engines”. The biggest problem is that too much world-building and idea development and background exposition entirely drowns out the main story and any feeling that these are actual people. There is way more emphasis on action than there is on acting. Plus a total overload of motion and just a passing glace to human emotion. This might have worked out quite well as a limited series TV show, say on HBO or Netflix.

But this is big-budget  stand-alone movie – perhaps ready to spur on the other movie adaptations of other books. Maybe so, but this first ‘Engine’ has seized up and it is not working…

Once Upon a Deadpool

With the title and the time of its release, did expect to get something relating to Christmas in the film. This did not happen unless you count a Santa hanging on the wall as Christmas. That said, I guess to fans of the film, and of the genre, it’ll be seen as a Christmas gift. But if you want to see it, you better hurry! It’s only playing in theatres starting today December 12th until Christmas Eve. You have twelve days to see this present from Deadpool (Ryan Reynolds) to You.

What you’re getting is a bedtime story being read to actor Fred Savage. Savage awakens, essentially on the set of the film ‘The Princess Bride.’ In that film, he’s a child who spends his time in bed listening to the tale of an adventure that’s being read to him by his grandfather. This time he’s tied up in that same bed, or a reasonable facsimile, being forced to lay there and hear a Deadpool narrative delivered to him by Deadpool himself. The story is a PG-13 version of ‘Deadpool’ and ‘Deadpool 2,’ concentrating more on ‘Deadpool 2’ where he, creates his own team of rogue mutants to save a young mutant from himself and from Cable (Josh Brolin) who has come from the future to end his terror before it can begin. The film expands on the Deadpool character and introduces several cherished Marvel superheroes and villains who every comic fan will remember.

In ‘Once Upon a Deadpool,’ the Fred Savage scenes more than makeup for what Fox had to do to keep it feature length after gutting and removing what made it Rated R in the first place. The F-bombs and the extreme violence are replaced with acceptable words and with story time explanations as to what is missing. At this time, Deadpool reveals to Savage that he’s unable to cuss and why. That in a PG-13 film, you’re only allowed one F-word, 2 shits and one glass of wine. As he discloses more of the rules and continues on with the story, there’s some hysterical back and forth, as I’m sure you had no doubt there would be. You’re essentially seeing ‘Deadpool 2’ with interjections of hilarity.

So why do this? Reynolds would only agree to it if one dollar from every ticket sold went to the charity, ‘Fuck Cancer,’ or to keep it family friendly, ‘Fudge Cancer.’ When you’re choosing a movie to see, keep that in mind. But why restructure a successful film and retell it as a PG-13? The simple answer is, so you can take your children to see one of your favorite superheroes! The character is foul-mouthed, and the violence is over the top in this franchise but with this version, Fox proves that it doesn’t need to be. However, I wouldn’t worry that they’ll change Deadpool if a third film is made. It took a lot of convincing to get Reynolds to agree to this in the first place.

*Stay through to the very end because, after the credits roll, there’s a loving tribute to Stan Lee.

Aquaman-advance-movie-screening

Aquaman Advance Movie Screening

Movie Screening Summary

From Warner Bros. Pictures and director James Wan comes an action-packed adventure that spans the vast, visually breathtaking underwater world of the seven seas, “Aquaman,” starring Jason Momoa in the title role. The film reveals the origin story of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.

The film also stars Amber Heard (“Justice League,” “Magic Mike XXL”) as Mera, a fierce warrior and Aquaman’s ally throughout his journey; Oscar nominee Willem Dafoe (“Platoon,” “Spider-Man 2”) as Vulko, council to the Atlantean throne; Patrick Wilson (“The Conjuring” films, “Watchmen”) as Orm/Ocean Master, the present King of Atlantis; Dolph Lundgren (“The Expendables” films) as Nereus, King of the Atlantean tribe Xebel; Yahya Abdul-Mateen II (Netflix’s “The Get Down”) as the vengeful Black Manta; and Oscar winner Nicole Kidman (“The Hours,” “Lion”) as Arthur’s mom, Atlanna; as well as Ludi Lin (“Power Rangers”) as Captain Murk, Atlantean Commando; and Temuera Morrison (“Star Wars: Episode II – Attack of the Clones,” “Green Lantern”) as Arthur’s dad, Tom Curry.

Wan directs from a screenplay by David Leslie Johnson-McGoldrick (“The Conjuring 2”) and Will Beall (“Gangster Squad,” TV’s “Training Day”), story by Geoff Johns & James Wan and Will Beall, based on characters from DC, Aquaman created by Paul Norris and Mort Weisinger. The film is produced by Peter Safran and Rob Cowan, with Deborah Snyder, Zack Snyder, Jon Berg, Geoff Johns and Walter Hamada serving as executive producers.

Wan’s team behind the scenes includes such frequent collaborators as Oscar-nominated director of photography Don Burgess (“The Conjuring 2,” “Forrest Gump”), his five-time editor Kirk Morri (“The Conjuring” films, “Furious 7,” the “Insidious” films), and production designer Bill Brzeski (“Furious 7”). They are joined by costume designer Kym Barrett (“The Matrix” trilogy, “The Amazing Spider-Man”) and composer Rupert Gregson-Williams (“Wonder Woman”).

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday December 17
Location: Harkins Arizona Mills IMAX
Movie Screening Time: 7:00pm
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Tucson, Arizona

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Movie Screening Date:Monday December 17
Location:Century El Con 20 and XD
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

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Movie Screening Date: Monday December 17
Location: Regal Red Rock IMAX
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

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Movie Screening Date: Monday December 17
Location: Regal Winrock IMAX
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Fantastic Beasts: The Crimes of Grindelwald Movie Review

Fantastic Beasts: The Crimes of Grindelwald” is the newest “Wizarding World” magical spell created from the boundless mind of J.K. Rowling. It takes a close look at the Wizarding community in the pre-Harry Potter years. The Hogwarts school plays a much smaller part of this story, but it does make a welcome appearance. After the first movie in this sequence (“Fantastic Beasts and Where to Find Them”), this next chapter follows along with the main character of Newt Scamander (Eddie Redmayne). Newt will figure prominently into the new story line, along with the other people he meets.

In the first movie, Newt was the one who captured the criminal Gellert Grindelwald (Johnny Depp) while Grindelwald was hiding in New York City. Newt met many magical people in New York, and one “Non-Maj” (non-magical person, in England they are called ‘muggles’).While in New York, Newt made very close friends with Tina (Katherine Waterston) and her sister Queenie (Alison Sudol). There is also Jacob Kowalski (Dan Folger), who is a non-magical type, but shares a bond of love with Queenie. Jacob was supposed to have his memory wiped out at the end of the first film, but he still remembers everything.

Newt’s brother Theseus (Callum Turner) is a high-ranking fellow in the British Ministry of Magic, and he attempts to convince Newt that he needs to be on their side. Grindelwald has gotten his followers to break him out of the jail cell he was being held in for three years, located in New York City. Grindelwald is out on the loose, and he is hunting the person who created much destruction in New York. He is looking for Credence Barebone (Ezra Miller), since he controls something called an Obscurus. This is a powerful Dark Magic object that Grindelwald wants to use to destroy the non-magical world, so he can take over.

Newt, Tina, Queenie and Jacob wind up in France to also look for Credence, because he is the key to finding Grindelwald. Newt has also had a visit with a Professor from Hogwarts named Albus Dumbledore (Jude Law). Dumbledore has a keen interest in stopping Grindelwald, however there is a close personal bond between Grindelwald and Dumbledore. Dumbledore is prevented from moving against Grindelwald, and he implores Newt to find Credence and then Grindelwald. Creedence has been located, and he is employed at a magical Freak Show with a close friend named Nagini (Claudia Kim). Nagini has a curse that turns her into a large snake (shades of Harry Potter movies that are set in the future!). There is also Leta Lestrange (Zoë Kravitz) who is an old Hogwarts BFF to Newt, but she is now engaged to Newt’s brother Theseus. Oh, and don’t forget Yusuf Kama (William Nadylam), who is also on a separate quest to find and kill Grindelwald, for personal and family reasons…

Yikes, there are a lot of characters and plot points to try to keep straight. Rowling screenplay creates a very rich and deep Wizarding World. Yet the incredible number of overlapping plot and interwoven characters make it hard to track of all of them. There a whole mess of characters, and the main ones are very well defined. But there are a huge number of side characters that get introduced and get such limited screen time that you do not know why they are important or what their ultimate purpose might be in the series. However, director David Yates does a fantastic job to take a complex story and give it a calm and steady push to the screen.

Also, the productions, sets and physical designs are all amazing and leap out from the screen and make the story come alive. Plus, getting the right actors to inhabit these roles make a major difference. Eddie Redmayne is true genius at making an oddball character come alive. Dan Folger has also just the right amount of comic relief and sense of wonder at seeing the Wizarding World up close and personal. Johnny Depp is creepy and charismatic as Gellert Grindelwald. And Jude Law is a perfectly cast Albus Dumbledore, the future Headmaster of Hogwarts.

Even if it is long movie with a lot going on, this is still a magical experience. Thanks to J.K. Rowling and the entire team that put this together, it is a “Fantastic Beast” of a production. It assumes that you are up to speed on all the Wizarding World goings-on, so it is best to see the prior movie (“Fantastic Beasts and Where to Find Them”) before your put your effort into this one. The special effects are very seemless and help to drive the story. A couple of the sequences are exciting to watch and keep you energized for the next one.

Oh, and then that FINAL reveal of the secret identity and background of THAT character! And how they are related to that OTHER character! OH – WOW! How can they keep all that a secret???? What does all this mean for the future of Newt and of future movies? You will just need to see for yourself…

Toy Story 4 – Teaser Trailer!!

Who’s excited?!  I know I am!!  The gang is back!!  Yep! Woody and the rest of the toys are back for an all-new adventure in “Toy Story 4,” welcoming new friends to Bonnie’s room, including a reluctant new toy called Forky. “Like most people, I assumed that ‘Toy Story 3’ was the end of the story,” said director Josh Cooley. “And it was the end of Woody’s story with Andy. But just like in life, every ending is a new beginning. Woody now being in a new room, with new toys, and a new kid, was something we have never seen before. The questions of what that would be like became the beginning of an entertaining story worth exploring.”

‘Toy Story 4’ stars Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Estelle Harris, Wallace Shawn, John Ratzenberger, Jeff Pidgeon, Blake Clark and Tony Hale.
It’s directed by Josh Cooley (“Riley’s First Date?”), produced by Jonas Rivera (“Inside Out,” “Up”) and Mark Nielsen (associate producer “Inside Out”).

About the franchise:

  • “Toy Story,” originally released on Nov. 22, 1995, was the first fully computer-animated feature film and the highest grossing movie of the year. It was nominated for three Oscars® and two Golden Globes®. 
  • “Toy Story 2” is the first film ever to be entirely created, mastered and exhibited digitally. It was also the first animated sequel to gross more than its original, breaking opening weekend box office records in the U.S., UK and Japan, becoming the highest grossing animated release of 1999. It won the Golden Globe for best motion picture – comedy or musical. It won a Grammy® for best song written for a motion picture, television or other visual media (Randy Newman, “When She Loved Me”).
  • Released in 2010, “Toy Story 3” won Oscars® for best-animated feature film and best achievement in music written for motion pictures, original song (Randy Newman/“We Belong Together”). The film also won a Golden Globe® and BAFTA for best-animated film. It was the second Pixar film to be nominated for the best picture Oscar. It’s also Pixar’s second highest-grossing film of all time behind “Incredibles 2.” 
  • The 2015 short “Riley’s First Date?” was helmed by director Josh Cooley and produced by Mark Nielsen.       


Social Media:

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In Theaters June 21, 2019

http://www.fandango.com

The Secret Life of Pets 2 – Trailer

Just when you think you’ve got them figured out… THE SECRET LIFE OF PETS 2 

The Secret Life of Pets 2 will follow summer 2016’s blockbuster about the lives our pets lead after we leave for work or school each day. Illumination founder and CEO Chris Meledandri and his longtime collaborator Janet Healy will produce the sequel to the comedy that had the best opening ever for an original film, animated or otherwise.

The Secret Life of Pets 2 will see the return of writer Brian Lynch (Minions) and once again be directed by Chris Renaud (Despicable Me series, Dr. Seuss’ The Lorax).

 www.thesecretlifeofpets.com

Cast: Lake Bell, Hannibal Buress, Dana Carvey, Harrison Ford, Tiffany Haddish, Kevin Hart, Pete Holmes, Garth Jennings, Ellie Kemper, Nick Kroll, Bobby Moynihan, Patton Oswald, Jenny Slate, Eric Stonestreet

Director: Chris Renaud

Co-Director: Jonathan Del Val

Writer: Brian Lynch

Producers: Chris Meledandri, Janet Healy

Social Media:

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In Theaters June 7 2019

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FANTASTIC-BEASTS-THE-CRIMES-OF-GRINDELWALD

Fantastic Beasts: The Crimes of Grindelwald Advance Movie Screening

Movie Screening Summary

“Fantastic Beasts: The Crimes of Grindelwald” is the second of five all new adventures in J.K. Rowling’s Wizarding World™. At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

https://www.fantasticbeasts.com

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Advance Movie Screening For Fantastic Beasts: The Crimes of Grindelwald

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date:Wednesday, November 14th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 14th
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

The Nutcracker and the Four Realms Movie Review

“The Nutcracker and the Four Realms” is a new Disney movie based on a (very old) story from 1816 called “The Nutcracker and the Mouse King”. So the ‘House of Mouse’ finally gets to work on the ‘Mouse King’. The famous music by Tchaikovsky is based on this story, and some of his memorable themes are also in here. The story has evolved over these years, and now it has the main character Clara going into the realm of a fantasy world to fight evil and make things right. Similar story patterns are found in “The Chronicles of Narnia” and “Alice in Wonderland, as well as finding adventure like ‘Indiana Jones’. So call it — “Indiana Clara and the Realm of Naria in Wonderland”…

 

In 18th century London, Clara Stahlbaum (Mackenzie Foy) is missing her dead mother, and her father, Mr. Stahlbaum (Matthew Macfadyen), does not know how to deal with it. On Christmas Eve, the family goes to visit Clara’s godfather, named Drosselmeyer (Morgan Freeman). He is an inventor, like Clara, and he sends her out to solve a mystery. But she goes straight into a new fantasy dimension, a land of Four Realms. She meets the rulers of three of the Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. The Sugar Plum Fairy (Keira Knightley) acts as her guide to the new world. But the Fourth Realm is off-limits. It ruled by Mother Ginger (Helen Mirren). But the Sugar Plum Fairy says Ginger is nothing but an evil tyrant, bent on the destruction of all four Realms.

Clara gets some help from a friendly border guard, and some mice who seem at first to be evil, but then come around to being her best ally. Clara finds out that she was the first one to come to this magical place. Her deceased mother had also come to the land as a child, and she became the Queen. So Clara is officially named the returned Princess. But there is deception afoot. When one of the current rulers becomes obsessed with being the Ruler of all the Realms, she plots against the other rulers, and against Clara. But Clara proves that she is a clever girl after all. Using her scientific knowledge and her skills at design, she makes an alliance with the other Realm rulers, including the Mouse King. They all work in unison to stop the destructive power of the Tin Soldier Army – led by.. Well you will just have to see the movie to find out who that is…

This movie adaptation is just one in a string of versions and revisions to the original story. This one downplays the excellent music of Tchaikovsky to instead rely on a serviceable soundtrack from James Newton Howard. But the basic issue is the lack of originality and the failure to add anything new or fresh to the story. So many themes and plot devices, up to and including some of the screen imagery, have all been done before. This version has two directors and two writers, so there must have been some conflict in the overall concept and execution.

 

Mackenzie Foy is a perfect Clara, with her wonderful expressions and knowing glances. But Keira Knightley really takes a shine to the Sugar Plum Fairy and gives the role a deliciously off-kilter performance.   She starts off so sweet and kind, and before you know it, she is ready to take no prisoners. She has a crazed range between overly too-sweet BFF and turns into a loony power-obsessed Fairy. Helen Mirren does okay in a limited role, and Morgan Freeman only has an extended cameo appearance.

 

This one would be a pleasant time to spend with the kids or grandkids. There is just enough of the classical ballet and music that the older fans will remember how wonderful the original really was. Of course, the real test is whether this movie can stand up to the best Nutcracker adaptation ever – “Care Bears Nutcracker Suite”!

Hunter Killer Movie Review

“Hunter Killer” is a serviceable, if somewhat ludicrous, military action movie involving submarines and Russian coup attempts. The “ripped from the Cold War” plotlines do not match up as well today, seeing that cyber-warfare is the go to choice of many nations. The idea that a rogue Russian Defense Minister could take over the government’s power has a lot of potential, but it is all wasted here. With all of the prior suspenseful submarine movies (“Hunt for Red October”, Das Boot”, “Run Silent, Run Deep”, “Ice Station Zebra”), this movie is a clinker that can barely stay afloat.

Joe Glass (Gerard Butler) is the new commander of the USS Omaha, an American sub of the ‘hunter killer’ class. Newly promoted, he and his crew are sent to investigate the strange disappearance of both a Russian and a US sub in waters off the Russian coast. His sub is attacked by another Russian sub, and then fighting back – the crew destroys the Russian submarine. But there is no retaliation or show of Russian military power, because the Russian Defense Minister is busy taking over the country. Glass and his crew find a survivor from the first Russian sub that was sunk. They are able to save Captain Andropov (Michael Nyqvist) and a few of his crew from his crippled sub.

Back at the Pentagon, Rear Admiral Fisk (Common) and Admiral Donnegan (Gary Oldman) get prepared for war. But an NSA operative named Norquist (Linda Cardellini) thinks that a coup might be happening. She convinces them to send some Special Ops deep into Russian territory to investigate. This team is lead by Navy SEAL Lieutenant Beaman (Toby Stephens). The Seals are able to confirm that the Russian President is being held captive by the Defense Minister.

 

The Seals are able to get the Russian President away from the military base where he was being held. But now they need safe passage out of there, so Joe Glass will be coming in to the rescue. But the only person who knows the Russian waters, and all the tricky underwater booby traps that wait there, is the Russian sub Captain Andropov. He is able to guide the submarine close enough to create an escape route for the President and surviving Seal operatives. But getting the sub and all the people out will be a task that might prove impossible.

 

The Russian Minister of Defense has been trying to trick the Americans all along. He wants the US side to fire first, so he can unleash an all-out war. He had caused the first Russian sub to go down, the one that was captained by Andropov. But his sabotage did not start a major conflict. Now he wants Joe Glass to fire first on the Destroyer class Russian ship that is chasing it down. Joe Glass plays a waiting game before releasing missiles, and he is hoping for a Russian ‘ex machina’ to save him and his crew. But will he get it?

“Hunter Killer” seems like a left over concept from a time that is gone by. Sure, there are still submarine fleets, and the sub operations can be very impressive. But the Russian Federation is not like the old USSR. And even the current military has different goals and strategies than during the Cold War. Much of this movie seems to want it both ways. They want a Hillary Clinton type US President in a Tom Clancy novel world. Many parts of that equation do not add up…

 

But for a decent submarine action movie, this one is all right. Gerard Butler plays a fine leader of a group of dedicated men. Michael Nyqvist is great as the frail and older Russian captain. This was his final roll before his untimely death. Gary Oldman runs around looking for more scenery to chew on. Common does a very sturdy job in his role, but poor Linda Cardellini is drowned in a sea of testosterone.

 

“Hunter Killer” drags on longer than it needs to, and the ending is very preposterous. However, there are some decent action scenes and some tense underwater moments. So, all in all, this movie gets a little waterlogged at times, but it never sinks to the bottom.

Smallfoot Movie Review

You may be surprised to hear this but when you get to the root of the message within this film, it gets rather philosophical. I wasn’t quite expecting for characters in an animated feature to attempt to heighten my awareness. ‘Smallfoot’ insists I always question things that I’ve been told, by using cute, Yeti characters who warn that ignoring your gut instinct is the proper thing to do. The way to get their complex message through to the audience, writer/director, Karey Kirkpatrick and a team of six other writers, have an elder exclaiming to his tribe to ‘push it down’ if anyone wants to examine things closer and to never believe what they see and hear with their own eyes and ears. Sound familiar? Anyway, written on stone is ancient text that tells them how to live. ‘Always be true to the stone!’ says the elder or ‘Stonekeeper’ (Common). If they do not, they will be banished. This is where we meet our protagonist, Migo (Tatum).

Being told they do not exist, Migo comes across a smallfoot, a human. With his own eyes, he watches a plane crash and sees a man get out. He runs to tell his clan that people really do exist and wants to show everyone his proof. Nothing seems to ever really work out for the poor guy which is part of the delightful aspects of the storyline that endears you to his character. He is a big goober who never does anything right but now he has something that will get him much desired acclaim and attention… or so he thinks. What it gets him is banished. The Stonekeeper isn’t interested in the truth coming out but hiding it no matter the cost.

On his own, Migo meets up with the SES, Smallfoot Evidentiary Society, led by Meechee (Zendaya). Together, they form a team to show proof of other beings by using science-based theories. Migo agrees to be lowered into the clouds where they believe a new world awaits discovery. Once he actually falls below, something you know will happen based on what has already occurred to our hapless hero, he sees a town and wanders toward it. Here, we meet up with Percy, a YouTube-type star looking for ratings for his wildlife show. He wants to capture video of and show the world that the Yeti is real and asks his assistant Brenda (Shahidi) to dress like one, for which she promptly refuses. Percy and Migo eventually stumble upon one another. What occurs next is hysterical, adorable and at times very moving. It’s deliberate on the part of the writers and the animators to ensure children see how important it is that we all listen as well as communicate properly to secure the very survival of our own kind. At points, the film is almost chilling but never once is it not impressive.

Well done Warner Brothers for bringing us something that entertains as well as educates the children without them realizing what’s hitting them. I love the idea that little nuggets of wisdom are dropped into young minds without their fully realizing it. Here, we touch on a great many subjects, those I’ve mentioned plus many others such as the environment. See ‘Smallfoot’ with the family this weekend to not only be amused and charmed but to be thoroughly engaged and enlightened.