Hunter Killer – Trailer

‘HUNTER KILLER’

Deep under the Arctic Ocean, American submarine Captain Joe Glass (Gerard Butler, Olympus Has Fallen300) is on the hunt for a U.S. sub in distress when he discovers a secret Russian coup is in the offing, threatening to dismantle the world order. Captain Glass must now assemble an elite group of Navy SEALs to rescue the kidnapped Russian president and sneak through enemy waters to stop WWIII.

Also starring Oscar® winner Gary Oldman (Best Actor, Darkest Hour, 2017), Common (John Wick: Chapter 2), Linda Cardellini (Avengers: Age of Ultron) and Toby Stephens (Die Another Day), HUNTER KILLER is a high-stakes thriller that unfolds both on land and at sea. Only in theaters nationwide by Summit Premiere on October 26th, 2018.

Directed by Donovan Marsh and written by Arne L. Schmidt and Jamie Moss, HUNTER KILLER is based on the book Firing Point written by retired naval officer George Wallace and author Don Keith. The production of HUNTER KILLER was also fully supported by the United States Navy.

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In Theaters October 26

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The Equalizer 2 Movie Review

“The Equalizer 2” is special, if only because it is the first sequel that Denzel Washington has ever wanted to do (“The Sequel-izer”?). In 2014 “The Equalizer” took the old TV series and gave it a make-over with Denzel playing Robert McCall. This time around Denzel brings along the same director and the same writer as with the first installment. They have come up with another dose of action and revenge – with Robert McCall always looking out for the little guy. He brings justice to an unjust world, one kick-ass sequence at a time. With this movie, the second time around is not frantic as the first, but it ends up with a wild finish.

Robert McCall (Denzel Washington) goes about his business and tries to mind his own business. He even has become a part-time Lyft driver so he could connect with everyday people. But with his many years of Special Forces training and even more years in a special operations unit in the CIA, there are ‘very particular set of skills’ that McCall can use to “equal the scales of justice”. That happens at the start, when he travels to Turkey to get back a kidnapped little girl. McCall lives in a simple manner, and has some friends in the Boston neighborhood where he is located. He befriends Miles (Ashton Sanders), who is a young black man with some artistic skills – but he also has a toxic attitude.

McCall has some other friends who live in Washington DC. Susan Plummer (Melissa Leo) is a retired CIA manager who headed up McCall’s old unit. She and her husband Brian Plummer (Bill Pullman) are close to McCall, and they knew his wife before she passed away. Susan is called to research an odd murder-suicide that happened in Brussels. The man and wife happened to also be deep-cover agents for the CIA. She goes to see if there was any connection. She goes with agent Dave York (Pedro Pascal), and was also part of the special ops team and had partnered with McCall years ago. But there is an incident in Brussels and Susan is killed. The police think it was a couple of meth users, but McCall thinks it was much more than that.

The scenes flip back and forth between Boston and Washington DC and Brussels. But McCall keeps busy with his Lyft driving, while still doing forensic analysis on Susan’s phone and computer. He helps an elderly man to find a long-lost sister. He helps a young woman who had been brutalized by a group of high-dollar, low-class men. And everywhere he goes, he can leave a trail of blood and bodies. He also helps his young friend Miles, and convinces him to stay out of a violent street gang. Miles slowly learns that McCall has the ability to turn on some street gang level violence just on his own.

While the weather gets worse and worse in Boston, McCall figures out that his old teammate, Dave York, might be playing now on a different team. There is a lot of bad blood between them, when McCall knows who it was ultimately behind Susan’s murder. York has a group of henchmen who can make life difficult for McCall. They all follow McCall to his old home on the Cape Cod coast. But somebody forgot to turn off the hurricane that is making landfall near the town. McCall must face off with the evildoers in a driving wind and in drenching rain. But when he is able to use any item at his disposal to put up a defense against the bad guys, he has an advantage. But when they also have an ace-in-the-hole (or is that a Miles-in-the-trunk?) – the fighting gets pretty berserk.

Denzel Washington is (again) excellent playing Robert McCall. He has a steely-eyed gaze that could cause any wrong-doer to think twice and join the side of the angels. But his close-contact fighting skills can leave an opponent on the ground gasping. Denzel must enjoy this role, because he looks worn into place yet very nimble. Working again with director Antoine Fuqua brings a good level of karma to the whole production, and the result is very watchable. Pedro Pascal is also really good as a slick operative who is adept at playing both sides. Ashton Sanders does a decent job at not being entirely overshadowed by Denzel. Everyone else is mostly extended cameos in the movie.

 

Aside from the first half, which flips locations quite often, the pacing is steady. It picks up a lot in the second half, and final third is just a brilliant fast-paced cat-and-mouse fight sequence. The entire purpose behind all the murders is a little murky, and there a few scenes that go on a smidge too long. Maybe a more cohesive story line, and a few more days of editing could have turned this into a more forceful movie. Right now it is way above average, and a great deal of that goes to the presence of Denzel. His shoulders are wide enough to carry many obstacles.

 

“The Equalizer 2” is not a movie I ever expected to see made. But because of the care that Denzel Washington puts into the character of Robert McCall, this is a franchise that might be able to continue on with more movies and more high praise. All things being Equal…

SKYSCRAPER Movie Review

Somehow someone settled on the title ‘Skyscraper’ for this new action film starring Dwayne Johnson. After watching, I think a better title may have been ‘101 Ways to Best Use Duct Tape.’ At no time ever has an action film had its star running around trying to be the hero with almost nothing at his disposal except for this ‘strong, cloth-backed, waterproof, pressure sensitive, adhesive, miracle-working cure-all. But writer/director Rawson Marshall Thurber does and it sorta works believe it or not. Maybe an even better title would be ‘101 Uses for Duct Tape-Towering Inferno Dies Hard.’ I might sound as if I’m being a little harsh with the comparisons to earlier films, ‘The Towering Inferno’ with Paul Newman and ‘Die Hard’ with Bruce Willis but I assure you if you’ve seen them, you’ll do the same. ‘Skyscraper’ is that predictable. I did enjoy the excitement and taking the journey but as almost anyone who has seen a big budget action thriller will say, the script was hardly original.

Instead of a police officer from New York running around inside a building in L.A. trying to stop German bad guys from making a profitable getaway in a giant high rise where his wife is held hostage, we have Scandinavian bad guys doing almost the same thing. However, our hero is Will Sawyer (Johnson), an ex-FBI agent who is also from America but this time the building is in Hong Kong. There are other similarities, but you get the picture. ‘The Towering Inferno’ references are obvious without my having to mention them, I’m sure. Oh, I have to mention that the end of ‘Rocky’ is in there, too, but you’ll catch that without my having to point it out to you.

After tragedy strikes in his past, Will becomes an independent security consultant working from home. He’s delighted to get a chance to work in the largest building in the world ‘The Pearl’ in Hong Kong, through an old friend who gets him the job. His job is to make sure the building is 100% secure and ready to be insured so that the giant residential section can now be opened to the public. This building is immense, beautiful and boasts all the possible amenities a high-tech building could have and all the updates. The units will sell quickly. Its eccentric builder and owner loves his building so much that he lives in the penthouse. Until his task is done, Will, with family in tow, are the only people presently staying in the building until his job is completed.

Neve Campbell plays his wife, Sarah, who’s ex-military. She is both mentally and physically strong. You’ll like her, particularly toward the end of the film where she gets to land a good swift kick to an irritatingly absurd character; but their children are not at all realistic. They are way too calm in the ‘heat of the moment’ so to speak. If I’m a little kid and I’m faced with burning to death or falling to my death, I’m not going to be calmly, statically asking mommy if I was going to die. I’d be screaming bloody murder!! Maybe you don’t want to go too realistic with it but c’mon! A little emotion would have been nice to sell SOME panic in SOMEONE!

Villains take over the building and, wanting something from the owner, set it on fire. They will get what they want this way, right? Seeing the chaos at The Pearl and getting set up as the guy who started it, Will must get in to save his family. Not a challenge for Johnson! Nah. He scurries up a construction crane, a blood pressure raising scene, by the way, and gets himself inside. Every movie he makes is live streamed to the public and is being watched by a crowd who has gathered below. Based on what they see, they’ve deemed him someone innocent of charges being thrown about on the news and worthy of getting through this whole mess he’s in, so they cheer his every successful move; each of which is mostly predictable had it not been for one thing… that duct tape! I’d fill you in more but would prefer you discover what he’s doing with it on your own. It’s better this way. Trust me.

‘Skyscraper’ is Dwayne Johnson in an action flick. Awesome! The poster is good and the trailer is good so, we’re all going to go see it. No matter what you hear, despite your best judgment, Rotten Tomatoes rating aside, you’re gonna go see it because… why not? It has everything an action film needs. Great CG and visual effect, strong characters that you want to see do well, provocative, albeit somewhat weak, story (despite its glaring references to other pictures) and most importantly, the suspension of disbelief. You’ll lose yourself in the film for a little while and isn’t that the whole reason to go see a movie like this? It’s nothing new but you’ll have fun. Go so seeing this one on the big screen this weekend. It’s the way to go with this type of movie.

Mission: Impossible – Fallout | New Featurette Available Now!

Experience Mission: Impossible – Fallout in theatres, RealD 3D and IMAX on July 27, 2018

 

SYNOPSIS

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong.  Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.

 WRITTEN & DIRECTED BY

Christopher McQuarrie

PRODUCED BY

Tom Cruise, Christopher McQuarrie, Jake Myers, J.J. Abrams

STARRING

Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby,

Michelle Monaghan, Alec Baldwin, Wes Bentley, Frederick Schmidt

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The First Purge Movie Review

This action/horror franchise, produced by horror master producer Jason Blum of Blumhouse, was started in June of 2013 with ‘The Purge.’ We next saw it in appear in July of 2014 with ‘The Purge: Anarchy.’ Two years later, the third in the series, ‘The Purge: Election Year’ frightened us again. The first film, starring Ethan Hawke, took us to the year 2022 where the Sandin family is struggling to stay alive as masked strangers penetrate the safety of their home. The intruders are threatening to kill them because the Sandins helped someone the intruders had the intention of slaughtering on purge night. It’s legal to kill for twelve hours during ‘The Purge’ and they have every right to kill this person. This legal murder is the constant in each of the films.

This concept was fresh, and the movie grossed 86 million dollars more than it took to make. The films continue to make more money than what they cost to make. The total budget for the four films has been 35 million and the first three have already brought in 319.8 million. If they continue to be a success, Blumhouse will keep churning them out.

This fourth narrative ‘The First Purge’ is the origin story. It’s about how it all got started. The writer of all four films, James DeMonaco, came up with a demented idea with this. It’s a bit disconcerting to think that the American people would be fine with their government offering them the chance to murder and they’d accept it… and then actually follow through. This film opening on Independence Day of 2018 seems calculated. This storyline is even more politically motivated than the others. I say this as there is what appears to be a hard to hide direct message to Donald Trump himself. This happens when a woman screams a particular line out to a man who is grabbing her crotch. I’ll let your mind wander as to what that line might be. The poster for the film shows a bright red hat with white stitching to mirror the image of Trump’s MAGA hats so, the message to the Trump administrations isn’t subtle. Don’t fear though. It won’t be so in your face that it won’t make sense or make you uncomfortable. Everything in the film will advance the storyline. As I mentioned, the government conceives of a way to off poor minorities without lifting a finger… by allowing them to legally do each other in themselves. Watching this in 2018 while living in the United States might make you wiggle in your seat a little more than you might have with the previous films because you can see where this could become our reality. Okay, probably not. Well… let’s hope not. The political landscape is crazy right now and the franchise took full advantage of that in every conceivable way.

The old political parties are replaced by the NRA supported ‘New Founding Fathers of America’ or the NFFA who are very white and want only the rich and the white to survive. They start an experiment of death with a $5,000 monetary incentive for those who stay on Staten Island and participate. The national debt has tripled and with this purge, they will have fewer Americans to cover which means more tax dollars to go into their pockets. Protests erupt with one of the main characters, Nya (Davis), screaming out against incentivizing the murder of black people but the poorer of the community, including her younger brother Isaiah (Wade), knows that the $5,000 they’re being offered can mean the difference between life and death for the rest of the year. Having a beef with a drugged out lunatic named Skeletor (Paul) he’d like to settle, and without his sisters’ knowledge, Isaiah participates in the purge. However, unable to find Skeletor, he finds a purge party instead.

When they picked Staten Island as a launching point, the behavioral scientist or ‘The Architect’ of it all, named Dr. Updale (Tomei), is certain that the people living in the boroughs would willingly partake. Since everyone was offered more money the more they engaged, she is more than surprised when the strong bonds of the community prove her wrong. With almost only Skeletor being the exception, people are not only not active but they’re dancing. This isn’t good for the government and turns out not to be too good for Dr. Updale either. When the residents show that the experiment wasn’t a success, it’s time for the government to make it look like it was by any means necessary so they send in their own people to fix the problem.

Through the night, we meet several more strong characters, chief among them, Dmitri (Noel) a drug kingpin who ends up losing his crew, not to ‘purgers’ but to gunmen for hire. The love of his life, Nya, is in danger and he’s out to rescue her and several others. When he does, there are powerful scenes that symbolize race relations in America. White supremacists and members of the KKK move floor to floor of the public housing project building Nya is holed up in, executing everything that moves. The lighting and camera work in this particular scene is the most entertaining of the film and will have you riveted.

There are several reasons to see this. If you’re a fan of the genre or of what Blumhouse Productions offers, you won’t be disappointed. The clear message to ‘never give up’ that is reiterated in several scenes and by almost everyone the government has taken for granted, should be witnessed. FYI, it’s stated at the end that it’s over but then someone says, ‘For now.’ You know what that means so if you’ve seen one, you might want to just keep going and seeing this on the Fourth of July? Why not?! 

Alpha – Trailer

Mankind meets man’s best friend.

An epic adventure set in the last Ice Age, ALPHA tells a fascinating, visually stunning story that shines a light on the origins of man’s best friend. While on his first hunt with his tribe’s most elite group, a young man is injured and must learn to survive alone in the wilderness. Reluctantly taming a lone wolf abandoned by its pack, the pair learn to rely on each other and become unlikely allies, enduring countless dangers and overwhelming odds in order to find their way home before winter arrives.

Directed By: Albert Hughes Starring: Natassia Malthe, Kodi Smit-McPhee and Leonor Varela


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In Theaters August 17th

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‘Mission: Impossible – Fallout’ Links, Images and New Featurette Available!

 Mission: Impossible – Fallout 

ETHAN HUNT AND HIS IMF TEAM ARE BACK FOR THEIR BIGGEST MISSION YET  

Experience Mission: Impossible – Fallout in theatres, RealD 3D and IMAX on July 27, 2018

Tickets Available Now!

SYNOPSIS

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong.  Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.

WRITTEN & DIRECTED BY

Christopher McQuarrie

PRODUCED BY

Tom Cruise, Christopher McQuarrie, Jake Myers, J.J. Abrams

STARRING

Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby,

Michelle Monaghan, Alec Baldwin, Wes Bentley, Frederick Schmidt

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Sicario: Day of the Soldado Movie Review

The definition of the word Sicario is a hired gunman or assassin, esp. in Latin America. The film ‘Sicario,’ starring Emily Blunt, Josh Brolin and Benicio Del Toro was an incredibly powerful and violent film that took audiences by surprise. Director Denis Villeneuve, who went on to direct ‘Arrival’ and ‘Blade Runner: 2049’ didn’t direct ‘Sicario: Day of the Solado,’ which may be surprising to learn when you consider the fact that it was nominated for three Oscars. That said, it was instead directed by Stefano Sollima, who very much did carry on the dark brutality that both stories, written by Taylor Sheridan, who wrote ‘Wind River’ and ‘Hell or High Water,’ required. Not pulling punches, Sollima moves the second tale of the franchise, not quite a sequel but more of an offshoot, at an electric pace.

The film starts by showing a group of individuals being smuggled over the U.S. border from Mexico. This has turned into a substantial for-profit business for the Mexican Cartel as many of them are terrorists willing to pay big dollars. Rather than be caught, these men are prepared to and do blow themselves up if cornered. Pivotal to what’s going on in American politics today, several do the deed in a store. The last one alive is about to take his life for the cause and consequently end the lives of everyone around him, is confronted by a white woman as she begs for him to spare her and her child… thus the theme of the narrative materializes. The comparisons to today can’t be ignored.

The U.S. Secretary of Defense (Modine) hires government agent Matt Graver (Brolin) to help them seal Mexico off and make it appear as necessary to do so as possible. They want to stop the Mexican cartels once and for all. As unscrupulous and underhanded as he is, he suggests getting dirty and to make it appear as if one of the other cartels initiates the fight by attacking the other. He tells them they’re going to have to ‘kidnap a prince’ and explains that the king will start the war for you. He hires the unforgiving Alejandro (Del Toro) to help him kidnap rich, spoiled Isabela Reyes (Moner) the teenage daughter of the notorious cartel leader, Carlos Reyes. They stage everything to look like a rival gang of her fathers has her by allowing her to see pertinent information so she can relay it all back to her father. After, they set in motion a rescue. However, nothing ever goes as planned.
Day of the Solado, a word that means soldier, explores what it means to be a soldier, which is an enforcer of the rules he’s lead by, and what it means to be a man with a conscience. When Alejandro finds himself having to choose between the two, a second story emerges and helps rounds out the reasons for shootouts and the action and criminal element of the film and the more political motivation of the script.

Isabela Reyes is a character you’ll grow to abhor less as the movie winds down. Isabela Moner is an actress you’ll grow to adore as she does a fantastic job giving you what her director asks of her, but the script could have been a little more pointed as to what is expected from its audience. In fact, all the characters were hard for you to read, except for one and that’s Cynthia Foards. Played by Catherine Keener, Foards is a badass who isn’t in touch with her feelings and doesn’t care about yours, especially when it comes time to order a scene to be cleaned.

Even though it’s nothing like ‘Sicario,’ the acting in ‘Sicario: Day of the Solado’ is reason enough to see the second chapter. Oddly, it doesn’t necessarily matter which order you see them in but if you’re a fan of the genre, see them both. Also, you might be happy to learn there is a plan for number three. How it’s presented in the film will definitely leave you scratching your head… but in a good way, I promise.

GET A BEHIND-THE-SCENES LOOK AT DIRECTOR TRAVIS KNIGHT’S VISION FOR ‘BUMBLEBEE’

Bumblebee (2018)

In Theatres December 21st, 2018

DIRECTED BY:

Travis Knight

 PRODUCED BY:

Lorenzo di Bonaventura, Tom DeSanto & Don Murphy, Michael Bay

EXECUTIVE PRODUCED BY:

Steven Spielberg, Brian Goldner, Mark Vahradian, Chris Brigham

STARRING:

Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon, Stephen Schneider

Academy Award®-nominated filmmaker Travis Knight (Kubo and the Two Strings) brings his expertise in the world of stop-motion animation to Transformers with Bumblebee.  By combining meticulous craft skills with cutting-edge technology, Travis showcases his ability to develop characters and inspire emotions through a unique storytelling vision that brings fan-favorite Bumblebee to life. 

CAMERAS ROLL ON WARNER BROS. PICTURES’ “WONDER WOMAN 1984”

CAMERAS ROLL ON WARNER BROS. PICTURES’

“WONDER WOMAN 1984”

Director Patty Jenkins Reteams with Star Gal Gadot for the

DC Super Hero’s Return to the Big Screen

 

BURBANK, CA, June 13, 2018 – Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.  Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office.  “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal.  And Chris Pine returns as Steve Trevor.

Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film.  Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”).  Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.

Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

Set to open in theaters November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment.  It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.