Sneak previews of SMURFS: THE LOST VILLAGE taking place Saturday, March 25th at theater near you!



You and your family can check out the special sneak previews of SMURFS: THE LOST VILLAGE taking place Saturday, March 25th at theaters across the country.

You can find more information on tickets and show times at http://www.smurfsmovie.com/.

Opening Date:           Friday, April 7, 2017

 Rating:     PG for some mild action and rude humor

Synopsis:

In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette and her best friends Brainy, Clumsy and Hefty on an exciting and thrilling race through the Forbidden Forest filled with magical creatures to find a mysterious lost village before the evil wizard Gargamel does.  Embarking on a rollercoaster journey full of action and danger, the Smurfs are on a course that leads to the discovery of the biggest secret in Smurf history!

Cast: 

Demi Lovato

Rainn Wilson

Joe Manganiello

Jack McBrayer

Danny Pudi

with Mandy Patinkin

Kid’s Day at the Phoenix Film Festival


SATURDAY IS KIDS DAY AT THE 2017 PHOENIX FILM FESTIVAL!

 

PHOENIX (March 22, 2017)- Saturday is Kids Day, at the 2017 Phoenix Film Festival. Kids Day will be taking place on Saturday, April 8th beginning at 9am and continue until 2pm.

Kids’ Day at the Phoenix Film Festival give children of all ages the chance to learn about the art of film.  Younger-festival patrons can color a movie poster also participate in a craft and story time event.  Older film fans can try their craft at acting, editing, and creating their own short films.  And everyone can feel like a Hollywood star when they get their picture taken on the red carpet and get transported into their favorite movie via a green screen, and spark their creativity as they explore books as movies.

 
The best part of Kids’ Day? Kids will receive a flash drive so they can take home their creations!

These age-appropriate stations allow kids to explore the filmmaking process from beginning to end, and every part in between!


Kids Day is presented by Steele Foundation, IFP Phoenix, Bookmans, University of Advancing Technology, Phoenix Public Library, and Valley Youth Theatre.

 

The 17th Annual Phoenix Film Festival occurs this year from Thursday, April 6th to Thursday, April 13th. Continually breaking attendance records since its inception, last year’s festival saw over

25,000 attendees and there are hopes to pull in even more film enthusiasts this year.  The week-long Festival will be held once again at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054. 

 

For movie lovers, this is an event that is not to be missed. Tickets and passes are on sale now and available through the Phoenix Film Festival website www.PhoenixFilmFestival.com. Tickets may also be purchased in person at the Phoenix Film Festival Ticket Center next to the Harkins Scottsdale 101 Theatre. Tickets range in price from $13 for a single screening to $300 for a platinum pass.   For more information call 602-955-6444 or visit www.PhoenixFilmFestival.com.

Three Billboards Outside of Ebbing, Missouri – Red Band Trailer

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

Connect with THREE BILLBOARDS OUTSIDE EBBING, MISSOURI Online:
Visit THREE BILLBOARDS OUTSIDE EBBING, MISSOURI on our WEBSITE: https://www.threebillboardsthemovie.com
Like THREE BILLBOARDS OUTSIDE EBBING, MISSOURI on FACEBOOK: https://www.facebook.com/ThreeBillboa…
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#ThreeBillboards

In Theaters 2017

http://www.fandango.com

Captain Underpants: The First Epic Movie

CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE 

Release Date: June 2, 2017

Director: David Soren

Writer: Nicholas Stoller (Based on the Epic Novels by Dav Pilkey)

Producers: Mark Swift, Mireille Soria

Cast: Kevin Hart, Ed Helms, Nick Kroll, Thomas Middleditch, Jordan Peele, Kristen Schaal

 

SYNOPSIS

Based on the worldwide sensation and bestselling book series, and boasting an A-list cast of comedy superstars headed by Kevin Hart and Ed Helms, DreamWorks Animation brings audiences the long-awaited global movie event, Captain Underpants: The First Epic Movie. This raucously subversive comedy for the entire family tells the story of two overly imaginative pranksters named George and Harold, who hypnotize their principal into thinking he’s a ridiculously enthusiastic, incredibly dimwitted superhero named Captain Underpants.

 

CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE Official Channels

SITE: http://www.dreamworksanimation.com/

FACEBOOK: https://www.facebook.com/CaptainUnderpantsTheFirstEpicMovie 

TWITTER: https://twitter.com/DWAnimation

INSTAGRAM: https://www.instagram.com/dreamworksanimation/

#CaptainUnderpants

In Theaters June 2nd

http://www.fandango.com

Baywatch – Trailer

BAYWATCH follows devoted lifeguard Mitch Buchannon (Johnson) as he butts heads with a brash new recruit (Efron). Together, they uncover a local criminal plot that threatens the future of the Bay.

 

Director: Seth Gordon

Cast: Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Jon Bass, Kelly Rohrbach, Ilfenesh Hadera

 

#BeBaywatch

Facebook: https://www.facebook.com/BaywatchMovie/

Twitter: https://twitter.com/baywatchmovie

Instagram: https://www.instagram.com/baywatchmovie/

In Theaters May 26th

http://www.fandango.com

Cars 3 Fuels Up for a National Tour!!

DISNEY·PIXAR’S “CARS 3” FUELS UP FOR NATIONWIDE TOUR

Road to the Races Takes Off March 23, 2017

Title Sponsors Include Alamo Rent A Car SM, Coppertone®,

Crest®/Oral-B®, DOLE® and Mattel

 

BURBANK, Calif. (March 21, 2017) — Disney•Pixar’s “Cars 3” is hitting the road this month with Road to the Races, a nationwide tour inviting fans of #95 to gear up for the upcoming big-screen release. Life-size, character look-alikes of five-time Piston-Cup champion Lightning McQueen, tech-savvy trainer Cruz Ramirez and the sleek next-gen racer Jackson Storm will be rolling into 27 cities coast to coast to celebrate the new movie, which opens June 16, 2017.

 

“We are going to kick off the tour at Disney Springs in Walt Disney World on Thursday, March 23,” said Lylle Breier, senior vice president, worldwide marketing partnerships and special events for the Walt Disney Studios. “There will be fun activities for the whole family—plus a sneak peek of the movie.”

 

The roster of cities includes Miami, Dallas, Chicago, Boston, New York, Philadelphia, Denver and Los Angeles, among others—the full list is available at CARS3tour.com. The “Road to the Races” nationwide tour wraps up in California with a visit to NASCAR at Sonoma at the Sonoma Raceway June 24-25, 2017, and the life-size character cars will also roll onto the red carpet for the “Cars 3” world premiere on Saturday, June 10, 2017.

 

A host of sponsors have signed on to support the tour, which includes a variety of activities.

  • Alamo Rent A CarSM is hosting a street art booth and will bring “Cars 3” to life with a giant coloring mural featuring Lightning McQueen and friends, along with a color pencil pack souvenir.  Owned and operated by Enterprise Holdings, Alamo Rent A Car offers low rental rates and a hassle-free customer experience at the most popular travel destinations around the world. 
  • Coppertone® is creating a racer pit crew that encourages visitors to take part in a tire-changing activity and photo-sharing opportunity. A leader in the sun care industry, Coppertone is made by Bayer HealthCare, LLC.
  • Crest® and Oral-B® celebrate the Road to the Races tour, providing fans with an opportunity to create a digital postcard with Lightning McQueen and get “Cars”-themed oral care products. Crest and Oral-B are the first step to enjoying a lifetime of healthy smiles.
  • Dole®, the leader in fresh, quality produce, invites visitors to fuel up and recharge their batteries, sample high-octane fruit and vegetable smoothies, collect “Cars 3”-inspired recipes and discover how Dole and Disney are working together to make healthy living fun and easy for families. To see more of Dole’s exciting promotions around summer family fun, visit www.dole.com/Cars3.
  • Mattel presents an interactive play area, which sends Lightning McQueen and other racers down the gravity drop and launches them into action in new play sets that feature locations from the movie. Also on display will be a collection of die cast racers from past and present. Mattel is the leading global childhood development and play company.

 

Fans will be able to catch a sneak peek of the movie in the Cinetransformer Mobile Movie Theater. Visitors will also be able to take photos with the life-size character cars.

In addition, the sports national youth program NASCAR Acceleration Nation will display the science behind NASCAR racing, and elements from the NASCAR Hall of Fame will allow attendees to get up close and personal with the history of NASCAR.  

Mack Trucks, Inc. will transport the life-size character cars on the coast-to-coast tour.  

Schedules are subject to change without notice, and attractions may be unavailable for unscheduled reasons.

 

ABOUT THE MOVIE

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage! Directed by Brian Fee (storyboard artist “Cars,” “Cars 2“), produced by Kevin Reher (“A Bug’s Life,” “La Luna” short) and co-produced by Andrea Warren (“LAVA” short), “Cars 3” cruises into theaters on June 16, 2017.

My Cousin Rachel – Trailer

A dark romance, MY COUSIN RACHEL tells the story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Cast: Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen, and Pierfrancesco Favino

Directed by: Roger Michell

Connect with MY COUSIN RACHEL Online:
Visit MY COUSIN RACHEL on our WEBSITE: https://www.mycousinrachelmovie.com
Like MY COUSIN RACHEL on FACEBOOK: https://www.facebook.com/mycousinrach…
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Follow MY COUSIN RACHEL on INSTAGRAM: https://www.instagram.com/mycousinrac…
#MYCOUSINRACHEL

In Theaters June 9th

http://www.fandango.com

Interview with Director Adam Collis of “Car Dogs”

L.A. filmmaker, Adam Collis, director of the film Car Dogs, is also a Professor who teaches film courses at Arizona State University.  He’s an outstanding individual who takes other people’s welfare to heart when making certain professional decisions.  Wanting to see the film Car Dogs made, being involved by directing and helping to produce shows proof of that.  There isn’t any, ‘all talk, no action’ with this guy.

I’m happy to say that he was triumphant in accomplishing his goals with Car Dogs and that, luckily, he learned a big lesson along the road to success… share your knowledge and support those with whom you can if you have some influence to do so.  Meeting and chatting with the director of the film, which features actor and writer George Lopez, Patrick J. Adams (Suits), Octavia Spencer (Hidden Figures), Nia Vardalos (My Big Fat Greek Wedding), and Christ Mulkey (Whiplash), was very enlightening.  I had an enormous amount of fun picking his brain not only about his film and how it came to be but about the local talent here in Phoenix that he used.  Collis was more than happy to give people who have only worked on smaller films, or who have never at all but always wanted to work on films (both in front of the camera and behind), the opportunity to work on a true Hollywood production with a substantial budget.  He’s able to do this through his internship program at ASU called Film Spark which connects film students with professionals in the movie industry. 

Film Spark and his involvement in it is something he’s quite passionate about.  With his attitude about filmmaking and love of the craft, he’s being instrumental in growing the Arizona film community as a whole, connecting individuals with one another which gives us all a reason to be very proud of him.  He holds his head high acknowledging the accomplishments of Film Spark, knowing full well what he’s offering his students.  Through his connections and ability to get a film made, not only do they get to learn from him, but they get the hands-on experience that not many would have a chance to if it weren’t for the program he so happily embraces.  He cheerfully tells me that he loves, ‘giving them the opportunity to learn filmmaking on a real film set and to work with an Oscar-winning cast and crew.’ Adam was thrilled with how the film turned out.  The cinematography by David Stump is beautiful and captures all the allure of the city of Phoenix.  He concentrated mainly on Papago Park where he said he knew, ‘It was meant to be shot.’   A shot from above gives his audience a full view of the area and if you live near there or have driven by, you’ll agree that it was a good choice.  It’s a gorgeous shot.  He’s excited for everyone to see the film, especially if they were involved with the production. 

A close friend and past student of his, Mark Edward King, wrote Car Dogs.  ‘He had originally written it as a short film and I thought it was excellent and encouraged him to turn it into a feature.’  King had been a car salesman himself and had an interesting take on the business and all that goes on in the life of a salesman or a car dog as they’re referred.  He concentrated his story on these particular car dogs having to meet a quota by end of day.  It was almost kismet that he ended up making the film.  He teaches at ASU and King is from Scottsdale, Arizona.  King had been shopping his script in L.A. and it was doing well but it wasn’t getting picked up.  Collis liked it and thought this would be perfect for the internship program.  Collis tells me, ‘It’s set in Scottsdale, written by a Scottsdale native, shot here, made with dozens of student interns.  The film is going to be shown in Phoenix’s own Harkins Theaters.  What we’ve done here is really special.’  Scott Derrickson, who Collis had gone to film school with and who later went on to direct Doctor Strange, had also been a car salesman in a past life so it seemed there were plenty of good sources at Collis’ fingertips if he needed.  After seeing it done in the film, I asked him if salesmen really listen in on buyers discussing, in private, whether or not to buy, as is suggested in the film and he replied, ‘You’ll have to ask Mark.’  He stands firm that car salesmen will do a great deal to sell a car saying, ‘Everyone would serve themselves well by watching this movie before going and buying a new car.’  So I took that response as a yes.  This is a warning, everyone!  No buying a car until you’ve seen Car Dogs!

In the film, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of his son and other employees by expecting them to do “Whatever It Takes” to meet a certain number of sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with little reward.  Can Mark meet the demands of his father to get the prize he so deeply covets?  Will his ambitions lead him to delude his team and the buyers who walk in, making him become more and more like his father?  Mark is played beautifully by Adams and Mulkey is a very frightening Malcolm.  Circling back to the whatever it takes sales issue, Collis did tell me that he was given the advice to have an amount written down before walking into a dealership and to, ‘Not ever go over that amount.’  Got that?  Never go over that amount. 

As I mentioned, his Film Spark program does connect film students with professionals in the movie industry but also gives artists in the Phoenix area a chance to show their stuff.  He hired crew and cast and they reimbursed his kindness by taking an already great script and improving it with superb performances all around.  Smiling, he mentions, ‘This is a good opportunity for filmmakers in Arizona.  There’s so much creativity in this state and this is a new model for getting a film made.  Why go to L.A. to launch a film when you have Harkins Theatres?’ 

Curious, I asked him if he could remember any of the local talent that he used.  He took out his phone and scanned the IMDB credits.  Some of the people he mentioned were Raymond Scott who, as a car salesman, stood out not only by wearing a brightly colored shirt but by appearing to be continually in sales mode.  He then mentioned actor, Drew Moore, who played a particularly tough customer.  Moore, who had played football in the NFL and the CFL before the acting bug took hold, is a big muscular man who made an impression on the director and likely will the audience when they see his character intimidate a salesman into giving him a better deal.  Collis laughed as he evoked the memory of Moore mainly because of the mistake he made by giving him the direction to hit something harder.  Moore is not a small guy but it was a very small object he hit.  As I’m sure you could guess… it didn’t go well.  He had another performance he couldn’t wait to talk about and that was the work done by Wendy Crawford.  He told me, ‘She had a small part as the receptionist but she was so good; very professional.’  Not only did she give an exceptional performance but her husband Guy Crawford was extremely helpful with equipment that was needed.’  Guy Crawford works for BKW, Inc. in Tempe.  He and owner, Jim Weingard, provided services for the Car Dogs film for which Collis will be forever grateful.  One thing I learned right away from talking to him was that he realizes what a big effort it is to make a movie and that he is only one part of a massive undertaking.  Collis wants everyone to get their credit.  A few other people he wanted me to mention were production designer Scott Cobb, Hamilton Sterling his sound designer, Maggie Morgan the production’s costume designer and all of the veteran Hollywood department heads who were willing to help turn Car Dogs into a reality.

I had to inquire about whether he’d be willing to make a film like this again; to take a chance on making a movie of this size outside of L.A.  I’m pleased to announce his answer was, ‘Yes.’  He had nothing but positive things to say about Arizona and his experience with the feature film went smoothly.  I must ask one thing of all of you.  Car Dogs will be playing exclusively at Harkins Theaters around the valley starting March 24th.  Get out and see it.  Get everyone else there, too.  If it’s a success, there’s no way he wouldn’t do this again.  This will be a success but will be an even bigger success if you’re willing to get to the theatre the weekend of the 24th and give him and the Harkins Theater chain a reason to believe they made the right decision in choosing to premiere it here in Arizona.  Enjoy the film and spread the word! 

Kong: Skull Island Movie Review

It’s invigorating to see that Kong: Skull Island isn’t just a remake of King Kong.  It has a few similarities, such as beast still digs beauty, but that’s about all.  It stands alone on its own giving director Vogt-Roberts something to be very proud of having a part in. Speaking of beauty, however, I did like the more substantive presence of the ape in the 1970 movie King Kong, where you could see Jessica Lange pull at Kong as she begs him to not let her go.  This gives you the chance to feel for him much more.  That realism isn’t in this version where Kong is CGI.  However, if you have a heart, you’ll still hope the best for the guy.  Why he keeps falling, literally, for these woman is beyond me, though!  You’d think he’d learn by now!  I digress. 

Far be it for me to suggest you can learn something from a monster movie but I’m going to.  You can learn something from this monster movie.  You can learn, if you haven’t already, that sometimes with nature things are better left alone.  Though we don’t always pay attention to it, there is a natural order of things and if you interrupt or disturb that order, in the name of helping mankind, you could be doing just the opposite.  Such is the case here. 

Kong is set in the early 70’s in the time of Watergate.  Research scientist Bill Randa (Goodman) is in Washington and looking for some money and a military escort to an uncharted island he’d like to explore for the possible medicinal cures it holds.  Insert political statement here as Randa stands outside and proclaims that there’ll never be a more screwed-up time in Washington.  The Nixon bobblehead is a nice touch, as well. 

Randa gets his grant, a photographer (Larson), a rather large escort and his own tracker (Hiddleston); they set off to explore Skull Island which is shrouded by vicious storms.  Going only so far by water, the teams, which are led by Colonel Packard (Jackson), take to the air the rest of the way.  However, once they clear the dangerous weather another danger appears; Kong.  He immediately senses danger and begins to protect his turf which looks more like swatting at flies, to be honest.  This scene was well placed as it’s not too far into the film, wasting no time getting you into some heavy action.  Packard takes the attack personally.  Losing many of his men in the battle he’s now hell-bent on killing the creature.  He must prove to Kong that man is King.  Jackson’s look is fiery and savage as his Packard stares Kong down for a moment before being whisked away at the last minute.  Getting stomped on like a cockroach might have ruined his already horrible day.

Helicopters are scattered and the teams separated.  One group meets an indigenous tribe and Hank Marlow (Reilly), also known as the comic relief, a paratrooper who has been stranded on the island since WWII; twenty-eight years to be exact.  Through Marlow, the team hears all they need to know of who Kong really is… he’s King.  To the people of the island, he’s God.  Without him, the Skullcrawlers would dominate and kill every living thing on the island.  Kong keeps the skeletal creatures in low numbers and below ground.  If not for him, all would perish and not only would they take over the island but they’d begin to take over the planet. 

During their lesson, other teams are meeting and in some cases, wiped out, by other inhabitants of the island.  If spiders aren’t your thing… this might not be the movie for you but the thought of taking the mother of all spiders down in a wicked way would be spectacular then remember this is a Kong movie, not a spider movie, and get your butt to the theatre.   What’s left of the team meet and make their way to the destination point so they can leave the island and you can leave the theatre but don’t do that too soon!  There is an after credit scene so make sure you stay all the way until lights up.  What they will be assuring you of here is that the MonsterVerse will continue and who could be coming up next.  If you like monster movies, you’ll like Kong: Skull Island.  You might not like the way Hiddleston overplays his role as Larson’s love interest but the CGI is great and the motion capture performance really pulls you in.  Those reasons alone are worth spending the extra money on seeing this at an IMAX theatre if you can.  ENOY!

Principal Photography has wrapped on The Aftermath with Keira Knightley

PRINCIPAL PHOTOGRAPHY HAS WRAPPED ON “THE AFTERMATH”

FOR FOX SEARCHLIGHT PICTURES AND BBC FILMS

 

Starring Keira Knightley, Alexander Skarsgård and Jason Clarke

 

LOS ANGELES, CA March 9, 2017 – Fox Searchlight Pictures and BBC Films announced today that principal photography has wrapped on THE AFTERMATH, which was shot on location in Prague and Hamburg. The film is directed by James Kent (TESTAMENT OF YOUTH, THE THIRTEENTH TALE) from a script written by Joe Shrapnel & Anna Waterhouse (RACE), and Rhidian Brook, based on Brook’s international best-selling novel of the same name. The film stars Academy Award nominee Keira Knightley (THE IMITATION GAME, ANNA KARENINA), Alexander Skarsgård (THE LEGEND OF TARZAN, “True Blood”) and Jason Clarke (ZERO DARK THIRTY, EVEREST). Additional cast includes Flora Thiemann (MISSION: SPUTNIK), Fionn O’Shea (THE SIEGE OF JADOTVILLE), Kate Phillips (“The Crown”) and Martin Compston (“The Line of Duty”). Jack Arbuthnott and Malte Grunert produced and Ridley Scott and Carlo Dussi executive produced. Developed by BBC Films, it is executive produced on their behalf by Joe Oppenheimer and Beth Pattinson. The film is supported by funding from the Filmförderung Hamburg – Schleswig Holstein.

 

THE AFTERMATH is set in postwar Germany in 1946. Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

 

Joining Kent on the film are director of photography Franz Lustig (HOW I LIVE NOW), production designer Sonja Klaus (A GOOD YEAR, BABYLON AD) costume designer Bojana Nokitovic (A GOOD DAY TO DIE HARD, CORIOLANUS), hair and make-up designer Barbara Kreuzer (LAND OF MINE, RETURN TO MONTAUK) and editor Beverley Mills (“Indian Summers,” “Call the Midwife”).

 

The film is overseen by Co-Heads of Production David Greenbaum and Matthew Greenfield and VP of Production Katie Goodson-Thomas.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and the films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of 21st Century Fox.

BBC Films is at the forefront of independent filmmaking in the UK, developing and co-producing around twelve films a year. In 2015 BBC Films was awarded the Michael Balcon BAFTA for Outstanding British Contribution to Cinema. Joe Oppenheimer is Acting Head for BBC Films.