The Glass Castle Movie Review

The story The Glass Castle is from a memoir written by 80’s gossip columnist, Jeanette Wells.  It’s about her very unconventional upbringing that gave us a fabulous subject to read about and now makes a fascinating film to watch.  Incredibly unorthodox or even oddball parents of four young children, Rex (Harrelson) and Rose Mary (Watts), decide to go off the grid with the kids.  Sick of people, especially government, telling them what to do and how to do it, they now decide what’s best.  They don’t want their brood of three girls and one boy taught in public schools because schools can’t teach them what having real life experiences can, nor can it pass on what they, Rex and Rose Mary, can themselves.  Wandering around mostly homeless is a lot to take on but the challenge is faced with eyes wide open.

Rose Mary is an artist so moving from place to place and living off the land gives her an opportunity to be in touch with the outdoors which is often the setting and the subject of her paintings.  Though she gives Rex some pushback, she does agree that it exposes the children to an environment they wouldn’t otherwise have a chance to experience.

Rex is a free spirit who comes more from a place of anger.  Intelligent like his mother, he wants the kids to touch a cactus and get poked rather than read about its piercing needles.  Unfortunately, and examples of this are plentiful in the film, he walks a fine line between devotion and callousness.  This is also something he inherited from his mother.  Leaving home, he now gets to live free but is he truly considering the family or feeding his narcissistic tendencies?  I’ll let you determine that on your own.  Director Cretton and Harrelson do an exceptional job of making that easy for you decide.

The title of the film comes from a promise Rex has made through their years of traveling from state to state and moving from one worn down dump to another.  Each time they actually live in a home, he tells the hungry and fatigued yet ambitious children that he’ll build them a castle made of glass.  He always piques their interest by showing their enthusiastic minds his designs for it and in one home they even pitch in to build its foundation… which eventually becomes a landfill.  As time goes by and the hole fills, they still do whatever they’re told and still remain loyal to show their love, trust and belief in him.  It’s excruciating to watch Rex himself crack what holds the family together.

Harrelson is intense as he brings Rex to life.  He’s well cast as a control freak that would rather drink himself unconscious than feed his children.  Watts matches wits with Harrelson as a caring mother who stays an adoring wife, going along with what he says not matter what the situation is. 
Brie Larson joins the cast halfway through and picks up where two younger actresses left off playing the younger versions of the smart, strong and fiercely opinionated and independent, Jeannette.  She does the character justice by showing the painful transition of a child following orders to a young adult realizing the very real circumstances and station in life they’re now facing.  Respect and affection for her parents are questioned and what makes The Glass Castle such an exceptional story is how it shows that you can still have both yet do what’s ultimately best for you.

This is quite an incredibly moving story with remarkable performances from the children on up and I highly recommend you see this as soon as you can.  Two notes for you… bring a tissue and stay for the pictures at the end.

Brigsby Bear Movie Review

Brigsby Bear is nothing if not quirky.  It’s a story about a boy who never has to give up his childish things because, essentially, he never has to grow up.  Well, until he’s rescued, that is.  I’ll explain. 
In the situation the main character, James (Mooney), finds himself, he wouldn’t know how to grow up so the subject would never be breached.  He lives in a perfect world with supportive parents who love him, take good care of him and always let him watch his favorite show, Brigsby Bear. 
Not unlike a popular children’s show of any era, from Mister Rogers to Barney, Brigsby Bear is fun and educational and James has watched it so long he couldn’t live without it.  It’s who he is.  It’s who he is because it was actually produced for him by his parents to teach him what they wanted him to learn and to inject only their feelings and belief system.

It turns out, though always taken care of by them, James’ parents, Ted (Hamill) and April (Adams), kidnapped him when he was a baby and they’ve been keeping him in an underground bunker, in the middle of the desert, ever since.  Sadly, never being around other children or seeing the real world, James is childlike, yet he’s in his twenties.  He’s immature and his life is only what they have allowed it to be. 
He hasn’t mentally grown beyond the age of a ten-year-old and his mind knows only what Ted and April have fed it.  The world of Brigsby, a sci-fi series given to him to watch on VHS, has so penetrated his psyche that no amount of truth could drill it out.  It’s who he is.  This is tested when the police finally discover what Ted and April have done and come to ruin the only world James has ever known.   

When he is taken away from the only parents he has ever known, he meets Detective Vogel (Kinnear) and his birth family and is introduced to the harsh reality of the real world; most especially, that the Brigsby Bear show is gone forever.  Or is it?  Saying too much will give away what’s so compelling about this flick.  It’s completely original… strangely and so absurdly unlike anything I’ve seen before.  An adult who acts like a child because he has been treated as one his whole life.  What a fascinating concept.  Saying too much at this point would give away the plot. 

He does try and thwart having to grow-up as much as he can but when he looks at the broader picture, he knows what he has to do to grow up and finally move on.  All he asks of everyone is to let him do it in his own way.  It’s this part that makes this narrative so unique.  Well, that and the unconventional jokes that make you draw back a bit… but that’s all on purpose.      

Brigsby Bear is an amusing ride.  There are a few bumps in the road but overall the story has heart, integrity and is surprisingly clever.  You’d do well to put it on your summer must-see list for the experience of watching the cooperation, love and support that helps a man-child become a man.  The saying goes that it takes a village to raise a child so imagine… 

Second Nature Trailer

Time to Flip the Glass Ceiling.

New Sam Huntington comedy “Second Nature”, directed and co-written by Michael Cross, will get a wide release this September through Nicholas Gyeney’s Mirror Images LTD.  The film, also produced by Gyeney – a filmmaker himself whose Beta Test received a wide theatrical release in 2016 – teams Huntington (Superman Returns, Sully) with Interstellar’s Collette Wolfe.  

Amanda (Wolfe) uses a magic mirror to reverse the gender roles in her small town, she gains the upper hand on her womanizing opponent, Bret (Hungtinton). As each experiences life in the other’s shoes, they must decide which reality they prefer before they’re stuck in the flipped world forever.
 
Second Nature, which premiered at the Napa Valley Film Festival, marks the feature debut of Michael Cross.  Theatrically, the film is scheduled to open in theaters starting September 8th so check your local theatres to see if it’s playing near you!!  Not to worry if it isn’t, Second Nature will be available on iTunes, Amazon, Google Play, Vudu, Blu-ray and DVD on September 19th.

In Theaters September 8th

http://www.fandango.com

mother! Trailer

Directed by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer 

Written by: Darren Aronofsky


A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. From filmmaker Darren Aronofsky (Black Swan, Requiem for a Dream), mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.

mother! Official Channels

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Twitter: @MotherMovie

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Website: MotherMovie.com  

In Theaters September 15th

http://www.fandango.com

Eli Roth’s Death Wish Trailer is here!

DEATH WISH

Release Date: November 22, 2017

Genre: Action-Thriller

Director: Eli Roth

Screenplay: Joe Carnahan, based on a novel by Brian Garfield

Producer: Roger Birnbaum

Cast: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Camila Morrone, Dean Norris and Kimberly Elise

Metro-Goldwyn-Mayer Pictures presents director Eli Roth’s reimagining of the classic 1974 revenge thriller Death Wish. Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of Chicago violence when it is rushed into his ER – until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly vigilante is a guardian angel or a grim reaper. Fury and fate collide in the intense, action-thriller Death Wish.

Paul Kersey becomes a divided person: A man who saves lives, and a man who takes them; a husband and father trying to take care of his family, and a shadowy figure fighting Chicago crime; a surgeon extracting bullets from suspects’ bodies, and the vigilante called “The Grim Reaper” who detectives are quickly closing in on.

Updated from the original novel by Brian Garfield, director Eli Roth  and screenwriter Joe Carnahan’s (The Grey, Narc) Death Wish also stars Vincent D’Onofrio (The Magnificent Seven, TV’s Daredeviland Law & Order: Criminal Intent), Elisabeth Shue (Leaving Las Vegas), Camila Morrone, Dean Norris (Breaking Bad) and Kimberly Elise (The Great Debaters). It’s a knife’s-edge portrayal that challenges our assumptions, and pushes our buttons.

By bringing the complex psychology of Brian Garfield’s book up-to-the-moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish brings audiences to the height of unforgettable suspense.

DEATH WISH Official Channels

Site: http://deathwish.movie/ 

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Twitter: https://twitter.com/DeathWishMovie 

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#DeathWishMovie

In Theaters November 22nd

http://www.fandango.com

The Dark Tower Movie Review

By now, we’re all used to movies being two hours long, right?  That’s the norm these days.  With The Dark Tower at only 95 minutes, I felt I had just adjusted myself in the seat and I was hopping out of it again headed home.  Part of why it felt short was because what should have been an imaginative and vivid excursion across worlds, that promised so much, was dark (as in hard to see) and dull; almost as exciting as someone reading a menu.  Well, maybe not THAT dull.  There are a few moments that will thrill you.  The scenes that center on guns and bullets are quite enterprising but that’s about all The Dark Tower brings.  A scene fighting monsters is so amateurish if I had been watching a student film, I would have graded it higher.  

Perhaps directed by someone other than Nikolaj Arcel, who doesn’t have very much directing experience other than the film, A Royal Affair, we would have a much better, action-packed, colorful thriller on our hands.  Arcel may want to stick to writing which he is very good at doing.  As it is, we have this disjointed, routine, uninspired misfire that falls short of the expectations of, not only the general audience but of most of the Stephen King fans that have seen it.

The Dark Tower is a movie based on a series of eight King books; it’s number seven in the set.  The Tower, itself is a point where all universes connect.  The film is about Good vs. Evil but doesn’t give the impression that it believes in either.  Being that it’s a series, bringing number seven about doesn’t make sense and also leaves one to wonder if the previous six books are crammed into one film.  If so, this could be why it appears to be so vexing and why King fans are not or will not be too happy.  What is being missed and what is the point in doing this to a wonderful, successful series?

Anyway, rather quickly, we are introduced to the antagonist of the tale, the Man in Black, played mutedly by Matthew McConaughey.  We also meet Jake Chambers, (Tom Taylor).  He’s a young boy who has the ‘Shine.’  The Shine, referenced also in the King book and film, The Shining, is an amazing psychic ability.  The presence is strong with this one!  The Man in Black only wants to use Jake’s powers to his advantage to destroy the Tower but is also aware that the ‘mind of a child’ can work against him and this plan. 

We then make the acquaintance of the protagonist, Roland (Idris Elba), also known as a Gunslinger.  His guns are made from the metal of the Excalibur and he is the last living Knight who has the strength to defend the universe against the Man in Black.  What’s on the other side of the universe is death and destruction and the Tower is the only thing holding it back.  Children like Jake, and their strong, potent, telepathic minds, are being used to attack the Tower. 

In the beginning, we see that Jake has fevered dreams about the destruction of his world.  He stumbles on the mid-world of his dreams and meets the Gunslinger.  This Gunslinger is sold as powerful and almost unbeatable but the film almost immediately turns on that theme and shows him to be weak and vulnerable to a tiny stab and to infection.  Jake meets Roland, teams up with him to help stop evil from winning, there are battles and… The End.  Yes.  It’s like that.

So, maybe if you love the books and would like to examine this close enough to look for a few of the Easter eggs within, such as the Shine and the Man in Black seeming to resemble Randall Flagg, the bad guy from, The Stand, check it out for the curiosity factor.  I’d recommend going to the matinee or waiting for cable release.  Either way, you’re going to be disappointed in the results.  Maybe pick up a book instead?  

An Inconvenient Sequel: Truth to Power

A decade after AN INCONVENIENT TRUTH brought climate change into the heart of popular culture, comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes – in moments both private and public, funny and poignant — as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.

 
With the White House threatening to leave the Paris Climate Change Agreement, I cannot imagine a better time to go to the theatre and learn all you can about what this means to you and the future of your world!!!  DO NOT MISS THIS FILM!

#BeInconvenient

AIS Official Channels

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Facebook: @AnInconvenientTruth

Twitter: @AITruthFilm

Instagram: @AnInconvenientTruth

Website: InconvenientSequel.com

Atomic-blonde-hero

Atomic Blonde Movie Review

Perfect for the summer heat, this is a fun, exciting and provocative action packed spy thriller.  Atomic Blonde is based on the ONI PRESS Graphic Novel Series called “The Coldest City,” written by Antony Johnston and illustrated by Sam Hart.  I’m quite certain they’re happy to see Charlize Theron was cast in this because she’s both incredibly steely and sexy in this screen adaptation of their character, Lorraine Broughton, a fearless MI6 agent. 

Set in 1989, Lorraine is sent to Berlin around the time of the fall of the Berlin Wall.  When she goes in for her next task, she learns of the assassination of her colleague and her lover.  She is sent out to retrieve a list of highly secret agents and their codenames that was filched from him at the time of his murder by a Russian agent.  As she begins her work, she glides her way through Berlin’s clubs to an awesome 80’s soundtrack, some of which I believe may have been only in her head to help her become what she must to be the badass, callous killing machine she may need to be to get the job done.

Speaking of what it takes to get the job done, she meets up with British agent David Percival (McAvoy) who she has an immediate distrust of but still builds something of a coalition with.  Soon, she meets a beautiful French spy (Boutella) and is more than willing to get down and dirty and use her to get the information she needs.  This movie isn’t afraid to show you exactly what that is and, much to the bewilderment of some and awe of others, we crawl in bed with these two women and stay there through a scene that can only be described as explicit.  This scene gives Atomic Blonde the edge that many films before it were afraid to stroll up to and gives the director, David Leitch, a head up on the competition.    

McAvoy is incredible in the role and Boutella stands out but this is a Carlize Theron film.  Theron, knowing her way around Hollywood well enough, has brought us many memorable characters and Lorraine is no different.  Willing to do many of her own stunts, I wouldn’t be surprised to see her with several more movies of this ilk, come her way because she’s cold and brutal when she needs to be and wells with passion and warmth whenever the right moment presents itself. 

There are a few scenes that are so gut wrenchingly painful looking that you’ll not only laugh at the ridiculousness of them but cheer at how bold the film is and how fully Theron committed herself to this character.  There’s one scene in particular in a stairwell that is the example for my previous sentence.  You’ll recall these words when you see the film.  The movie itself may not be perfect but it’s exactly what you want out of a summer release.  Leitch is known for his stunt work in 82 films, including Hitman: Agent 47, The Bourne Legacy, The Mechanic and many more so it’s not hard to see why the technical performances are so on the nose here. 

It goes over the top as films of this genre do but I don’t think that hurt it.  If anything, that is its appeal and more than makes up for the few times when the plot drags some getting to the point. Told through flashbacks, it’s colorful, stylish and memorable and something I recommend seeing at the theatre this weekend.  You’ll want to see these fight sequences on the big screen. 

Suburbicon Trailer

Welcome to Suburbicon
A town of great wonder and excitement. Built with the promise of prosperity for all. 

Directed by: George Clooney

Starring: Matt Damon, Julianne Moore, Noah Jupe and Oscar Isaac

Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns…the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge (Matt Damon) must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon. 


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In Theaters October 27

http://www.fandango.com

Dunkirk Movie Review

I think that with Dunkirk, Christopher Nolan, writer/director of such outstanding films as Memento, The Dark Knight Trilogy, Inception and Interstellar, will finally get his Best Director Oscar Nomination, if not win.  He could possibly capture gold from the Academy for Best Screenplay, as well.  This is a near perfect film.  It’s hard to find a flaw in the presentation of its visuals and its sound.  To find something, one would have to be really digging for it and if you are, you’re certainly missing the entire point of this beautifully crafted piece. 

Dunkirk is meant to enlighten you as to what people will do to help one another endure when pushed to the brink of survival; even if they themselves don’t make it.  People were willing to risk their lives to be sure others survived at Dunkirk.  These people were just every day British citizens and those they were rescuing were the 400,000 British soldiers, trapped on a beach in France just over twenty miles from the shores of England.  I knew nothing of their heroism but it is well displayed here and the only way to see how and why they were so desperately needed and welcomed is at your nearest IMAX theatre; THIS I can’t stress enough.

The story centers around three different points of view of this agonizing situation; by land, by air and by sea.  Prepare yourself because shortly after the opening, the story and the accompanying music is relentless as it crescendos to a crowning finish.  You’ll be clutching your seat and biting your lip watching these poor souls do whatever it takes to live through the night.  Tom Hardy is a pilot with an eagles eye look on the entire goings on.  It was interesting seeing a war film from this perspective and, once again as he did with Bane in The Dark Knight Rises, he’s able to suck you into his character with just his eyes since his face is covered with an oxygen mask the entire time.

On the land portion, you’re with the most vulnerable in the attack; the soldiers who are stuck with nowhere to go.  These men are the last chance England has of fending off the advancing attack from the Germans.  If they fall they’ll lose the war.  Had things not happened the way they did, the history books would read very differently right now.  German soldiers are moving in on the town on one side of the beach.  The British and French soldiers are dodging their bullets to get to the beach where they are hoping to get onto a ship to sail to England.  The trouble here is that the ships can’t get to them because the water is too shallow.  With no other choice but wait, they are also having bombs dropped on them from the German Air force.  They are bona fide sitting ducks.  The cast of young actors, Fionn Whitehead and Harry Styles among them, do a fine job of expressing fear as well as the spirit of duty to their homeland.  You will weep when you put yourself in their place, which you can’t help but do.  In the opening scene alone it becomes hard to peg this film a Drama or an Action.  The two genres work together from there to move you and they never stop their assault.

On the sea, you meet a few of the heroes who volunteer their vessel and their time to bring the boys home.  Mark Rylance does a beautiful job of explaining to his sons, and to one soldier he rescues, why it’s important that they go to Dunkirk.  It’s their duty.  The way he said the word Dunkirk still rings in my ears… the speech was so filled with passion. 

What Christopher Nolan did so well to bring this true story to life was to, basically, keep it as simple as possible so that the important and more meaningful events stood out most.  There was no narrative or unnecessary scenes explaining who the people in the film were. 
There was no need to overwhelm you or pollute the screen with names, dialogue, back stories and plotlines that led you anywhere but on that day, on that beach, in that ocean or looking down on it all.  This also keeps you in their skin and involved in their conflict at all times, maneuvering the plane, running from the bombs and dodging the bullets. 
When you see the boats come for them, you’ll remember the tag line on the poster that says, ‘When 400,000 men couldn’t get home, home came for them’ and a shiver will run down your spine.  Just try not to cry along with Kenneth Branagh who, if you didn’t love before this, you will after. 
Enjoy the film and remember, don’t cheat yourself out of seeing this on an IMAX screen; the way it was meant to be seen.