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Mortal Engines Movie Review

December 14, 2018 (updated December 14, 2018) Published by JMcNaughton

Gentlemen, start your “Mortal Engines”! This movie is a bit like a NASCAR race; it has a whole lot of characters, they all move at breakneck speed, they all go around and around in circles and with loud volume – but never seem to get anywhere. When the whole thing is finished, there are no Winners. Especially not the viewer. It has a visually stunning design, with a good number of images that are intricate and precise. It is based on a novel that has a unique concept, where a post-apocalyptic world has huge cities that move and rumble around a barren future landscape.

The ‘city on wheels’ idea shows us a large city that can only sustain and grow by searching out and taking over many smaller cities. The Big City takes over all of the resources, and assigns all the new people to hard labor. There are battles between the little guys and the ‘City of London’, and the big city always wins. This movie has many twists and turns, so there is a lot of potential for an exciting and well-defined film. There is also potential for a big sloppy mess…

Many centuries after the Sixty Minute War, all the people of Earth live in the ‘Traction’ Cities in the Wastelands. Or people lived behind a Shield Wall (in what is now China). The huge, mobile cities are places where remnants of the past remain. in the ‘City of London’, the large number of people are there hoping that the Energy Project that Engineer Thaddeus Valentine (Hugo Weaving) will finally be working to give them unlimited power. Valentine is thinking of a different type of ‘unlimited power’, but in a different sense.

He works with an historian of the City named Tom (Robert Sheehan). Tom is from the lower class, and he needs Valentine’s help to rise in the ranks. But there is a woman named Hester Shaw (Hera Hilmar) who has a personal goal to kill Thaddeus Valentine. She almost succeeds, but Hester and Tom both are thrown out of the moving ‘City’. Now they are trapped on foot in the No-Mans-Land. They are picked up for a ‘rescue’ by a nice couple out in the desert in a weird vehicle. But then get taken to Scavenger city to be auctioned off.

Thaddeus Valentine is still in the ‘City’ and he is cooking up some big plans, including finder Hester and killing her. These plans involve a reanimated cyborg named Shrike. This metal monster machine has a death wish for Hester Shaw. Shrike can’t be bargained with. Shrike can’t be reasoned with. Shrike doesn’t feel pity, or remorse, or fear. And Shrike absolutely will not stop… ever, until you are dead! No, sorry — that’s the Terminator. Well, close enough. So Hester has everyone looking for her and she could be in deep trouble.

Tom and Hester find that the Scavenger auction was interrupted by Anna Fang (Jihae). She is a well-known rebel and the leader of the Anti-Traction League. She hates the moving cities and fights them in every way possible. Anna finds Hester, along with Tom. She rescues the two of them, just as Shrike finds Hester and announces that he will kill her for running away. Because, you see – Hester was raised by the undead cyborg monster man when her mother was killed by Thaddeus Valentine. It’ a complicated relationship… So there is more that happens, and just as scattered and confusing.

This movie ought to have a Bingo card that will allow the viewer to match each scene or idea with another movie. Main villain is actually the Father of the main character? Yup, that would be “Star Wars: The Empire Strikes Back”. High-speed chases and battles as shown in a bleak landscape? “Mad Max: Fury Road”. A deadly cyborg who is conducting an unstoppable quest to find and kill a young woman? “The Terminator”, of course. Far future technology that looks like mid 1890’s Steampunk? How about “The Golden Compass”.

There are some wonderful ideas that could be developed for “Mortal Engines”. The biggest problem is that too much world-building and idea development and background exposition entirely drowns out the main story and any feeling that these are actual people. There is way more emphasis on action than there is on acting. Plus a total overload of motion and just a passing glace to human emotion. This might have worked out quite well as a limited series TV show, say on HBO or Netflix.

But this is big-budget stand-alone movie – perhaps ready to spur on the other movie adaptations of other books. Maybe so, but this first ‘Engine’ has seized up and it is not working…

Ben is Back Movie Review

December 14, 2018 (updated December 14, 2018) Published by JMcNaughton

“Ben is Back” is a family’s personal trip into the nightmare of addition, and how it destroys that family. The screenplay is written by Peter Hedges, and he is also the movie’s director. Plus, on top of that, he directs his own son, Lucas (who plays the aforementioned Ben). This is heavy lift, and the topic is dark and moody. But the acting and direction is very realistic, so it makes for an unsettling experience. The movie takes place right at Christmas time, but it is not filled with joyous Christmas spirit.

Holly Burns (Julia Roberts) has two children with her first husband, who is now out of the picture. Her children are Ben (Lucas Hedges) and Ivy (Kathryn Newton). Nice Christmas pairing, Holly and Ivy – right? However, with her new husband African-American Neal (Courtney B. Vance), he is bringing his two much younger children into the family. But the family unit has been fractured. Ben has a severe addition to drugs and he fell into a group of very unsavory characters. Ben got his girlfriend hooked, and she died of an overdose. So now Ben has been shipped away to a rehab center far away.

Except on this Christmas Eve day, Ben is back – meaning he left the rehab center to come home for Christmas. Holly is pleased, but she is also very wary about what Ben might be up to – or what trouble he might cause. Neal’s two younger kids love seeing the older brother whom they love. But Neal has many misgivings, seeing what happened with Ben in the recent past. Also, his sister Ivy is pissed off, because she feels that Ben has come back to ruin it for everyone, like he has done in the past.

Holly sets up some stringent rules for Ben. She takes him to the mall to get new clothes, and they even get to a recovery meeting. Ben does seem to be making progress fighting off the addition urges, but Holly is still suspicious at anything that is out of the ordinary. Ban has made some enemies in the town, so there might be some blowback to his return. The family goes to church that night and all is merry and bright. Except when they get home and find that their home has been ransacked and their little family dog has been dog-napped.

Holly heads out with Ben to try and find out what is going on. The two of them are stuck together in a desperate search of the ghosts in Ben’s past. They must confront the demons of his addictive nature, and the scummy people who had dealt with in the bad old days. Ben is pushed to do things that his old nature would do in a heartbeat. But he has made it to 70 plus days of recovery, and he does not want to endanger his future. Holly sees that her son is in his element dealing with the seedy side of life. Can he fight off the evil addiction devils that are pursuing him? Can Holly make a leap of faith that Ben is really turned around in his life?

“Ben is Back” is a movie that keeps people aware of the destructive nature of addiction. The family unit is portrayed wonderfully by Julia Roberts and Lucas Hedges playing as the hopeful mother (but wary) and her son who has strayed off the path one too often. Roberts puts in a moving performance, and the depth of her despair is tangible. Lucas likewise has many powerful scenes, and he is very believable. Kathryn Newton does another job as the younger sister of Ben who suspicious of his motives for coming back.

Peter Hedges has done decent job in creating this movie, and in being able to direct is own son as the character Ben. The movie hold together really well, but in the second half there are some areas where the plot slows down and turn into more of a by-the-book whodunit. The special relationship is broken when Holly and Ben go two different ways, and resulting scenes are not as strong.

However, there could be some Award nominations on the horizon for Julia Roberts and for Hedges, perhaps for both of them (Peter and Lucas).

In the Phoenix area, opens exclusively at Harkins Camvelview at Fashion Square.

Mowgli: Legend of the Jungle (Netflix) Movie Review

December 7, 2018 (updated December 7, 2018) Published by JMcNaughton

Just in the nick of time, there is a new movie called “Mowgli: Legend of the Jungle”. It is based on Rudyard Kipling works, including “The Jungle Book”. But do not confuse this movie with other movies called “The Jungle Book” (versions released in 1967, 1994, and 2016) or “The Jungle Book: Mowgli’s Story” (1998) or “”The Jungle Book 2” (2003). Those other movies are not like this new movie, because this is based on “All the Mowgli Stories”. Also, it is not part of the Disney franchise, so there are no musical numbers or singing vultures. Is does feature Mowgli, so that clears up everything for you…

Mowgli (Rohan Chand) is a boy orphaned in the jungles of India long ago. As a little baby, his parents are killed by the striped Bengal tiger named Shere Khan (Benedict Cumberbatch). Mowgli is found by Bagheera (Christian Bale) who is a black panther in the jungle. He finds the boy and leaves him with the nearby family of wolves. Mowgli knows that he is unusual, but he also knows that his wolf parents care for him. He is taught, like the other wolf cubs, by the Himalayan brown bear named Baloo (Andy Serkis). Mowgli learns of the Man Village, but he avoids it and wants no part of it. He knows that some day Shere Khan will return and will try and kill him. Mowgli plans to be ready for that day. There is an ancient python named Kaa (Cate Blanchett) who knows the past and the future. She knows that Mowgli can be a great leader in the jungle, or he might one day destroy their home.

The people of the Man Village have hired a Great White Hunter named Lockwood (Matthew Rhys) to track down and kill Shere Khan. Mowgli studies with Baloo, and he learns that he can use his human features to also be fast in the jungle. He can run upright, he can climb trees and swing on vines, and he can use tools. That makes Mowgli very different form the wolves. He is also different from other jungle creatures. Mowgli makes friends with the elephants, and one day he is kidnapped by the apes. He is almost turned over to Shere Khan by the apes, but he is rescued by the elephants, Bagheera and Baloo. Mowgli is found by the hunter Lockwood, and he stays for a while in the Man Village. But Mowgli knows that he must face Shere Khan some day, so he leaves the Village to find and fight the ruthless tiger.

So in case you have not seen any of the other five or so movies about the Jungle Book or about Mowgli, then this will not give away any surprise endings. But if you want to know “The Bare Necessities” about this movie, than you can “Trust in Me”. Andy Serkis has taken an old favorite and has given a new and talented cast a shot at making something different. He gets close to it in a few places, but the fact that everybody knows the story hold this adaptation back from being great. There is an amazing visual landscape that is created, and it all looks good. The CGI creatures created for the main animal characters are really well done. The voice acting is very convincing. There is a section of the movie where Mowgli spends in the Man Village, and that part has never been explored in the past.

Rohan Chand makes a very good impression as Mowgli, very skinny and spritely. He is very physical in this role, and he does it well. Christian Bale and Andy Serkis are very stable and upright as Bagheera and Baloo. They match up very well with the characters. Benedict Cumberbatch plays Shere Khan, but is couple of scenes he almost goes from drama to parody (“I will not rest until I drink the blood of the Man Cub !!!!”). The human characters (other than Mowgli) never too much attention. So this will be released to a limited run in theaters, but most of the viewing will be done when it gets to Netflix.

Roma Movie Review

December 6, 2018 (updated December 6, 2018) Published by JMcNaughton

“ROMA” is a fantastic voyage back into the memory of Writer and Director Alfonso Cuarón. It is a lovingly filmed remembrance of his childhood, growing up in Mexico City. His family had a live-in housemaid who becomes an essential member of the family. He pays honor to her, and also to his own mother – both were strong women faced with difficult circumstances. But he has done so by creating this movie, which is an artistic bonanza of talent and beauty. Alfonso Cuarón has already won an Oscar, actually two (2014 “Gravity” – Academy Award for Best Director and Best Film Editing). So he did not have to prove anything. But Cuarón was busy with “ROMA”, working as Writer, Director, Co-Producer, Co-Editor, and Cinematographer.

Beginning back in 1970 and going through 1971, “ROMA” follows a middle-class family in a section of Mexico City named Roma. The mother Sofia (Marina de Tavira) and the father Antonio (Fernando Grediaga) have several young children. To help them with this unruly brood, they employ a young woman named Cleo (Yalitza Aparicio). She comes from a poor family out where the indigenous native Spanish live. But Cleo has been around with the family for many, many years, and she deeply cares for all of them. Also living with them is Teresa (Verónica García), who is Sofia’s elderly mother.

Antonio leaves on a ‘business trip’ to Canada, but the tears from Sofia show that there is a much more ominous reason. They have had marital problems, and he is leaving the family. Cleo steps up to be more supportive, and Sofia needs that support. But Cleo has a boyfriend problem. She has met Fermin (Jorge Antonio Guerrero) who is a very blunt and tough-talking guy. He has big plans for his future, and she woos Cleo with his martial arts skills. But Cleo becomes pregnant, and soon Fermin disappears. She makes a trip out her native village one day, to try and contact him and let him know her situation. But he rebuffs her, and says he has better things to do.

There are exams in the hospital for Cleo, where an earthquake rumbles the entire area. There is a New Year’s outing to Sofia’s relative’s house. It is fun time, until there is a forest fire near the house, and everyone runs out to help stop the fire. There is even help from a man in bear costume who sings a Mexican folk song. There is Cleo and Teresa who go out one day to purchase a crib for Cleo’s soon-to-be-born infant. However, there are street protests and some students are injured and killed. Some of the pursuers chase some people into the store, and Cleo sees that one of the thugs is Fermin.

Cleo is about to give birth during the street riots. The hospital is complete chaos. Cleo finds out that her baby is stillborn, and never had a chance to live. Sofia decides to take all of the kids and also Cleo out on a vacation to the ocean. She lets the kids know that their father Antonio will not be back home to live with them. Cleo is sad about her lost baby, but it is even more difficult for Sofia right now. The kids play in the ocean, but get caught in a strong current. Cleo, even with no ability to swim, goes into the water to make sure they are safe. Cleo becomes even more important in the lives of this family who live in Roma…

This movie is filmed in black and white, and it is almost 100% Spanish language. Many parts are very languid and easy-going. There is a simple story structure and it does not have a whole lot of details in the plot or the delivery. But each scene is constructed in such an artistic way that the movie is beautiful to watch. The sound design is very precise and detailed. A scene of Cleo in the ocean is overwhelming when the waves come in higher and higher. You can hear the roar of the ocean bringing more and more danger to her character. There are some scenes where small details in the background just seem to be astonishing. Such a man shot out from a cannon at a small village fair. Or the scene where the family is eating ice cream, but the main action is in the back where there is huge wedding reception. Or the look out of a window at small store, and seeing hundreds of people fleeing and fighting in the streets. The attention to every detail is very impressive.

Alfonso Cuarón has used “ROMA” to make a statement about the two special women who had raised him as a child. He is taking the memories of his childhood and giving them new life on the Big Screen. But soon, it will be also on the Not-So-Big Screen. After a limited release in theaters, he will also get it released to streaming service Netflix. Some people are not too happy with that. But it will give many more people the chance to see this movie. Perhaps that will gain him the following and the goodwill to spark another Oscar. This time for Best Picture.

Opens December 6th – in Phoenix area, exclusively at Harkins Camelview

Blast from the Past (November 2018)

November 25, 2018 Published by JMcNaughton

Yeah, the Box Office is rockin’ today with a whole lot of movies. But there are some from prior years that you may (or may not) remember. These older movies came out 5, 10, 15, 20 years ago, maybe even longer back. Some were instant classics, while others were not. So let’s jump into the DeLorean and travel backwards in time to revisit a few of these forgotten gems…

November 2013 (5 years ago) — Frozen – Disney Animation is a powerful juggernaut, so just “Let It Go”…

It does not matter if you like it or not, Disney will always come out with a new animated movie and 99% of the time it will be top of the line. That goes here, of course, for Frozen. It’s a movie that many girls from age five to twenty-five can quote by heart. The whole thing, all the parts, including Olaf the Snowman…

November 2008 (10 years ago) — Twilight – All the moody Kristen Stewart that anyone can stand, plus twinkley vampires!

Back when romantic vampires were all the rage, Twilight got all the tween-age girls hearts a-flutter. Actually, probably even more of their middle-aged moms’ hearts were sent racing with the idea of a totally dedicated vampire lover…

November 2003 (15 years ago) — Elf – Will Ferrell plays an oversized imp from the North Pole, and the world breaks out in Christmas songs

This movie is slowly making its way into becoming a Christmas Classic. Ferrell plays the Buddy the Elf with a lot of goofy compassion that he really brings it up a notch. Along with his real curmudgeon father, James Caan, Buddy brings the Spirit of the Season to New York City. “The best way to spread Christmas cheer is singing loud for all to hear.”

November 1998 (20 years ago) — Enemy of the State – Will Smith gets mixed up with some serious spy stuff, and he takes a toll on the bad guys

Will Smith plays a lawyer who gets on the wrong side of the NSA, and it takes Gene Hackman to get him out alive. Hackman is a super under-cover dude who lives off-the-grid, and Smith works with him to push back on the NSA bad guys. The action gets intense and the bad guys get more than they bargained for…

November 1993 (25 years ago) — Mrs. Doubtfire – Robin Williams plays a gender-swapped nanny, the dude does look like a lady…

Robin Williams created a wonderful character, by creating this older British nanny named ‘Mrs. Doubtfire’. He took this role, the alter ego to a divorced father of three, and made it into one of the most memorable in his career. Prevented from seeing his kids, Daniel Hilard creates the loving and all-knowing nanny, and gender-swaps his way back in to be with his kids. Comedy ensues, and lessons are learned.

November 1988 (30 years ago) — Scrooged – Bill Murray takes “A Christmas Carol” into entirely new dimensions…

Charles Dickens was never this cynical, so he left it up to Bill Murray to do that for him. Based on “A Christmas Carol”, this movie takes a wide swatch of satire and covers the TV networks. It takes a look at how bad the programs can be, and how little the network big-wigs care. Murrays’ character Frank Cross, meets the Ghosts, and has a change of heart. “Yule Love It!”…

Creed II Movie Review

November 21, 2018 (updated November 21, 2018) Published by JMcNaughton

“Creed II” picks up after the movie called “Creed”, which picks up after the movie “Rocky Balboa”, which picks up after… well you probably get the picture. This is another in the long line of “Rocky” movies and sequels. But this is a strong brand, when first created by Sylvester Stallone several decades ago. Now the mantle, or rather the Championship Belt, has been picked up by Michael B. Jordan. Jordan carries it aloft with a lot of respect and with dignity, and that helps to make this movie special.

Adonis “Donnie” Creed (Michael B. Jordan) is the massively talented boxer who is the son of Apollo Creed. Creed the Older was the first major opponent of young and rising boxer named Rocky Balboa (Sylvester Stallone), but that was decades ago. Rocky had many major fights (read that, “Rocky” had multiple sequels). Then at one point – there was a huge bout between Apollo Creed and Ivan Drago (Dolph Lundgren). Drago was a Soviet boxer, and his cruel tactics in the ring ended the life of Apollo Creed. But then Rocky fought Drago and beat him at his own game.

Now quite a few years later, “Donnie” Creed has become a new major fighter, and he has Rocky as a ring-side trainer and mentor. Creed has a new girlfriend named Bianca (Tessa Thompson) who has become quite a singer-songwriter star on her own. After the events of the “Creed” movie, Donnie and Bianca have made a new life, and Creed is best in the world.. They are married and have new child, and Creed is the world Champion. Nothing can go wrong…

Except that Ivan Drago has been training his giant bear of a son named Viktor Drago (Florian Munteanu). Ivan gets word to Creed that there needs to be a rematch. He wants a new match up of Drago versus Creed, but this time it will be the son against the son. And perhaps nobody will be killed this time out. But with this fight, Rocky refuses to help, because he knows that Viktor will have nothing to lose. Creed might possibly lose the title, but the fight goes on, and Creed does not lose the title. But he also does not win the fight. Drago beat up on Creed so badly that Donnie needs a lot of rehab. But Vicktor is not an experienced fighter, and with a couple of cheap shots, he was disqualified.

So before you can say “will there be family drama”, and “Rocky is out as trainer and is now back in”, and before you can see training montages that are in the desert and in swimming pools, Adonis “Donnie” Creed will train and strain and grunt and groan until he is in perfect shape. Now he is ready to take on Viktor Drago again, so that both the trainers can be Rocky versus Ivan. Just like before. But much older…

If you understand that some things need to be predictable, like the rising and setting of the sun, then you know that there will be a final major fight. And in that fight, there will be a number of slow-motion shots of punches to the face (of either boxer). Also at some key moment, there will be stirring first notes of the “Rocky” theme music. And that will lead into the blaring notes of the song playing as the underdog fighter gets up off the ring floor and delivers some major knockout blows.

Just because some parts are predictable does not mean they are not enjoyable to watch. It is especially fun when it is done with such good actors. Such as Michael B. Jordan, who is jacked up and beefed up to play Creed. He does a very believable job in the training and fight scenes. Tessa Thompson is very gracious performer in this movie. She acts like Beyonce-like star, and she pulls it off. Heck, even Sylvester Stallone mumbles less than he normally does in this movie…

To mix some sports metaphors: “Creed II” does not land in the gutter, and it does not score a grand slam. But it does reach the finish line without a fatal spinout. Great actors keep the aging “Rocky” series from fumbling in the end zone.

Ralph Breaks the Internet Movie Review

November 21, 2018 (updated November 21, 2018) Published by JMcNaughton

“Ralph Breaks the Internet” proves that Disney Animation can make a sequel based on its legacy of great movies, and does not “Wreck-It”. “Ralph” is a follow-up edition to “Wreck-It Ralph”, which introduced some arcade video game characters. It had a smart story line and large group of quirky, yet lovable, characters. This new update to the continuing “Ralph” story takes two main characters beyond the walls of Litwak’s Arcade. They venture out into the Internet, which Ralph promptly breaks… The online community is not ready for the big, lovable doofus of Ralph, so he takes the Internet by storm.

In the first movie (“Wreck-It Ralph”), Ralph (John C. Reilly) has a job in an arcade game called “Fix-It Felix Jr.” Felix (Jack McBrayer) has met his true love Sergeant Calhoun (Jane Lynch). Ralph’s best friend is Vanellope von Schweetz (Sarah Silverman), who is go-kart racer from “Sugar Rush”. Vanellope has a ‘glitch’, which gives her unusual functions. She is tired of her life in the Sugar Rush game, and she would like to see much more of the world. Ralph is very content with the state of things, while Vanellope needs to expand her horizons.

After a part breaks on the Sugar Rush game, Mr. Litwak (Ed O’Neill) is forced to unplug this game. All the characters rush out and now are homelessa. Litwak has just installed a router that connects to the Internet, so Ralph and Vanellope find their way into it. They have heard that a new part can be purchased on-line for the Sugar Rush game. They intend to go to that website and bid for that part. But when they bid way too much, they need to find a way to get money to pay for it. Ralph finds a site called BuzzTube, and it is run by an algorithm named Yesss (Taraji P. Henson). She explains that Ralph can become an Internet sensation by creating viral videos. That could get the money they need.

Vanellope and Ralph also find an online video game called ‘Slaughter Race’. It is dirty and grungy and there are no rules. Vanellope thinks it is the perfect world for her racing future. The best racer in that game is named Shank (Gal Gadot), and she has the best car and best skills. She and her crew raise havoc with all the online gamers, because she always wins. Vanellope has met her match with Shank, and she wants to stay in Slaughter Race forever to race her heart out.

When Vanellope goes to a Disney website and meets with all the other Disney Princesses. She likes them all, and they accept her as another real Princess – but she does not feel at home there. Ralph just wants to buy that part to fix Sugar Rush, and then get home to his game. But Ralph begins to worry that his best friend Vanellope will not be coming with him.

Ralph lets his worry and his doubt take over, and he does something really dumb. He wants to convince Vanellope that she should come back to the arcade with him. But Ralph’s plan backfires, in a really big way. The Internet is threatened by the bone-headed move that Ralph makes, and Vanellope is in real danger. Shank tries to help Vanellope, and also later on the Disney Princesses come to her rescue. Ralph finally learns a big lesson that friendship is stronger than distance. Vanellope can still be his best friend, even if they are in two different places. The Internet is saved, and Sugar Rush gets repaired…

“Ralph Breaks the Internet” takes the characters from the first movie and gives them a new and expanded universe to explore. Getting the two main game characters (Ralph and Vanellope) into the Internet-at-large is a terrific concept. Ralph is a ‘fish out of water’ type, while Vanellope embraces all that the new horizons can offer to her. Because this is a Disney movie, all of the properties they own (Marvel, Pixar, Star Wars, Disney Princesses, Winnie-the-Pooh, and others) all make a brief appearance.

John C. Reilly does the voice of Ralph, and he proves himself to be a work horse, not a show horse. He is a steady and reliable character voice for the big lug, and it fits him perfectly. Gal Gadot does the voice of Shank, the attractive and super-cool driver in the ‘Slaughter Race’ online game. She is strong and capable, and she becomes a new friend to Vanellope. Taraji P. Henson plays Yesss, and her character is quite quirky. She searches for the next huge viral video, and she encourages Ralph to become a video star.

But then we come to the weakest part of this movie. Sarah Silverman does the voice of Vanellope. But her character’s voice is such a whiney, nasally and annoying voice that it can grate on your nerves. In the first movie, this character was introduced about midway into the stroy. So Vanellope’s voice gets a LOT more screen time in this movie. Vanellope is supposed to be cute and precocious character. But she leans heavy into being more annoying than sweet. However, her character and Ralph are the main two roles, so you get much, much more of the least enjoyable voice in the bunch.

Fantastic Beasts: The Crimes of Grindelwald Movie Review

November 16, 2018 (updated November 16, 2018) Published by JMcNaughton

Fantastic Beasts: The Crimes of Grindelwald” is the newest “Wizarding World” magical spell created from the boundless mind of J.K. Rowling. It takes a close look at the Wizarding community in the pre-Harry Potter years. The Hogwarts school plays a much smaller part of this story, but it does make a welcome appearance. After the first movie in this sequence (“Fantastic Beasts and Where to Find Them”), this next chapter follows along with the main character of Newt Scamander (Eddie Redmayne). Newt will figure prominently into the new story line, along with the other people he meets.

In the first movie, Newt was the one who captured the criminal Gellert Grindelwald (Johnny Depp) while Grindelwald was hiding in New York City. Newt met many magical people in New York, and one “Non-Maj” (non-magical person, in England they are called ‘muggles’).While in New York, Newt made very close friends with Tina (Katherine Waterston) and her sister Queenie (Alison Sudol). There is also Jacob Kowalski (Dan Folger), who is a non-magical type, but shares a bond of love with Queenie. Jacob was supposed to have his memory wiped out at the end of the first film, but he still remembers everything.

Newt’s brother Theseus (Callum Turner) is a high-ranking fellow in the British Ministry of Magic, and he attempts to convince Newt that he needs to be on their side. Grindelwald has gotten his followers to break him out of the jail cell he was being held in for three years, located in New York City. Grindelwald is out on the loose, and he is hunting the person who created much destruction in New York. He is looking for Credence Barebone (Ezra Miller), since he controls something called an Obscurus. This is a powerful Dark Magic object that Grindelwald wants to use to destroy the non-magical world, so he can take over.

Newt, Tina, Queenie and Jacob wind up in France to also look for Credence, because he is the key to finding Grindelwald. Newt has also had a visit with a Professor from Hogwarts named Albus Dumbledore (Jude Law). Dumbledore has a keen interest in stopping Grindelwald, however there is a close personal bond between Grindelwald and Dumbledore. Dumbledore is prevented from moving against Grindelwald, and he implores Newt to find Credence and then Grindelwald. Creedence has been located, and he is employed at a magical Freak Show with a close friend named Nagini (Claudia Kim). Nagini has a curse that turns her into a large snake (shades of Harry Potter movies that are set in the future!). There is also Leta Lestrange (Zoë Kravitz) who is an old Hogwarts BFF to Newt, but she is now engaged to Newt’s brother Theseus. Oh, and don’t forget Yusuf Kama (William Nadylam), who is also on a separate quest to find and kill Grindelwald, for personal and family reasons…

Yikes, there are a lot of characters and plot points to try to keep straight. Rowling screenplay creates a very rich and deep Wizarding World. Yet the incredible number of overlapping plot and interwoven characters make it hard to track of all of them. There a whole mess of characters, and the main ones are very well defined. But there are a huge number of side characters that get introduced and get such limited screen time that you do not know why they are important or what their ultimate purpose might be in the series. However, director David Yates does a fantastic job to take a complex story and give it a calm and steady push to the screen.

Also, the productions, sets and physical designs are all amazing and leap out from the screen and make the story come alive. Plus, getting the right actors to inhabit these roles make a major difference. Eddie Redmayne is true genius at making an oddball character come alive. Dan Folger has also just the right amount of comic relief and sense of wonder at seeing the Wizarding World up close and personal. Johnny Depp is creepy and charismatic as Gellert Grindelwald. And Jude Law is a perfectly cast Albus Dumbledore, the future Headmaster of Hogwarts.

Even if it is long movie with a lot going on, this is still a magical experience. Thanks to J.K. Rowling and the entire team that put this together, it is a “Fantastic Beast” of a production. It assumes that you are up to speed on all the Wizarding World goings-on, so it is best to see the prior movie (“Fantastic Beasts and Where to Find Them”) before your put your effort into this one. The special effects are very seemless and help to drive the story. A couple of the sequences are exciting to watch and keep you energized for the next one.

Oh, and then that FINAL reveal of the secret identity and background of THAT character! And how they are related to that OTHER character! OH – WOW! How can they keep all that a secret???? What does all this mean for the future of Newt and of future movies? You will just need to see for yourself…

The Front Runner Movie Review

November 16, 2018 (updated November 16, 2018) Published by JMcNaughton

“The Front Runner” invites you to come and ride on the campaign bus with the leading Presidential candidate in the 1988 Democratic primary. Gary Hart (Hugh Jackman) is a US Senator from Colorado, who is smart and well-spoken. He came in second during the 1984 Democrat race, so his star is rising in the party and with people in the country at large. He is from the West, and he believes that the future will be based on leaders from the Western states. He is well-read when it comes to politics, trade policies and economics.

But when it comes to his personal space and his family, Hart is aloof and distant. He is a Democratic fresh face, attractive and ready to lead. However, he does not know that he has created a big target on his back. The press has become more aggressive and intrusive on the past four years. Hart makes personal decisions and mistakes that take his campaign from ‘Front Runner’ status to drop out, all in a matter a few weeks.

Gary Hart and his wife Lee (Vera Farmiga) have gone through the campaign wringer before, and they expect more of the same. Hart has a campaign manager named Bill Dixon (J.K. Simmons), who is ready to gather an army of young people that will handle Hart’s march on Washington. Hart plans to do things his way, and not follow the stale old advice of consultants and party bosses. He plans for a Presidential run declaration up high in the foothills of the Rockies. The press starts to grumble that Hart is not keeping with the usual traditions. There are some reporters who start to whisper of Hart having a troubled marriage. Hart continues to concentrate on policy and protocol, proclaiming the first and ignoring the latter. But there is a meeting with a large donor and fund raiser in Miami. He takes a trip on the donor’s yacht, called – of all things – the ‘Monkey Business’.

He meets a very lovely young woman named Donna Rice (Sara Paxton). She is looking for a job with Hart’s campaign, but she winds up catching Hart’s eye. They spend some time together, and he later invites her up to his townhouse in Georgetown. She flies up from Miami, but the Miami Herald catches wind of something going on. A group of reporters and a cameraman camp out outside Hart’s place near Washington. They see various people who come and go, including Hart and an unidentified young woman. The reporters start sending up red flags to the Herald editors. They must run with this story, even if they do not know all the details or the facts surrounding the young woman. They meet Gary Hart in an alleyway near his place, and he demands to know why they are trailing him. He wants his privacy and they do not have his permission to snoop. But they tell him it is a free country and the First Amendment gives them the right to write and publish the news, even if it seems to have become the trashy tabloid variety.

In the next week, the press is all over this story. They are staking out Lee Hart, out in her country home in Colorado, in a tiny, out-of-the-way place called Troublesome Gulch. It becomes an apt description, because soon the towering pines on the dirt road stand next to TV satellite dishes and large antennas. The Press, especially the TV media, have planted themselves there to report that Lee has not left the building. Other reporters chase down Donna Rice for an exclusive story about her time with Gary Hart. Hart is still on the campaign trail and stops to make a speech about economic policy.

But the only thing the press wants to know about is Hart’s relationships. Is he faithful to his wife? Is he in the middle on an adulterous affair? Can he continue to be Front Runner with all these unanswered questions surrounding him? The media and press turn into paparazzi and Hart undergoes scrutiny unlike any other candidate. Even the Washington Post gets into the examination, led by Ben Bradlee (Alfred Molina). The boxing gloves had come off and it became bare-knuckle fighting…

Jason Reitman has created, in terms of directing and co-writing, a powerful story of what can happen when the Press decides to pull out all the stops. Before anyone come up with calling the press “Fake News”, they held a powerful grip on the political system and who was able to get to the top. Hugh Jackman does a fine job playing Hart, who is caught up in his own position papers that he doesn’t realize that he put himself into a compromising position. Vera Farmiga and Sara Paxton play the two women in Hart’s life that lead him into the abyss. J. K. Simmons is also good as the campaign manager that cannot believe his campaign is falling apart around him.

“The Front Runner” gets you into a wild and crazy world of campaigning. It is a world that is made even crazier when Hart goes from being “The Front Runner” to “Front Page News”…

Overlord Movie Review

November 9, 2018 (updated November 8, 2018) Published by JMcNaughton

“Overlord” contains a World War II D-Day setting for a strange bunch of German Nazis. Just before the Allied forces are set to land on the Normandy beaches, the movie swerves into “Saving Private Zombie”. Yes, the nasty Nazis are conducting experiments to change German youth, and French citizens, into undead zombie super-warriors. And the re is anAmerican paratrooper squad sent in to take out a German radio tower get a first hand view of the horror of war. But also the horror of zombies. Did I mention this movie also features Nazi zombies? Yes, as if the actual horrors of war are not enough, let’s throw into the mix some zombies…

Just before the D-Day landing is to occur, an Allied plane is sent over into France to send American paratroopers behind enemy lines. They have a mission to find a German radio tower in a church building in a small French town. They must destroy that jamming signal from the tower to help the Allied forces start the invasion. On the plane are some new soldiers, plus some long-timers. Pvt. Boyce (Jovan Adepo) was a civilian just a few months ago. Tibbet (John Magaro), Rosenfeld (Dominic Applewhite) and Chase (Iain De Caestecker) are also low-level grunts waiting for the drop zone. They will be joined by Cpl. Ford (Wyatt Russell), who is an explosive expert. But they are led by Sgt. Eldson (Bokeem Woodbine) and he is a hard-nosed sergeant.

But when the plane comes under attack, many are killed before the jump. Boyce gets out, and he meets up with Ford, Chase, Tibbit. But where is Rosenfeld? Sgt. Eldson makes it to the ground, but he is taken by the Nazis and is killed. The rest of them head to the small French village. On the way, they meet Chloe (Mathilde Ollivier). Chloe and her young brother and her aunt live in the village, very close to the church that holds the radio tower. The village streets are patrolled by Nazi soldiers, but they make it into Chloe’s house. They make a plan to attack and take out the tower, so that the Allied troops will have a safe landing. But the group is surprised when Chloe is visited by a cruel Nazi SS commander, named Wafner (Pilou Asbaek). The take him prisoner, and things get stranger from there.

Boyce finds his way into the church/bunker. But there he sees every manner of disturbing things. He also locates Rosenfeld who has been captured. Boyce frees Rosenfeld to take him back. But he also takes a syringe of some strange serum that a Nazi doctor was using for his terrible experiments. Wafner, the evil Nazi soldier, escapes and kills Chase, but Boyce tries out the Nazi serum on Chase. There are many unusual things that this serum can do, especially to a dead body.

Now it is Allied troops against the Nazi troops, when there is an assault on the church. Ford and Boyce rig up the explosives ready to make the tower fall. But there are unspeakable horrors on the loose in the Nazi camp. Could it be? Could it possibly be… Zombies? Why, yes. Yes, there are zombies. What tipped you off about the zombies?

“Overlord” is a unique mix of B-movie war time action taken to a new level of creepy monster scares. It is sometimes bloody and gross, yet parts of the movie seem stuck in the 1950’s mentality. The Nazis are more than evil, and the American soldiers can always come through with a gung-ho attitude. Of course, even when they are France and it is occupied by Germans; everyone has enough common sense to speak English. Except for the zombies. They just growl…

Author: JMcNaughton