A Quiet Place Movie Review

Believe it or not, John Krasinski (The Office) has a flair for horror. This is his third film as director and definingly not his lastā€¦ hopefully not his last horror film, anyway. He said on The Tonight Show that he likes the genre now so Iā€™m crossing my fingers heā€™ll stick with it. Heā€™s so good, in fact, that youā€™ll have a difficult time escaping the world that he designed for you in ā€˜A Quiet Place.ā€™ Well, youā€™ll eventually be able to after the movie but not during. Youā€™re there. Trust me when I say that itā€™ll take a while to shake what you witness. He did such a spectacular job of choosing the music, setting the tone and creating an atmosphere thatā€™s so believable you walk away from watching the film as if you were personally involved in the lives of the characters on the screen. Masterfully, he introduces you to a family and their interrupted lives, in such a deeply contriving way that it leaves a profound impact on you as you sit in anticipation of what hideous thing will happen to these people next. After being shown the ramifications of making any sound, you hope for the best but fear the worst.

I was probably the biggest baby in the theatre. By the way, the movie is so quiet, you canā€™t help but notice the reactions of the other audience members as they gasp in fear and surprise. Krasinski didnā€™t make his film all about jump scares, (though there are a few really good ones), he instead ran straight toward your psyche and struck it hard by attacking what no one on earth can possibly avoid; making noise. What would it be like to live a life of silence? Could you? How would you? How would you communicate? What of your children? Could you keep a young child quiet? Could you keep an infant from crying? He puts you in the middle of situations where silence is golden and any hit of speech or the smallest of thuds can lead to certain death. Itā€™s hard to imagine and how this story comes together, how well it was conceived and orchestrated, is even harder to explain except to say that the actors, especially Emily Blunt, are unbelievably good at bringing this terrible existence to life and you never once question their authenticity.

The family, Lee (Krasinski), Evelyn (Blunt) and their children Regan (Simmonds) and Marcus (Jupe) are alone on their farm but have made the best of it. They hunt, grow and can their food, know enough about medicine to survive and are smart enough to work around all the sound issues they face. We learn a lot about the creatures, where they come from and what they are, by reading clippings that Lee has posted. Leeā€™s not only reading all he can about the creatures, trying to find a way to defeat them, but he also studies how he can help his deaf daughter, Regan, a bratty pre-teen, hear again. I must point out that Simmonds is deaf in real life and what she does for the film is lend it some legitimacy. The family communicates with sign language and Krasinski not only needed young Simmonds for her fantastic acting and the character in her face but for her ability to make ā€˜A Quiet Placeā€™ look more convincing. This will be appreciated by all, especially those in the deaf community. If you want to see an edge of your seat thriller this weekend, donā€™t miss this film. This is a must-see and unless you canā€™t keep quiet, experiencing it in the theatre is the best way to go.

Finding Your Feet Movie Review

Though the older crowd is the obvious target audience for a film like this, it can be and will be enjoyed by anyone who watches it, no matter what age the moviegoer happens to be. Richard Loncraineā€™s (The Missionary, Richard III, Band of Brothers) Finding Your Feet is an amusing, romantic comedy and a sweet and touching tale of two sisters reuniting after many years apart.

The reunion comes due to the fact that the younger of the two sisters, Sandra, played remarkably well by Imelda Staunton (Harry Potter, Shakespeare in Love, Vera Drake), leaves her husband, Mike (Sessions), when she catches him cheating on her with, Pamela (Lawrence), a woman Sandra thought was a friend of hers. This revelation happens when she sees them at an inopportune time at a party she and Mike are throwing for his retirement. She not only sees them kissing but then learns it has been going on for five years. Itā€™s rather difficult to watch her be humiliated even though our first introduction to Sandra is to find her rather stuffy.

Unable to trust or stay with him, she packs her bags and heads to the only place she knows sheā€™ll be safe, the doorstep of Bif (Imrie), her very liberal and independent-minded older sister. Actress Celia Imrie, who was also in Bridget Jones’s Baby, The Best Exotic Marigold Hotel and Nanny McPhee, was outstanding in this part. The two actresses were believable as sisters in their authentic performances and their commitment to the roles. It was easy to like them and root for them.

It isnā€™t long before Bif, so named because as a little girl, Sandra couldnā€™t say Elizabeth, is trying to play matchmaker. Her friend Charlie (Spall) might be the perfect match for Sandra. Charlie, who lives on a houseboat after selling his home to pay for the care his ailing wife, Lilly (Sian Thomas), receives, is lonely, interesting and interested. Lilly is in the advanced stages of Alzheimerā€™s, something he doesnā€™t share with Sandra who, after what she recently went through, wouldnā€™t ever want to be the other woman. Bif, Sandra, Charlie and his widowed friend Ted (Hayman), dance away the blues at a dance class Sandra can’t help but get involved in. A lot of the humor in the film comes from this class, such as a line from actress Joanna Lumley who plays their friend, Jackie. She shares with the group that she and her husband broke up over religious difference, ā€˜He thought he was God. I didn’t.ā€™ Even though sheā€™s still bitter, itā€™s pleasant watching the members of the dance troupe accept Sandra and for Bif to observe her slowly become more like the person she remembered her sister was before marrying the man who killed her dreams. Sandra gave her younger years to what Mike wanted to be and do and forgot who she was in the process. Bif is now tasked with bringing her back to life.

It is a tale thatā€™s been told before but not quite in this fashion. With that said, you can see everything coming a mile away but with this cast and with the struggles the characters face, Loncraine manages to keep things fresh enough for you to stay fascinated in the story and you donā€™t much mind the predictable moments. The film is littered with the occasional character in a circumstance thatā€™s heartbreaking. These situations work as well as the comedy does and when the dance troupe starts a flash mob and ends up going on a trip to Rome because of it, youā€™re overjoyed that Sandra has finally gotten the message that itā€™s time she ā€˜went for it.ā€™ This is a feel-good piece, the pace is good, the dancing is believable and quite entertaining and thereā€™s also a wonderful soundtrack that takes you through the entire film. If youā€™re enjoying it, it continues through the end credits with the Elkie Brooks’ song Running to the Future. I recommend. Enjoy.

 

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First Reformed Trailer

ETHAN HAWKE HAS A CRISIS OF FAITHĀ IN THE OFFICIAL TRAILER FORĀ PAUL SCHRADERā€™S MIND-BENDING MASTERPIECEĀ FIRST REFORMED.


The festival hit from the visionary writer of TAXI DRIVER opensĀ in theaters May 18.

Reverend Ernst Toller (Ethan Hawke) is a solitary, middle-aged parish pastor at a small Dutch Reform church in upstate New York on the cusp of celebrating its 250th anniversary. Once a stop on the Underground Railroad, the church is now a tourist attraction catering to a dwindling congregation, eclipsed by its nearby parent church, Abundant Life, with its state-of-the-art facilities and 5,000-strong flock. When a pregnant parishioner (Amanda Seyfried) asks Reverend Toller to counsel her husband, a radical environmentalist, the clergyman finds himself plunged into his own tormented past, and equally despairing future, until he finds redemption in an act of grandiose violence. From writer-director Paul Schrader (Taxi Driver; American Gigolo; Affliction) comes a gripping thriller about a crisis of faith that is at once personal, political, and planetary.

STARRING:

Ethan Hawke, Amanda Seyfried andĀ Cedric Kyles

WRITTEN & DIRECTED BY:
Paul Schrader

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In Theaters May 18th

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Journey’s End Movie Review

Journeyā€™s End is an incredibly well-done war film. Itā€™s set in the spring of 1918 during the fourth year of WWI. Weā€™re transported to the battle of Saint-Quentin in northern France, where a very young soldier, Raleigh (Butterfield), is in the trenches about to fight for the first time. Each company of soldiers is required to spend six days a month on the front-line and itā€™s his turn.
The set is brilliant and looks authentic, giving you the exact feeling of what a WWI trench warfare must have felt like.
As the camera moves through the men, you get a strong feeling of claustrophobia. To manage this feeling, directorĀ Saul DibbĀ keeps the camera focused closely on the faces of the soldiers, allowing you to sense all expressions clearly. Thereā€™s no way youā€™ll mistake a feeling of fear for one of contentment or bravery.

You canā€™t help but think of what it would have been like back then not only being on the front-line but being stuck in the ground for so such long periods of time, waiting for the enemy, waiting to die. Young Raleigh is stationed with a friend from back home, Stanhope (Claflin), who happens also to be captain. Stanhope isnā€™t exactly handling things well and knowing the sitting ducks that they are, gets through the day by drinking as much whiskey as he can get his hands on.
These characters will keep you engaged in the film and the actors playing them must have been well versed enough in the war to visually and audibly bring the attention to detail Dibb needed to pull empathy and pity for their circumstances from his audience.

Weā€™re not in battle much, but when we do get there, youā€™ve gotten to know them and care for them so much so that youā€™re hoping they return. You dread the possible moment a bullet finds Raleigh. The journey Dibb takes you on is from different perspectives than most and itā€™s those differences that youā€™ll celebrate.

It was originally a play written by former British officerĀ R.C. Sherriff. His story was simply about life in the trenches during WWI and youā€™d think it couldnā€™t make a thought-provoking yarn but with the characters struggles, their trying to get in the last smoke before they die and the battle itself, Journeyā€™s End, though a smaller film than others like it, is one of the better war pictures Iā€™ve seen. There are a few slow parts but donā€™t worryā€¦ no matter whatā€™s going on in the film youā€™ll be in a constant state of wondering whatā€™s going to happen next. This helps make Journeyā€™s End memorable, which it most certainly is.

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Kings Trailer

KINGS

 

STARRING:Ā Halle Berry,Ā Daniel Craig, Lamar Johnson, Kaalan ā€œKRā€ Walker, and Rachel Hilson

DIRECTOR:Ā Deniz Gamze ErgĆ¼ven

WRITER: Deniz Gamze ErgĆ¼ven

PRODUCER:Ā Charles Gillibert


SYNOPSIS:

KINGS stars Oscar winner Halle Berry and Daniel Craig as citizens of the same South Central Los Angeles neighborhood set against a backdrop of rising racial tensions during the verdict of the Rodney King trial in 1992. In her first English-language film following the critically acclaimed Mustang, writer-director Deniz Gamze ErgĆ¼venā€™s KINGS tells a dramatic story of family bonds and the lengths one mother will go to bring her children home. Halle Berry stars as MILLIE, a tough and protective single foster mother of eight who must ally herself with OBIE (Daniel Craig), her neighbor and a local loose cannon, when racial tensions start to run dangerously high.

As the civil unrest in Los Angeles grows following the acquittal of four of the officers accused of beating Rodney King, Millie and Obie must navigate the chaos that surrounds them in order to ensure her childrenā€™s safety. KINGS focuses on the fragility of family relationships and touches on turmoil and tensions of the past, which sadly prove to be more relevant than ever in todayā€™s social and political climate.


SOCIAL MEDIA:

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In Theaters APRIL 27

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Love, Simon Movie Review

ā€˜Love, Simonā€™ is a touching story about a high school student named Simon (Robinson). He has a secret that he has kept from everyone in his life. That secret is that hes never told his family or friends that heā€™s gay. The film, in a way, encourages those who havenā€™t, to do the same. Why do I say that? Because it shines a light on how much his friends love him and how much support his family would give him. Thereā€™s no way he doesnā€™t know this, yet heā€™s still terrified to tell anyone. The reason for that is heā€™s focusing only on those people who wouldnā€™t approve, instead of those who love him enough not to care who he loves.

It’s also a coming of age story, like the many who have come before it, but thereā€™s something special here. If you can get past the bad jokes, some which are set up, so the audience will feel for Simon, some just cheesy and ineffective, youā€™ll truly enjoy the film. After those are out of the way, about halfway through, ā€˜Love, Simonā€™ finds its own voice instead of trying to be a crazy, teenage romp. Itā€™s an unusual movie with a terribly important subject and told in a brave and unique way but not until later in the film, when the filmmakers decide theyā€™re not trying to be ā€˜Revenge of the Nerdsā€™, ā€˜Sixteen Candleā€™s,ā€™ or your basic romantic comedy, will you feel that it is. Had they stayed away from the horrible character of the principal (Hale), it might not have been judged so harshly but at times it was so over the top, especially with him, that I canā€™t help mention how mediocre it could be at times. To break the vibe of faculty trying too hard to fit in comes the drama teacher, Ms. Albright, played by Natasha Rothwell. She was hysterical and itā€™s her class that not only gives Simon the first true place he can feel himself but gives the film its first real laughs, as well.

In the end, all Simon wants is to be accepted and that makes the film relatable. Most of us, at one point or another in our lives, have felt that very same way. The circumstances may have been different but being acknowledged as part of a pack has been ingrained in us. Simon is no different. The scenes primarily take place in his high school so the movie will have a younger audience who understands the roles of electronics and the complications of having them in their lives.

In the library, Simon begins an email exchange with someone who wishes to remain anonymous, as does Simon. This person calls himself ā€˜Blue.ā€™ After these emails begin, Simon desires more and more to meet him and tell the world that he loves him. What ends up happening is that Simon spends the rest of the film trying to figure out who Blue is. They do a great job of hiding this from you!

Simon struggles with his own way of coming out to everyone but, unlike Blue, doesnā€™t get to decide the time, someone chooses it for him. An all-student online chat has been created where the students do and say horrible things about one another and, in a scenario thatā€™s hard to believe would happen, Simonā€™s announcement is made here. Blue sees this and, afraid the same thing will happen to him, decides to step away.

Essentially, weā€™ve seen this movie before, just not with two young men. But, as Iā€™ve mentioned, when ā€˜Love, Simonā€™ shifts from comedy gear to a more serious tone, the movie stops trying to imitate and becomes a special piece to witness. What theyā€™ve done well, works to close the film and has you leaving with a sense of fulfillment. Itā€™s dramatic and emotional and wins you over because the rom-com formula doesnā€™t work and thatā€™s not hard to see but you will enjoy it for what it is.

 

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7 Days in Entebbe Movie Review

In July 1976 almost all people around the world were enjoying the upcoming U.S.A. Bicentennial celebrations. Except a handful who happened to be aboard an Air France jet that was hijacked in Athens. The jet left Israel and was taken over by Palestinian extremists and two German revolutionaries. The plane finally found safe passage into Uganda and landed in Entebbe. That country was led by a dictator named Idi Amain, and he gave the hijackers a place to stay. The Israeli government was backed into a corner, and something had to be done.

The hijackers were from split between Palestinians wanting a homeland, and the Germans, who had no other revolts left to join. The German authorities had shut down the German terror cells, and these two headed off to hang out with the others. Brigitte Kuhlmann (Rosamund Pike) and Wilfried Bƶse (Daniel BrĆ¼hl) had no prior experience doing something major like this, so they decided to help the Palastinians.Ā  Idi Amain (Nonso Anozie) had no love for the major world powers, so he thought he would shove their nose into the situation. Amin let the hijackers use the airport in Entebee as a place to conduct negotiations, or perhaps executions. Air France was helpless to end the stand-off, so it left it up to the Israelis.

The Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi) knew that they could not negotiate. If they gave in, then more planes would be taken and more hostages would be in danger. The Defense Minister was Shimon Peres (Eddie Marsan) who knew that as things went on, he could persuade Rabin to eventually take military action. Not action that would confront Uganda directly, but a stealth operation that could get done under cover of darkness to free the passengers. This would not be an easy mission, but Peres believed that it needed to be done.

Bƶse was becoming more discouraged by the actions of the Palestinians. They had no respect for any of the hostages, and even less for those who were Jewish. Kuhlmann had turned the corner in her sanity and was popping more and more drugs to stay awake. She would lose touch with reality every now and then, but she was a brutal soldier in the fight. The crew of the Air France flight acted bravely and took special care to see that all the passengers were treated OK. But they had no control over anything. They could only hope for some type of rescue.

That rescue did come, by the way. There can be no spoilers about this, because it all happened more than 40 years ago! Amin’s forces helped to guard the old terminal where the hostages were held. But when the Israeli Special Forces arrived, the rescue operation would take down many of the Ugandan forces. Then they focused on the hijackers, and all of them were eliminated. The initial group of 248 taken hostage was then down to 94 by the time the rescue team arrived. Of those, only three people died in the fight, plus one Israeli soldier. The soldier killed was named Netanyahu. His younger brother went on to become the current Prime Minister of Israel.

For some reason this movie was made now, after several other films have already been made about the same events. This movie is over 40 years after the incident, so in does not reflect any breaking or recent news. The director, JosĆ© Padilha, does a weird thing in the final act by cutting between the hostage rescue and a modern jazz dance recital. Yes, that does sound odd, but the actual depiction is even stranger. Perhaps it means that the soldiers are fighting for the right of dancers to make jazz hands? Donā€™t knowā€¦

The biggest actors of note are Daniel BrĆ¼hl and Rosamund Pike. But there is something creepy about humanizing a couple of leftist anarchists who help hijack a plane. They are portrayed as wanting to make a big difference in the world. But doing that by holding hostages and threatening to kill them might not win any arguments.Ā  All the Palestinians portrayed as mean and belligerent. Idi Amin is mostly a joke character.

If any portrayal is positive, it is in the way that the Israeli government finally made the gutsy decision to make the rescue attempt. The entire thing was fraught with risk, and the fact that they made it out with as such a small number of causalities is amazing. In short,

Watching ā€œ7 Days in Entebbeā€ makes one weakā€¦

Midnight-Sun-movie-screening

Midnight Sun Advance Movie Screening

Movie Screening Summary

MIDNIGHT SUN, an epic romantic drama, follows 17-year-old Katie Price (Thorne), sheltered since childhood with a life-threatening sensitivity to sunlight. Katieā€™s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie (Schwarzenegger) whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.Ā  Rob Riggle plays Katieā€™s loving and compassionate father, Jack, who endeavors to give his daughter a good life.

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Advance Movie Screening For MIDNIGHT SUN

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date:Ā Wednesday March 21
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 21
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

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Submission Movie Review

Stanley Tucci plays, Ted Swensen, a moderately famous professor of literature in ā€˜Submission.ā€™ Due to having sold one somewhat lucrative novel and being touted, for a moment, ā€˜the writer to watch,’ heĀ teaches the subject but isn’t necessarily where he wants to be.Ā  On occasion, he gets some special attention from students, fans of his work, he might not otherwise have received and smiles at the thought. However, after the failure of being able to write a follow-up book, he realizes that things might not ever be better than it is now. Wanting more than what his station can provide, he gets himself into a mess when an opportunity to feel on top again presents itself. It comes in the form of the adoration of a young student. Enjoying the praise and attention, his ego or inner nature doesnā€™t see the path he is being led down, only where the road may ultimately lead. Iā€™ll give you a hintā€¦ heā€™s on a course to self-destruction.

Richard Levineā€™s adaptation of the Francine Prose novel, ā€˜Blue Angelā€™ is a fascinating, dramatic narrative about the glaringly oblivious, powerful male archetype being chewed up and swallowed by a seemingly sympathetic, innocent and doting student, aptly named, Angela. It is divine. The angelic student is presented to us by the wonderfully gifted Addison Timlin, who first starts weaving her web by flattering Ted, telling him how much his book helped her get through her fatherā€™s death. Timlinā€™s Angela is engaging and hypnotizing. Angela is crafty and manipulative and though tender at first, she gets more aggressive, knowing full well when to bring out the big guns.

One day while speaking to him after class, she overwhelms him with the things and people she most admires. She throws out some of her other favorite authors, all names that impress him and help them relate to one another, not to mention, compel him to want to know more. She speaks of her own book and while doing so she makes herself seem vulnerable, cutting herself down whenever possible so that she can gauge his feelings by whether or not he tries to build her back up. She the queen to his pawn in a game he isn’t prepared to play. She soon asks her professor to read the first chapter of her book and asks him to tell her what he thinks of it. Who better to give her an opinion than the wonderful and talented Ted Swensen? After she explains all the reasons he shouldnā€™t read it, he agrees to make time for it. The book is called ‘Egg’ which turns out to be largely sexual in nature.

We listen to Swensenā€™s inner dialogue through the beginning of the film, which is fitting to carry the story forward. You might not be a big fan of voice over but it’s humorous and instructive at times and helps endear the audience to his character. However, as we move further along, we donā€™t hear his thoughts as much, only the chapters he is reading as they now have consumed his every thought, his imagination and have cost him sleep. As his interest in the story intensifies so does his interest in Angela. He believes this young author to be, ā€˜Quite accomplished,ā€™ and instructs her not to show it to others; to keep is close.

Through different characters and situations, at a dinner party with his loving wife, Sherrie (Sedgwick), and speaking of his student Angela with another professor, Magda (Garofalo), he is given subtle warnings about her and the situation that’s building in general and doesnā€™t catch a single one. Through these warnings, the audience gets a glimpse of how dangerous having oneā€™s ego stroked to this degree can be. Tension builds, you shake your head at him and though he tries to tell himself heā€™s only a mentor, maybe even a father figure, itā€™s not working with you.

This is a great strategy and Tucci is the perfect everyman to associate with. This story is fantastic. We see that the jig is finally up when he reads the line in the book, ā€˜I alone had the power to make a grown man risk everything.ā€™ This is a brilliant way to finally give Ted an awakening, one of many.

Submission is a pleasure. Itā€™s well written, well shot and the actors were remarkable. It unfolds to reveal two opportunists, one more vicious than the other. Iā€™ll let you decide which one that is.Ā  Ā *See it at Harkins Shea 14 tonight!

The-Lullaby-movie-poster

The Lullaby Movie Review

Uncorkā€™d Entertainment brings director Darrell Roodtā€™s vision of a horrific and twisted fairy tale for you to watch, available today on all platforms of VOD.

I liked the film, overall, but itā€™s hard to root for or feel too sorry for the main character, Chloe (Swart) who has just given birth to little Liam and is now doing everything she can do to stop herself from killing him. Why itā€™s hard to root for her is, though attempted, you never get a real liking for her. Instead, you feel more for her mother, Ruby (Puren), who is trying to bury her sordid past and makeup to her daughter whom she was anything but loving to.Ā  Thatā€™s not to say youā€™re not going to like the film or buy into the characters. All boxes for a great horror are checked and there are two scream queens here, in Swart and Puren and in a few scenes theyā€™re battling it out for top position if they were so interested. Theyā€™re both magnificent in their roles.

Chloe is from Eden Rock, a town that has a terrible past. The story is introduced to us by a woman narrating, complete with sound effects that set the tone, the story of what the British soldiers did to the women of Eden Rock in 1901 while their husbands were away. They locked them in concentration camps, raped them and if any of the women had children, the priest and a midwife would take the child and kill it to save its soul from damnation. These scenes will have you on edge and squirming at the thought of what these women and their babies went through.

Chloe had left her mother and Eden Rock, but she needs help and Ruby has taken her back in. Itā€™s not hard to put two and two together and see that since itā€™s the same town and that babies are involved that a haunting is about to happen. Chloe has rejected her baby and Ruby takes it upon herself to try and get her some help as she falls deeper and deeper into depression. Chloeā€™s mood darkens when horrible visions of Eden Rockā€™s midwife begin to assault her. She becomes more aggressive while protecting the child. As the visions have shown the intentions of the midwife which is to see the child is killed.

Ruby decides to get some help from a therapist whoā€™s also an old friend named Dr. Reed. He believes Chloeā€™s issues are just hormonal. He suggests and encourages Chloe to do as the visions suggest. Maybe he knows more than heā€™s letting on? His demeanor will lead you to think thereā€™s something not quite right with him. Actor Brandon Auret does a superb job of bringing the creepy character to life. Even with his help or maybe because of it, Chloe grows uglier and more unhinged. She admits sheā€™s a black hole; feels empty inside. A simple case of the baby blues hardly leads to what happens to this young woman and those around her.

The movie is good. I enjoyed the sound design tremendously. Spine-chilling sounds such as creaking floorboards, screeching, the crackle of a fire, shrieks and screams all helped in shaping the overall cadence and allows the audience to feel the pulse without missing a beat. Manipulative camera angles and adequate editing assisted considerably in the broad understanding of both Chloeā€™s and Rubyā€™s plight while keeping in mind that poor Liamā€™s soul is on the line. I close with this last thought. These two wonderful actresses, one playing a woman whoā€™s desperately trying to reconnect with her child and one whoā€™s doing everything she can to stay connected with the world, are tremendous. It would be a shame not to see a lot more of them in the future. I hope we do.

 

Theaters where you can currently see The Lullaby:

Phoenix ā€“ Valley Art

Los Angeles ā€“ Laemmle Music Hall

Philadelphia ā€“ PFS Roxy Theater

Chicago ā€“ Facets Cinematheque

Atlanta ā€“ Plaza Theater

Dallas ā€“ Texas Theater

Cleveland ā€“ Cedar Lee Cinemas

San Francisco ā€“ Roxie Theater

Miami ā€“ Cinema Paradiso

Denver ā€“ SIE Film Center