Knives Out (2019 Movie) Official Trailer — Daniel Craig, Chris Evans, Jamie Lee Curtis

Acclaimed writer and director Rian Johnson (Brick, Looper, The Last Jedi) pays tribute to mystery mastermind Agatha Christie in ‘Knives Out,’ a fun, modern-day murder mystery where everyone is a suspect. When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. Read more

Shaft-Movie-Review

Shaft Movie Review

“Shaft” is the current 2019 version of the continuing story of John Shaft that was started in 1971. “He’s a complicated man – But no one understands him but his woman” – you know, the theme song by Isaac Hayes. Well then, “Shaft” later appeared in 2000, when Samuel L. Jackson took over the main role from Richard Roundtree. Read more

Extremely Wicked, Shockingly Evil, and Vile Movie Review

If you head into this movie thinking, even hoping, you’re going to see a slasher film, you have to adjust your expectations. With this, director Joe Berlinger tells you the story of an evil man and what his evil mind allowed him to ultimately become. Since we don’t actually see the consequences of his actions, we are able to (much like the woman he was living with who was completely in the dark about him) put the murders he committed aside and instead see who he could have been. I feel compelled to mention that this movie does not glorify a serial killer! See more about that in my interview with the director.

Here’s the link.

Anyway, Ted Bundy had everything he could have wanted. Why was this the route he chose? As you watch, you can’t help but wonder what motivates someone to murder. Something drives him to commit the most unspeakable horrors one could think of. Why? The movie doesn’t focus on the acts of what Bundy did by showing us, but by allowing us, even forcing us, to think about them.

That he walked amongst us, lived a seemingly normal existence… and that you could know a Bundy, too, is a frightening thing to ponder but ponder you will. Berlinger, known for his true crime documentaries, one in particular called ‘Conversations with a Killer: The Ted Bundy Tapes,’ was certainly the best person to take on this task. He knew the subject and examines everything.

Ted Bundy is being played by Zac Efron. The actor wanted to shed some of his ‘High School Musical’ image and dig deeply into something against type. He certainly picked the right part for that. In my interview with him, Joe Berlinger said this of Zac getting the role, ‘…Zac wants to play with his teen heartthrob image in that way, I respect that. And, also, as a documentarian, it gives me a little piece of reality to break into the movie-making process. The fact that, in real life, he has this profile of teen heartthrob… that is very similar to the effect that Bundy had on women. I found that a nice piece of reality I could play with.’

While in character, Zac was appealing in all the ways that Bundy was. Not known for this sort of role but perfect for it, you can see the serial killer in his face. The way he gives off little hints of his condemnable actions, with just a simple mouth curl at the right moment, the use of his eyes… he proved himself here. With this performance, he gives you the man that Bundy’s girlfriend Liz (Lily Collins) saw but you also see underneath the mask. That’s what worked so brilliantly. At first, you’re obliged to see Ted as just a person, not as the monster you know he is. They do walk among us. We don’t know who they are. They could be who we’re with. Just contemplating that alone makes this a good crime film to see. It was important that we see a good portion of the film through Liz’s eyes.

With this approach, the audience was able to garner sympathy for her and see the larger picture. Eventually, the strikes against him can no longer be denied. However, his crimes don’t seem to matter to some. We move on from Liz to see Bundy’s point of view and through the lens of another woman. She is someone who clearly has a low opinion of herself.

Bundy takes advantage of both of these women, but you can tell that he loves one and is simply using the other. This is a fascinating look into his double life. He charms women, he charms his victims, he even charms the law. Scenes of what he does and the ultimate reason he’s getting away with things will surprise and enrage you. The film is slow paced but once you see what Berlinger is going for, it will engage you and you’ll walk away unable to get the movie and Zac’s performance out of your mind temporarily.

John Malkovich is superb as the judge in Florida who says the words the title is based on. His reverence for Bundy is strange to witness and hard to accept but his duty to the law holds up and he gives Bundy the sentence Bundy didn’t expect. Death. How we get to this moment, is worth seeing so I must recommend the film, as well as Berlinger’s documentary.

If you haven’t yet, join Netflix and watch ‘Extremely Wicked, Shockingly Evil, and Vile’ today. Watch the four-part series, too.

El Chicano Movie Review

“El Chicano” is a dark and gritty view into a Hispanic gang-run neighborhood, with an emphasis on the ‘hood’. It relates the legend of a mysterious motorcycle-riding vigilante called El Chicano. He attacks the criminals and gang-bangers and brings them to justice. He is kind of a Ghetto Ghost Rider, without the flaming skull. The drug-infested East Los Angeles area is like “Mean Streets” with Salsa beats. El Chicano targets the drug pushers and killers, the bangers and cartel leaders. He takes a magical Aztec knife and uses it to kill the baddest of the bad. He becomes a boogie man for the criminal underclass, a type of “Usual Suspects” character ‘Keyser Soze’ of the Barrio.

Three young boys grow up in the East Los area, and one night they see El Chicano in action. A local gang leader is stabbed, and the roar of the black motorcycle is heard screeching away. A local cop named Gomez is on the scene quickly, but El Chicano is gone. The young boys are grown up twenty years later, and each has gone separate ways.  Detective Diego Hernandez (RaĂşl Castillo) is now on the right side of the law. But his twin brother Pedro has served time in prison, and now is dead. The other childhood friend is a top-level gang leader named Shotgun (David CastaĂąeda). Most of Shotgun’s crew of thugs has been killed in a mass slaughter. Detective Hernandez is handed the case with his new partner Detective Martinez (Jose Pablo Cantillo). They have a day to determine what is going on, because the FBI is hot on the trail of a cartel boss. The cartel is trying to get into the Barrio, and the killings might be related. However, Diego Hernandez is worried, because all the murdered thugs have a tattoo.

This odd tattoo is the old nickname of Diego Hernandez’s twin brother Pedro, and the tattoo also has their birthday. How is his dead brother related in any way to the thugs that worked for Shotgun, and is this related to the cartel?  Detective Hernandez and Detective Martinez transport the lone survivor of the killings, until they are ambushed. The last survivor is killed, and all ties to crime lord Shotgun are gone. The two Detectives report to their boss, Captain Gomez (George Lopez). The street cop from years ago is now the Police top dog. He is working to keep the FBI away, but the heat is rising. Detective Hernandez and Detective Martinez are in the middle of a stakeout to watch Shotgun and the cartel guys. But there is more violence and murder, but this time it is not aimed at a thug in the back seat.

Detective Diego Hernandez has lost a brother, and now he has lost a partner. He investigates what his brother Pedro had done when he got out of prison. He finds a secret hideaway that contains the black motorcycle that he last saw as a kid. Back then it was being ridden by El Chicano when he eliminated many bad guys. Diego is tired of having the gangs and the cartels win the street battles. So, he trains and gets in shape, so that he can carry the magical Aztec knife and go after the evil thugs. He gets his black cape and death-skull face mask. He will be ready to take back the streets as the mystical magical El Chicano. The cartel guys and Shotgun are now on the run from the avenging force of “El Chicano”…

This “El Chicano” movie has a lot going for it. There is a street-wise feel to the scenes and the story is built up organically. Diego has a slow transformation into the El Chicano character, and it feel real and earned. The moves of El Chicano when attacks and fights several thug henchman at once are swift and brutal. He would make “John Wick” proud. The movie is seeped in the Hispanic culture of respect for the dead, and ‘El Chicano’ is seen as an avenging angel. He is ready to force retribution on the cartel and drug lords. He is there to take back the streets.

There are a few times when it seems to be a low-budget movie. But for the most part, it gets the same milage for action and fight scenes as the big budget movies. The acting is low-key and many of the extras look like they come ‘Straight Outta East Los’. The cast is pretty good, but basically unknown. Only George Lopez has a high profile background. Co-writer Joe Carnahan has done some really good stuff in the past, and his efforts are well used in this script. The overall quality of this movie is very watchable, even when it did not have the richest budget.

The-Highwaymen-Movie-Poster

My interview with John Lee Hancock and John Fusco of ‘The Highwaymen’

As you should posthaste, I recently watched the highly entertaining Netflix Original ‘The Highwaymen.’ Having enjoyed it so, I couldn’t wait to converse with the men who created the film, director John Lee Hancock and writer John Fusco. Read more

Triple Frontier Movie Review

‘Triple Frontier’ opens in select theaters and will be available on Netflix March 13. Other projects coming to Netfix is ‘The Highwaymen’ with Kevin Costner and Woody Harrelson. It’s directed by John Lee Hancock who directed ‘The Blindside,’ ‘The Founder’ and ‘Saving Mr. Banks.’ Also coming is ‘The Irishman’ from Martin Scorsese, a gangster drama that has him once again working with Robert De Niro. Netflix is doing everything right and doing it well. Their latest original films are proof that they’re aware of when they have a good thing on their hands. ‘Triple Frontier’ is no different. Read more

‘The Highwaymen’ starring Kevin Costner and Woody Harrelson coming soon to Netflix!!

The outlaws made headlines. The lawmen made history. From director John Lee Hancock (The Blind Side), THE HIGHWAYMEN follows the untold true story of the legendary detectives who brought down Bonnie and Clyde. When the full force of the FBI and the latest forensic technology aren’t enough to capture the nation’s most notorious criminals, two former Texas Rangers (Kevin Costner and Woody Harrelson) must rely on their gut instincts and old school skills to get the job done.

*Launches globally on Netflix on March 29 with exclusive theatrical engagements beginning March 15th.

Distributor: Netflix

Cast: Kevin Costner, Woody Harrelson, Kathy Bates, Kim Dickens

Directed by: John Lee Hancock

Written by: John Fusco

Producer: Casey Silver

Executive Producers: Michael J. Malone, John Lee Hancock, Woody Harrelson, Kevin Costner, Rod Lake

Music By: Thomas Newman

Cinematography By: John Schwartzman

Production Design By: Michael Corenblith

Costume Design By: Daniel Orlandi


*Follow @NetflixFilm on 
Twitter and Instagram

Triple Frontier Trailer

TRIPLE FRONTIER


DIRECTED BY
 | J.C. Chandor

STORY BY | Mark Boal

SCREENPLAY BY | Mark Boal and J.C. Chandor

CAST | Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, Pedro Pascal, Adria Arjona

SYNOPSIS | A group of former Special Forces operatives (Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund and Pedro Pascal) reunite to plan a heist in a sparsely populated multi-border zone of South America. For the first time in their prestigious careers these unsung heroes undertake this dangerous mission for self instead of country.  But when events take an unexpected turn and threaten to spiral out of control, their skills, their loyalties and their morals are pushed to a breaking point in an epic battle for survival. Directed by Academy AwardŽ nominee J.C. Chandor (Margin Call, All Is Lost, A Most Violent Year) and co-written by Chandor and Academy AwardŽ winner Mark Boal (The Hurt Locker, Zero Dark Thirty).

*In select theaters on March 6, 2019

and globally on

Netflix March 13, 2019

For More Info:

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Visit netflix.com/triplefrontier

In Theaters March 13, 2019

http://www.fandango.com

Everybody Knows Movie Review

One thing for sure is that writer and director, Asghar Farhadi, lives up to expectations. Having worked in the business since 2002, in 2011, he launched himself into major notoriety with his film, ‘A Separation,’ where he was adorned with awards. In fact, he was the first Iranian filmmaker to win an Academy AwardÂŽ. Similarly, he was the first Iranian filmmaker to be nominated for the British Academy of Film and Television Arts, better known as the ‘Bafta.’ This made him so successful that Farhadi was listed as one of Time Magazine’s 100 Most Influential People in the World in the year 2012.

Now that I’ve introduced you to the writer/director of ‘Everybody Knows,’ I’ll tell you about the movie. With the help of an extremely clever trailer and the talents of the Oscar-winning, real-life couple, Penélope Cruz and Javier Bardem, what Farhadi has essentially done here is lead you in one direction yet take you somewhere completely unexpected.

You wander into the film believing the story will be more about love, the trouble that sometimes comes with it and about Laura (Cruz) and Paco’s (Bardem) past together and are surprised with more of a mystery. The story is about those very things but not in the way you’d think which makes the yarn that much better.

We meet Paco, who has a winery, and Laura, who has traveled from Argentina to Spain with her children to attend her sister’s wedding. Paco has wisdom to share with us such as the only difference between grape juice and wine is time. Lines such as this makes you think their relationship may have aged in the same manner… like a fine wine. When Laura first gets there, her very social and gregarious teenage daughter Irene (Campra), prances about getting as much attention as she can. However, it turns out that she also gets the attention of someone in need of money and suddenly we’re in a film centered around her abduction.

Farhadi wrote a script that does a good job of keeping you interested in what’s going on and what will ultimately happen. You get sucked in right away but where he went vastly wrong was when he introduced us to the victim of the kidnapping. Irene is anything but a likable character. She’s an obnoxious spoiled brat, trouble for her mother and the kind of person you’d dodge rather than treasure to be anywhere near. I can’t figure out why she was written to be so annoying when the movie ends up being centered around everyone caring for her safety. Had she been more likable, it would have been more heartbreaking for the viewer. This is in no way a reflection on the actress who did a superb job, especially near the end. Speaking of acting, Cruz is excellent as a distraught and tortured mother. Her performance was convincing. She laments about what’s next and is tearful throughout most of the film. She’s needed to be and is believable in her concern. Unfortunately for the audience, you don’t quite feel for her. See the earlier paragraph regarding her daughter’s irritating attitude for what I mean. We just needed Irene to be more of an appealing person for us to take on her mother’s pain.

The story becomes a less complicated narrative when the set up for the kidnapping, and how and why it gets pinned on a certain person, (a land dispute) is made clear at the wrong time. On the surface, the dispute is quite exaggerated and contrived. Now onto the title. Let’s get to just what it is that everybody knows. And I mean everybody, including Laura’s current husband, by the way. It seems that Paco is the only person who doesn’t know. It turns out that Irene is Paco’s daughter. In a small town, everyone talks and unless the man doesn’t have ears how does he not know the big secret? In fact, this bombshell is something you’ve long suspected. When it’s revealed, with his hair graying from the stress for some reason, what Paco does with the news is to use his money to pay the ransom. This seems as though it may have been the aim all along.

 

The ending is strangely elusive but leaves it open for a sequel which is puzzling yet a bit intriguing. If Farhadi nails the characters a little better, I’d be up for it. What would make it even better is if he were able to have the same cast. ‘Everybody Knows’ is an acceptable crime, drama with a good plot and is beautifully shot. It has gorgeous locations which are accentuated by the brilliant cinematography of José Luis Alcaine (Volver, The Skin I Live In) who has an immense amount of work behind him. For you to get the full benefit of his work, seeing this on the big screen this weekend would be the best way to watch this film.

 

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