Rough Night Movie Review

“Rough Night” has a lot of promise, being a new original movie scripted and directed by a woman. It takes some cues from other raunchy R-rated movies, such as “The Hangover”, “Weekend at Bernie’s”, and “Very Bad Things”. However, the “Rough Night” turns out to be a ‘Rough Viewing”. There is a basic setup that could go on a beautiful honeymoon, but it fails to take its vows.

Five dorm buddies from 10 years ago now find themselves invited to a bachelorette party weekend in Miami. Jess (Scarlett Johansson) is finally getting married to her long-term boyfriend Peter (Paul W. Downs). Jess is running for state senate, but she needs some down time. Her best friend is Alice (Jillian Bell) and she is planning a crazy time. Also invited are Frankie (Ilana Glazer) and Blair (Zoë Kravitz).

When they are in Miami, they find that Jess also invited her friend from her Study Abroad trip to Australia. Pippa (Kate McKinnon) is new to all the other girls and there is some friction at first. But they do all do cocaine, drink a lot and dance at the clubs. When they get back, they stay at house that a donor has let Jess use for the weekend. Frankie calls up and gets a private male stripper.

Soon a man arrives, and he attempts to seduce Jess. Jess turns him down, but Alice gets a little too wild. The guy bangs his head and bleeds out onto the floor. All of the women start to freak out, but they decide to dispose of the body. They are at a beach house, and Pippa takes a Ski Jet out to dump the poor guy in the deep briny. But they are discovered by the creepy sex-pervert couple next door. Blair needs to keep them, ahem, distracted.

Soon another guy arrives in a police outfit. They knock him out and find out he is the stripper. But then who is the dead guy? Meanwhile, Peter thinks that Jess in trouble, and he has no other option than to do the “Sad Astronaut”. That means driving straight from D.C. to Miami with no stops, wearing a diaper and drinking Red Bulls.

Then the situation gets resolved, but it really has taken a turn for the worse. The women are hysterical, crude and morally indefensible. They keep adding worse choices on top the bad ones they have already made. The scenes all seem forced and not very pleasing to watch. There are some talented actresses in the movie, but none of them are making too much of an effort. Scarlett Johansson appears to be biding her time until they make a solo “Black Widow” movie.

The most awful is Kate McKinnon, who is most annoying with the fake Australian accent. It is like the movie part was written for an actual Australian (perhaps Rebel Wilson), but instead McKinnon came up and decided to do the part. Her character just removes any hint actual comedy or true drama that could have been there.

The movie could have been a hot ticket with the female audience and having a female director. But all of that gets wasted on the plot that just plods along without any pulse. The parts when Paul W. Downs is on screen are little be more fun, because his character is such a doofus with such a big crush on Jess.

There is so much promise and way to little to be enthused about. However, if you see this movie, do wait until the very final shot at the end of the credits. It brings back a missing item (or two) from earlier in the movie. It’s like finding ‘a girl’s best friend’…

The House Advance Movie Screening

Movie Screening Summary: After Scott (Will Ferrell) and Kate (Amy Poehler) Johansen lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in his house.

Movie Website: TheHouseMovie.com

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Advance Movie Screening For THE HOUSE

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 28
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:30pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 28
Location: AMC Town Square
Movie Screening Time: 7:30pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 28
Location: Century El Con
Movie Screening Time: 7:30pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 28
Location: Regal Winrock
Movie Screening Time: 7:30pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Meet the extended family from Disney Pixar’s “COCO”

CHARACTER & TALENT LINEUP REVEALED

MEET THE EXTENDED FAMILY FROM DISNEY·PIXAR’S “COCO”

Upcoming Film Features Generations of Characters and All-Latino Voice Cast

BURBANK, Calif. (June 6, 2017) – Disney·Pixar’s “Coco,” a multi-generational story about the power of family relationships, features characters from the Land of the Living, and their loved ones who’ve moved on to the Land of the Dead. Joining aspiring musician Miguel, voiced by Anthony Gonzalez; charming trickster Hector, voiced by Gael García Bernal; and musical icon Ernesto de la Cruz, voiced by Benjamin Bratt; are a host of colorful characters and the voice talent behind them that bring both worlds to life. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), “Coco” opens in U.S. theaters on Nov. 22, 2017.

 

“These parallel worlds couldn’t be more different,” said Unkrich. “One is the Rivera family’s charming and hardworking hometown of Santa Cecilia, and the other is the vibrant, rich land where loved ones go when they’ve passed. ‘Coco’ introduces characters from both worlds on the eve of Día de los Muertos—one extraordinary night when a living boy named Miguel gets a glimpse of the other side.”

 

Added Molina, “Our voice cast is incredibly talented, helping to shape our eclectic group of characters. Each actor has told us they find something relatable in this film, so they’re finding it easy to capture the heart of this story—it’s all about family, so we hope that these characters will resonate with everyone.”

 

FROM THE LAND OF THE LIVING

  • ANTHONY GONZALEZ (“Ice Box,” TNT’s “The Last Ship”) lends his voice to MIGUEL, a 12-year-old aspiring musician who struggles against his family’s generations-old ban on music. When a magical mishap lands him in the Land of the Dead, Miguel seeks out his idol, Ernesto de la Cruz, to help him return to the Land of the Living before it’s too late.
  • ANA OFELIA MURGUÍA (Amazon’s “Mozart in the Jungle,” “Bandidas”) voices Miguel’s cherished great-grandmother MAMÁ COCO. She is very old and fragile, but that doesn’t stop Miguel from sharing his daily adventures with her.
  • RENÉE VICTOR (“Weeds,” “The Apostle”) provides the authoritative voice of ABUELITA, Miguel’s grandmother and the ultimate enforcer of the Rivera family’s ban on music. She loves her family very much and will do anything to protect them. But when she gets angry, she wields a mean slipper.
  • JAIME CAMIL (CW’s “Jane the Virgin,” Disney Junior’s “Elena of Avalor,” “Secret Lives of Pets”) is the voice of PAPÁ, Miguel’s supportive father who hopes that someday Miguel will join him in the family shoemaking business.
  • SOFÍA ESPINOSA (“Gloria”) provides the voice of Miguel’s loving MAMÁ who gently encourages her son to embrace their family’s traditions.
  • LUIS VALDEZ (“Which Way Is Up,” director “La Bamba” & “Cisco Kid”) is the voice of TÍO BERTO, Miguel’s uncle, a hard worker in the Rivera family shoemaking business.
  • LOMBARDO BOYAR (“Happy Feet,” TNT’s “Murder in the First”) lends his voice to a friendly MARIACHI who Miguel encounters in Santa Cecilia Plaza.

 

FROM THE LAND OF THE DEAD

  • GAEL GARCÍA BERNAL (Amazon’s “Mozart in the Jungle”) helps bring to life HECTOR, a charming trickster in the Land of the Dead who is forced to enlist help from Miguel to visit the Land of the Living.
  • BENJAMIN BRATT (FOX’s “Star,” “Doctor Strange”) is the voice of Miguel’s idol ERNESTO DE LA CRUZ, the most famous musician in the history of Mexico. Revered by fans worldwide until his untimely death, the charming and charismatic musician is even more beloved in the Land of the Dead.   
  • EDWARD JAMES OLMOS (“Blade Runner,” “Stand and Deliver”) lends his voice to CHICHARRÓN, a curmudgeonly friend of Hector’s who is sadly being forgotten—an unfortunate condition in the Land of the Dead.
  • ALANNA UBACH (“Meet the Fockers,” Bravo’s “Girlfriends’ Guide to Divorce”) provides the voice of MAMÁ IMELDA, Miguel’s great-great-grandmother, the matriarch of the Rivera family and the founder of their successful shoemaking business. Miguel meets Mamá Imelda in the Land of the Dead and discovers she does not share his passion for music. 
  • SELENE LUNA (“My Bloody Valentine,” “Celebrity Wife Swap”) voices TÍA ROSITA, Miguel’s late aunt who resides in the Land of the Dead.
  • ALFONSO ARAU (“Three Amigos,” director/producer “Like Water for Chocolate,” director “A Walk in the Clouds”) is the voice of PAPÁ JULIO, Miguel’s late great-grandfather who he meets in Land of the Dead.
  • HERBERT SIGUENZA (“Larry Crowne,” “Ben 10: Alien Swarm”) lends his voice to both TÍO OSCAR and TÍO FELIPE, Miguel’s late identical twin uncles who he meets in the Land of the Dead.
  • OCTAVIO SOLIS playwright “Lydia, Santos & Santos”) is the voice of an ARRIVAL AGENT in the Land of the Dead’s Grand Central Station.
  • GABRIEL IGLESIAS (“Planes,” “The Nut Job,” “The Nut Job 2: Nutty by Nature”) provides the voice of the HEAD CLERK in the Land of the Dead’s “Department of Family Reunions.”
  • CHEECH MARIN (“Cars 3,” “Tin Cup,” CBS’ “Nash Bridges”) is the voice of a CORRECTIONS OFFICER in the Land of the Dead.
  • BLANCA ARACELI (“The Bridge”) voices the EMCEE for a colorful talent show in the Land of the Dead.

 

ABOUT THE MOVIE

Despite his family’s baffling generations-old ban on music, Miguel (voice of newcomer Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself magically transported to the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017.

 

Logan Lucky

Directed by Steven Soderbergh

Written by Rebecca Blunt

Produced by Gregory Jacobs, Mark Johnson, Channing Tatum, Reid Carolin

Starring Channing Tatum, Adam Driver, Seth MacFarlane, Riley Keough, Katie Holmes, Katherine Waterson, Dwight Yoakam, Sebastian Stan, Brian Gleeson, Jack Quaid, with Hilary Swank and introducing Daniel Craig as Joe Bang

Trying to reverse a family curse, brothers Jimmy (Channing Tatum) and Clyde Logan (Adam Driver) set out to execute an elaborate robbery during the legendary Coca-Cola 600 race at Charlotte Motor Speedway.

www.LoganLuckyMovie.com

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In Theaters August 18th

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The Hitman’s Bodyguard

The world’s top protection agent [Ryan Reynolds] is called upon to guard the life of his mortal enemy, one of the world’s most notorious hitmen [Samuel L. Jackson]. The relentless bodyguard and manipulative assassin have been on the opposite end of the bullet for years and are thrown together for a wildly outrageous 24 hours. During their raucous and hilarious adventure from England to the Hague, they encounter high-speed car chases, outlandish boat escapades and a merciless Eastern European dictator [Gary Oldman] who is out for blood. Salma Hayek joins the mayhem as Jackson’s equally notorious wife. The film will be “hitting” your theatres on August 18.

Starring Ryan Reynolds, Samuel L. Jackson, Gary Oldman, Salma Hayek, Elodie Yung, Joaquim De Almeida, Kirsty Mitchell, and Richard E. Grant.

 
Summit Entertainment presents, Millennium Media presents, in association with Cristal Pictures and East Light Films, a Millennium Media and a CG Films production.

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#HitmansBodyguard

In Theaters August 18th

http://www.fandango.com

“Poop”, “Gene” AND “Hi-5” Characters from THE EMOJI MOVIE to appear at Phoenix Comicon!

“POOP”, “GENE” AND “HI-5” CHARACTERS FROM THE EMOJI MOVIE TO APPEAR AT PHOENIX COMICON

THE EMOJI MOVIE opens in theaters this summer, July 28th

WHAT:           To celebrate the upcoming animated film, “The Emoji Movie”, three characters (“Poop”, “Gene”, “Hi-5”) will appear at Phoenix Comicon for photo opportunities with families.

 WHO:              Poop, Gene and Hi-5 characters

WHERE:         Phoenix Comicon

Phoenix Convention Center Exhibitor Hall

100 N 3rd St

Phoenix, AZ 85004

WHEN:            Thursday, May 25th

4:00PM-7:00PM

-AND-

Saturday, May 27th

10:00AM-2:00PM

About Columbia Pictures’ and Sony Pictures Animation’s THE EMOJI MOVIE

The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (T.J. Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become “normal” like the other emojis, Gene enlists the help of his handy best friend Hi-5 (James Corden) and the notorious code breaker emoji Jailbreak (Anna Faris). Together, they embark on an epic “app-venture” through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever. In Theaters July 28, 2017.

Baywatch

Baywatch Movie Review

Baywatch was a cream-filled pastry in the dinner menu of network TV. It existed only for exposing hard bodies and soft curves with a sweet summer tan. But now, there is no better way to have a movie based on the TV series. Just have the same focus on the brawn and the bodies, and the tanned cleavage starring right back at you. Nothing serious, just a “Baywatch” extended episode with the hard-R raunchiness factor turned way up.

“Baywatch” is now led by a bulked-up head lifeguard named Mitch Buchannon (Dwayne Johnson). He has new recruits for the summer, and one of them is former (but now disgraced) Olympic gold-winner swimmer Matt Brody (Zac Efron). Brody was forced on Mitch by his boss, because the team needed ‘star power’. The other recruits are Summer (Alexandra Daddario) and Ronnie (Jon Bass).  They join other Baywatch members, including Stephanie (Ilfenesh Hadera) and C.J. Parker (Kelly Rohrbach).

Mitch is pleased to just save lives on the beach and getting people to behave. But there is a mysterious drug trade popping up, and Mitch thinks he knows who is behind it all. A new woman who has just taken over a fancy club is named Victoria Leeds (Priyanka Chopra). She has money and influence with the city council. But Mitch believes she is behind a growing conspiracy to take over with drug running.

 

Soon a councilman dies out on a party boat, and Mitch and his team are skeptical of the ‘official’ explanation. Mitch and Matt continue to dig into what happened. The other team members including Summer and C.J. are investigating the situation. Ronnie finds out that someone he knew was been found dead from a shark attack. But this guy had been working for Leeds at her club, and the guy could not even swim. Something is fishy, and it ain’t the fish.

Mitch’s boss tells him to cool it, and the local police do not want his help. But Mitch has latched on to something and he will not let go. He even gets a visit from someone who first taught Mitch everything about being leader of Baywatch. It is The Mentor (David Hasselhoff). When everyone on his team seems to be in trouble, it is Mitch to the rescue.

This version of “Baywatch” is pretty much like the TV series. It has no reason for you to take it seriously. There are plenty of hard bodies on display, and many tanned bosoms. But as far as plot or story line, well, that went out with the tide. When the movie attempts to get into an actual plot, it tends to drown out all the comedy. And when it goes for the funny parts, it sometimes gets too dirty and gritty. Like too much sand in your swimsuit. When you have six different people working out the story and script, the result is like Memorial Day size crowds on the beach, you cannot find one spot and stick to it.

All of the actors seem to be having a great time. Dwayne Johnson is amazing to watch, everything he does seems so natural and easy. He looks relaxed and in control. Zac Efron is an asset to every scene he is in. He has such a clueless look and winning smile that you can’t help but root for him. Alexandra Daddario does a fine job, and she does some nice comedy bits. Kelly Rohrbach just oozes out sex appeal and beauty. But Jon Bass does some classic fun stuff in his role, being a ‘fish out of water’ type, right next to the beach.

If this movie had the focus of the movie version of  “21 Jump Street” and really went all out into the ‘hey, this is something so dumb it seems like it could be from a TV show’, then this might be a classic. But it did not go in that direction, and this movie will be nothing more than a sand castle built on the beach at low tide. It’s here today, and tomorrow gone.

Paris Can Wait Movie Review

This film is pure escapism.  Anne (Lane), wife of Michael (Baldwin), a movie mogul who is so successful he’s usually too busy to spend time with her, is on a car trip from Cannes to Paris with her husband’s business partner, Jacques, played ardently by Arnaud Viard, to then meet her husband there for vacation.  They live in L.A. but are in Cannes for the film festival and always end up in Paris after. 

This time the trip will take her to Paris by land, rather than by air as she usually does.  She’s never seen the countryside in France, though she had always wanted to.  Lucky for her, she gets a chance to see it by an enthusiastic escort.  She assumed the trip will be seven hours but it turns out to be two days.  When she admits she had always wanted to see the lavender in bloom, and beams with joy when they drive passed some, Jacques knows he can’t let her get to Paris without experiencing all France has to offer. 

They stop for the night and have a romantic dinner; a dinner that Michael never would have been interested in taking her on, as well as one that he couldn’t have taken her on.  He hasn’t the knowledge of the land nor does he have an interest in pleasing her quite so much.  She is being treated to the vacation of her dreams.  They have tastes of almost everything on the menu and, fluent in French, Jacques speaks romantically of the dishes and the wine and speaks to her with palpable delight. 

As the miles closer to Paris dwindle, the film becomes more and more romantic.  There’s flirtation and both parties drop obvious hints of interest but things are fairly innocent.  Lane’s Anne is very sweet and gracious.  They stop at such beautiful places that she can’t help but jump out and take pictures, a new hobby of hers.  Jacques can’t help but ask to see them and is quite taken with her eye.  His genuine interest in her passions arouses, springs back to life, something in Anne that had been long expired.  You get the feeling that romance may be on Anne’s mind but she’s too innocent to ever act on it.  When the car breaks down and he suggests having a picnic rather than tending to it immediately, she tries to persuade him to get them back on the road but he reminds her that the car will be there when they’re done and so will Paris. 

The trip is lovely and she opens up a little yet a private tour through a museum, where a friend of Jacques works, shows her that men are not to be trusted, especially French men, and a piece of her heart seems to break a little.  The trip segues’s enough and along with her smiles she imparts on him a tragic and painful loss.  This scene is magnificent; everything about it delicate and done with a qualified touch, come to think of it, everything else about the film is, too.  It’s written and by Eleanor Coppola, wife of filmmaker Francis Ford Coppola (Apocalypse Now).  Though she isn’t new to filmmaking, this is her first narrative feature… and she’s 81 years of age.  This film is quite an accomplishment for a newbie.  

Paris Can Wait felt very much like a Woody Allen Film in its subject matter, style and in how the male lead, Jacques, expresses his dialogue and what the dialogue in the film reveals.  It’s even in France, a favorite location that Allen shoots.  It also has beautiful and appropriate music that accompanies us on our journey with these characters; it lightly flutters about in the background and between lines of dialogue belonging to Jacques and Anne.  I really liked it and would recommend it to anyone who likes romance and wouldn’t mind a character in a film giving you a tour through France.  From beginning to end, it held my interest seeing these two get close.  I liked how it ended and I hope that this isn’t the end for Coppola.  I thought she did a fine job and I’d be first in line to see what’s next.

The Wedding Plan Movie Review

A devoutly religious woman by the name of Michal (Koler), an Orthodox Jew, is dumped by her fiancé, Gidi, as they are making their wedding plans.  He acts strangely; she asks ‘why;’ he scolds her to put it all on her and then tells her he doesn’t love her.  Nice guy.  Regardless, it breaks her heart and she feels terrible about herself.  She wants to know what is wrong with her but being a woman who never questions God she knows she is loved by Him; therefore, he has a divine plan.  This being the case than the proposed ceremony should still go on.  It isn’t Gidi she needs to love her; God does and He will provide.  She has to believe it and trust Him.

So, from Shimi, the man who owns the wedding hall, Michal keeps the date as it was, (the eighth night of Hanukkah) books the hall and sends out the invitations to her guests.  Her groom will come.  This is a small task for God to get her a husband.  She may lack courage but he is omniscient.  So, with faith in hand, she gets some matchmakers on the job so she can meet more men to speed up the process of the remaining days for her prince to come. 

These men are, we’ll say, interesting!  One captivating scene is with a quirky man who won’t look at her because he only wants to gaze upon his wife.  He does like her and during this blind date, actually, proposes.  I’ll let you find out what happens next but it is amusing and their behavior is thought-provoking.  Everything she does is thought provoking.  It’s quite something watching her grow as a person.  Maybe because she cleanses herself by admitting that she desperate and doesn’t want to be alone anymore but in searching for someone to love her she’s finding her true self; her own identity, something she doesn’t think she poses or has the right to.  She tells her Rabbi, who is appauled she’s asking for a miracle, that she isn’t asking anything from God, only asking herself to believe in His plan.  However, she does want to know, at this point, why she was created if she’s a phony with little hope.  Still, she remains resolute.

She sees her sister in a crazy marriage of fighting for the other’s attention and she doesn’t want this but wants the life of a married woman, even if that’s what she ends up with.  She wants a life where she isn’t only being invited places but is doing the inviting.  She wants respect and she knows this will all come from having a spouse.  At thirty-two, Michal thinks she’s practically a spinster.  As the date she’s given herself to find Mr. Right draws near, family and friends are starting to have doubt but she’s holding firm.  Of the blind dates she’s endured, one possible match, Assaf, has stood out above the rest.  He may be the one but it seems he won’t be back in town before the day of the wedding.  She meets a gorgeous, very sweet, genuine, caring popstar, Yos (Zehavi) who is interested in her.  She’s almost certain he’s having fun with her but will he be the one?

I really enjoyed this movie!  It’s a great concept and the execution couldn’t have been better.  The cast was absolutely outstanding and the music!  Oh, the music is wonderful.  Soundtrack purchase for this gal!  The songs Yos sings are heard throughout the movie and they’re deep and meaningful and each piece is piercing and memorable.  Zehavi is beautiful in the film and gives the audience the glimmer of hope that Michal will be fine in the end.  Koler, in her first film role, took Michal on and showed her strengths, her weaknesses; she was cute, charming, she was nasty and could be cruel.  She was incredibly honest in her betrayal of someone who has always hidden from the truth.  I recommend The Wedding Plan highly.  I had a visceral reaction to this film because I got so involved in Michal’s outcome that I may or may not have hit the screen a few times.  Anyway, it is in subtitles but you can handle it.  It’s a marvelous story… one that comes down to the wedding day.  She’s at the alter in her dress; waiting.  Will someone come?  If so, is it the right one… the one you want her to be with?  Watch and find out.

Phoenix!  It’s playing starting today at Harkins Camelview at Fashion Square!

Battle of the Sexes Trailer

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Directed by: Valerie Faris & Jonathan Dayton

Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Austin Stowell, Jessica Mcnamee, Natalie Morales and Fred Armisen

In Theaters Sept 22nd

http://www.fandango.com