A Spike Lee Joint – BLACKkKLANSMAN Trailer

Focus Features to release BlacKkKlansman in August 

 

Story: From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It’s the early 1970s, and Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The young detective soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.  Produced by the team behind the Academy-Award® winning Get Out.

Director: Spike Lee

Cast: John David Washington, Adam Driver, Laura Harrier and Topher Grace

Producers: Sean McKittrick, Raymond Mansfield, Jason Blum, Jordan Peele, Spike Lee, and Shaun Redick

For more info, please follow the film:

Official Site | Facebook | Twitter | Instagram

In Theaters August 10

http://www.fandango.com

Measure of a Man Movie Review

The film ‘Measure of a Man’ is an adaptation of the book ‘One Fat Summer’ by Robert Lipsyte. It’s directed by Jim Loach, whose father Ken Loach has been working in the film business for over fifty years. Seeing this movie makes me certain Jim will have the same kind of staying power. Jim had writer David Scearce write the screenplay and make some changes to it to create a more relatable world for him to work with. Doing this has made his twenty-second directing achievement a triumph. His casting choices also helped. Topping off a fabulous cast of young actors whom you may not know quite yet is Judy Greer, Luke Wilson and the crème de la crème, Donald Sutherland.

‘Measure of a Man’ is set in the 1970’s and is a story about an awkward teenager, Bobby Marks (Cooper), trying to fight bullies and his own lack of confidence to grow up and become a man. Depending on how one interprets that, what he wants to do is be helpful to those around him and be a good person but has so much anxiety, he can barely help himself. He’s overweight, uncomfortable in his own skin and outside of his mother (Greer) and sister Michelle (Liberato), is too nervous to talk to girls, save one, Joanie (Danielle Rose Russell), who he grew up knowing. He knows Joanie because his family gets together every year with hers after upstate travel for summer vacation brings them together for picnics, swimming and county fairs. The chubby kid certain that one day her acceptance of him over summer break will blossom into love.

However, this summer, things are different. A lot has changed. Bobby hasn’t changed but other things have and he’s even more uncomfortable. The people upstate have finally let the vacationers know what they think of their visitors, the locals are harsher and less tolerant of the mess they leave and find an easy target in Bobby to take it out on. Joanie frightens Bobby more than anything a thug could do to him. She has matured and is now taking off for a month and won’t explain to him why. Heartbroken, he gets a summer job helping Dr. Kahn (Sutherland) with his lawn and basic yard maintenance. It’s this relationship that becomes the turning point of the film. Kahn is a rich elite who you think is being severe but you come to realize, through his own experience, he’s guiding him into manhood. Kahn also accidentally stumbles onto a sort of friendship he wasn’t quite expecting.

The characters in the film are well thought out and the acting is convincing. Bobby and Michelle’s relationship as brother and sister is hateful yet compassionate and Cooper and Liberato’s performances are spot on. Loach is largely to thank for pulling performances out of his young cast that keep you both amused and captivated. When feeling for the poor youngster, you’ll also feel inflamed when he’s confronted with more than he can handle. I like the movie and believe you will, too. Jim Loach knows how to handle a story. This movie is potent and effective and one not to miss. Include ‘Measure of a Man’ in YOUR summer vacation films.

Playing in Phoenix Exclusively at *Harkins Camelview

READ MY INTERVIEW WITH JIM LOACH AND LIANA LIBERATO

Life of the Party Movie Review

“Life of the Party” is a new movie that relies on the comedy talents of the star, Melissa McCarthy. There is no problem with that, because McCarthy is a totally likable and engaging comic presence. She has the star power and charisma to pull off being a major player when given the right role. That is the biggest problem. Her abilities far overpower the meager gruel that this movie. She tones down her snappy and sarcastic style to play the neutral beige of her character, and jokes fall like gentle snowfall – when she is best suited for a full-scale blizzard of snark.

 

Deanna Miles (Melissa McCarthy) is dropping her only daughter Maddie (Molly Gordon) off at college for her senior year. Little does Deanna know that her husband Dan (Matt Walsh) is dropping Deanna – he wants a divorce from the bland matronly woman that he married. She is broken apart, and she knows she must propel her life in a new direction. She decides to go back and finish college herself. She had dropped out in her senior year to get married and have Maddie. Now it’s her time to shine. Her best friend Christine (Maya Rudolph) gives her the encouragement to get out on her own.

 

Deanna bring her cheerfulness and Hallmark-card sentimental gooey nature into the college dorms and classrooms and Greek houses. She is a little unusual, and some of the ‘mean girls’ make fun of her gentle and uplifting manners. But she endures, and even Maddie and her friends are brought over her sunny-side-up attitude. She attends the frat parties and becomes the teacher’s pet. She gets something going with a boy toy that is less than half her age. You go girl!

 

But her divorce proceeding threatens to bring the whole house down around Deanna. She gets a little bent out-of-shape and ruins Dan’s wedding reception. She is close to failing her favorite class and dropping out of school.  But her friends that she made in the sorority will help to throw a big bash for cash. And to get everyone to attend and pay the cover charge, they start the rumor that a big celebrity will stop by after her concert. But is all just a lie, or is it? Does her roommate actually have a secret of her own, one that will save the day?

Melissa McCarthy is the main player in this show, but she gets very little in the way of good material to work with. Mostly all the jokes are a variation of ‘Dad jokes’ just told by the Mom. There are a couple of snappy lines here and there, but most of the script seems to have been warmed over like a week-old stew on the low burner. There could have been much more zing in the story line, but Deanna is forced to get by on phrases like “I’m down to clown”. There is hardly any chemistry between the actors and almost no character development.

 

There is basically not much Life in this Party. It seems too toned-down to have any edge, and all that is left is a frumpy bedazzled sweater of a movie. It may look nice on the rack in the clothes store, but is not the right style that would have you wear it home.

Measure of a Man movie poster

Interview with Jim Loach and Liana Liberato from the film ‘Measure of a Man’

Following in his director father’s footsteps, Jim Loach has become an outstanding storyteller. His father is the well-known director, writer, producer Ken Loach, who directed last year’s impressive film ‘I, Daniel Blake’ among countless others. Read more

show-dogs-movie

Show Dogs Advance Movie Screening

Movie Screening Summary

SHOW DOGS stars a delightful cast of talking canine characters, including our hero Max, a rugged lone-wolf Rottweiler police dog. Max and his human police partners are investigating an underground network of illegal animal traders when they get a tip that the crime ring is planning an attack on the prestigious “Eastminster” Dog Show. Macho Max must undergo a makeover – mud baths, ballet lessons, a Brazilian waxing – to go undercover in order to thwart the plot. In the hands of his new human handler Frank, Max gets in touch with his inner show dog, and also learns that trusting the help of others can sometimes be more rewarding than working alone.

Release: May 18, 2018
Studio: Open Road Films
Genre: Animation
Director: Raja Gosnell
Producers: Deepkak Nayar And Philip Von Alvensleben
Executive Producers: Tom Ortenberg, Nik Bower, Max Botkin, Raja Gosnell And Scott Lambert
Writer: Max Botkin And Blaise Hemmingway
Cast: Will Arnett, Chris “Ludacris” Bridges, Natasha Lyonne, Jordin Sparks, Gabriel “Fluffy” Iglesias, Shaquille O’Neal, Alan Cumming, and Stanley Tucci
Rating: PG

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Advance Movie Screening For SHOW DOGS

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday, May 12
Location: Harkins Tempe Marketplace
Movie Screening Time: 10:00 am
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Saturday, May 12
Location: Regal Red Rock
Movie Screening Time: 10:00 am
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Tully Movie Review

Going into ‘Tully’ I didn’t know what to expect. Sometimes when I know ahead of time that I’ll be reviewing a film, I avoid all mention of the said film, so I can go in without any knowledge of the concept and therefore don’t build any preconceived notions. I especially avoid trailers as I believe, this is especially true of the last few years, they give away too much of the plot. I’ll try not to reveal too much here, myself.

What I knew of ‘Tully,’ and all I needed to know to sell me on it, were the stars, the director and the writer. Charlize Theron, Mark Duplass and Ron Livingston in a film directed by Jason Reitman who directed the wonderful ‘Up in the Air’?! Enough said! But then written and produced by Diablo Cody, too?! Cody first came on the scene when she wrote her smash hit film ‘Juno” for which she procured a BAFTA, Writers Guild, Critics Choice and Academy Award® for Best Original Screenplay. Quite the accomplishment. ‘Juno’ was also directed by Reitman. ‘Young Adult,’ which I considered to be rather good, as well, Sees Cody and Reitman together also and stars Charlize Theron. Knowing this, I was chomping at the bit for this new film. Still I refused to learn too much of the story, instead, I went in trusting the team that designed the piece. I had heard all I needed to know to get me in the theatre and should do it for you, too. Reitman and Cody make a good team. ‘Tully’ is very well written, quite charming and whether you think you can relate to the characters or not, very much worth your time.

Theron plays Marlo, a pregnant mother of two, who’s about to have baby number three shortly. One of her children, her son, has difficulties in school, shows all the signs of autism, and makes getting through the day quite a struggle. She has to brush his body to reduce the anxiety of everyday stimulation for him. Her husband Drew, played by Ron Livingston, of ‘Office Space’ fame, works a lot and when home he spends more time playing video games than he does noticing if Marlo has had a good day, is okay or needs his help. He is a good father and they do have a loving relationship, but their communication is more about the kids and problems that arise rather than relaxed and problem free. Then, of course, when she has the baby things get more chaotic for Marlo and, seeing less of him, she begins feeling drained and sleep deprived.

Her concerned and very wealthy brother Craig, played by the charismatic Mark Duplass, offers to pay for Marlo to have a night nanny come over in the evenings and help her. This is so she can get some rest and be more prepared to handle the sunrise. At first, the idea of someone coming into her home and taking care of her child doesn’t thriller Marlo but she eventually finds herself unable to dig herself out from underneath mounds of housework piling up around her. She feels neglectful and, realizing how good it’ll be for her family to have someone help, she accepts the generous gift.

This is when Tully, (Mackenzie Davis from ‘Blade Runner 2049’), a young woman in her twenties, enters her life. Still a little nervous about the situations, when she finally meets Tully she feels genuine warmth come from her. Knowing that all will be well, Marlo puts her head on the pillow, closes her eyes and gets the first good night’s sleep she’s had in years.

As the relationship deepens and the help she’s receiving becomes more about the bond between the two women, their conversations and the film itself gets more engaging. It’s also considerably witty. Whether you’re a woman or have been a parent or not, you’ll enjoy the banter between all the characters in the film. The Reitman/Cody union has always been strong and this time it’s not only good but has matured, as well. A twist they throw at you at the end of the film is not only kept well-hidden but is a testimonial to how Cody has evolved as a writer which makes you giddy for her future work. Whatever she has coming up for us, hopefully, she’ll not stray too far from her formula and from these partnerships that work.

For more information, visit the website and check out the social pages:

Official Website:     http://www.tullyfilm.com/

Facebook:                https://www.facebook.com/tullymovie/

Twitter:                      @TullyMovie

Instagram:                @TullyMovie

#Tully

life-of-the-party-movie-2018

Life Of The Party Advance Movie Screening

Movie Screening Summary

When her husband suddenly dumps her, longtime dedicated housewife Deanna (Melissa McCarthy) turns regret into re-set by going back to college…landing in the same class and school as her daughter, who’s not entirely sold on the idea. Plunging headlong into the campus experience, the increasingly outspoken Deanna—now Dee Rock—embraces freedom, fun and frat boys on her own terms, finding her true self in a senior year no one ever expected.

www.lifeoftheparty-movie.com

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Advance Movie Screening For LIFE OF THE PARTY

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, May 8
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
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Tucson, Arizona

 

Advance Movie Screening Details

Movie Screening Date: Tuesday, May 8
Location:Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, May 8
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Tuesday, May 8
Location: Regal Winrock
Movie Screening Time: 7:00pm
[button link=”http://www.wbtickets.com/tmcioabqLOTP” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Godard Mon Amour Movie Review

The filmmaker Jean-Luc Godard, who this movie is about, has said of this Michel Hazanavicius film that it’s ‘A stupid, stupid idea.’ This quote is then put on the poster and why not? Hazanavicius knew right there that he got it right. You can’t get a bigger endorsement, in my opinion. Michel Hazanavicius, director of ‘The Artist,’ which won five Academy Awards, including Best Picture and Best Director, now gives us the fairly humorous ‘Godard Mon Amour,’ a subtitled French film originally titled ‘Le Redoutable.’ In ‘The Artist,’ he showed us the world of silent films by introducing us to one of its actors and focusing heavily on that star’s world. In ‘Godard Mon Amour,’ we meet a truly innovative filmmaker from the 1960’s named Jean-Luc Godard (Garrel) when he’s in a state of flux. Already a successful director in the eyes of the public and of the critics with films such as, ‘Breathless,’ ‘Contempt’ and ‘Pierrot le Fou’ he decides he wants to be a revolutionary. He wants more out of life and desires to give more to the world through cinema.

We meet him in 1967 when Godard was regarded as one of the most gifted directors of his generation. He was very avant-garde because about ten years previously, he got involved in the ‘Nouvelle Vague,’ a group of French movie directors who came together to shrink away from the cinema of the day that was being created, to give films a more expressive voice.

While making his new movie, ‘La Chinoise,’ he starts doubting everything he has ever believed in. He feels he’s old (he’s thirty-seven) and out of touch and marrying an actress Anne Wiazemsky (Martin) almost twenty years his junior, doesn’t help much. She falls in love with his passion and his talent but as he gets more distracted with his heavy interest in politics, he pays less and less attention to her, at one point telling her that love can wait for later. He is always speaking as though his life means nothing but the cinema and when he has switched to politics only, his love life falls in order. He tells her he doesn’t have it in him to make a romantic film, saying, ‘Enough with the dictatorship of sentiments… sentiments don’t make revolutions.’ While loving and attentive early on, as the film continues, she’s starting to see what this means for their future. Previous to marrying him, she thought he was fascinating, unpredictable, charming and funny but before long comes to grip with the fact that he’s miserable and therefore incapable of thinking of anyone but himself. To support her husband, the young bride finds herself running from the police during student marches and protests rather than making films with him, even boycotting the Cannes Film Festival during the strikes of the following year.

The cinematography is outstanding and worth watching for that alone. The comedy, when it kicks in, rivals that of early Woody Allen pictures but takes place so far into the film that you may lose interesting getting there. Like the filmmaker Godard himself eventually became, Hazanavicius, is looking for something other than a joke to entertain you. I’d like to go on record as saying that if the film doesn’t please your palate right away, don’t give up on it. It drags on at first but does get better. There’s a lot of ground to cover and the clever way that this profound character is revealed at such a heavy turning point in his life, shouldn’t be missed by anyone who is looking for something meaningful. Hazanavicius is relaying to his audience a time when the filmmaker was trying to stay relevant. He’ll be criticized for creatively yet harshly revealing this time in Godard’s life but it doesn’t mean it should not have been explored.

*Releasing in Phoenix exclusively at Harkins Camelview at Fashion Square.

I Feel Pretty Movie Review

Very few movies make you feel bad for the protagonist of the story and feel horrible about yourself at the same time. ‘I Feel Pretty’ does just that. The beginning of the film especially. Renee Bennett (Schumer) is treated horribly by society. She’s completely shunned. If she walks into a building, she’s treated like a leper. People stare at her as if her fat can instantly leap from her body and infest the entire building… how dare she inhabit their earth! Yes. I can see the point being made. This possibly and most likely is how people who hate themselves, for whatever reason, feel about their body, their face… their selves. It’s heartbreaking. However, this is pushed to the limit where the audience may feel uncomfortable about how the film itself makes them feel as they watch.

It’s as if ‘I Feel Pretty’ is a giant mirror reminding them that they should put the popcorn down and get back to dieting. This being the case, it most likely won’t be entertaining for some. The movie theatre isn’t necessarily the place you need to be reminded of each and every flaw. Again, I see the point, but must it be beaten into the ground? ‘Shallow Hal’ makes this exact storyline work without humiliating and alienating its audience. I was hoping this would be similar to Hal but was quite disappointed in that respect.

But the film redeems itself to an extent when it starts selling the message that it’s not how others perceive you that counts, it’s only how you view you that should ever matter.

Renee is both the protagonist and antagonist in this particular film. What?! Well, she shifts from a kindhearted, fun and friendly person to a lousy, callous pain in the backside in no time flat. What turns her is a journey she takes. While praying that she’ll lose weight, look and feel better, she joins a gym and listens to an instructor who’s a powerful motivational speaker. While listening to her strong words of encouragement, she falls off the exercise bike she’s on (For some reason it can’t hold her weight?!?), hits her head and passes out. When she comes to she sees, not herself, but someone else. She’s healthier, more beautiful but most of all… not fat. She walks around almost the rest of the movie acting like she just won a billion-dollar lottery. She is overly happy with her new lease on life and vows to go get what she wants. And she does just that. Her attitude toward herself also gets her attention, but it isn’t sinking into Renee that she hasn’t changed… she’s still just Renee to everyone else.

Soon, all of her dreams have come true. She has the job she has always wanted, has a boyfriend, even has admirers and her head begins to swell. Not long after, she starts looking at her friends. Suddenly, they’re dragging her down. They’re not dressed well enough and they wear their hair wrong. She wants them to change. Being that the film has been formulaic so far, you can see that a big lesson is coming her way and if she wants to come out of her present situation with only a bruised ego, she needs to realize who she really is.

‘I Feel Pretty’ has sight gags, fat jokes and follows a certain predictable pattern but if you’re a Schumer fan, it’s worth seeing. She hams it up and struts her stuff, clearly, there are no body issues for Schumer as she shows it off a lot. If she ever had issues, she doesn’t now and shouldn’t but this is why the film ultimately doesn’t work. She’s full-figured, yeah, but hardly obese. They’re making fun of how fat she is when she’s, at most, big boned, slightly overweight but is healthy looking. This makes the filmmakers look superficial and tasteless. No. It’s not lost on us that Renee needs to see what everyone else sees but therein lies the rub. They show people, adults mind you, getting both repulsed by the sight of her for her ugly, cellulite ridden, flabby body and yet want you believing that everyone sees this beautiful person within her. The filmmakers can’t have it both ways.

That notwithstanding, Schumer was great, especially when she joins a bikini contest. She holds nothing back. Michelle Williams was very fun to watch as Avery LeClaire, an incredibly hollow human being who ends up being exactly what Renee needs to see that everyone has flaws, no matter how perfect we think they are. All the performances were strong but the movie, outside of a few laughs and a good message, wasn’t as good as it could have been. I feel they were headed in the right direction but got lost along the way. Maybe they should have spent less time writing ways to make fun of fat chicks. That would have been a good start.