Jurassic World: Fallen Kingdom Movie Review

In the 25 years since “Jurassic Park” opened (on the screens of the world), there have never been enough people who dared to ask, “What could possibly go wrong?” Also, when they do ask that pondering question, the answer is usually “Plenty!” That is the case for “Jurassic World: Fallen Kingdom”, which is the sequel to “Jurassic World” and also a descendant of “Jurassic Park”. The little island of Isla Nublar never looked so disastrous.

When John Hammond and his business partner Sir Benjamin Lockwood (James Cromwell) attempted to open the Park many years ago, disaster stuck. The Park soon fell into disrepair. A new company took over and recreated it as “Jurassic World”, where new levels of disaster struck. Some people who worked there (and survived) were Claire Dearing (Bryce Dallas Howard), Owen Grady (Chris Pratt) and Dr. Henry Wu (B. D. Wong). Dr. Wu oversaw creating newer and bigger dinosaurs, and Clair was in charge of marketing. Owen was a wiz at raising and gaining the trust of some Velociraptors, including Blue. But the Park was abandoned when the dinosaurs all escaped.

Now three years later, a new crisis has arrived. A long dormant volcano is about to rip up the island and send the dinosaurs back to extinct status. But Sir Lockwood has a personal assistant named Eli Mills (Rafe Spall) who has come up with a plan. He wants to evacuate almost all the dinos to a new, safer island. Clair agrees to get Owen to help. They are also assisted by a couple of people that Clair works with at the Dinosaur Protection Group she founded to save her ‘friends’. Along with them are paleo-veterinarian Zia Rodriguez (Daniella Pineda) and IT genius Franklin Webb (Justice Smith). They are met by a large group of mercenaries led by Ken Wheatley (Ted Levine).

 

With the dinos running everywhere and the volcano about to blow, the team gets the last few dinos ready to leave. It is up to Owen to try and locate Blue, the lone Velociraptor. But before you can say bait-and-switch, the tables are turned and Clair, Owen, Franklin and Zia find that there is trouble afoot. The dinos are taken instead to a remote mansion owned by Lockwood in Northern California.  Eli Mills has some other intentions for the dinosaurs, which all include making lots of money. He has been paying Dr. Wu to come up with more lethal versions of the dinos, and he is paying Wheatley and his team to get the prehistoric monsters back to the mansion in the woods. He plans for an auctioneer named Eversol (Toby Jones) to auction off each dino to the highest bidder.

Sir Lockwood has a granddaughter named Maisie (Isabella Sermon) who is fond of the sickly old man. But Eli Mills is a fiend who can kill off anyone who gets in his way, and he also threatens Clair and Owen. But due to some amazing timing, there is some monkey business that goes on the night of the auction. There are people running and fleeing many dinosaurs, because, you know… “Life Finds a Way”. Meanwhile, a Senate committee is in session and they are questioning noted chaos theory specialist, Dr. Ian Malcolm (Jeff Goldblum). He says, based on all that has happened, mankind will just have to get used to dealing with dinosaurs “Welcome to Jurassic World!”

Visually, this movie is a virtual treat. There are lots of great shots with many types of dinosaurs, and they all look fantastic. The level of the story, however, does reach the height of a Brachiosaurus. It is trite retread of the prior movies, with the added weird idea to take all the action from a large island, and instead put it all of the action into a confined mansion. The evil bad guys are portrayed over-the-top, even to the point of Wheatley collecting teeth from the dinos – like some type of serial killer getting trophies. The new characters do not add much, except they can scream on cue.

This series of movies has gone from “Jurassic Park” to “Jurassic World”, but now it got squeezed down to “Jurassic Mansion”. What could be next? “Jurassic Double-Wide”…

GET A BEHIND-THE-SCENES LOOK AT DIRECTOR TRAVIS KNIGHT’S VISION FOR ‘BUMBLEBEE’

Bumblebee (2018)

In Theatres December 21st, 2018

DIRECTED BY:

Travis Knight

 PRODUCED BY:

Lorenzo di Bonaventura, Tom DeSanto & Don Murphy, Michael Bay

EXECUTIVE PRODUCED BY:

Steven Spielberg, Brian Goldner, Mark Vahradian, Chris Brigham

STARRING:

Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon, Stephen Schneider

Academy Award®-nominated filmmaker Travis Knight (Kubo and the Two Strings) brings his expertise in the world of stop-motion animation to Transformers with Bumblebee.  By combining meticulous craft skills with cutting-edge technology, Travis showcases his ability to develop characters and inspire emotions through a unique storytelling vision that brings fan-favorite Bumblebee to life. 

CAMERAS ROLL ON WARNER BROS. PICTURES’ “WONDER WOMAN 1984”

CAMERAS ROLL ON WARNER BROS. PICTURES’

“WONDER WOMAN 1984”

Director Patty Jenkins Reteams with Star Gal Gadot for the

DC Super Hero’s Return to the Big Screen

 

BURBANK, CA, June 13, 2018 – Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.  Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office.  “Wonder Woman 1984” will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal.  And Chris Pine returns as Steve Trevor.

Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film.  Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

Joining her behind the scenes are several members of Jenkins’ “Wonder Woman” team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto (“Amélie”), and Oscar-winning costume designer Lindy Hemming (“Topsy-Turvy”).  Oscar-nominated editor Richard Pearson (“United 93”) will cut the film.

Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

Set to open in theaters November 1, 2019, “Wonder Woman 1984” is based on the character created by William Moulton Marston, appearing in comic books published by DC Entertainment.  It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

2001: A Space Odyssey – 50th Anniversary Re-Release

Warner Bros. Pictures re-release of Stanley Kubrick’s 2001: A SPACE ODYSSEY will be opening in Phoenix on Friday, June 15th exclusively at Harkins Tempe Marketplace.

Widely considered among the greatest films of the 20th century, 2001: A Space Odyssey will return to select U.S. theatres in 70mm. Stanley Kubrick redefined the limits of filmmaking with this film and cemented his legacy as one of the most revolutionary and influential film directors of all time.
Originally released on April 4, 1968, the film ignited the imaginations of critics and audiences alike and its impact continues to resonate to this day. 

 Celebrating the 50th anniversary of the seminal film, Warner Bros. Pictures is releasing an “unrestored” 70mm print of the director’s groundbreaking science fiction epic.  A true photochemical film recreation, this print was struck from new printing elements made from the original camera negative.  There are no digital tricks, remastered effects, or revisionist edits. 
Christopher Nolan, a longtime admirer of the late American auteur, worked closely with the team at Warner Bros. Pictures to oversee the mastering process.

www.2001spaceodysseymovie.com  

Adrift Movie Review

“Adrift” is a harrowing tale of survival at sea after a massive hurricane wreaks havoc on a small sailboat. In 1983 there was Raymond, a hurricane in the Pacific that set two people adrift in the ocean with little chance to survive. The story of this against-all-odds journey is what makes “Adrift” ‘see’ worthy. All puns aside, this is a cross between the movies “The Perfect Storm”, “Cast Away” and “All Is Lost”. But there is a deep sense of love that is the driving force in this movie, and it calls out for careful viewing.

Tami Oldham (Shailene Woodley) is adrift in her own life, travelling around the Pacific and winding up in Tahiti. She meets a man with a fine sailboat. He is Richard Sharp (Sam Claflin) and the two of them fall in love. Tami has no need to head home back to San Diego, but when an older couple offer Richard the opportunity to take their sailboat back – he must take that offer. There will be a nice payoff and a couple of first-class tickets back to Tahiti so that the two of them can start on their own adventures. Richard and Tami get everything ready for the journey out to sea.

It is all going so well, until Mother Nature intrudes and brings along hurricane Raymond. It is a monster of a storm and it rips the boat from stem to stern. The main sail is gone, and the radio is dead and there is precious little food and water. Tami wakes up in a panic. She was knocked out by the storm, and she cannot find Richard. Later, she sees that he is clinging to a lifeboat, and she swims out and drags him in. But things are not in good shape, as his ribs are broken and his leg is shattered. Even if she conserves all the food and water, there will not be enough.

They have no method to sail fast enough with just a small jib sail, so getting back to the States is impossible. She decides to change course and attempt to sail to Hawaii. But that will also take a great deal of time and it is also very risky. Tami is not an experienced sailor, but with encouragement from Richard, she is able to adjust the course and track the progress of the ship. But many days at sea can cause very weird things to happen, delusions and hallucinations are all too common. Tami thinks she sees a huge cargo vessel go right past her in the night, but she then thinks it was just a dream. Every past encounter with Richard is recalled and she thinks of all the love that they have, and it pushes her on to survive and make it out of this disaster. Richard will be her touchstone and her reason to overcome the obstacles.

There is a point in the movie that will redefine most everything that came before it, and it would be wrong to say too much. But the way the story moves up to that point, and the acting of the two lead characters just do a beautiful job to make it a very emotional moment. The writing does a great job to unfold the history of Tami and Richard’s love, and how they came to be soul mates. Shailene Woodley is very moving as Tami, with an emphasis on how this character grows into a much more capable and self-reliant being. Her soulful looks and painful eyes show that she is deeply affected by the trip. Sam Claflin is close to her equal, but his role is much more limited due to the difficulties that Richard has during the movie. Together, they make a very tragic couple, who can turn it all around and can find triumph.

The difficulties portrayed in “Adrift” are brutal, and look very realistic. You get a feeling that, at any point, the situation could change and become unbearable. But there are single moments that Tami clings to: an unexpected rain shower that brings much needed fresh water, the sky in the evening as the sun sets and how it lights up the clouds with so many tints of red, the bird that comes to perch on the deck – showing that land is nearby. These all make for mosaic that tacks left and right, into misery and then into beauty.

The love that Tami and Richard shared fueled the passion for survival that finally brought the crew in for a rescue. The overall story is sad, but there is another story of hope and struggle that shows how people can face adversity and come out on top.

American-Animals-movie-screening

American Animals Advance Movie Screening

Movie Screening Summary

The extraordinary and thrilling true story of four friends living an ordinary existence who brazenly attempt to execute one of the most audacious art heists in US history. But not everything is as it seems, and as the daring theft unfolds through each of their perspectives, each of them start to question whether their attempts to inject excitement and purpose into their lives is simply a misguided attempt at achieving the American Dream.

AMERICAN ANIMALS
Release: June 8
Studio: The Orchard
Genre: Crime/Drama
Director: Bart Layton
Writer: Bart Layton
Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier
Rating: R
Runtime: 116 min

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Advance Movie Screening For AMERICAN ANIMALS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, June 5
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Solo: A Star Wars Story Movie Review

‘Star Wars’ fan? You gotta see this. Period. I know some fans weren’t happy about Ron Howard replacing the original directors of the film, the team of longtime friends, Phil Lord and Christopher Miller (‘Lego Movie,’ ‘21 Jump Street’), and it caused quite a ruckus but, in my opinion, for no reason. Ron Howard may not be known for his action pictures but watch ‘Rush,’ ‘Apollo 13’ and ‘Backdraft’ for examples of how he handles action sequences in film if you’re concerned about his abilities. What’s so good about Howard getting to helm the project is that he doesn’t only count on action to dazzle you but ensnares you by giving the story depth. He does this with familiar images, language and even tones to set the mood and take you back to when you were first introduced to the characters and their world. I’m inclined to think some audience members won’t like the film no matter who directs, for the simple fact that Harrison Ford is Han Solo and Alden Ehrenreich is not. While I realize it’s hard to see anyone else as the captain of the Millenium Falcon, I resisted the urge to automatically dislike the thought of seeing this prequel and went on to enjoy the film for what it offered, not what and who it doesn’t offer. You should, too. For what it’s worth, Ehrenreich plays a magnificent Han Solo. He even looks like him a few times, too.

Here, Han lives a miserable life and being that he’s a young man, has decided that life as a slave to the man isn’t for him. Where he’s from is a dark and dismal existence and he has learned to do whatever it takes, break any laws, to survive. This comes in handy when he decides he’s going to change the course his life is on and leave to become a pilot for the Imperial Army. Of course, slaves don’t decide what they get to do or when so, mind made up, he grabs his pretty but tough girlfriend Q’ira (Clarke) and they make a run for it. Their determination gets them to a not so friendly checkpoint but as you’d expect something happens to make Han the man he becomes. He makes it through… she does not. She encourages him to continue without her which he does, vowing to return to save her.

Later, after making it into the Army and getting to fly for it, but still having dreams of being the ‘good guy,’ he meets Beckett (Harrelson) and Val (Newton) who just happen to need a good pilot. This gets him away from his current situation and one step closer to getting back to Q’ira. Up to this point, the movie was a little slow but the pacing picks up when they need Han’s help for a fuel theft.

With a large weight on top of them, Ron Howard and the writing team of Jonathan and Lawrence Kasdan manage to meet your expectations based on what you’ve always known from the franchise and its characters. They take great pain to include signature lines and memorable situations as ‘The Kessel run in less than twelve parsecs.’ Doing this includes you in on the joke from where it originally derived. Very smart. They show their audience how Han first meets Chewbacca (Suotamo) which is entertaining and comical. There are many other goodies peppered throughout the script for you to treasure.

I will admit that the creation of Han’s last name is rather lame, but it doesn’t compare to how bad the suggestion is that Lando Calrissian is having some sort of relationship with his robot L3. That won’t stop you from loving his character, however.

The graphics and cinematography more than make up for the few things you’ll find wrong with the script, which you’ll only locate when hunting with a fanboy lens, instead of just having fun in a movie because it’s good. When looking closely, what you should find is a message warning of how horribly life can change when under evil leaders instead of whether or not Howard is worthy of the brand because, his ability to mix dramatic nuance with comedy and action, it’s clear that he is. And, unlike before I saw this, I’m very much looking forward to this storyline continuing.

Shane Black’s take on The Predator coming September 14th! Here’s the first Trailer!!

THE PREDATOR

Release: September 14, 2018

Director: Shane Black

Written by Fred Dekker & Shane Black.

Based on the characters created by Jim Thomas & John Thomas.

Produced by: John Davis, p.g.a.

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, Alfie Allen, Thomas Jane, Augusto Aguilera, Jake Busey, Yvonne Strahovski

SYNOPSIS

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

THE PREDATOR Official Channels

OFFICIAL WEBSITE: www.thepredatormovie.com

INSTAGRAM: www.instagram.com/Predator

FACEBOOK: www.facebook.com/PredatorMovies

TWITTER: www.twitter.com/Predator

HASHTAG: #ThePredator

In Theaters September 14th

http://www.fandango.com

“ANT-MAN AND THE WASP” TRAILER NOW AVAILABLE!

“Ant-Man and The Wasp”

 

From the Marvel Cinematic Universe comes “Ant-Man and The Wasp,” a new chapter featuring heroes with the astonishing ability to shrink.  In the aftermath of “Captain America: Civil War,” Scott Lang grapples with the consequences of his choices as both a Super Hero and a father.  As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission.  Scott must once again put on the suit and learn to fight alongside The Wasp as the team works together to uncover secrets from the past.

“Ant-Man and The Wasp” is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Pena, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder-Fortson, Randall Park, with Michelle Pfeiffer, with Laurence Fishburne, and Michael Douglas.

Kevin Feige is producing with Louis D’Esposito, Victoria Alonso, Stephen Broussard, Charles Newirth, and Stan Lee serving as executive producers.

Chris McKenna & Erik Sommers, Paul Rudd & Andrew Barrer & Gabriel Ferrari wrote the screenplay.

 

ANT-MAN AND THE WASP

MARVEL STUDIOS

Website and Mobile site:  http://www.marvel.com

Like us on Facebook: http://www.facebook.com/marvelstudios

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In Theaters July 6th!

http://www.fandango.com

Avengers: Infinity War Movie Review

‘Avengers: Infinity War’ was made for the fans. It is tremendously displayed hardcore action that simply doesn’t stop. If you love Marvel and the Avengers films, they’re topped out here. This is the one to beat and I don’t think it’ll be possible to do such a thing. The end will leave you mystified, shocked and salivating for the next feature. Fully shot on IMAX, I do suggest that you find a way to get to an Imax theatre and see it as it was meant to be seen. The CGI is fantastic and as the characters planet hop, it can’t be fully appreciated on a smaller screen.

There’s not a lot to say that will sell you on the film that you most likely don’t already know. If you’re a Marvel fan, you already know the universe that has been created. If you haven’t seen any of these movies, don’t start with this but hurry, get them all watched and catch this one before it leaves theatres! The Russo brothers, Anthony and Joe, took over directing after Joss Whedon left and, even though Whedon seemed irreplaceable, you’ll be convinced this was the right move. The characters, and there are a lot to get through, are given careful attention and had almost equal time onscreen for everyone to develop even more thoroughly than before.

There are many other reasons why you need to see ‘Avengers: Infinity War.’ It’s very well thought out, it’s not predictable, it’s incredibly entertaining and the entire 2 ½ hours go by in the blink of an eye. Unfortunately, waiting for Avengers 4 will seem like a lifetime. While this film is quite morbid and rather sinister, it has to be one of, if not the best because it took the darker path it needed to.

Parrticular actors get a chance to sink their teeth into moments that are meatier, deeper emotionally and even more comical than before. Once such comedic moment is when Hulk loses his confidence after getting beat during battle and Bruce Banner (Ruffalo) must discover a way to take over when needed. Another hysterical scene is when Tony Stark (Downey Jr.) calls an ominous looking character named Ebony Maw (Vaughan-Lawlor) ‘Squidward’ due to his resemblance to the character in ‘Sponge Bob Square Pants.’

So, while there is a lot of darkness, there’s a wonderful balance of humor, as well, mostly from the previously mentioned characters and from Peter Quill / Star-Lord (Pratt) due to his jealousy of Thor (Hemsworth).

We start by finding out that Asgard was under assault by Thanos (Brolin) who wants all of the Infinity Stones so he can control the universe. He believes that the random death, genocide, of half of a planet’s population, is merciful. Only he has what it takes to rid the planet, therefore the universe, of misery and despair by doing what no one else has the guts to do… murder by the trillions. So, he’s on the hunt for all the stones. Everyone is doing their best to keep them hidden from him but he’s has declared war with them, he’s strong and is winning. He’s not having too much trouble finding the stones and one by one, with what seems like very little opposition, he takes them.

This is particularly entertaining because while you may want our heroes to win, there’s a certain delight in watching them in peril for a change. The fight lasts a long time before they finally come together to deal some serious blows. The length of the film gives you time to truly care for what’s going on in this world and also question moves made by certain characters. Dr. Strange (Cumberbatch) will have you exceptionally perplexed. But, I’ve said enough. I’ll let you find out the rest on your own. If you’re a fan, you must immediately get to the theatre and watch this movie. Then, run right back in and do the same thing. Don’t drink coffee before you go. You’ll regret it about an hour in when you decide you can’t miss a moment of the film.

* There is only one end credit scene.

* Look for Stan Lee on the bus.