Live-action Spider-Man films have been around since 2002. The first set of movies starred Toby Maguire, and then later Andrew Garfield. But what did these five movies lack? They were not created with the involvement of Marvel Studios, as part of their ‘Cinematic Universe’. These other ones also did not have Tom Holland in the role of Peter Parker. Now things are getting better and better…

“Spider-Man: Homecoming” starts with a direct nod to “The Avengers” (2012), with the aftermath of the fight over New York City against the alien race of Chitauri. The clean-up crew is led by Adrian Toomes (Michael Keaton), and when he is pushed out of the job by the government, he takes much of the alien technology. Eight years later, he and his crew have an underground network of alien-based weapons sold to the highest bidder. Toomes has created a flight suit and calls himself the Vulture.

Peter Parker (Tom Holland) is in high school, and with no specific back story, he is an amateur crime-fighter called Spider-Man. He is noticed by Tony Stark (Robert Downey Jr.) and he joins Stark on a mission in Germany. For details on that, see “Captain America: Civil War” (2016). Stark gives Peter a Spider-Suit upgrade. It is very high-tech, but it is limited by the “Training Wheels Protocol”.  Peter keeps his secret identity hidden from his Aunt May (Marisa Tomei). But by accident, his best friend Ned (Jacob Batalon) finds out.

Peter and Ned attend a science-based high school in New York, and they are part of the Academic Decathlon team. Also on the team are Liz (Laura Harrier) and Michelle (Zendaya). Peter attempts to live as a secret superhero while also navigating high school. Peter wants so much to be part of the Avengers. He calls and reports in daily to Happy Hogan (Jon Favreau), so that Happy will report this to his boss Tony Stark. Peter decides to live a little dangerously, and he and Ned disable the “Training Wheels”.

Perter Parker as Spider-Man has a couple of run-ins with thugs that have the Toomes alien-tech weapons. He even has a run-in with Toomes (as the Vulture). He tries to get the attention of Tony Stark, and he wants to let him know that bad things are afoot. There are some pretty decent fight scenes in a New York bank, and then at the Washington Monument. Spider-Man has a number of high-tech tricks up his sleeve, even when he meets up with the Vulture on the Staten Island ferry. However, things get out of hand. Iron Man has to come to the rescue, and Peter Parker gets demoted.

But later, when he gets a date with Liz to the school Homecoming dance, he finds that the danger has only begun. Peter Parker will need his strength and his will to beat the Vulture in a final fight. Little does he know that his school life and his secret Spider-Man life are about to cross paths. The events that lead up to this are a bit of a surprise, so you can find out when you see what happens…

“Spider-Man: Homecoming” is a welcome change to the Spider-Man movies, and now that it folds into Marvel’s Universe, that makes it even better. The addition of Tom Holland as Peter Parker is terrific. He is much more in line with what a high school nerd kid should look like. Just because he has super Spider-Strength and Spidey-Senses, he still is awkward asking a girl out to a dance. Or even worse, learning to slow dance with his Aunt May…

All the casting is brilliant, especially Michael Keaton as the Vulture. The Toomes character does not get much in the way of development, but Keaton is great with a sarcastic line or a flinty, squinty sneer. All the high school related characters are fine, and the criminal gang of Toomes is also pretty good. Robert Downey Jr. and Jon Favreau are again doing the roles that they do so well. Marisa Tomei does not have a lot of time in the movie, but she still makes an impression…

Overall, because there were six writers, I guess that some ideas did not have time to get fleshed out. Adrian Toomes goes from a blue-collar worker to an underground super criminal in a matter of minutes. Peter Parker’s experience with the radioactive spider is glossed over, so you can watch other movies to get into his back-story. Because Peter is a high school kid, he does not have a car, so getting around is more difficult. But he does make it to where he needs to go.

However, the overall attitude of the movie is refreshing and self-referential. It is almost like a PG-13 version of “Deadpool”. It has a humorous side, but it also gets into a father-figure situation between Peter Parker and Tony Stark. Plus there are some nice little cameo performances every once in a while: Chris Evans as ‘Steve Rogers: School Fitness Adviser’ on the school TV. Also, there is cute segment with Gwyneth Paltrow again playing Pepper Potts, helping Tony Stark announce the latest Avenger.

It’s enough to make your Spidey-Senses tingle…

Bayhem: defined as the non-stop assault of wild images and loud sounds that come at you from a movie directed by Michael Bay. That is what is expected from his movies, and “Transformers: The Last Knight” will not disappoint the Bay fans out there. It is a long, non-stop and nonsensical action meat grinder of a movie. Are there giant robots – yes of course. Are there gaping plot holes – yes of course. Are there spectacular scenes of motion and movement – yes of course. Will Bay fans eat it up – yes, without a doubt.

To sum up: Autobots are good guy robots that transform into various vehicles. Decepticons are the bad guy robots that fight the Autobots, and they also transform. Autobots are led by Optimus Prime (Peter Cullen) who always pledges support to the humans. The robots go all the way back into history, back to the days of King Arthur. The last living descendant of Arthur, along with the “Last Knight” are needed to fend off an attack on Earth from the crazy robot who has taken over the robot planet and is going to smash it into the Earth. Or something like that…

Actually, there is a very broad outline of what goes on in this movie. There might be an overall plot line, but it is obscured by all the action set pieces. Cade Yeager (Mark Wahlberg) is a friend of Optimus Prime and is hiding a group of Autobots in a junkyard in the dessert. Viviane Wembly (Isabela Moner) is a Professor at Oxford in England, and she is the final one related to Arthur. Sir Edmund Burton (Anthony Hopkins) is an English earl with a vast knowledge of the Transformers history and why they are always coming back and mucking around on Earth. William Lennox (Josh Duhamel) is a military guy who is sometimes helping Cade and most times chasing after him. Due a set of some unclear circumstances, they all get together to work with the Autobots and save the world.

The action scenes are fantastic, yet the excessive editing cuts made them all look very choppy. The visual special effects are overwhelming and overbearing. They are done professionally and look terrific, yet the images are just thrown at you for more than two hours. It can just wear you down. The audio sound effects are growling and grinding and full of a lot of noise. There is a bombastic score playing under everything else, which increases the sound level. It is impressive and disturbing at the same time, like not being able to turn away from a bad car crash.

The story meanders from the US to England, where Sir Burton has brought Cade and Viviane together. There is some special staff that used to belong to Merlin, but it was given to him by an ancient Autobot. Viviane is the only one who control the staff, since she is the last of Arthur’s line. Cade had been given a special talisman that identifies him as “The Last Knight”. So, the major money of this movie went to the visual effects and not the script. However, there are a handful of performances that are OK. The plot is secondary to the stunning special effects, so call it a wash.

Mark Wahlberg is always a great action figure, even if the movie bumps into crazy dialog that could come from “The Happening”. He plays the earnest and trustworthy guy who can fight off anyone with his brains and brawn. Isabela Moner does a fair job in her role, nothing too special, but plays it with no problems. Anthony Hopkins does a delightful job as the slightly befuddled old guy who has a glint in his eye and tells you he knows more than he says. Just hope that he does not consider you a “friend that he would like to have for dinner”.

Granted, if Michael Bay is your thing and you have a deep appreciation for all things ‘Transformer’, then by all means, this is the movie for you. However, everyone else still need to determine how much of an action-packed blast in the face you can stand. If you have extra bucks, you can even see the “No Reason to be 3-D” version. It has 3-D on top of the already crowded screen of visual ADHD fever dreams. There are few scenes that use the 3-D to a good effect, but it sails through the film just fine without it.

More than likely “Transformers: The Last Knight” will make a ton of money, either here or abroad. Can it be too much to ask that Bay finally give up ‘his’ franchise? Or will he get enough incentive to come up with a sixth movie… “Transformers: The Ring of the Register”?

Universal Studios has long history of horror and fantasy movies from back in the day. It is time to revive those golden years with something they call the “Dark Universe”. Many of the creatures and monsters from the past will be remade, with the first one in the series called “The Mummy”. This will not be the same one as the 1999 version with Brendan Fraser. No sir, this will star Tom Cruise! But it will have the same big bad monster as the last time, however it will be a female version…

Nick Morton (Tom Cruise) and Sergeant Chris Vail (Jake Johnson) are attached to an Army unit in a far off village in Iraq. Nick is helping to locate “precious antiquities” in the desert, and a bomb explosion has uncovered an ancient Egyptian tomb. Jenny Halsey (Annabelle Wallis) is searching for the same buried treasures, and she has a special pass from the London government to assist Nick and Chris Vail. However, what they find is soon to be discovered not as a burial site, but an Egyptian tomb/prison for a wicked Princess Ahmanet (Sofia Boutella).

Ahmanet had become an evil power-hungry killer, who had murdered the Pharaoh and his family. Her punishment was to be entombed alive, as far away from Egypt as possible. But now her sarcophagus is being unearthed and flown to London. There is a secret group there that oversees finding all monsters and destroying them. It is led by Dr. Henry Jekyll (Russell Crowe), however he has a bad tendency to turn into Mr. Hyde. Not the nicest chap on the block. The plane ride does not end well, with Chris Vail being possessed by ‘The Mummy’ (Ahmanet) and Nick shooting him dead. The plane is about to crash, and Nick saves Jenny, but he does not survive.

Until he does survive, without any explanation. But wait, Chris Vail is still there, and he is dead. But Nick can see him sometimes. The Mummy has broken out of her coffin, and attacks the guards at the plane crash site. She sucks the life from them, and they become her un-dead zombie slaves. There is a secretly stashed knife in an abbey nearby. It was smuggled out of Egypt by the Crusaders years ago. But there is a special crystal gem that gives the knife special powers. It was taken off the knife years ago, and now The Mummy needs it badly.

Jenny and Nick work together to help Dr. Jekyll finally capture The Mummy. Jekyll plans to kill and examine the remains of Princess Ahmanet, to find out how she become The Mummy. But Nick has a special bond with The Mummy, because she needs a new victim to kill in a ritual that will make him an Egyptian god. Oh, yeah, there’s lots going on, and the action goes on full tilt. But there is a confusing mish-mash of why most of this happening. Dead Chris Vail is still around on occasion, and he lightens up the mood. Nick is always overwhelmed when he tries to fight off The Mummy, the evil Mr. Hyde, and all the un-dead zombies chasing after him.

So this is pretty typical summer movie, with a bare plotline and tons of wild action. The major reintroduction of The Mummy, and Jekyll & Hyde as an aside, is real reason for the movie. This will become one of many based on the old creatures and monsters in the Universal Studio catalog. They want you to forget the 1999 version (with Brendan Fraser) and take this movie as the exciting start of something big. We will see how that goes. All the acting is OK, for a summer monster movie.

Tom Cruise runs and fights and gets along with his co-stars well. Annabelle Wallis does fine, but not memorable. Russell Crowe is low-key as Dr. Jekyll, and then turns into crazy-town when he becomes Mr. Hyde. Jake Johnson could have been used a lot more to lighten up the tone of the movie. Sofia Boutella is an attractive lady, but she has makeup and shrouding strands that bring her looks down quite a lot…

This creature feature can also be found playing in ‘No Reason to be 3-D’. 3-D does not show up well in dark and dimly-lit scenes, and there are plenty of them here. There are very few times in the movie where any 3-D stands out as a benefit to the scene. It just makes you put on dark glasses in a dark theater to watch a dark movie. It seems like more of a money grab then a way to make a more enjoyable product.

So, make room for sweet nostalgia in your new monster movies. Don’t look for well thought-out plots and dialog. Look for stunts and explosions and visual CGI. Don’t expect great character development, but get ready for lots of action in exotic places. Stay away from light-hearted comedy touches, get ready for serious ACTING!. This is not the 1999 “The Mummy”.

Tom Cruise, you’re no Brendan Fraser!