Former Marines, Mark āOzā Geist and John āTigā Tiegen, were unable to quiet their minds and bodies on September 11, 2012.Ā They were in Benghazi, Libya, when what they were trained and ready to do, not what they were actually there for, kicked in; and luckily for anyone who survived because many wouldnāt have, had these men not been willing, ready and able to be, not in their words,Ā heroes.Ā Read more
Category: News
Interview with āUnsulliedā director Simeon Rice
Interview with āUnsulliedā director Simeon Rice
Directed by: Simeon Rice
Starring:Ā Murray Gray, Rusty Joiner, James Gaudioso, Erin Boyes, Cindy Karr and Nicole Paris Williams
By Shari K. Green
āUnsulliedā is a film made by Simeon Rice, who directed and helped write the film after film school.Ā He graduated film school after he retired from pro-football in 2009.Ā He played for the Arizona Cardinals and also earned a Super Bowl ring in 2003 when he played for the Tampa Bay Buccaneers.
He was a very good football player but Iām not so sure that heās going to be as successful behind the lens unless he learns more about what heās doing.Ā We do need to keep in mind that this is his directorial debut, but he should take on smaller films and lighter topics first, āpay his duesā so to speak, because as it turns out, the film is sloppy and chaoticā¦ muddled, and the problems with it were exactly what youād expect from a new director who needs a bit more experience. Ā
When learning that there were several writers on the project, you can see why so much commotion made it to the screen.Ā I wonāt lie to youā¦ if you like the type of action/horror movies that come from indie or student filmmakers, this is what āUnsulliedā has in store for you and youāll like the film.Ā It isnāt special and it isnāt new. Ā What doesnāt work?Ā Itās in conflict with itself and its overall message is unclear.Ā What works?Ā Well, Rice has surrounded himself with some good people, chiefly, his cinematographer, Scott Winig. Ā The movieĀ looksĀ good so, Rice has some experts in his corner and if he wants to continue making movies, his love of film and eye for talent behind the camera could begin to work for him.Ā
As he declares in my interview with him, heās very passionate about filmmaking and is humble enough to ask for assistance when he needs it.Ā Itās my belief that as he learns more about the game, as he did in football, thereās little doubt heāll improve and even become good at this.Ā That said, āUnsulliedā, a story about Reagan (Gray), a track star who is kidnapped by a pair of sociopaths for a game of cat and mouse, is an extremely formulaic āBā movie, made more for Rice to get a feature under his belt than for an audience to love and then tout for their newĀ favoriteĀ director.
I hope he absorbs the criticism about his film and what is said about him.Ā He should make improvements based on his mistakes and focus on creating a story that isnāt rife with commonality and concentrate more on entertaining his audience than proving something to himself and his friends.
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SG:Ā Everyone dreams of a second career and I know youāve been asked this question a lot, but I must ask youā¦ why film?
Rice:Ā Ā I have a passion of storytelling.Ā I have a passion ofā¦ of creating concepts and being able to express yourself on a theatrical standpoint soā¦ film, to me, is one of the ultimate levels of expression and freedom.Ā To be able to do that and tell your own storiesĀ in your own wayĀ from facts to fiction is just one of those things that resonated with meā¦ and improved itself over time.
SG:Ā You had made a short film, a comedy, and then you tackle an entire feature next.Ā Why such a tough project right away and what is the ultimate message youād like to convey?
Rice:Ā Ā That Iām a filmmaker.Ā That Iām telling a story and I can create details.Ā I want to go so far left of what people would expect from me and to show that Iām a serious filmmaker; as a storyteller and as of a responsible storyteller.Ā I have a film going into theatres nationwide and it comes from a very organic place.Ā Those tales I create are going to stay in the pulse of people.Ā I watched the film āNo Country with Old Menā and as I sat and watched that film, I was so enthralled and into this movie, that I said, āI want to make a film similar to thisāā¦ one thatās going to lead you to the edge of your seatā¦ thatās going to be an adrenalin rush of a film, thatās going to take you to epic heights and the lowest of lows, and things of that natureā¦ so, I wrote āUnsulliedā and āUnsulliedā to meā¦ it typifies the tipping point of what an action/thriller/suspense could be.Ā
SG:Ā You achieved all of that.Ā ItāsĀ crazy, this movie.Ā Murray Gray was the perfect choice for it.Ā She was tough mixed with innocence.Ā Were you involved in casting her?
Rice:Ā Ā Yes.Ā I cast her.Ā She was brought to me by a casting agent slash one of our producers, Michelle Gracie andā¦ yeahā¦ I watched a lot of girls.Ā I sat in that process and ultimately picked the one who suited this role the best.Ā Her and her ability to translate emotion really spoke to me and she really went after this role and took on a full commitment and the responsibility of what a lead actress would do and Iām overjoyed with her performance.
SG:Ā Now the cinematic side.Ā You had to have spentĀ manyĀ days in the woods, not a Hollywood set, and shot day for night and such in those woods.Ā I have to commend you for picking the right director of photography, as well, Scott Winig, who started his career shooting music videos and won many awards there.Ā He got some really beautiful shots that had to have been equally as difficult to capture.Ā How many days did you spend in those woods?
Rice:Ā Ā We were there just about twenty days.Ā The shoot was twenty-three days and we were in the woods about seventeen or eighteen of those days.
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SG:Ā Wow.Ā Thatās a LOT of work!Ā What was the biggest challenge for you there?!Ā
Rice:Ā Ā I dealt with a lot of challenges but I think the biggest challenge was justā¦ ummmā¦ theĀ anxietyĀ of it.Ā Dealing with my own anxieties before shooting and having confidence in my own ability as a director.Ā But once I got on set, I think the biggest anxiety was the unknown; the fear of the unknown when youāre going into production.Ā But once I got on set, it all made senseā¦ it all felt natural and I felt that I shouldnāt have been anywhere else but right there in the directorās chair creating this film.
SG:Ā Well, congratulations.
Rice:Ā Ā Thank you.
SG:Ā I must know your opinion here.Ā Which do you find harder, a three-week film shoot or a seventeen-week football season?
Rice:Ā Ā They both have their inherent strengths.Ā You have to endure so much as a player.Ā You have to endure so much as a filmmaker slash writer slash producer and executive producer.Ā They are both very respected in their own different ways.Ā Obviously playing football has a toll on me physically and creating films, you deal with great highs and lowsā¦ they both are different but both have their levels of complications.Ā I respectĀ bothĀ professions.Ā
SG:Ā Who came up with the title, āUnsulliedā?Ā Are you a āGame of Thronesā fan?!
Rice:Ā Ā Iām a āGame of Thronesā fan but it was more related to what she went through.Ā It begs the question, āUnsulliedā, does she or does she not, you know?Ā It was just one of those thingsā¦ the fact that the guys were soĀ sulliedā¦ so tainted, you know?Ā She goes through this and we want to know, does she lose her way?Ā
SG:Ā Right.Ā Does she stayĀ clean?
Rice:Ā Ā Itās also an open-ended question.
SG:Ā Exactly.Ā So, what was your favorite part of directing?
Rice:Ā Ā My favorite part of directing?Ā I donāt really deal in favorites because thatās an absolute.Ā I kind of enjoyedĀ everyĀ aspect of it but really connecting with the actors is my biggest joy in terms of directing.Ā To connect with the actors in terms of the role, in terms of expression, in terms of casting them and communicating an idea and then working through some of the complications that come with itā¦ thatās a joy.
SG:Ā Is there anyone out there youād like to work with in particular?
Rice:Ā Ā Iām so humble.Ā Iām so fortunate ifĀ anyoneĀ would work with me.Ā There are so many great actors out there in the platform of theatre and production that if Iām connected withĀ anybodyĀ out there that wants to tell a great story, Iād be overjoyed.Ā
SG:Ā Whatās your advice for anyone who wants to go into filmmaking?
Rice:Ā Ā Come in the game very prepared if you want to see your story through.Ā Tell your story.Ā Tell your tale.Ā Be dedicated.Ā Make sure, whatever you do in terms of storytelling, that you have an outlet for the big game.Ā Be honest in your creativity.Ā Be honest in your storytellingā¦ but be a responsible storyteller and make sure that the message youāre trying to convey is parallel with the message you want to get out there. Ā
Talking āThe Choiceā with Nicholas Sparks
Interview with Nicholas Sparks for the release of his film āThe Choiceā
By: Ā Shari K. Green
PHOENIX, AZ ā Nicholas Sparks, as you know, is the author of books such as,Ā Message in a Bottle, Ā The NotebookĀ and Ā The Best of Me,Ā Ā which have all been turned into big Hollywood money makers, not to mention the fact that these films widened his already immense and devoted audience with each movie; suddenly books had to be seen by his fans and the movies had to be readā¦ pretty good deal for a Carolina Panthers fan.Ā When he came to town for a chat, I had to go there with him.Ā I asked and, yes, heās for CarolinaĀ in the Super Bowl this weekend, of course, and Iām for the Broncos.Ā Weāll see. Ā Anyway, he sat with me and a few others to discuss his most recent offering,Ā The Choice, opening in theaters starting February 5th.Ā
Ā Very bubbly and fun, he walked in the room and gave us a āHow are yaāll doinā?āĀ Then he grabbed himself a Coke, offered everyone else one, as well, before finding a seat and introducing himself.Ā He tells us that he generally has water the rest of the day, but touring means he usually has caffeine ātil noon and this throws him off his normal healthier schedule, and how can you blame him?Ā This is how he gets through these long days of interviews. Ā His energy was very nice to be around and I find him to be quite warm and genuine; a very kind soulā¦ sincere.Ā He looks you in the eyes when he speaks to you, making sure that not only he is heard and understood, but to be sure to give you the feeling that you are heard and understood.Ā Heās a very easy person to talk to and one Iām glad I had the chance to spend some time with.Ā Here are some of the questions from our time together.Ā Enjoy!! Ā Ā
*FYI There will be SPOILERS
Shari: Ā You are one of the only writers to give us these deep romance stories from the manās perspective.Ā Do you get stopped on the street and get asked advice on romance all the time?
NS:Ā Ā No.Ā In fact, I donāt know thatĀ its ever happened before so how about that.Ā Iām not recognized by men.Ā Iām recognized by women sometimes, but never men.Ā Unless Iām supposed to be inā¦ they know kinda where Iām supposed to be, Iām very seldom recognized at all.Ā Like, for instance if people know Iām in Phoenix doing stuff, they might see me in a hotel lobby and recognize me but had they not seen me on the news that morning, they might not.Ā So, in the history of my career as far as I know outside of my hometown of New Bern, North Carolina,Ā I think Iāve been recognizedā¦ less than a dozen.Ā I had a lady sit next to me on a plane, reading my book, staring at my author photoā¦ and she didnāt recognize me. Ā So no; but to answer that question I do, often by journalists, get asked, ācan you give romantic advice?āĀ And I say, āI donāt think so.āĀ He laughs.
Shari: So youāre not going to start a column or anything?
NS: Ā Absolutely not.Ā I just try to write the best novels that I can.Ā
Shari: Ā Being that youāre going through some change right now, what advice would you give to students on making a life changingĀ choice?
NS.:Ā In general?Ā Iād say, āchooseĀ your struggles wisely because it is your struggles that will define the life you live.āĀ What do I mean by that?Ā If you ask people what they want, if you ask almost anyone what they want, everyone pretty much wants the same thing; they want a job they enjoy and great personal relationships, they want to be close with family and get along with friends, they want to be healthy, right?Ā Everyoneā¦ the answer is so common itās ubiquitous, however, if you ask someone, āHow do you choose to suffer?āĀ Thatāll tell you a little bit about the person.Ā I choose to write novels.Ā I isolate myself from friends and family for hours on end.Ā The time vanishes when one writes it feels as though you sacrifice a bit of your life.Ā Iām willing to put up with the torture of creation, you know, the struggles of writersā block, to get to the end, right?Ā Thatās one of the struggles that I choose.Ā So, choose your struggles wisely because how you choose toĀ sufferĀ will largely define the life you live.Ā
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Shari: Is the suffering worth it?
NS: Ā ThatāsĀ the question.Ā Most people donāt, I find, get what they want.Ā They really just didnāt want it bad enough ācause if you really want something, you really will do what it takes to get there.Ā
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Shari: Ā For someone who does spend a lot of time in their room, maybe on the computer or what have you, what would you maybe say to someone who needs to maybe break away from that mold and to kind of get into that āromancesphereā?
NS:Ā Ā I would say that unless thatās what they truly want, they probably never willā¦ and to accept that.Ā And itās okayā¦ to each his own.Ā (He thinks a moment and speaks again).Ā Toā¦ to step out of a box in which youāre very comfortable and put yourself in an uncomfortable position, you have to really want to do that and there areĀ certainlyĀ joys and wonders that can come about but thereās also heartbreak and sadness which are also part of the game.Ā You know, everyone wants a wonderful relationship; they pretty much want the view from the top of the mountain but ya gotta be willing to walk up the mountain.Ā Ya gotta be able to do the climb so, if theyāre not willing to then have them accept themselves and to make the most of the lives they can with the friends they have and lifeās about enjoyment.Ā Lifeās not only about work, itās about enjoyment so as long as theyāre good, Iām good.
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Shari:Ā Has anyone made a decision that youĀ didnātĀ like?Ā One that you had no say in; thatās the way itās going to be?
NS:Ā Ā Has anyone made a decision IĀ didnātĀ like.Ā Sure!Ā We can start with my children.Ā (Laughs)Ā Of course, you know?Ā Andā¦ I suppose it goes to the nature of the question that was up to require the decision, right?Ā Most of the time I try to live my life by simple words that my mom taught me, āIf someone says something you donāt like, or you disagree with, say, (And this is true though) itās your life you can do with it what you wantā¦ you can.āĀ Now how I deal with that, thatās up to me, but you can do whatever you want.Ā My childrenĀ hateĀ when I tell them that.Ā They hate it with a passion, like, āPut all the burden on me!āĀ But itās very true.Ā I donāt know how successfulĀ youāveĀ been at running someone elseās life, but I already found that itās not very successful so I try not to give advice.
Shari:Ā What are their age ranges?
NS:Ā Ā Fourteen to Twenty-Four.Ā But itās not just them, itās siblings and people you work with.Ā People are going to do what theyāre going to do and the only thing you can control is how you respond to it.
Shari: Ā Religion became a part of the narrative of the story, subtly and not so subtly; where Travis pulled away from his faith.Ā Do you think that after the story ended, that Travis would go back to his faith?
NS:Ā My opinion is that it would be difficult for TravisĀ notĀ to go back to his faith.Ā That would be my thought on that subject but, of course, thatās just my opinion on the matter.Ā And that was not an element that was within the novel.Ā That was an element that came about in the filmā¦ and so, I suppose an even better person to ask would be Ben Walker for his version of the character and the director (Ross Katz).
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Shari: Ā How did you bring Gabby (Teresa Palmer) and Travis (Benjamin Walker) together?!Ā They had such great onscreen chemistry.
NS: Ā First we cast people who we thought were immensely talented and then throughout the casting process, we look for chemistry.Ā How do they seem to get along, do they seem to be friendsā¦ and Teresa has one of these personalities that draws everyone in, and so does Ben, in fact.Ā And so, what they hadĀ was just magnetic, even in the read, so, when we put them on screen, when you get them in the big picture, it comes across as being incredible.Ā But itās something that we definitely look for.
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Shari: Ā The brother/sister relationship that you had occurā¦ is there something in your personal life that you drew from because the sister is very likeable.Ā Her character brought a lot to the film.
NS: Ā The sister in the novel was an even broader character.Ā Iāve been asked numerous times to write a story about the sister cuz she had it all together and she really did.Ā She was as comfortable as he was, withĀ herselfĀ and I find that a wonderful element to someoneās personalityā¦ just the comfort with who they are.Ā So, yeah, I was very close to my siblings growing up and Iām still incredibly close to my brother; we actually took a trip around the world and I wrote a non-fiction book about that called āThree Weeks with My Brotherā.Ā And, Iād say Iām close to my sister, too, but she passed away.Ā She passed away from a brain tumor about sixteen years agoā¦ soā¦ yeah, the relationship between Ben and his sister was very much inspired by the relationship that I have with my siblings.Ā I had parents that really stressed the fact that your siblings will always be around.Ā Your friends will come and go but your familyās there forever.Ā In many ways, they are the people that you can tell anything to and they still keep coming backā¦ right?
Travis Shaw (Ben Walker) and Gabby Holland (Teresa Palmer) in THE CHOICE. Photo Credit: Dana Hawley
Shari: Ā Up to the accident, you have your love storyā¦ and then the accident happened and Iām in tears; multiple times throughout.Ā What about trauma do you think makes the story that much better?
NS: Ā Well, I write in a very distinct genreā¦ itās really called a love story as distinguished from a romance novel; a romance novel is really about romantic fantasy and itās really supposed to be able to allow the reader to escape into a world and you go through conflicts but you pretty much know that the couple is going to get together in the end.Ā Thatās what itās about and thatās why you read them and itās certainly a very valid, you know, itās a wonderful genre; Cinderella.Ā I mean, it works every time.Ā Ā ThisĀ is a love story and a love story is not necessarily romantic fantasy, although there are romantic elements.Ā The purpose of that is to move the reader or the viewer through all of the emotions of life; to make it feelrealĀ so you might call it romanticĀ realismĀ versus romanticĀ fantasy.Ā And that realism requires the reader or the viewer feelĀ allĀ of the emotions of life, cuz otherwise somethingās missingā¦ you know that; and the simple fact of life is that everyone goes through tragedy.Ā Thereās not one of us that will escape scot-free.Ā Ā So, we have characters that feel real then they go through emotions that feel realā¦ and they allow you, the viewer or reader to live someone elseās but to feel like it was a full life; like you got itĀ allĀ even though it was just a snippetā¦ a point in time.Ā
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Shari: Ā You have romance down, for sure, have you ever, even if you did it under a pseudonym or something, considered writing maybe a horror novel ala Stephen King; try a different genre?
NS: Ā No.Ā I donāt.Ā Iām very happy writing the kind of novels I write.Ā One of the wonderful things about the genre in which IĀ work, is that Iām able to pull elements from all sorts of genres and build them into my novels.Ā For instance, āSee Meā, is my latest novel; itās a love story; these two opposite characters meet, itās my first Hispanic character and sheās a lawyer and this guy is a reformed bad-boy and, okay, theyāre going to make it workā¦ overcome these obstacles.Ā And somewhere around the halfway point the novel starts devolving into a very twisty mystery thriller.Ā Something like my attempt at what Harlen Coben would do.Ā And Iām not saying I did it but it was my attempt to do what he does so expertly wellā¦ and part of the fun of that novel is, the tension is increasing and youāre not even sure whatās going on.Ā The reader is as confused as the characters in the novel.Ā You can just feel the tension growing and growing.Ā So, I can put elements of mystery into my novels.Ā I put elements of the supernatural in āSafe Havenāā¦ take that for what itās worthā¦ itās very light.Ā Uhhā¦Ā Epic.Ā Iāve doneĀ epicĀ sweepingĀ stories like āThe Longest Rideā.Ā So, all of these elements that are particular to various genres, Iāve been able to put into mine.Ā
Shari:Ā Have you ever or are you now, writing with a specific actor in mind?
NS:Ā Ā No.Ā The only time I did that was for āThe Last Songā.Ā If the movie got made it would be for Miley Cyrus and thatās because I worked with Disney on the project.
Shari:Ā Never??
NS:Ā Ā No.Ā No.Ā (Laughs)Ā I neverā¦ neverā¦ no.Ā (Laughs again)
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Shari:.Ā I love the cast, especially the side characters, Tom Wilkinson and Tom Welling are terrificā¦ ummā¦ were there any jokes on the set or how was Ben feeling about stealing Supermanās girlfriend?
NS: Ā There werenāt any particular jokes about that.Ā It was a very familial set because we asked all of those characters to have arcs; even the father had an arc, you know, the sister had an arc.Ā So, because they all had arcs, we all asked them to do various things emotionally andā¦ we wanted them to be very comfortable, really experimentingā¦ pressing themselves, going out on a limb, really (allowing) them to evoke these emotions in the viewer in a real way and we did that by having it become a family setting.Ā When theyāre filming the backyard for the bbq, things like that, it was like we were at a backyard bbq.Ā The dogs were running around, the kids were over thereā¦ the sun, itās beautiful, itās warm, youāre in your shorts, youāre cooking on the grill; it was like, āI canāt believe weāre working.āĀ It was more like that.Ā
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Shari:Ā Whatās it like seeing your novels come toĀ lifeĀ from a producerās point of view?
NS:Ā Ā Itās a lot of thought.Ā I love the fact that viewers are going to see a new way to hear the story that I conceived.Ā I have my chance to tell the story the way I did in the novelā¦ but letās see how someone else does with my story, you know?Ā What kind of colors, who are we going to cast, how are we going to frame thisā¦ what elements do we keep, what elements do we change to capture the whole spirit of the story and the characters.Ā ForĀ me itās a wonderful way to experience the story in a different medium.
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Shari: Ā Have you ever thought of just skipping the whole novel thing and just writing the screenplay and producing films yourself?
NS:Ā Ā Sure I have and Iāve chosen to do that in television not as far asĀ film.Ā Television is a bit more like a novel so you have a longer opportunity to tell a specific story.Ā Iām currently, for instance, writing a pilot for HBO but thatāll give me ten episodes to tell a full story.
Gabby Holland (Teresa Palmer) and Travis Shaw (Ben Walker) in THE CHOICE. Photo Credit: Dana Hawley
Shari:Ā The big ending, whether she lives or diesā¦ what was the deciding factor for you?Ā Was there a deciding factor?
NS:Ā Ā Well, it was during the course of the novel and, of course, thatās what happens in the novel is what Iām trying to say there; and I knew all along that she would come out.Ā I knew.Ā I didnātā¦ I didnāt want toā¦Ā uhhh, I just knew but it was to bring the reader through all the emotions on the way to get there becauseā¦ because sometimes these things happen; sometimes theyĀ donāt.Ā When they do, thereās a really magical and wondrous feeling with it.
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Shari:Ā The husband in a film calledĀ 45 YearsĀ that just came out, says āAll of the big decisions that we make, we do when weāre young; big decisions /choicesā.Ā And he had a real defeatist attitude which I donāt agree with.Ā What is your take on that?Ā I think we can make life changing choices every day.
NS:Ā Ā Of course.Ā And at the same time, thereās some validity (in it), when youāre young is usually when you choose your career, you might choose a partner or a spouse to be with; you might choose whether or not to have children and there are certain points in time when some of those are no longer valid.Ā If youāre a woman and all of the sudden youāre fifty and you never had childrenā¦ you canāt bear them.Ā You might be able to adopt, but you canāt bear them.Ā So, some choices, just by the nature of time itselfā¦ yeah, they come and go and theyāre focus is more when youāre young.Ā However, thereās always major choices that one can make because thereās always the kind of life that youĀ wantĀ to live and the newĀ strugglesor the newĀ sufferingsthat youāre willing to experience to get there; right?Ā You want to go climb Mount Everest?Ā Sure.Ā Someoneās done that in their seventies.Ā Alrightā¦ youāre willing to do that suffering; all the trainingā¦ are you willing?Ā Do you really want to climb Everest?Ā That would be one example, but sure itāsĀ possible.Ā
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I know what else is possibleā¦ you running to the theater this weekend and checking out Lionsgate presenting a Nicholas Sparks / Safran Company / POW! Production of Ā The ChoiceĀ starring Ā Benjamin Walker, Teresa Palmer, Maggie Grace, Alexandra Daddario, Tom Welling, Brett Rice, and Tom Wilkinson.Ā Donāt forget to come back and let me know what you think of it!!!Ā Have fun and Go Broncos!Ā *Although, I have a feeling SparksĀ will win this oneā¦ just like his film will. Ā Bring a tissue! Ā
75 Years of Superman Infographic
Dive into the many looks of the man of steel from the past 75 years. Check out this herographic fromĀ Superman Homepage called “The Changing Face of Superman”. Scroll beyond the image for a special surprise.
Back in the 90s Tim Burton was developing a Superman movie for Warner Bros. called Superman Lives. It was going to star Nicolas Cage and Sandra Bullock. The movie never ended up happening, but a ton of special effects and prep work was done for the film. Here’s a shot of Cage in costume.
What do you think? Shame this movie was never made?
80th Anniversary of the Drive-in Movie Theater
In 1933 the first drive-in movie theater opened in New Jersey. The new movie-going experience quickly caught on with drive-ins numbering almost 5,000 in it’s heyday. Today, only a few hundred drive-ins operate in the United States and Canada.
Many of the remaining theaters are celebrating the 80th anniversary with special showings. Why not check out a drive-in tonight?
Here are some photos from the last drive-in my gal and I attended. It’s called the Starlite Drive In Theatre in Hamilton, Ontario. We saw Ted, a great movie to see at a drive-in.
It brought back so many great memories. The drive-in will always be a nostalgic summer night tradition for me. I hope they don’t completely vanish.