Florence Foster Jenkins Returns

Paramount Pictures will re-release the critically-acclaimed crowd-pleaser FLORENCE FOSTER JENKINS starring Meryl Streep, Hugh Grant and Simon Helberg, and directed by Stephen Frears, in select theaters December 2.

The film’s stars have been praised for their performances from critics and awards groups alike – Streep will receive the prestigious Cecil B. Demille Award from the Hollywood Foreign Press Association at the 2017 Golden Globes, Grant recently won the Hollywood Supporting Actor award at the Hollywood Film Awards, and Helberg will receive the Virtuosos Award from the Santa Barbara Film Festival recognizing his outstanding breakout performance in the film.

The movie will play in Boston at the Boston Commons and AMC Methuen 20; in Chicago at the AMC River East 21 and the AMC Dine-In Theatres Yorktown; in Dallas at the AMC Grapevine Mills 30 and the AMC Stonebriar 24; in Los Angeles at the AMC Burbank Town Center 8, AMC Orange 30, and the AMC Loews Broadway; in New York at the AMC Empire 25 and the AMC Loews Stony Brook 17; in Philadelphia at the AMC Neshaminy 24 and the AMC Hamilton 24; in San Francisco at the AMC Van Ness 14 and AMC Mercado 20; in Seattle at the AMC Loews Alderwood Mall 16 and the AMC Southcenter 16; and in Washington, D.C. at the AMC Hoffman Center 22 and AMC Loews Rio Cinemas 18.

Based on an incredible true story, FLORENCE FOSTER JENKINSstars 3-time Academy Award-winner Meryl Streep as the legendary heiress and socialite who obsessively pursued her dream of becoming a great singer. The voice she heard in head was beautiful, but to everyone else it was hilariously awful. Her “husband” and manager, St. Clair Bayfield (Hugh Grant), an aristocratic English actor, was determined to protect his beloved Florence from the truth. But when Florence decided to give a public concert at Carnegie Hall, St. Clair knew he faced his greatest challenge.

Originally released to rave reviews in August, the film has grossed $27 million to date and will be released on DVD December 13. Paramount Pictures, Pathé and BBC Films present with the participation of Canal+ and Ciné a Qwerty Films production. FLORENCE FOSTER JENKINSwas directed by Stephen Frears and written by Nicholas Martin. The producers are Michael Kuhn and Tracey Seaward and executive producers are Cameron McCracken, Christine Langan and Malcolm Ritchie.

Be Featured On YouTube’s Homepage!

Fans Have a Chance to Be Featured on the YouTube Homepage Masthead, and Three Lucky Fans Will Win a Trip to L.A. and Get to Participate in a “Next Rising Star” Digital Development Workshop at YouTube Space L.A. to Learn How to Become a Top Content Creator on YouTube.

WHAT: Launch of the “Real Talent, From Real Life” contest in support of Illumination

Entertainment and Universal Pictures’ SING. Contestants to record themselves singing, clapping or dancing to at least 30 seconds of the event film’s original song Faith,” from the legendary Stevie Wonder featuring Ariana Grande. From submissions, YouTube creator Mike Tompkins will create an edited video of “Faith” that will play on the YouTube homepage.

Throughout their daylong journey, three lucky winners will get to interface with some of today’s hottest YouTube influencers, as well as hear from top professionals behind the scenes (Universal Music execs, YouTube creative + music teams, YouTube + Google product specialists, and more) on how to create a successful channel on the platform.  

WHO: Fans with vocal talent, energy, passion and charisma; YouTube creator Mike Tompkins

WHERE: www.RealTalentFromRealLife.com and YouTube Space Los Angeles

WHEN: November 30: Submissions must be received.

December 5: Submissions reviewed and three individuals selected to visit YouTube Space L.A. and attend a bespoke creator workshop, courtesy of Universal Pictures.

December 14: Travel to Los Angeles.

December 15: Three winners participate in a “Next Rising Star” digital development workshop at YouTube Space L.A., designed by YouTube and Universal specifically for this initiative.

December 16: Edited “Faith” video plays on the YouTube masthead on the homepage.

Nocturnal Animals

Tom Ford, a fashion designer turned filmmaker, gives us “Nocturnal Animals”, his second feature film.  Ford clearly knows beauty when he sees it and makes this film a stunning piece of art to gaze upon, to say the least.  “Nocturnal Animals” is unusually artistic, intoxicatingly dark.  It’s a stylistic and clever drama/thriller that contrasts one scene with the other, one feeling with another and doesn’t give its audience an opportunity to feel vindicated in either of them.

 

At the beginning, we’re led into the tale of Susan (Adams) and her ex-husband Tony (Gyllenhaal).  She is now a successful art dealer married to the rich playboy, Hutton Morrow (Hammer), whom she left Tony for; the playboy who is never home and who sleeps around on her.  If she isn’t at an opening, she’s generally alone.  Unexpectedly, she receives the proof of Tony’s new book to read.  Having always encouraged him to write better she’s excited to begin reading it.  As she reads, she is spooked by how good he has become and terrorized by the narration.  As she reads, the tale unfolds before us.  It flashes back to Susan with Tony when they were younger and we after his face is established, we see that she has interjected her ex-husband into the lead character of the book in her hands.  The story is about loss.  Perhaps Tony’s new book is a message to her.  Maybe it’s just a book but all writing is ultimately about the writer in some sense or another and the loss in this frightening novel is clear and quite brutal… maybe how Tony felt when he lost his wife.

“Florence Foster Jenkins” is enchanting!  The cast is delightful. This is an absolute must see!
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Ford opens the film with a live art exhibit and closes the film the same way.  Though the players are different, it is obvious they are on display.  You’ll be moved by the opening and touched by the end.  The first might incite you to smile and giggle a bit at wiggling pounds of flesh dancing before your eyes and the later will stir you to sadness and despair.  Played beautifully with the music, we see Susan, a living art piece of her own, but I’ll not spoil all of that.

“Nocturnal Animals” is a movie you have to experience.  It’s simply not like all the rest.  It will pull you into the story as Tony’s book does to Susan.  Every background is contrived, locations are perfect, and the performers are good but if you didn’t already believe Michael Shannon is an acting deity, here’s another reason why so many do.

Rules Don’t Apply

In 1958, the sweet and innocent Ms. Apple Blossom Queen from Virginia, Marla Mabrey (Collins), with dreams of making it big in Hollywood, steps into the world of Howard Hughes and her life is never the same.  For four-hundred dollars a week, a house to reside and a driver she, along with many other woman, are actresses, singers and dancers, kept under contract and available at all times for screen by Hughes, ready for screen tests at a moments notice and at his whim.  What becomes evident and quickly is he may not have anything for them, but nobody else can have them.  They are what he sees as the best and he, the great and powerful Howard Hughes, has them.  It makes the point of the opening scroll clearer; a quote by Hughes, “Never check an interesting fact.”  Being very paranoid Hughes keeps close check on everyone he employees yet is emotionally close to few.  Of his many drivers, Frank (Ehrenreich), a young and deeply religious Methodist, grabs the attention of the virginal Baptist Blossom, Marla.  Frank is not only religious but engaged, however, he notices her, as well, struck by her ability to stand out in a crowd; to be different, speak as an individual and not try to fit into a mold.

“Perfect holiday release…Give it a watch!”
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Hughes has strict rules about his drivers having affairs if they’re married, in fact, rule #1 is no employee is allowed to have any relationship whatsoever with a contract actress.  He doesn’t want them getting too close in any capacity but Frank can’t help himself and breaks the rule.  Frank and Marla, having an almost immediate attraction to one another, get closer and closer and defy the rules of not only Hughes but of their church.  Perhaps this is the only way they find comfort in the abnormal life they cater to each day.

Paranoia grips the eccentric billionaire for which they work.  Frank and Marla become a lifeline to Hughes as he teeters on the edge of madness.  He sees almost no one and he lives in the shadows; in the dark and secrecy.  Once you’re in, you give up your life for his and his desires, his dreams.  His needs are always met and whether fake or fiction in the heart of the person doing it, everyone coddles him and indulges him, laughs at every joke and is at his beckon call.  Frank and Marla change who they are as time moves on, to please their boss but soon it comes clear his interest is only in himself.

The film is quite fascinating.  With rumors of his quizzical personality and the opening quote, “Never check an interesting fact,” the question is what or if any of the film is factual.  Did he really have to have certain ice-cream instantly at any given moment and insist on flying himself across the world at the drop of a hat?  Curiosity of Hughes himself is what makes this movie so riveting but the sweet love story, the old fashion style it’s presented and the music Beatty uses makes it that much more delightful.  Beatty is larger than life and it’s great to see him back with this particular project.  He also wrote and produced it so he chose cinematographer, Caleb Deschanel (The Natural, Hope Floats, The Passion of the Christ) who has everyone in a special glow that befits the time period and the ambience Beatty was going for.  “Rules Don’t Apply” is the perfect holiday release and I suggest you give it a watch this Thanksgiving weekend.

edge-of-seventeen

The Edge of Seventeen Interview with actress Haley Lu Richardson

“The Edge of 17” is not exactly what it’s sold to you as.  By the looks of it, from the title, poster and the trailer, you’d think this was a film for young girls and young girls only.  It’s far from that.  Yes.  It is a tale of teen angst but is so much more in that we see not only Nadine’s (Steinfeld) low opinion of herself from the get go and her fighting or giving up, but we see a story built around that, with characters who are more than willing to indulge her in her self-loathing and the consequences of that decision.  Most affected by her parent’s decision to look the other way as Nadine wallowed in self pity is her slightly older brother, Darian (Jenner).  At the time of their father’s death, he not only became the man of the house, he had to also become his mother’s friend which turned into a job for him.  There are fights between brother and sister which are quite amusing but not what is at the core of issues the family faces.

Being a very difficult person to be around, Nadine has only one true friend and that’s Krista (Richardson).  Since they were little they did everything together.  Nadine loved her like family; trusted her more than anyone.  When her father died, it was with Krista’s help that Nadine survived.  Krista, like Nadine is a young woman now with a likable personality, pretty face and hormones that rage… something that doesn’t go unnoticed by one particular individual.  Nadine gets incensed and feels betrayed when Krista begins to date Darian.  She is no longer her friend and cuts them both out of her life.  Being a spoiled brat and getting her way when she throws a fit has worked so far… why not now?  To Krista she says, ‘It’s him or me.  Pick.’  Nadine the Terrible is surprised at the response.

“It’s a really fun movie…I highly recommend this film”.
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

She does learn some sense.  She bothers her teacher, Mr. Brunner (Harrelson) every chance she gets.  He’s both a father figure and friend but doesn’t want to be either.  In a very Woody Harrelson way he damn near makes this film his own as he listens and responds to her tales of woe.  It’s a really fun movie and it feels as if it’s almost an honor to watch this character grow.

I highly recommend this film.  The writing is inventive, it gives a chance to female actors to play the characters given to males in a setting such as this and they handle their roles like the professionals they are; job well done, ladies!  One other reason to see this that stands out… it’s produced by James L. Brooks, writer of “Terms of Endearment,” “As Good As It Gets” and “The Simpsons”.  It’s hard to see through a keener eye than his when it comes to a hybrid of heart and hilarity.  Be ready for the rollercoaster.  This is heavy on the emotion sprinkled with laughs but then… so is life.

Haley Lu Richardson

Haley Lu Richardson

Plays Nadine’s best friend, Krista

Haley Lu was raised in Phoenix, AZ by right-brained creative parents, Valerie (graphic designer) and Forrest Richardson (golf course architect). She attended Villa Montessori school where she was encouraged to think outside the box and find self-motivation. She then went on to graduate from Arcadia High School in the top 10% of her class.

 

Haley Lu Richardson, who played Nadine’s best friend, Krista, and I had a chance to chat.  She was very bubbly and sweet and talked with her hands, often pounding the table to stress a point.  Here is some of that conversation:

Q.  How much input did you and you have?

A.  We had two weeks of rehearsal time where I literally just spent time with Hailey and we did our scenes and Kelly was super open to improvising in those rehearsals and what happens before the scenes and after not being stuck to the page to really figure out what’s going on in the scene and how people say that.  I didn’t do much improving on the day on set but all the work we did in the rehearsal period kind of changed… you could see the scenes change a little bit to how we would naturally do it.

Q.  Were you at all intimidate working with this group of people.

A.  My character was cast later.  Most of the characters were cast already, by the time they had auditioned me which was cool for me because sometimes when you audition for a movie you have no idea who you’re going to be acting opposite but I got to see who was cast and what producers were working on it and I got to see… so yeah, I was like, yeah… I was very intimidated but also equally or more so excited to just get the opportunity to learn from them.

Q.  How did you work on establishing this great friendship when you barely had a chance to do it on screen?

A.  I think the rehearsal period and Hailey and I got along really well in person.  She’s so cool.  I think the writing was great… just going with it and being there in the moment.  We both know what it’s like going through all that stuff in high school and how important that is and we just wanted to commit and bring it… the justice a friendship like that deserves.

Q.  Do you think a friendship is more important than a potential boyfriend or is all fair in love and war?

A.  We didn’t want to make Krista the stereotypical villain that ruins the protagonist’s life, you know?  We didn’t’ want to make her that.  She had reasons for what she did and also she’s not a bad person and she’s not even doing anything that bad.  She’s been such a selfless friend for so long and she realizes she could possibly have this really great connection with this guy and it’s like, you kinda have to do something for yourself at some point… I don’t even view it and maybe this is just biased because I had to get in this headspace to play Krista but I don’t view it where it had to be a choice between a relationship or a friendship.  I feel like, in the end, it actually could be a great thing if you’re looking at the big picture because if it does end up working out, we could just all be one big happy family.  (laughs)  If it’s not something full on crossing a line and disrespectful of a friend, I don’t think there really has to be a choice.  I think you can make it work.

Q.  When Krista and Nadine have a falling out in the second act, what was Krista thinking?  We saw her story but not yours.

A.  That was interesting.  It sets up a bunch of different challenges when you’re playing a supporting character because you don’t have the pressure of carrying the movie but also you have this different pressure of making your character well rounded even though the audience doesn’t see all of that person’s life… and also I’m kind of bummed, when you do a movie, you film probably about five hours worth of movie and have to cut a bunch of things out and there were a couple scenes with me and Blake who plays Darian that actually show us, cuz he’s not a bad guy either in the movie… you see everything he has to brush aside to take care of the responsibilities he has.  There was a scene where we were in his room and giggling and we hear Nadine coming in downstairs and we both stop and look at each other and there’s this moment that sums up where they were… that they both wished it wasn’t happening but had to follow their hearts and do some things for themselves.  She initially reached out to Nadine and Nadine didn’t answer but she just knew she needed to give her some space before they could ever come together.

Q.  It’s not a teen comedy but this is one of those movies that can define a generation like “Breakfast Club”… what are some of your favorite teen films?

A.  People are asking me a lot and I keep saying “She’s the Man” with Amanda Bynes.  (She laughs)  I know it’s a lame answer but I really love that movie.  I cracked up during that movie more than I have ever.  Whenever I have a bloody nose I use a tampon and sop it all up.  (Laughs)  That’s disgusting.  (Laughs)  Honestly, I love that movie.  Obviously, I love Breakfast Club and Ferris Bueller’s Day Off but I feel there’s stupid ones I like even more.  Mean Girls I really like.  So there’s my lame answer.

Q.  You’re a dancer… are we going to see some of that talent soon?

A.  I feel like you’re seeing dance so much on reality shows, the dance mom things, the step it up movies, there’s ballet movies but I feel like the story of like a training contemporary dancer hasn’t been told yet and I’d love to make that happen somehow.

Q:  What about you making it?

A.  I know!  I’d have to make it before I’m thirty-five before I can’t dance anymore.  That’s my goal.  I’m still dancing all the time.  I have a couple of injuries.  I’m twenty-one but my body is like a seventy year old because of all my dance injuries.  (laughs)  I have feet problems, hip problems and knee surgeries.  But that will happen!

She stands up and knocks on wood.  I for one believe this dance film will happen.  

almost-christmas

Almost Christmas

After the death of his wife the family patriarch, Walter, played by “I’m too old for this shit” Danny Glover, attempts to get through his first Christmas.  Writer/Director David E. Talbert gently starts the movie with a clever introduction of Walter and his wife, Grace, a cute young couple happily in love, and moves us through the years.  The clips, in particular, show Grace feeding Walter a piece of sweet potato pie, a Christmas staple, setting up the hole in the hearts and the stomachs of all who will feel abandoned by its absence; by not seeing it waiting for them to eat this year, by not seeing the maker of the pie.  As we meet the present day widower, we feel we know him and for him.

Struggling with whether or not to now sell his house, Walter decides not to tell his family but rather brings them all together for possibly one last Christmas in the family home.  His adult children start to file in, some of whom don’t get along very well, and he finds himself playing referee almost immediately.  All he is asking for from them is five good days, is he asking for too much of them?

Through the film, there are tender moments and comedic moments.  Mo’Nique is responsible for most of the comedy relief.  She plays Aunt May and steps into the role of her sister, trying to make sure this dysfunctional family doesn’t fall apart. She does a great job of making the audience laugh, dealing with the burden of the holiday and the heavy hearts within the house.  Writing slapstick comedy and mixing it with the appropriate amount of drama, plus the perfect chemistry of the actors on screen, makes this film one Talbert can be proud of.

“I’d put it alongside any of the comedy holiday greats”.
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

There are a lot of moving pieces and a lot going on with this cast from Malachi (Malco) venturing into a business deal that would kill his mother’s favorite charity to drug use by Walter and Grace’s youngest son (Usher).  The sisters are about to kill one another, and while that’s going on one of the men, Uncle Lonnie, (Smoove) is doing the unthinkable during this holiday break with a cashier he meets at a store.

How these moments are handled, with fights or teasing, is what you’ll find it hard not to remember.  Hysterical scenes of the family coming together, such as a scene where they dance away the grief over their missing mother for a moment and flashes of discussing their mother and how much she loved them are the points of most significance in a film that almost all are.  The emotion is palatable and at times such as this in life, “Almost Christmas” will be one you’ll be unable to forget this season.  It’s usually a good sign that the director has done his job when at the end of the movie, nobody wants to leave.  Rather than stay for a second showing, you can always purchase this to keep for your very own as I intend to do.  This was almost the perfect Christmas film.  There were a few incidents where the performances went a little over the top but outside of those moments I’d put it alongside any of the comedy holiday greats going as far as to say you’ll feel the same way.  Take my advice and add it to your collection.

doctor strange

Doctor Strange

“Doctor Strange” is filled with fantastic characters that are so magnificently played it’ll be difficult to say this isn’t one of, if not the, best Marvel has conjured up in the casting department.  You are immediately drawn to Cumberbatch and his arrogant and cocksure attitude as neurosurgeon Dr. Stephen Strange.  Dr. Strange is very skilled with his hands and he has become self-centered and shallow, even enough to lose someone who he feels may be beneath him as he gets better and better in the operating room.  Dr. Strange could never admit to needing anyone; they need him.  His ego extends to the love department, as well, and his on-again, off-again relationship with Christine Palmer (McAdams) is strained at best.

Speeding on a winding road during a storm (where he’s on a phone call you need to pay attention to), leads to an unfortunate accident where his hands become one with the dash and are severely injured.  He is rushed to the hospital where the surgeons can save his life but his hands will never be the same.  Of course had he been the surgeon, they would be perfect.  Now in constant pain and unable to be a surgeon, he is lost.  Christine has done all she can to help and comfort him but she realizes ultimately that he must find his own way.  On this journey, he is lead to Karma-Taj where he meets Mordo (Ejiofor) who introduces him to the Ancient One (Swinton).  He begins to train his body by learning to understand that the physical is merely one part of a person.  He is shown that he can heal his physical body through reprogramming his cells and connecting to his spirit.  It is an honor to watch Ejiofor and Swinton work alongside one another.  They’re transformative and their commitment to the roles plays well in this newest Marvel film and as much as they are, the film is visually beautiful.  Streets fold in on themselves as characters move through different dimensions and doorways which conjure feelings of the very optical film “Inception”.

“Doctor Strange” is filled with fantastic characters that are so magnificently played…this Marvel movie will not disappoint.
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

As well as being a visual masterpiece, the fight sequences are brilliant.  Dr. Strange is brought into the fold and taught magic to help fight off dark forces and a rogue student named Kaecilius (Mikkelsen).  Strange isn’t interested at first because he became a doctor to save lives, not take them but is forced into helping when it’s obvious that he was born for the part, much like Cumberbatch was born to play this role in the Marvel Comics Universe.

Stan Lee pops up in a fun scene on a bus while they’re in the mirror dimension so look for that.   I promise, this Marvel movie will not disappoint.  There is a strong theme, you’ll love the comedic elements, the performances are perfect and the script is strong.  There is a good set up for the next movie and, as always, stay through the very, very end credits.  There will be two post credit clips.  Enjoy! 

moonlight-feature

Moonlight

In “Moonlight”, a film presented in three acts, we meet Chiron, a young, poor black boy who knows he’s gay but doesn’t know why or what it means.  Chiron is growing up without a father and barely has a mother.  His mother works all hours and if she isn’t working, she’s doing drugs or turning tricks for drug money and horribly neglecting her son.  He struggles each day to raise himself for he’s alone most of the time and age nine, it’s not easy in his neighborhood to find answers to questions life presents.

He finds a friend, role model and father figure in Juan (Ali), who is not physically in the film very long but whose presence never leaves.  His character is what carries Chiron and the film forward.  Juan welcomes Chiron into his home, feeds him and shows the child warmth and affection for, possibly, the first time in his life.  Outside of Juan and a friend named Kevin, Chiron’s life is empty and it has left him an emotional cripple.

The film deals with a very sensitive subject quite delicately as we see Chiron has grown from boy to teenager; we begin the second act.  Juan has passed away and he has little to no ambition and nowhere to turn.  Chiron still has Kevin in his life, who has tried for years to toughen Chiron but has never left his side.  The cinematography is used to give you the feeling of being Chiron; alone, confused, chaotic and intoxicatingly muddled.  Some cuts are abrupt and there are deliberate projections of the young man disappearing or being swallowed by his surroundings not to mention an obvious use of hand-held camerawork that sets the tone of fear within him.  You’re absorbed into his life of being odd man out.

The movie will move you with unforgettable performances and an exquisite musical score.
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Little now understands who he is and a very tender sexual moment on the beach with Kevin is nicely and admirably handled.  Chiron is finally touched gently and lovingly and he learns there is more to life than anger and hate and that what people call him and that which he is inside are very different.

“Moonlight” offers a beautifully shot, sweet, yet at times, terrible look into Chiron’s sexual awakening and becoming a man.  In act three we see that he has toughened up but never has not let go of that moment on the beach; has never gotten over Kevin.  It’s slow at times but the movie will move you with unforgettable performances and an exquisite musical score.  The story is very well written and you’ll be affected by the subject and how it’s taken care of. 

christine

Christine

“Christine” is based on the story of Christine Chubbuck (Hall), an investigative news reporter in Florida, where she lived with her mother, Peg (Smith-Cameron).  The most compelling part , and it is fascinating, of this sluggish film is watching people behind the scenes at a news station in the 1970’s, work with the tools they had to work with to run the news in the pre-digital age.  They were still cutting film together before the advent of video tape and it’s especially interesting watching them scramble to put a segment together last minute from the very expensive film they were then using.  This is where we find, Christine; behind the eight-ball, unhappy at work and depressed.  Her editor, Mike (Letts), wants Christine to do more “exploitive” work.  Mike wants his reporters to work on stories that have grit; stories that sensationalize and grab the attention of the audience.  What she wants is to be taken seriously by the public and do good work; work that will get her a promotion.

She struggles with the difference between what he wants and what she believes is right and when she finds out she has a tumor, Christine insists she leave her mark on the world even quicker.  Sadly, the film doesn’t concentrate on one subject long enough to give her one true and distinctive reason to be banal.  She’s unhappy but what can bring a person to be so tormented to bring them to do what she ultimately does?  She gives her editor what he wants, though.  She gives him a gripping story and a television first.

The film does exploit what eventually happens to Christine.  She gave Mike his story and she got the attention she dreamed of at the same time.  Unfortunately, the film depicts her as the coldest and most dreary individual ever born, with incredibly dry and humdrum dialogue.  Too dull that it becomes fatiguing to actually watch.

She gives her editor what he wants, though.  She gives him a gripping story and a television first.
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Learning that Christine had never had love in her life, never had a sexual relationship and clearly was not able to cope with the cards she was dealt any longer that she commits suicide on television for all to see, got people to tune into the news and might be what gets you to tune into this, however, had director, Campos, concentrated on how Christine could get to this point and gone back further in her life, rather than jump all over the place, (even making it unclear as to exactly who Peg was at first), “Christine” could have had you more engrossed in the story, in who she was and quite heartbroken when she takes her life; rather than just mildly touched, a bit surprised and not sure of the films true purpose.

Oasis: Supersonic

Oasis: Supersonic

Ever wonder what happened to the British pop group that came up with the smash hit song “Wonderwall” and why it happened?  Wonder no more and take a peek over that wall and into the lives of the band Oasis and the often contentious and belligerent Gallagher brothers, Liam and Noel.  Executive producer Asif Kapadi, director of Academy Award winning “Amy”, the Amy Winehouse biopic, along with director Mat Whitecross, saw a good story in the band that rose too fast and peaked too soon and worked with clips of the band on their rise to the top.

They gathered snippets and collages of interviews and behind the scenes videos and with effective and creative editing came up with an inexplicably engaging documentary you’ll most likely want to watch for the soul reason you might have asked yourself some time ago, ‘What’s their story?’  It’s all here in this documentary “Oasis: Supersonic” that the brothers helped to produce but still couldn’t work together enough to dub their voiceover tracks together.  Well, they’re still Liam and Noel who, perhaps forever, will look back in anger at one another but not regret a thing as their time in the band, good or bad, gave them the best experiences they could have hoped for… which was everything they dreamed of.

The film catches a lot of bitter moments but it also lets you in on how such passionate music came from these two creative souls.  They became who they did because of an abusive father who abandoned them and because sibling rivalry, which was always an issue.  There are five years between them but they seem more like twins, calling themselves “head-cases”.  They have an older brother, Paul, who Noel is a year younger than, that you see a few times but it’s clear these two were close once they started to share a love of music.  Liam, who seems to be the more erratic of the two, wants to thank the person who hit him over the head with a hammer for it was this moment his melodic future was born.  Noel, the songwriter, released his anger toward his father over abuse, stating that he, ‘beat the talent into me.’

The film spans their 1994 debut through the inevitable breakup in 2009 as it shifts from bad moments to good; from members that come and go and the beautiful music that happened in between.  During the journey you see the fans who worshipped them and the people who wanted their money and how both affected them greatly.  The press could be cruel to them for saying what they wanted to, when they wanted to and doing what they wanted to when they wanted to but that was them.  They were rock and roll stars and weren’t going to be controlled… not even by each other.  In the end, the good outweighed the bad and I’d have to say that for this, as well.  In fact, there is no bad.  It’s a fantastic documentary and if you’re a fan of Oasis music, it’s one to add to your movie collection.  This will have you praying they get back together.  The thought that excites me is that they watch this and think that very same thing themselves.  Let’s hope!  They can’t go off into the Champagne Supernova just yet.