The Predator Movie Review

Though the violence and blood were unsettling and a touch schizophrenic, it added to what made this offering in the ‘Predator’ franchise the best. Some will argue that the first was superior but is that just nostalgia talking? I guess you’ll have to see to find out, won’t you? I believe you should.

Anyway, I liked this one for overall tone and for the fact that it’s a Shane Black film. Though he was an actor in ‘Predator,’ here he writes and directs, adding his special touch that improves what we’ve seen in the past. He takes what worked and makes it bigger and better. Black likes dark humor and with the characters he has built here, he gets gritty and nasty right away but keeping the laughs near the front. Predator himself has a sense of humor? Hmmm… who would have thought?

We open with a ship hurtling toward earth. A piece of it breaks off, you’ll find out why near the end of the film. Predator bails from his ship but without all of his gear. Said gear is discovered and removed from the site by a military sniper named McKenna (Holbrook) who Predator then spends almost the rest of the film hunting down. McKenna has sent his take home which is found, opened, removed and toyed with by his autistic son, Rory (Tremblay). Tremblay, a fantastic young actor who’ll be forever remembered for his outstanding performance in ‘Room,’ will probably be directing the next series in fifteen years. The military eventually captures Predator and sedates him. Once the government gets involved they bring in, Casey (Munn), a scientist excited to help and learn all she can about the alien. Munn is a complete bad-ass and her scenes are exciting and amusing as is her banter with the rest of the cast. Of course, as expected, Predator awakens from his stupor and all hell breaks loose and she’s in the thick of it.

In the meantime, they’ve apprehended McKenna to grill him about what he saw and what he has. He’s being taken by bus to a holding facility, probably to meet his maker, where he finds himself getting to know a group of military misfits who have no future either. Each character is different from the next, well written and extremely well portrayed by the actors given the roles; one of them being Thomas Jane who played ‘The Punisher.’ Seeing his character in this, you can’t help but think to yourself that if only he had his t-shirt on, he’d be tougher!!

This movie is just… fun! The chemistry is unmistakable, the script is unique and Black keeps you involved and sensitive to the plight of his characters. This rogue unit, led by Coyle, played ferociously Keegan-Michael Key, ends up with Casey and they all head to McKenna’s to reclaim the package and save Rory before it’s too late. The subplot going on involving Rory is needed to give a reason for Predator to visit earth this time but seems to be the weakest part of the story, however, I did appreciate the way Black was able to address the powerful message of climate change and that autism is nothing to be feared. By the way, the ending was left wide open for another ‘Predator’ film.

THE PREDATOR Official Channels:

OFFICIAL WEBSITE: www.ThePredatorMovie.com

INSTAGRAM: www.instagram.com/Predator

FACEBOOK: www.facebook.com/PredatorMovies

TWITTER: www.twitter.com/Predator

 

HASHTAG: #ThePredator

President Evil – Trailer

A parody of the original “Halloween” film, President Evil sees Michael Myers disguised as Trump as he gets about suburbia, hell-bent on killing minorities.  

Days before the November mid-term Elections, three young girls who are a Muslim, Mexican and Haitian, are stalked by a deranged killer dressed as the POTUS.

 

Starring: Jose Rosete (The Walking Dead : Red Machete), Christian Hutcherson (Dark) and Johanna Rae (Psychos)
Directed by: Richard Lowly
Written by: Lowry and Gregory P. Wolk.

  
President Evil is coming soon.

Available 2018

The Nun Movie Review

I’ll say it right here. James Wan, director, and creator of the original ‘Saw’ film knows a hit series when he sees it but needs to learn when to let it go. In fact, he has a number of record-setting credits under his belt and is best at taking something that previously worked and keeping it going but he so far lacks the awareness of when to let something die; literally and figuratively. In ‘The Nun,’ the horror-fest that started from ‘The Conjuring’ series, he takes us into the world of the frightening character that was the evil presence in ‘The Conjuring 2.’ She was magnificently terrifying and ultimately what made the film but in this new narrative, one in which you’d expect great things based on what you had previously witnessed, she’s not all that terrifying but instead, rather anemic. In this film, what should have been its strengths seemed little trusted and scarcely used.

 

When the story begins it’s 1952. We’re in an abbey in Romania and are witness to a tantalizing introduction. From the start, there’s hope that ‘The Nun’ is going to be the noteworthy horror film we’ve been waiting for. Something purely evil needs a vessel to continue to survive so a nun sacrifices herself to stop it from using hers by hanging herself. Her body is discovered dangling from the window of the church. The Vatican is notified, and they send a priest by the name of Father Burke (Bichir) and a young nun, Sister Irene (Farmiga), who is about to take her final vows, to check it out. With the help of Frenchie (Bloquet) the very nervous man who found the Sister’s body, they root around in the Abbey and discover quickly that it’s an unholy place. Frenchie believes the crosses surrounding the place are there to keep evil in rather than out. It seems there’s little to prove otherwise.

 

After Father Burke is haunted by very real demons of his own, demons who wake the audience from a slow start, he and Sister Irene discover that Valak, the defiler and the profane, built a gateway to hell on the grounds so the wicked could walk amongst the living, but the church secretly sealed it hoping to keep Valak at bay. However, as evil usually does, it manages to, quite predictable, escape. 

‘The Nuns’ downfall is that there’s very little about it that’s unique and try I did but I found little of the acting remarkable, as well. Having been scared frozen by her character in ‘Conjuring 2,’ I assumed I’d get much more from her yet was largely disappointed. If you’re a fan of the franchise I’d say you will most likely enjoy parts of the film, especially its ending… except the part that suggests there’s a way they could continue the storyline further. Quite frankly, after seeing this, I’d like them to bury any idea they have of doing such a thing. 

Instant Family – Trailer

INSTANT FAMILY

SYNOPSIS: 

When Pete (Mark Wahlberg) and Ellie (Rose Byrne) decide to start a family, they stumble into the world of foster care adoption. They hope to take in one small child but when they meet three siblings, including a rebellious 15 year old girl (Isabela Moner), they find themselves speeding from zero to three kids overnight. Now, Pete and Ellie must hilariously try to learn the ropes of instant parenthood in the hopes of becoming a family. INSTANT FAMILY is inspired by the real events from the life of writer/director Sean Anders and also stars Octavia Spencer, Tig Notaro and Margo Martindale. 

DIRECTED BY:

Sean Anders 

WRITTEN BY: 

Sean Anders and John Morris 


STARRING
: 

Mark Wahlberg, Rose Byrne, Octavia Spencer, Isabela Moner, Tig Notaro and Margo Martindale 

 

Social Media:

Facebook: https://www.facebook.com/InstantFamily/

Instagram: https://www.instagram.com/instantfamily

Twitter: https://twitter.com/instantfamily

Hashtag: #InstantFamily

In Theaters November 16

http://www.fandango.com

The Favourite – Trailer

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots.

As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

 

A Film By Yorgos Lanthimos Written by: Deborah Davis, Tony McNamara

Produced by: Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos

Starring: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss

 

Social Media:

Visit The Favourite on our WEBSITE: http://www.foxsearchlight.com/thefavo…

Like The Favourite on FACEBOOK: https://www.facebook.com/TheFavourite…

Follow The Favourite on TWITTER: https://twitter.com/the_favourite

Follow The Favourite on INSTAGRAM: https://www.instagram.com/thefavourit…

#TheFavourite

 

In Select U.S. Theaters November 23rd

http://www.fandango.com

At Eternity’s Gate – Trailer

CBS Films will open AT ETERNITY’S GATE in select theaters in November…

Directed by Julian Schnabel (The Diving Bell and the Butterfly, Before Night Falls, Basquiat)

Screenplay by Jean Claude Carrière, Julian Schnabel, Louise Kugelberg

Produced by Jon Kilik

Starring Willem Dafoe, Mads Mikkelsen, Emmanuelle Seigner, Amira Casar, Niels Arestrup, Oscar Isaac

Academy Award® Nominee Julian Schnabel’s At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Academy Award® Nominee Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

Indiewire says, “Willem Dafoe Is an Inspired Van Gogh in Julian Schnabel’s Impressionistic Masterwork. No ordinary biopic, this portrait of the artists takes you inside Van Gogh’s mind.”

 

Variety says, “Willem Dafoe has his greatest role since Jesus Christ in Julian Schnabel’s luminous present-tense drama about the last days of Vincent van Gogh.”

 

The Hollywood Reporter says, ”…due in large part to the febrile intensity Dafoe brings to the central role. With his craggy features and piercing blue eyes peering out from under a battered straw hat, he fully evokes the van Gogh we know so intimately from self-portraits. The dangerous urgency of Dafoe’s performance reveals an artistic genius whose crippling mental illness seems to feed rather than impede his capacity to create ahead-of-their-time works of stunning originality and sensitivity.”

In Theaters In November

http://www.fandango.com

Halloween – New Trailer!

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

 

Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity).  Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.

 

Halloween is also produced by Malek Akkad, whose Trancas International Films has produced the Halloween series since its inception, and Bill Block (Elysium, District 9).  In addition to Carpenter and Curtis, Green and McBride will executive produce under their Rough House Pictures banner.  Ryan Freimann also serves in that role.

 

Halloween will be distributed worldwide by Universal Pictures.  www.HalloweenMovie.com

 

Genre: Thriller

Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Virginia Gardner, Nick Castle

Director: David Gordon Green

Written by: Jeff Fradley & Danny McBride & David Gordon Green

Based on Characters Created by: John Carpenter and Debra Hill

Produced by: Malek Akkad, Jason Blum, Bill Block

Executive Producers: John Carpenter, Jamie Lee Curtis, Danny McBride, David Gordon Green, Ryan Freimann

Social Media:

Website | Facebook | Twitter | Instagram | #HalloweenMovie

In Theaters October 19

http://www.fandango.com

First Man – Trailer

FIRST MAN

One giant leap into the unknown.

On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight.  A visceral and intimate account told from Armstrong’s perspective, based on the book by James R. Hansen, the film explores the triumphs and the cost—on Armstrong, his family, his colleagues and the nation itself—of one of the most dangerous missions in history.

Written by Academy AwardŽ winner Josh Singer (Spotlight, The Post), the epic drama of leading under the pressure of grace and tragedy is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Isaac Klausner (Love, Simon) and Chazelle.  Steven Spielberg, Adam Merims and Singer executive produce, while DreamWorks Pictures co-finances the film.  www.firstman.com

Genre: Drama

Cast: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciaran Hinds, Christopher Abbott, Patrick Fugit, Lukas Haas

Director: Damien Chazelle

Screenplay by: Josh Singer

Based on the Book by: James R. Hansen

Produced by: Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle

Executive Producers: Steven Spielberg, Adam Merims, Josh Singer

FIRST MAN – In Theaters October 12

Official Website | Facebook | Twitter | Instagram | #FirstMan

In Theaters October 12

http://www.fandango.com

Neil Simon’s ‘Rose & Walsh’ playing at AZ’s ‘Theater Artists Studio’ through this weekend!

‘Rose & Walsh’  by Neil Simon

 

Directed by: Deborah Lee Hall

Starring: Marney Austin, Tom Koelbel, Julie Lee and Jason Isaak

 

Phoenix! Don’t miss ‘Rose & Walsh,’ Neil Simon’s thirty-third play which closes this weekend on Sept. 2nd. I’ve never been to a live performance of a Neil Simon and the fact that he just passed away made the experience of this being my first that much better. He said of ‘Rose & Walsh’ that his play, ‘Follows two great literary figures and the depth and consequence of their enduring love.’ The literary minds are those of Rose Steiner and Walsh McLaren, a couple who were together in life and who are still together even though he has been deceased for five years.

 

Playing Rose and Walsh are Marney Austin and Tom Koelbel respectively. Marney, who hopped all over the globe performing, producing and directing, continued to do the same after returning to the U.S. She serves on the board of the Theater Artists Studio and was excited about the opportunity to play such a fun yet heartbreaking character. She’s impressive in her performance. While watching her you realize she’s energized the room. She’s so comfortable with her co-stars, especially when arguing that she’s right and they’re wrong. Switching from a comedic to a dramatic moment was not a problem for Marney. I’d like to see more from her and I hope I do.

 

You’ll treasure watching Tom McLaren’s Walsh. Tom, a Theater Artists Studio member has opened several plays there and is thrilled he’s part of their 13th season. He’s played some incredible roles outside of Walsh, including Atticus Finch in ‘To Kill A Mockingbird’ and George Bailey in ‘It’s a Wonderful Life’ and has received three ‘Zoni’ nominations. A ‘Zoni’ is an award for theatre excellence. His enthusiasm for the studio and the parts he chooses shows in his strong portrayal of the characters. His comedic timing, especially playing off Marney Austin’s Rose, comes from years of experience that were obvious to the audience. As Walsh does, Tom commands the room when he speaks. He’s compelling to watch, and it comes from great confidence in knowing Walsh, trusting his co-stars and believing in himself that you can’t look away.

 

Jason Isaak plays Gavin Clancy, a writer hired to be a ghostwriter to finish a novel that Walsh hadn’t completed before his death. You can’t help but detect a certain magnetism he exudes when on stage. He’s dynamic and though he’s only been with the Studio since 2016, you can see that he’ll be a part of it for a long time to come.

 

Which brings us to Julie Lee, our final cast member. She plays Arlene Moss, friend to Rose. Like Marney, she, too, has directed and produced for the studio. She owns DYNAMIC! Productions with her husband, Don Woodard and has been involved with the Studio, one way or another, since it came to be. Her Arlene ends up being someone you weren’t quite expecting to meet and Julie’s exuberant, spirited and passionate take on her, is not to be missed.

 

All four actors do an exceptional job bringing the story of a woman who spent all of her money on clothes instead of essentials who, at the breaking point, gets an opportunity of a lifetime via the man she can’t let go of. She gives an opportunity to a new writer and ends up playing matchmaker at the same time. By the end of the story, it’s she who, once again, finds herself with her true love.

The set was great and never seemed to get old. Though the stage wasn’t large, it wasn’t small either and it felt very much alive. The staff is pleasant, and the intimate theatre will have you excited to be there; thrilled to be a part of it… so much so that as the lights go down you’ll be wiggling in your seat. Check out ‘Rose & Walsh’ tomorrow through Sunday! It’s your last chance but be sure to pick up a brochure regarding the rest of the season.

 

THEATRE SITE

 

Operation Finale Movie Review

‘Operation Finale’ is the true story of an operation that gave the people of Israel peace from something terrible they had suffered through. Interestingly enough, this film couldn’t be coming out at a more perfect time in the history of our own country. I’m not suggesting that we can compare our situation in the slightest but our national discord and division, at the moment, is felt in a few moments of ‘Operation Finale,’ especially when you realize how easy it is to influence others and turn a country completely around.

Writer Matthew Orton used as his subject matter the fascinating account of when Israel gets a chance for the first time ever to try, in open court, one of the evilest men ever to walk the earth. ‘For the first time, we’ll judge our executioner.’ Other Nazi’s, most famously Hitler, who were responsible for the atrocities of World War II, killed themselves before they could be captured but Adolph Eichmann (Kingsley), the architect of the ‘Final Solution,’ (the Nazis plan to annihilate the Jewish people), got away and lived a full life. By 1960 he had faded into the past and was forgotten by most of the world but not by Israel. They wanted them all to pay for what they had done.

Many of Hitler’s top officers fled to Argentina which is where our story starts.  Eichmann’s son Klaus (Joe Alwyn), unbeknownst to him, begins dating a Jewish girl, Sylvia (Haley Lu Richardson) whose family is hiding as German immigrants. He brings her to a Nazi rally and terrified at what she sees, she abruptly leaves. She passes what she witnessed along to her father, Lothar Hermann (Strauss), who then passes word to Isser Harel (Raz) whose skeptical at first but when given photographic proof, immediately pulls together a team to try and pick up Eichmann. Argentina will never give him up so capturing him alive isn’t the safest or smartest way to go but it would mean so much to bring him in alive and make him pay, once and for all, for what he had done. Can they pull this off? They have a simple plan that becomes quite complicated, which is what works to give the audience moments of tension, otherwise, you’re watching the story play out very heavy on the drama with little action. They capture Eichmann, not in a graceful way, but they do succeed and they hold him in a safe house until their plane is ready to go. Nervous already, as there are many sympathizers looking for them not to mention they’ll be in prison themselves if discovered, they learn not only has the plane been delayed but that the airline that agreed to help the mission gets wind of its true purpose and doesn’t want any part of it. Before they’ll agree to let them board, they insist Eichmann give them a signed letter stating that he is going willingly to stand trial.

Israeli operative Peter Malkin (Isaac), after losing a sister and her family to the Nazi’s, takes it upon himself to be the one to do whatever it takes, even to befriend the beast, to get the signature. Instructed not to speak to Eichmann because he, ‘convinced Rabbis to fill the trains himself.’ The leader of the team will try but warns there’s no getting through to someone who has little humanity. Malkin gives it his best. This is when Kingsley goes from one spectrum to the other, appealing to his captors’ good senses and eventually using them against him. Isaac and Kingsley have wonderful chemistry and their scenes alone makes the film worth a watch.

A drama such as this can be somewhat slow but ‘Operation Finale’ keeps you engrossed with not only good dialogue, the issue and the acting but the assignment itself. They show enough of what the Jewish people truly went through, something the world at the time didn’t believe was happening, that at the end, learning of Eichmann’s fate, it made you want to stand up and applaud the team that made it all come together. Hearing Eichmann say, ‘You and your lying press will just try who you think I am.’ Was a bit too close to home but hopefully, people do learn from history and no other country will allow something like this to ever happen again. See the film. It’s powerful and it’s also important that you do.