Solo: A Star Wars Story Movie Review

‘Star Wars’ fan? You gotta see this. Period. I know some fans weren’t happy about Ron Howard replacing the original directors of the film, the team of longtime friends, Phil Lord and Christopher Miller (‘Lego Movie,’ ‘21 Jump Street’), and it caused quite a ruckus but, in my opinion, for no reason. Ron Howard may not be known for his action pictures but watch ‘Rush,’ ‘Apollo 13’ and ‘Backdraft’ for examples of how he handles action sequences in film if you’re concerned about his abilities. What’s so good about Howard getting to helm the project is that he doesn’t only count on action to dazzle you but ensnares you by giving the story depth. He does this with familiar images, language and even tones to set the mood and take you back to when you were first introduced to the characters and their world. I’m inclined to think some audience members won’t like the film no matter who directs, for the simple fact that Harrison Ford is Han Solo and Alden Ehrenreich is not. While I realize it’s hard to see anyone else as the captain of the Millenium Falcon, I resisted the urge to automatically dislike the thought of seeing this prequel and went on to enjoy the film for what it offered, not what and who it doesn’t offer. You should, too. For what it’s worth, Ehrenreich plays a magnificent Han Solo. He even looks like him a few times, too.

Here, Han lives a miserable life and being that he’s a young man, has decided that life as a slave to the man isn’t for him. Where he’s from is a dark and dismal existence and he has learned to do whatever it takes, break any laws, to survive. This comes in handy when he decides he’s going to change the course his life is on and leave to become a pilot for the Imperial Army. Of course, slaves don’t decide what they get to do or when so, mind made up, he grabs his pretty but tough girlfriend Q’ira (Clarke) and they make a run for it. Their determination gets them to a not so friendly checkpoint but as you’d expect something happens to make Han the man he becomes. He makes it through… she does not. She encourages him to continue without her which he does, vowing to return to save her.

Later, after making it into the Army and getting to fly for it, but still having dreams of being the ‘good guy,’ he meets Beckett (Harrelson) and Val (Newton) who just happen to need a good pilot. This gets him away from his current situation and one step closer to getting back to Q’ira. Up to this point, the movie was a little slow but the pacing picks up when they need Han’s help for a fuel theft.

With a large weight on top of them, Ron Howard and the writing team of Jonathan and Lawrence Kasdan manage to meet your expectations based on what you’ve always known from the franchise and its characters. They take great pain to include signature lines and memorable situations as ‘The Kessel run in less than twelve parsecs.’ Doing this includes you in on the joke from where it originally derived. Very smart. They show their audience how Han first meets Chewbacca (Suotamo) which is entertaining and comical. There are many other goodies peppered throughout the script for you to treasure.

I will admit that the creation of Han’s last name is rather lame, but it doesn’t compare to how bad the suggestion is that Lando Calrissian is having some sort of relationship with his robot L3. That won’t stop you from loving his character, however.

The graphics and cinematography more than make up for the few things you’ll find wrong with the script, which you’ll only locate when hunting with a fanboy lens, instead of just having fun in a movie because it’s good. When looking closely, what you should find is a message warning of how horribly life can change when under evil leaders instead of whether or not Howard is worthy of the brand because, his ability to mix dramatic nuance with comedy and action, it’s clear that he is. And, unlike before I saw this, I’m very much looking forward to this storyline continuing.

THE SPY WHO DUMPED ME – TRAILER

THE SPY WHO DUMPED ME

Audrey (Mila Kunis) and Morgan (Kate McKinnon), two thirty-year-old best friends in Los Angeles, are thrust unexpectedly into an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, on the run throughout Europe from assassins and a suspicious-but-charming British agent, as they hatch a plan to save the world.

Starring: Mila Kunis, Kate McKinnon, Justin Theroux, Gillian Anderson, Hasan Minhaj, Ivanna Sakhno, and Sam Heughan

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In Theaters August 3

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NEW ‘SKYSCRAPER’ TRAILER!!

SKYSCRAPER
See it in theaters and RealD 3D this summer!


When it comes to family, nothing will stand in his way.

Global icon Dwayne Johnson leads the cast of Legendary’s Skyscraper as former FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer, who now assesses security for skyscrapers.  On assignment in China he finds the tallest, safest building in the world suddenly ablaze, and he’s been framed for it.  A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family who is trapped inside the building…above the fire line.

Written and directed by Rawson Marshall Thurber (Central Intelligence, We’re the Millers), the 3D action-thriller is produced by Beau Flynn (San Andreas,Baywatch), Johnson, Thurber and Hiram Garcia (San Andreas, Central Intelligence).

Skyscraper’s executive producers are Dany Garcia (Baywatch, Ballers), Wendy Jacobson (San Andreas), Eric McLeod (Kong: Skull Island, Pirates of the Caribbean series) and Eric Hedayat (The Great Wall, Real Steel).  The film will be released by Universal Pictures.  www.skyscrapermovie.com

Genre: 3D Action-Thriller

Cast: Dwayne Johnson, Neve Campbell, Chin Han, Noah Taylor, Roland Møller, Byron Mann, Pablo Schreiber, Hannah Quinlivan

Written and Directed by: Rawson Marshall Thurber

Produced by: Beau Flynn, Dwayne Johnson, Rawson Marshall Thurber, Hiram Garcia

Executive Producers: Dany Garcia, Wendy Jacobson, Eric McLeod, Eric Hedayat

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In Theaters July 13

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Who Shot Biggie? ‘City of Lies’ – Trailer

Based on the true story of one of the most notorious and unsolved cases in recent time, CITY OF LIES is a provocative thriller revealing a never-before-seen look at the infamous murder of The Notorious B.I.G. shortly following the death of Tupac. L.A.P.D. detective Russell Poole (Johnny Depp) has spent years trying to solve his biggest case, but after two decades, the investigation remains open.

“Jack” Jackson (Forest Whitaker), a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies. Relentless in their hunt, these two determined men threaten to uncover the conspiracy and crack the foundation of the L.A.P.D. and an entire city.

Cast: Johnny Depp, Forest Whitaker

Directed by: Brad Furman

Produced by:  Miriam Segal

Written by: Christian Contreras, based on the novel by Randall Sullivan 

Social Media:

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In Theaters September 7th

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Beast Movie Review

There’s a course tone running through ‘Beast’ that you can’t turn away from. It’s intriguing from the get-go as you look over the beautiful yet blustery and chilly island that is the home of our players in the drama. For his feature debut, television director, Michael Pearce, brings to life the story of a young woman yearning to be free of her mother and her rules by any means necessary, even if it means accepting the heart of a possible serial killer. There’s something alluring about a bad boy and, as most films do, Pearce and company take advantage of this. What will the characters learn from one another and how will it be different… if this is possible?  Moll (Buckley) is frustrated that her family puts her last, even on her birthday, and hooks up with a mysterious stranger who sees her, touches her and stands up for her when she is having trouble breaking free of another man’s unwelcome advances.

Pascal (Flynn) wiggles his way into Moll’s heart by deeply, almost hypnotically staring into her eyes, penetrating the very core of her, something she’s clearly unfamiliar with. He approaches her slowly and lets her know he’ll accept her for who she is no matter who he might find.

Pascal isn’t the most hygienic of people, something her mother immediately disapproves of. Being used as babysitter for her niece and caregiver to her ill father, it’s time for Moll to fight for a little independence which she does. She invites him for dinner. During dinner, they discuss the murders of young girls that have been happening in the area. It’s not hard to tell at this point who the film is suggesting the murderer is. Pascal hunts rabbits and though you’re sure of who that the killer is, it’s in a scene where they go hunting together that the line between the two quite solidly blurs.
He’s told that Moll has been labeled the ‘wild one’ so he inquires as to exactly why. She confesses to him that she stabbed a student with scissors who had bullied her when she was in school and after had to be homeschooled. She has held onto the pain and stigma that came along with the incident ever since. His advice to her is to stop carrying the weight of her action and to move on. This releases her of a decade of guilt and shame and as her relationships with family members strain, she feels closer to him than she ever has to anyone.

Feeling compelled to help the community in some way, she joins volunteers to sweep for the body of the killers next victim. Similar to the guidance she was given by Pascal, this action helps cleanse her and we see that Moll begins to find her own identity. She has a choice, a voice and feels much freer. Ignoring signs of who he might be when the police come calling, she’s reluctant to speak to them. When they inquire as to both his and her whereabouts on a certain night, she’s headstrong and refuses to speak with them further. The people in town know she can finger him and her noncompliance sets off a chain reaction of overwhelming disgust toward her that she can’t escape no matter where she turns.

Why won’t she help with the investigation? Who is she? Who is Pascal? What happens next? Watch it to find out! Outside of a few times when the accents are too thick to understand and a poor bunny getting massacred, (Seriously, if you love animals, turn away!) ‘Beast’ is exhilarating and quite clever. Its pacing fits the storyline and on occasion, you’ll wonder if you’re not watching a horror film rather than a drama. If Intense and Well Done is your idea of entertainment, see it at a theatre near you this weekend.

In Phoenix, see this at Harkins Camelview at Fashion Square!!! 

Dark Crimes Movie Review

‘Dark Crimes’ is a thriller by Alexandros Avranas a young director with only five credits to his name. With this and Carrey’s exceptional performance, those five will soon be a thing of the past. The film marks Jim Carrey’s return to the screen after the unremarkable, ‘Dumb and Dumber To’ received a collective thumbs down from audiences everywhere. Pulling away from the genre, ‘Dark Crimes’ is in no way similar to the comedic roles he’s known for. With this project Carrey has chosen for himself an incredibly persecuted soul in his character, Tadek, to show us that he’s more than just a jester here for our amusement.

Tadek wants to reopen an investigation into the sex crimes and unsolved murder of a businessman that he had previously been involved in. While learning what that investigation is about, the film gets sinister fast. It starts rather brutally in a world most believe, unfortunately, exists somewhere. One where young women are imprisoned, raped and tortured for men’s pleasure. This life goes on in the dark, in secret, behind thick walls and gates. This investigation takes us into what is known as ‘The Cage’ as he wanders through it. He’s sickened by the cold, dark, foul-smelling conditions the girls had been, until no longer desired, housed in.

‘The Cage’ has since been shut down but there are tapes the owner of the building has that come in useful. Tadek finds that not only are videotapes of the goings on in such a despicable place helpful but he stumbles across the details in a book by author Krystov Kozlow (Csokas) that exactly outline everything he is investigating… right down to how the body is tied up, information previously unreleased to the public.

His mission now? To link Kozlow to the murder that he’s certain he committed. Tadek listens to an author read audiobook every moment he can. In the book, Kozlow details what goes on in sex-clubs stating that there were no rules. You could beat the girl’s half to death if you wanted but you’re not to kill them because though the girls understood that rape was just a transaction, ‘Corpses didn’t look good in makeup.’

There’s a scene about halfway through the film where Tadek and Kozlow go head to head that reveals Carrey’s depth. The two are playing mind games, both eager to show the other that they’re the strongest bull in the pen. Through the introduction of Kasia (Gainsbourg), who is also Kozlow’s girlfriend, it’s exposed that Tadek has some inner demons he’s never let escape. It’s here where the audience is given a glimpse into, though he’s disgusted by Kozlow more and more, how similar the two men might be. Getting rid of Kozlow may bury his own personal hellion or will it unleash it?

In the end, we find that Tadek and the audience is played from several different directions. Though it’s slow and its lighting is as dark as the story, if you’re a fan of thrillers and of Carrey’s, it’s worth seeing. Pay close attention because instead of quickly paced three to five-second cuts, Avranas has you watch a story unfold using plenty of dialogue and close-ups. Often times it’s not exactly clear as to what’s going on so be sure your mind doesn’t wander and you’ll be able to keep up. I must also mention that ‘Dark Crimes’ has a great ending that, in fact, made me clap. Well done, Avranas. I’m looking forward to more of your work.

 

*In Phoenix, watch it exclusively at AMC Arizona Center and EVERYWHERE On Demand!

Anything Movie Review

If you’re interested in a narrative that has layers and depth, you need to see ‘Anything,’ a film that represents anyone who has ever loved for any reason and who will give of themselves… anything. It’s a moving piece because we can all relate to the characters and their powerful emotions of love. I say this with certainty as we’ve all, for the most part, experienced a love where we have given and where we have received.

The characters in the film are complex and more intricate then one might think based on the pedestrian one-word title it was saddled with. However, that word, as you can tell based on what I’ve written so far, plays an important role in the overall message of the story.

The main character is Early Landry. He’s a middle-aged widower, played by character actor John Carroll Lynch of ‘Fargo,’ who easily manipulates the audience into seeing this individual as both the prey and the preyed upon. At the moment Early is introduced to us, we’re seeing him through the eyes of his overbearing sister, Laurette (Tierney). He’s depressed, suicidal and since the passing of his wife, needs some love and support, but not as much or the kind Laurette has in mind. Not really giving him much of a choice in the matter, she makes him aware of the fact that she wants him to move in with her so she can help him with his feelings of despair and with settling things from his old life in Mississippi to his new life with her in L.A. Early does move in with her. Though he doesn’t speak up for himself, it’s not hard to tell that he’s quickly growing tired of her. She speaks to him and treats him as if he were a child and it’s not long into his stay that he decides he has to move out and be on his own.

Without informing her, he gets himself a little apartment in an area of town she wouldn’t approve of. This is most likely done to keep her away. In a short time, he meets his transgender neighbor Freda Von Rhenburg (Bomer), who works the streets and often gets into trouble with men and when money gets tight. Being the gentleman that he is, he’s there for her, no matter what she needs and a hot and cold relationship develops. It doesn’t take long for them both to see what’s good about the other and how deeply they need what the other has to offer. Perhaps at first getting to know Freda just might be the right thing to agitate Laurette but if that’s what he had in mind then he was just as surprised by the materialization of their romance as we, the audience, are.
They’re an odd pairing but the performances both actors give to their roles accommodates the concept of their love and what the significance of a man from Mississippi being open-minded enough to accept the love of a man means today. I highly recommend this even though an obvious misstep is not casting a transgendered actress in the role of Freda. Regardless, Bomer is exceptional and deserves to be seen.

 

Opening in Phoenix at HARKINS VALLEY ART

SORRY TO BOTHER YOU – Red Band Trailer

SORRY TO BOTHER YOU

Release Date: July 6, 2018 (Limited) / July 13, 2018 (Wide)

 

Synopsis: In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a macabre universe.

Cast: Lakeith Stanfield, Tessa Thompson, Armie Hammer, Terry Crews, Steven Yeun, Omari Hardwick, Jermaine Fowler, and Danny Glover

Director: Boots Riley

Writer: Boots Riley

Producers: Nina Yang Bongiovi, Forest Whitaker, Charles D. King, George Rush

Production Company(s): Significant Productions, MNM Creative, MACRO, Cinereach

Genre: Comedy/Fantasy/Sci-Fi

Distributor:  Annapurna Pictures

 

In need of a new car?
Well, lucky you because The ‘SORRY TO BOTHER YOU’ 
OFFICIAL PARAPHERNALIA STORE IS OPEN: 
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GET BOTHERED

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In Theaters July 13th

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Book Club Movie Review

In case you think this film might not appeal to you, I implore you… don’t be afraid of attending a romantic comedy just because it stars women over a certain age. It’s okay for men to show their sexuality at any age and now, due to this fierce cast of outstanding actresses we’ve all grown to know over the years, it’s acceptable for women to desire, talk about and be playful when it comes to the topic of sex. And are they ever playful. The comedic part of the film is represented well, as is their gender. The main characters are played with masterful timing by Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen. I couldn’t imagine a better lineup for such a film. Diane (Keaton), Vivian (Fonda), Sharon (Bergen) and Carol (Steenburgen) are introduced to us by Sharon talking in Voice-over about her longtime friends and how they started their Book Club. This isn’t completely necessary for such a narrative but does seem to be all the rage in films these days. We even see edited pictures of the four of them together when they were younger. Damn those gals were good looking… and still are!

Vivian is an extremely wealthy woman who wouldn’t dare let a man get close enough to her that he could hurt her as she did in her youth. See Don Johnson’s character Arthur for an example of that. They once had a relationship and now he’s trying to slip back into her life, but Vivian has all she needs with her money and best pals to keep her warm.

Sharon is a divorced federal judge who finds out her ex-husband Tom (Ed Begley Jr.) is remarrying someone half his age. She’s talked into trying an online dating site which at least gets her out there and moving on.

Diane is a widow who fights her children for control of her own life. They fear she’s too old to be alone and want her to move to Arizona to be with them. She doesn’t want to disappoint them but when she meets a pilot named Mitchell (Garcia), who supports her and offers her a new start, she has a hard time deciding who to let down. The very act of picking one over the other ultimately leaves her still losing out.

Carol is married to Bruce (Nelson) who hasn’t touched her in months and though she’s trying to get his attention, he doesn’t seem interested in making up for lost time.

These women have their bugaboos, their issues, but when they’re together, they have the kinship they need and the love they need to get them through any obstacles that momentarily stops them from being happy. If something gets in the way of their seeing one another they still get together, at least once a month, for their Book Club meeting which is something they cherish. This particular month, they are introduced to Christian Grey from the book ‘50 Shades of Grey.’ They enjoy it so much they’re tickled pink when they find out it’s a trilogy. Their discussions about and attitudes toward the book had the audience I was screening the film with, completely in tears. How it was edited was particularly clever to enhance the more witty elements of the film and endears the audience to the women even more as we got to know them one by one.

Their friendship, their love for one another and their refusal to give up on life are cherished and as far as summer movies go, is one worth watching… maybe more than once. It’s entertaining to see these gifted actresses work together. Their characters know each other so well, that they serve as a check on and call one another out when they know they’re lying or holding something back but embrace when it’s needed to hold someone up. The cast gave such believable performances it was effortless to believe they’ve been friends as long as suggested. It’s easy to say the wonderful script Bill Holderman and Erin Simms wrote together had a lot to do with that. He wrote a fun script and together everyone made a very fun movie.

A Spike Lee Joint – BLACKkKLANSMAN Trailer

Focus Features to release BlacKkKlansman in August 

 

Story: From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It’s the early 1970s, and Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The young detective soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream.  Produced by the team behind the Academy-Award® winning Get Out.

Director: Spike Lee

Cast: John David Washington, Adam Driver, Laura Harrier and Topher Grace

Producers: Sean McKittrick, Raymond Mansfield, Jason Blum, Jordan Peele, Spike Lee, and Shaun Redick

For more info, please follow the film:

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In Theaters August 10

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