The Favourite Movie Review

I recommend you drop everything and see this on the big screen immediately! There’s a reason why so many films come out toward the end of the year. Often that logic is based upon the fact that they’ve saved the best for the last. That would be the case here. ‘The Favourite’ is a significant contribution to the films of 2018. It even far surpassed my expectations in fact. It’s masterfully crafted and incredibly well written. The three lead actresses are exceptionally strong in this, the latest work from the skilled raconteur of ‘The Lobster’ and ‘The Killing of a Sacred Deer,’ Yorgos Lanthimos.

‘The Favourite’ does have an altogether different spirit from either of his previous films. If you do have a strong opinion of his earlier work, you shouldn’t necessarily base your decision on whether or not to see this on your opinion of them. One reason to sit down and give this a watch that stands out above the others is that those films didn’t have this exceptional trio of women in their cast. These same actresses will now be giving the Academy a difficult choice over who to choose for an award and for which award. Not a bad pickle to be in but one they’ll be in to be sure.

The script by Deborah Davis and Tony McNamara was more comical than I had expected it to be which was quite a pleasant surprise. Getting to know the women and fully coming to realize the rivalry between them for the favor of the Queen was as delicious as waiting for a steak to cook that had been marinating all day. The performances undeniably complement the script. That said, some accents can make it hard to understand exactly what they’re saying at times, but this doesn’t distract from your overall enjoyment of the film. You won’t miss the sharp intellect written into the dialogue and the keen wit it took to come up with the story in the first place.

The film is set in England, early in the 18th century. Olivia Colman plays ailing Queen Anne who finds more than just a friendship in Lady Sarah, played by Rachel Weisz. With the position she has put herself, Lady Sarah is essentially running the country. The Queen fully trusts her and makes no decision without her input. Enter young Abigail (Stone) who’s fallen on hard times. She hopes, since they are cousins, Lady Sarah will give her a position in the palace. Jealous of the beautiful young woman, yet enamored with her charms, Sarah gives her work and a place to stay and proceeds to get to know her. With more than kitchen work on her mind, Abigail uses her position with Sarah to get to know the Queen more. Soon, she finds herself in the catbird seat where she accidentally learns more about Sarah and Anne’s relationship than she had bargained for. Being in the right place at the right time, Abigail sees that they’re lovers, as well. She then decides to use this knowledge to her full advantage.

As Abigail moves her piece on the chessboard of life, Sarah starts to get suspicious. The music, politics, relationships, and discourse build from there. The story is impressively structured, and it’ll keep you riveted throughout, enough that I feel confident you’ll walk away possibly considering ‘The Favourite’ one of your favorites for 2018. The ending is pure Lanthimos. When Sarah questions Abigail about whether she thinks she has won, you’re eventually shown what winning would be if she does. A life of being at the queen’s beck and call to rub her ‘leg’ at a moments notice doesn’t sound fun. Is this the life she was looking forward to?

What Men Want Red Band Trailer

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test.

WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.

Directed by:

Adam Shankman
Starring:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

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In Theaters February 8th, 2019

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Moroni for President Movie Review

‘Moroni for President’ is about diversity and a shift in thinking as much as it is about someone throwing their hat into the ring to be considered president of the Navajo Nation. Being that I live in Arizona and have lived near a reservation I took great interest in seeing if a young man can challenge his elders and be the change that he, himself, seeks in the community. At the beginning of this gorgeously shot film, we learn some facts about the Navajo’s themselves. The Navajo Nation is the largest Native American Nation in the United States as it spans across Arizona, Utah, and New Mexico. Like the U.S., they have a presidential election every four years. Because of their size, the Navajo president is the most influential and powerful tribal leader in the country.

Here we meet several candidates as well as get to know Moroni Benally, the subject of the film. In 2014, the president is Ben Shelly. When we are introduced to him, he tells us of how much complaining and bellyaching he hears. He explains that people blame him for everything, even everyday problems that he can’t control. You can see it pains him that people don’t see what he does accomplish. This may be the case but he wants to run again.

Joe Shirley Jr., who has held the position before, wants to try again, as well. If he’s successful, he would be elected into a third term, something not allowed for a U.S. president. Ben Shelly was Joe Shirley’s Vice President. Learning all of this, you can see appreciate where Moroni is coming from. It’s past time for some change. He feels leaders past and present, who walk around in jeans, wear cowboy hats and boots, are bound by the old way of thinking and of doing things. They certainly don’t like to be questioned. Moroni doesn’t dress like, as he refers to them, the ‘old guard’ and sees they aren’t always truthful. They’ve continued to try and sell the Navajo people the ‘American Dream’ when it’s not possible to achieve. Not only would he like to bring a fresh perspective on things by getting youth involved but by challenging the United States.

This being the case, something fascinating and disheartening you hear is that their tribe isn’t allowed to build buildings because the land they live on isn’t theirs. They’re only allowed to use it. Moroni wants everyone to wake up to the fact that there will be no reaching the ‘good life’ that the elders have always sold them on unless they’re allowed to control their own resources. The question now is, can they confront the United States government and arrive at a better agreement than what’s currently in place? He tells young people who’ll listen that they should at least try. Their future is in their hands. Do they want to live in shacks or something better? Can they truly be a sovereign nation? Moroni believes they can.

Not only is this about his candidacy for president but something perhaps even bigger for Moroni. He’s an ex-Mormon who struggled terribly with the fact that he’s gay. In fact, he felt it was a cancer in his body. He confesses to those of us watching this documentary that he pleaded with God to be healed. It took him until the age of twenty-seven until he came to terms with who he was and accept it. In that time, he learned how to work a crowd, in fact, many older ladies who supported his candidacy fell in love with him instantly. He jokingly ruminates on how much money he could save his community by not having a first lady.

Moroni’s an extremely likable person, which is one of the things you’ll most enjoy. This documentary unfolds in a way that reveals so much more than just a bid for a chance to lead. Sadly, Moroni isn’t elected but he does accomplish something very important. The film gives many heartbreaking, staggering statistics that I’d like to see addressed in another documentary, but this ends on a light note about what he did for the Navajo Nation as a whole. He may not be able to speak the language as well as some, he may not have been elected their president, that honor went to Russell Begaye, but Moroni sheds light on the LGBTQ community and welcomes them, giving them a safe place, to finally come out and be counted. It was wonderful to see that they, no matter who they loved, were supported… as was Moroni himself. Again, the cinematography is breathtaking. The filmmakers take full advantage of the grounds Moroni walks and shows you an exceptionally beautiful area of the country. You’re going to admire Moroni but watch this also for the glorious and breathtaking landscapes.   

A Private War Movie Review

After viewing ‘A Private War’ I was surprised to find out who produced it. Not that it was a woman producing such a serious in-depth look at war but that she could have given herself this significantly challenging role but didn’t. The character was uncommonly rich and would have given her more than an off chance at grabbing another Oscar. It was produced by Academy AwardÂŽ-winning actress/producer, Charlize Theron (Monster, Tully). Charlize has nineteen producing credits to her name and with five projects at this moment in either pre or post-production, it doesn’t look as if she’s planning on stopping anytime soon.
‘A Private War’ is about a journalist and the very idea of journalism being under attack in times of war. Often times what journalists shed light on isn’t appreciated by the people being exposed. These particular regimes are covered extensively through who the film focuses on. It highlights the work of Marie Colvin, played by Academy AwardÂŽ-nominee Rosamund Pike of ‘Gone Girl.’ Marie Colvin was one of the most powerful reporters we’ve ever seen. She was always brave in the face of danger. Colvin knew that it wasn’t only her responsibility to but took it as an honor to tell the stories of those who could not speak and be a voice for the dead. She wanted to tell the truth when no one else cared enough to and no one else would.

Whether you think it’s a necessary evil or you believe that war is simply sanctioned murder (perpetrated by old men and their egos who send young men and women off to die), there’s no missing the fact that this film is impressive. ‘A Private War’ takes direct aim at both of those points significantly well. And the script not only makes you feel great respect for Colvin, but you also grow frustrated with her stubbornness as you get to know her. First and foremost in her life is the job she has to do. Though she sees and feels an obligation to those she loves, the loyalty to her job of reporting the facts will always take precedent. Who is she if she isn’t injecting those principles into her work and out to the world? She must describe, for her readers, the pains of others. She feels a duty to tell those who might make a difference of the terrible ills she sees. Once she absorbs the suffering and grief, she narrates it for the rest of us. As she puts it in the film, ‘I see it, so you don’t have to.’

On assignment in Iraq, she meets renowned war photographer Paul Conroy (Dornan). She enlists him to help her and, working together from there on out, he never leaves her side. They see a lot of death and it eventually takes its toll. Her time on the frontlines has revealed its scars both inside and out. She’s almost killed while in Sri Lanka but instead suffers an injury. Due to the injury she’s forced to wearing an eyepatch for the rest of her life over her now blinded left eye. She’s bothered by it but you can also see she views it as a symbol of her work and of her own struggles. And perhaps by some, knowing she’s endured the wounds of battle, she’ll be taken more seriously.
The film also affirms the deep trauma that you can’t see. Colvin’s a chain-smoking alcoholic who’s finally pressured into taking time off when she can no longer tell what’s false from what’s real. She suffers from PTSD. Admitting that alcohol quiets the voices in her head, realizes the time away is indeed needed. Paul understands what she’s going through more than anyone and knows she’s addicted to the adrenalin rush. Colvin is in a relationship with a man named Tony Shaw (Tucci) but Paul seems to be the one she reveals more to. He knows she hates war but has to see it… has to reveal it. He’s there with her when she goes to the Syrian city of Homs. Homs is getting more dangerous for them by the minute. He pleads with her but can’t convince her to leave. Armed with her story of profound anguish, she connects with Anderson Cooper of CNN and gives her final interview.

‘A Private War’ is directed by critically acclaimed documentary filmmaker Matthew Heineman who lovingly tells her story with the utmost respect and dignity. It’s entertaining and heartfelt and honest in how it acknowledges her defects but classy in making it known to all of humanity that she loved her work. I highly recommend it for the cinematography, directing, performances and for the Annie Lennox tune at the end. Don’t miss it.

Instant Family Movie Review

‘Instant Family’ is about Pete (Wahlberg) and Ellie (Byrne) who want a family but aren’t exactly young. They’ve both had a lot of fun and experience in their lives, lives they’ve lived very well mind you, and have a lot to offer. They have a great business and a beautiful home but look around one day and realize they have no one to share it with. With this acknowledgment, they’re suddenly struck with an idea. At their age, instead of having a baby, they decide to adopt. This is also the true tale of where the narrative was born.

The film is an important take on children, both young and old, in the country’s foster system. I applaud its good intentions but it’s full of contrived jokes that feel labored rather than spontaneous. I do like the story behind the story as much as I enjoyed watching what foster parents Pete and Ellie felt compelled to do but the movie was somewhat excessive at times.

Based on their own experiences with adoption writers Sean Anders and John Morris want you to know the truth of things. They want you to see that teenagers are neglected by people looking to adopt. Unfortunately, more often than not, this leads to building resentments. Their attitudes grow bitter and a teenager in the system will find it harder to be placed somewhere they can call home.

This effort is more than admirable. Nonetheless, Anders and Morris went overboard and stuffed everything they went through or witnessed into one film. The movie is respectable, but this wasn’t necessary for the audience to pick up on their message, leading to it being a lot to take in at times. Another miscalculation from the team was slapping into the script pranks and antics to force the comedic side of awkward moments with their new family. The sillier things became made genuine moments feel phony.

Pete and Ellie adopt a teenager, Lizzie (Moner), who comes with two young siblings named Lita and Juan. Lizzie is your typical angst-filled fifteen-year-old but put in this position has taken on the role of mama bear to the younger cubs. Shifting from home to home, with bags full of ‘court bears,’ she doesn’t believe, or is incapable of believing, she’ll ever be loved. She likes Pete and Ellie, sees how lucky she is, but has been disappointed before. Lizzie has been hurt so often that she won’t allow Lita and Juan to go through it, too, so she creates barriers in the guise of being helpful… at first. Then she drops the charm. When she shows her guarded side, Pete and Ellie almost give up but, coming to terms with the fact that being parents isn’t easy, they resist the urge to send the children back.

Sadly, they have the added pressure of competing with their real mother who shows up when it’s most convenient for her. Of course, you were expecting this to happen, but it is moving when it does. That said, it’s mostly because of Moner’s performance more than anything else. For a brief moment, you see her heart. The biggest highlights of the film come from its smallest moments. At its most basic and what Anders fixates on the least, is when the film is at its best.

You’ll love performances from Octavia Spencer and Tig Notaro as their counselors. Bringing in Margo Martindale and Julie Hagerty as dueling grandmothers was a nice touch, you’ll appreciate. However, Anders goes too far with a good thing with adding Joan Cusack’s nosey neighbor. Her character starts out well but ends with you shaking your head. ‘Instant Family’ is ultimately worth watching but paying matinee price is best for you and yours. 

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The Ballad of Buster Scruggs Movie Review

Before I get into the meat of this review, let me tell you a few things about the movie for which I reviewed. ‘The Ballad of Buster Scruggs’ is a flick with several short stories within the two hour and twelve-minute film. The first short introduces the fabulously subtle Tim Blake Nelson as ‘Buster Scruggs’ in the segment called ‘The Ballad of Buster Scruggs’ which, by the way, is fantastic! It’s everything you could possibly hope for. It felt to me very much like one of my favorite Coen Brothers movies, their 2000 hit, ‘O Brother, Where Art Thou?’ Once it started, I could see I wasn’t going to be disappointed so I settled in my seat, ready for another gem which, luckily, I was getting.  I’m watching Scruggs on his horse and I’m loving it. This is what I came here for!

Buster’s scenes are about a singing cowboy and within the songs, some of the most shrewd and imaginative narration develops from this extremely exaggerated character and the situations he finds himself. His self-confidence makes it even funnier. 

You’re a tad rattled when that segment ends, and we move onto the next. This one is called ‘Near Algodones,’ which stars James Franco. Very creatively and artistically, each segment is treated as a chapter book. It’s clever how it prepares the mind for something special. I watched. I waited and was rather disappointed when that extraordinary tale didn’t quite pan out as I had hoped. It was passable but what the film has already given, you look for here… and it just isn’t there. Its narration and some of the humor fairs well enough but it felt too short to allow you any real time with the characters. You can’t know or care much for them so ending it so abruptly doesn’t work. Perhaps the next will be better. No one’s perfect after all. Well, to my dismay, it wasn’t any better. It wasn’t tragic, but it does lead one to wonder what time it is. We want to and need to learn more about these characters before we move on… but we don’t. This is a sizeable lapse in judgment throughout the feature. 

The third story is called ‘Meal Ticket.’ It stars Liam Neeson and, to be honest, doesn’t feel much like it fits. It’s about a man taking advantage of another man who’s in desperate need of help. When he can be easily replaced, he is… and it the most horrible way. It’s quite depressing and sad. And it gets altogether boring as it repeats itself. I can’t think of a single thing about this section that could be especially celebrated. However, I did enjoy some of the next narrative. It could be seen as dismal but portions of it made me smile. ‘All Gold Canyon,’ starring Tom Waits as a prospector panning for gold, is visually relaxing. A common theme in each film, though they’re separate from one another, arises. You realize that the lead character in each of the segments dies. However, with this piece, the scenery is so beautiful. As the prospector tears up the land looking for his ‘Mr. Pocket’ of gold, you find that the lead isn’t quite as easy to pick out. With what he’s doing, and what will happen to this paradise, it’s the land itself that will die.

There are more chapters, but I’ll end by saying this. Have no fear. Throughout the film, there does appear bits of sparkling brilliance that I have come to expect from the Coen’s. When these moments come the film couldn’t be better. Each of the stories has proficient and competent hands writing and directing them so why wouldn’t we see their unquestionable talent?! We do but that’s also the unfortunate question. Why didn’t we see it more often? These were anticlimactic. With the way most unfolded, it’ll leave you feeling cheated to a degree.

I’ll boil it down for you as to why. The trailer seemed to have promised so much more. Your sheer disappointment in the film as a whole is evident in how much you cling to hope that each tale improves. Your love for their storytelling will keep you hanging in, which I did, do and always will with their work. I believe the biggest and most obvious problem with this is there wasn’t enough time for development. Each story is GOOD and you want MORE so what was the point in leaving everyone hanging? If they make separate films or a series, which could very well be what’ll happen, I’m invested 100%!! And I sincerely hope they do.

Toy Story 4 – Teaser Trailer!!

Who’s excited?!  I know I am!!  The gang is back!!  Yep! Woody and the rest of the toys are back for an all-new adventure in “Toy Story 4,” welcoming new friends to Bonnie’s room, including a reluctant new toy called Forky. “Like most people, I assumed that ‘Toy Story 3’ was the end of the story,” said director Josh Cooley. “And it was the end of Woody’s story with Andy. But just like in life, every ending is a new beginning. Woody now being in a new room, with new toys, and a new kid, was something we have never seen before. The questions of what that would be like became the beginning of an entertaining story worth exploring.”

‘Toy Story 4’ stars Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Estelle Harris, Wallace Shawn, John Ratzenberger, Jeff Pidgeon, Blake Clark and Tony Hale.
It’s directed by Josh Cooley (“Riley’s First Date?”), produced by Jonas Rivera (“Inside Out,” “Up”) and Mark Nielsen (associate producer “Inside Out”).

About the franchise:

  • “Toy Story,” originally released on Nov. 22, 1995, was the first fully computer-animated feature film and the highest grossing movie of the year. It was nominated for three OscarsÂŽ and two Golden GlobesÂŽ. 
  • “Toy Story 2” is the first film ever to be entirely created, mastered and exhibited digitally. It was also the first animated sequel to gross more than its original, breaking opening weekend box office records in the U.S., UK and Japan, becoming the highest grossing animated release of 1999. It won the Golden Globe for best motion picture – comedy or musical. It won a GrammyŽ for best song written for a motion picture, television or other visual media (Randy Newman, “When She Loved Me”).
  • Released in 2010, “Toy Story 3” won OscarsÂŽ for best-animated feature film and best achievement in music written for motion pictures, original song (Randy Newman/“We Belong Together”). The film also won a Golden GlobeÂŽ and BAFTA for best-animated film. It was the second Pixar film to be nominated for the best picture Oscar. It’s also Pixar’s second highest-grossing film of all time behind “Incredibles 2.” 
  • The 2015 short “Riley’s First Date?” was helmed by director Josh Cooley and produced by Mark Nielsen.       


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In Theaters June 21, 2019

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ROMA – Official Trailer

The most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mama Tambien), ROMA follows Cleo (Yalitza Aparicio), a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Delivering an artful love letter to the women who raised him, Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s. Cuarón’s first project since the groundbreaking Gravity in 2013.

ROMA will have exclusive limited theatrical engagements starting November 21 in Los Angeles, New York and Mexico.  Additional engagements in U.S. cities, Toronto and London will begin November 29 with other top U.S. markets and international territories continuing to roll out beginning December 5.  The film will be released globally on Netflix on December 14 with an expanded theatrical release in the U.S. and international markets. In total, the film will be theatrically released in over 30 countries globally with 70mm presentations also being planned during the film’s theatrical release.

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Boy Erased Movie Review

‘Boy Erased’ is director Joel Edgerton’s take on the controversial subject of gay conversion therapy. Edgerton’s adaptation of the Garrard Conley memoir is very powerful. Its subject matter is handled very delicately from the fear it ultimately comes from to the people that fear harms. The film draws from facts, real pain, real experiences, and Edgerton displays it openly for us, showing us one character after another’s experience in this hideous program but then laser focusing in on one character, Jared Eamons (Hedges), to take you deeper into their ordeals. There’s a postscript statistic displayed at the end of the film that, ‘over 700,000 Americans have been subjected to conversion therapy and over 20,000 Americans are currently affected by this abusive practice.’ After watching the film, it’s hard not to walk away stunned especially after being hit with those numbers. It’s appalling to think that in this day and age abuse and humiliating to control and manipulate is still being used.

Jared is the son of Marshall (Crowe), a southern preacher, and his wife Nancy (Kidman). Because of who his father is, Jared must hide who he is. He’s successfully hidden it from the world and even lies to himself. He does this until he’s faced with a female friend who comes on strong. He thinks fast and turns her down with the excuse of waiting until marriage. He navigates his youth and gets to college where he feels safer to relax and at least talk to other boys without scrutiny. He begins to make friends and becomes especially close to a boy his age named Henry (Alwyn) who he has a lot in common with. Henry ends up taking advantage of the naĂŻve preacher’s kid one night and rapes him. This scene is quite horrific, but Edgerton doesn’t shy away from its brutality. He uses it to show that sexual assault and this type of abuse exists in nature and might also be suggesting the reason why some people are the way they are. Violation based on anger doesn’t discriminate based on sex. Jared avoids Henry and eventually goes back home. Henry isn’t happy about his friend leaving him and worries Jared is going to tell o he ‘Outs’ Jared to his parents.

This leads to his father consulting some church elders who decide that his mind could be altered using conversion therapy which is supported by the ministry. He can be cured of his homosexuality if he takes the steps to prove he wants to be cured. The program is similar to AA but heavily Bible-based. It’s led by Victor Sykes (Edgerton) who comes at them from an aggressive, militant angle. He’s going to make them men if he has to pound it into them himself. Jared is instantly miserable but sees that he’s not alone in the world. There are others denying who they really are to make someone else embrace and accept them. Some are worse off than Jared who has it relatively easy because his parents, as misguided as they are, do still love him. He meets Jon (Dolan) who doesn’t touch anyone because touching to him has mostly been physical abuse and Cameron (Sear) who has an extremely hard time with being forced to tell Sykes what he wants to hear. The boys, in their sterile environment, are treated as prisoners but find subtle ways to show support for one another, however, their support just might not be enough.

The gullibility and innocence coming from Hedges is fantastic which is perfectly followed by a passive-aggressive strategy from Crowe to show he loves his son but knows the world he needs to protect him from. Kidman is a perfectly quaffed Southern charmer who’ll turn into an angry mama bear at a moment’s notice and does so magnificently. This story does trail off in different directions but leads back to Jared and his parents, ending with love and forgiveness which is all that Jared and each and every other human being is asking for in the first place.

The Grinch (2018) Movie Review

The first question that may have entered your mind upon hearing there would be another Grinch movie was most likely, ‘Why?’  To that question Illumination and Universal Pictures, who are making this their eighth animated feature says, ‘Why not.’ Their skills are magical and that fact is palpable while watching this new, fresh take on the beloved Dr. Seuss’ classic. There have been others but if a new generation wants to give it a go, put their twist on things, they could hardly do better with this talented group. Academy AwardÂŽ nominee, Benedict Cumberbatch, makes a great Grinch, coming off appropriately grumpy yet when needed, perfectly delivering and revealing his softer, broken heart inside. He may try to hide it but doesn’t do very well. 

‘The Grinch’ is the story of a cave-dwelling misanthrope who, after being denied Christmas as a child, aims to do the same to everyone in Whoville. He’s getting back at those who hurt him by taking it out on everyone else. He needs therapy.

So, he recruits his faithful dog, Max, to help. While on the hunt for reindeer to sell his charade, he finds one oddball, kind of kooky deer named Fred. With his trinkets and gadgets, sleigh and deer, he as Santa, can easily swoop in and swipe everyone’s presents, tree’s, lights and cookies. Note to parents: Fred brings several giggles from the youngest in the crowd as he’s warm and cuddly. I’m sure toys of this guy will be everywhere. They’ll most certainly be wanted.  

Flowing in and out of Pharrell Williams’ narration and the poetry of the original story plus adding the novelty managed in this rendition, this is a movie the kids can’t miss. We do meet new characters along the way but there’s always little, adorable, sweet Cindy-Lou Who to thwart the plans of this Grinch. What he doesn’t see coming is that she’s made plans of her own and that was to make sure she spoke to him. She has set a trap. She does catch him in the act and, trusting he’s the real deal, explains she wants only for her mother to be happy. Cindy-Lou is a genuine and giving soul who the Grinch couldn’t possibly see any fault with. This puts him in a bind. Maybe there’s good in this world after all? If so, can he go through with his assault on it?

If you liked the other movies, and the story as a whole, you’re going to like this, as well. Sure, it’s the same story but his coloring is bright and more agreeable, his shoes are as fuzzy as he is and it’s very relatable. They’ve added moments such as his ‘emotional eating’ and playing the song ‘All By Myself’ on the organ. There’s also a flashback where you see him as a child. Alone. No Christmas. If done well, there’s nothing wrong with taking an animated classic and improving or upgrading it. Having Illumination involved with this was a blessing. You’ll be entertained and so will the kids.

WEBSITE: http://www.grinchmovie.com/