Director: John Carney
Starring: Carey Mulligan, Bradley Cooper, Matt Bomer, Maya Hawke, Sarah Silverman, Josh Hamilton, Scott Ellis, Gideon Glick, Sam Nivola, Alexa Swinton, Miriam Shor
The film is set in the prelude to the Paris Revolution. Mozart is giving a concert and a man from the crowd asks if he could play Mozart’s Violin Concerto No. Five with him on stage. Mozart accepts, yet when he sees it’s a black man, well dressed though he is (his father supported his son so he would want for nothing), Mozart asks his audience, “Who put you up to this?”
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Timothy Scott Bogart is the son of the subject of “Spinning Gold,” Neil Bogart, an American record executive, played by Jeremy Jordan. Timothy is this film’s writer, director and producer about the beginning of Casablanca Records and his father, Neil Jordan, the man who made the label, against all odds, come to life.
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“TÁR” is a treasure and in a year with several incredible female actors showing us the best they have, it’s hard to make this next prediction, but I think Cate Blanchett, here in the role of maestro Lydia Tár, just may be taking home each trophy there is for best actress.
Director/Writer: Todd Field
Starring: Cate Blanchett, Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, and Mark Strong
Rated: R
Run Time: 2h 38m
Genres: Drama, Music
Producers: Todd Field, Alexandra Milchan, Scott Lambert
“Hallelujah: Leonard Cohen, A Journey, A Song” as a documentary is, in short, a bit too much of a good thing. Toward the film’s end, Cohen suggests with a smile that maybe it’s time people stop singing the song for a while. Then the journey starts…
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If you’re hoping for expanded details about the “King of Rock n’ Roll” in this biopic, they’re here. When you hear the name Elvis Presley, outside of the songs he courted us with, you can’t help but think of the loud outfits, big belt buckles, the mismanaged movie career and his fondness for karate. Baz Luhrmann’s usual glitz and flash are all over “Elvis” because that’s who the singer was.
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The late great George Wein, the creator of the Newport Jazz Festival in the 1960s, felt that New Orleans had to have a music festival of its own. New Orleans had something no other city in the world could claim. It had the birthright of jazz. In the era of Jim Crow, it couldn’t happen as, at the time, whites and blacks couldn’t be on the same stage together. Wein told his wife Joyce that he hoped time would eventually turn in his favor.
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Rated: PG-13
Run Time: 1h 34m
Genres: Documentary, Music
