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Warner Bros. Pictures has announced the release date for the third “Fantastic Beasts” film

THE WIZARDING WORLD JOURNEY CONTINUES AS

THE THIRD FANTASTIC BEASTS FILM IS SLATED FOR NOVEMBER 12, 2021

BURBANK, CA – April 29, 2019 – Warner Bros. Pictures has announced the release date for the third “Fantastic Beasts” film—inviting audiences to return to the cinematic Wizarding World on November 12, 2021.  The release date marks the opening of the next installment of one of the Studio’s key properties.  The announcement was made today by Ron Sanders, President, Worldwide Theatrical Distribution and Home Entertainment.

Sanders said, “J.K. Rowling created an awe-inspiring universe that has captivated people of all ages, taking us on an extraordinary magical journey.  Warner Bros. is so proud to be the cinematic home of the Wizarding World and is excited about the future of the ‘Fantastic Beasts’ franchise.  We look forward to bringing the third chapter of the five-film series to audiences around the globe in November 2021.”


Production on the new film is expected to begin in Spring 2020.


“We are incredibly excited about and have confidence in the ‘Fantastic Beasts’ series,” Toby Emmerich, Chairman, Warner Bros. Pictures Group, stated.  “We all believe this release date will give the filmmakers time and space to allow their artistry to truly flourish and deliver the best possible film to our fans.”

Dumbo Movie Review

‘Dumbo’ is the latest live-action remake of the Disney films. This 1941 animated classic gets a new look and feel by the genius mind of Tim Burton. ‘Dumbo’ wasn’t known as one of Disney’s most influential films, therefore, anything Tim Burton could add to the story would improve it significantly, and he does just that. Included in this retelling is the magic that makes you feel as if you’re watching an old-style Tim Burton movie. Maybe because he realized how important a story about elephants would be. With the circus industry taking a big hit because of animal abuse, especially toward the elephant, he had to send a strong statement that he wasn’t condoning harming animals. He does this several ways. He gives you characters that both charm and please you. With his ‘bad’ characters, he gives you cruelty but only in the realm of suggestions. There’s no genuine love for the circus whatsoever. This is clear from the beginning to the end. Especially the end, which you’ll appreciate dearly. The animals are all CGI and he makes a point to let you know his story is a love letter to animals if nothing else… especially to the beloved pachyderm.

With every Tim Burton film comes a land of wonder and excitement to explore but what also appears is a note of hard reality and a ruthless villain to wake you from any trance-like state you could be in from his breathtaking visuals. ‘Dumbo’ has similar elements with an actual ‘Dreamland’ to try and seduce you. This is where it seems its most Burton like. The film is seen mostly through the lens of the children which is good and bad as it doesn’t dig very deeply into the adult characters. To extend the length of the film, the original was only one hour and four minutes, Burton spun a yarn around a veteran and his children. Their mother has passed on, he was gone, and they were being raised on the road. They need to bond once again and become a family.

In the beginning, we meet Holt Farrier (Farrell) who was once a circus star and is now a war hero. After returning from war minus a limb, the owner of the circus he worked for, Max Medici (DeVito), rehires him to take care of the elephants. Holt’s two children are more than happy to help when the female elephant gives birth to a bright, blue-eyed bundle of… big ears?!? Max bought the mama knowing that a baby would bring people to see him but when he sees what he calls a freak, he wants ‘it’ and the mother gone… and his money back! Already struggling to make ends meet, he can’t afford more loss! As he stomps around, visibly angry, the mama gets very upset and goes ‘mad.’ He sells her, keeping her and her darling baby apart. The children see Dumbo breathe in a feather and sneeze wildly. When this happens, he flaps his ears and… and he flies! Good enough! When word of this gets out, an enthusiastic businessman named Vandevere (Keaton) talks Max into going into a partnership in his park called Dreamland; where they make the impossible, possible. He explains that the future of business isn’t to have you packing up and traveling for the audience. If the audience wants to see what you’ve got to offer, they’ll have to come to you. Keaton and DeVito. Batman and the Penguin. Together again. This will not get by the fans of the Burton directed, ‘Batman Returns.’ Nor will the appearance of Dreamland compared to that of Disneyland where they’re already selling Dumbo toys in the remarkably similar theme park.

Vandevere’s aerial artist, Colette Marchant (Green) sees that she and the little flying elephant can soar through the tent together and swoon the audiences below. Max closes his circus and joins Vandevere’s Dreamland, managing to keep his entire troupe together in the process. While traveling through Dreamland, you’ll see a somewhat spooky message about the 20th Century and about automation ‘helping’ humans. Watching the scene, I couldn’t help but think how spot on he is. It has helped. But are we the better for it? Is Max better for getting into business with a snake? Time will tell. 
  

If you’re wondering why you should see this version of ‘Dumbo,’ Tim Burton is reason enough to attend, but he also brought along the magnificent Danny Elfman to score the film. Elfman’s arrangement for the ‘Pink Elephants on Parade’ is simply sublime. It’s quite distinctive from the original and the visuals are more low-key which I think may have been done so you could simply sit back and experience what Elfman offers your ears. The film is touching, it’s sweet and magical. This is imaginative but now that they’ve opened it up, I’d like to see Disney attack the subject of what elephants are facing today with one of their Disney Nature films. The truth of it needs to be treated with utmost urgency. 

Official Website: https://movies.disney.com/dumbo-2019

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Disney’s Aladdin Trailer

A thrilling and vibrant live-action adaptation of Disney’s animated classic, “Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, “Aladdin” is written by John August and Ritchie based on Disney’s “Aladdin.” The film stars Will Smith as the Genie; Mena Massoud as Aladdin; Naomi Scott as Jasmine; Marwan Kenzari as Jafar; Navid Negahban as the Sultan; Nasim Pedrad as Dalia and Billy Magnussen as Prince Anders.

“Aladdin” is produced by Dan Lin, p.g.a., and Jonathan Eirich, p.g.a., with Kevin De La Noy and Marc Platt serving as executive producers. Eight-time Academy Award®-winning composer Alan Menken provides the score, which includes new recordings of the original songs written by Menken and Oscar®-winning lyricists Howard Ashman and Tim Rice and includes two new songs written by Menken and lyrics by Oscar and Tony Award®-winning songwriters Benj Pasek and Justin Paul.

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Live-Action “Dumbo” to Soar with Spirit Airlines! *Take a peek….

Celebrating the upcoming release of Disney’s live-action movie “Dumbo,” Spirit Airlines today unveiled its specially-themed Airbus A321 that features a larger-than-life image of the beloved Disney character Dumbo!
Spirit and Disney revealed the new plane with a short time-lapse video of the decal-wrapping process which took place at Spirit’s state-of-the-art Detroit maintenance hangar.

From Disney and visionary director Tim Burton, the all-new grand live-action adventure “Dumbo” expands on the beloved classic story where differences are celebrated, family is cherished and dreams take flight. Circus owner Max Medici (Danny DeVito) enlists former star Holt Farrier (Colin Farrell) and his children Milly (Nico Parker) and Joe (Finley Hobbins) to care for a newborn elephant whose oversized ears make him a laughingstock in an already struggling circus. But when they discover that Dumbo can fly, the circus makes an incredible comeback, attracting persuasive entrepreneur V.A. Vandevere (Michael Keaton), who recruits the peculiar pachyderm for his newest, larger-than-life entertainment venture, Dreamland. Dumbo soars to new heights alongside a charming and spectacular aerial artist, Colette Marchant (Eva Green), until Holt learns that beneath its shiny veneer, Dreamland is full of dark secrets.

 “Dumbo” flies into theaters on March 29, 2019.

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Directed by Tim Burton (“Alice in Wonderland,” “Charlie and the Chocolate Factory”) from a screenplay by Ehren Kruger (“Ophelia,” “Dream House”), and produced by Justin Springer (“TRON: Legacy”), Kruger, Katterli Frauenfelder (“Miss Peregrine’s Home for Peculiar Children,” “Big Eyes”) and Derek Frey (“Miss Peregrine’s Home for Peculiar Children,” “Frankenweenie”)
 

Storm Boy Trailer

A beautiful and contemporary retelling of Colin Thiele’s classic Australian tale. ‘Storm Boy’ has grown up to be Michael Kingley, a successful retired businessman and grandfather. When Kingley starts to see images from his past that he can’t explain, he is forced to remember his long-forgotten childhood, growing up on an isolated coastline with his father. He recounts to his granddaughter the story of how, as a boy, he rescued and raised an extraordinary orphaned pelican, Mr. Percival. Their remarkable adventures and very special bond has a profound effect on all their lives. Based on the beloved book, Storm Boy is a timeless story of an unusual and unconditional friendship.

DIRECTED BY: Shawn Seet

PRODUCED BY: Matthew Street & Michael Boughen

SCREENPLAY BY: Justin Monjo

CAST: Jai Courtney, Geoffrey Rush, Finn Little, Trevor Jamison, Morgana Davies, Erik Thompson

US DISTRIBUTOR: Good Deed Entertainment

RUN TIME: 98 minutes

RATING: PG

The Dove Take: Storm Boy is a deeply touching film about holistic stewardship that shows characters in an intimate light as they learn how to protect what they love.

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In Theaters April 5

http://www.fandango.com

The Kid Who Would Be King Trailer

On January 25th, the legend comes to life like never before. 

20th Century Fox has released the new trailer for THE KID WHO WOULD BE KING, which tells the story of Alex, who thinks he’s just another nobody until he stumbles upon the mythical Sword in the Stone, Excalibur.

He must unite his friends and enemies and, together with the legendary wizard Merlin, take on the wicked enchantress Morgana to become the great leader he never dreamed he could be. The film is written and directed by Joe Cornish and stars Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Angus Imrie, with Rebecca Ferguson and Patrick Stewart.

THE KID WHO WOULD BE KING Official Channels

OFFICIAL WEBSITE: www.TheKidWhoWouldBeKing.com 

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THE KID WHO WOULD BE KING opens in theaters everywhere on January 25, 2019!

Mary Poppins Returns Movie Review

‘Mary Poppins Returns’ is a marvelous, mystical, magical musical that revolves around the same siblings, Michael (Whishaw) and Jane Banks (Mortimer), from the story within the original Mary Poppins. There are three children in this rendition. The youngsters are, Anabel (Pixie Davies), John (Nathanael Saleh) and little Georgie (Joel Dawson). Their father is Michael who’s now widowed. Not long after we meet him, Michael, missing his wife Kate terribly, sings a song called ‘A Conversation.’ In the song he asks Kate where she is. It’s depressing but quite moving. The lyrics at the end of it are, ‘But still, one question fills my day dear. The answer I’ve most longed to know. Each moment since you went away, dear. My question, Kate, is… Where’d You go?’ Heavy lyrics for a ‘family movie.’ 

 This moment in the film is very different from the opening number that has Lin-Manuel Miranda’s, Jack the Lamplighter, singing and dancing while extinguishing the street lamps in, ‘(Underneath the) Lovely London Sky.’ You’ll be impressed with both numbers and already fully invested in this film. The score is gorgeous. The songs are passionate, and you’ll be ecstatic you made the choice to see this at the theatre rather than waiting. Trust me on that. And not only will you love it but it’s for everyone of all ages so bring the whole gang!

Something you’ll likely appreciate most is that some of the animation goes back to old-style Disney. It’s nostalgic, for certain, but its color is vibrant and brings about a feeling of happiness as you watch. It’ll also force smiles on every face in the audience. Color, cheer, happiness and smiles. Not a bad night out. This perfect recipe is a rare find in movies these days.

Set in Depression-era London, or the Great Slump of the 1930’s, Michael and the kids still live in the home that he and his activist sister, Jane, grew up in. Only now, he’s without his wife Kate who used to take care of the finances. Unfortunately, he’s having some money trouble of late, a lot of money trouble, and is about to lose their cherished home on Cherry Tree Lane. In fact, he has until midnight to pay a loan to the evil banker, William Weatherall Wilkins (Firth), that he took out against the house or they’re out in the streets. Seems there’s always an evil banker somewhere, doesn’t it? This one is particularly cruel and not so innocent. Think Potter from, ‘It’s a Wonderful Life.’

Enter the somewhat self-centered, Mary Poppins. Well, why not be at least moderately egotistical? After all, you can float down on an umbrella and change the lives of everyone you come into contact with. I think that deserves a little puffing of the chest. Yes. From up above, Mary Poppins, attached to the children’s kite, descends upon them once again. Jane and Michael admit to thinking she wasn’t ever real. Grown-ups, am I right? After an outstanding bathtub scene, a bowl is broken in the kids’ room. When this happens, the children are whisked away onto the bowl and begin to see fully what and who Mary Poppins is. There is a rather dark part here full of warnings and strong messages as they try to fix the bowl. The graphics during all of this is eye-popping, to say the least. They’re now in a fascinating world, being taught lesson after lesson. One of those lessons is to beware of what you only think you know… to never judge a book by its cover. This comes by way of the song ‘A Cover is Not the Book,’ which has some amusing lines. Here’s a peek. ‘A cover is not the book. So, open it up and take a look. ‘Cos under the covers one discovers. That the king may be a crook. Chapter titles are like signs and if you read between the lines. You’ll find your first impression was mistook. For a cover is nice but a cover is not the book!’ Each song of the soundtrack is easy to learn, and you’ll be singing along in the theatre before you know it!

I could go on forever, but I may as well just review by saying this… GO SEE THIS ASAP! The costumes, animation and the sets are unbelievable. Sensational! And certainly, you don’t want to miss seeing Dick Van Dyke singing and dancing again. Then there’s Julie Walters and Angela Lansbury in the cast. One of my favorite parts is Meryl Streep singing ‘Turning Turtle.’ It’s unbelievably good! This scene is delightful and quite peppy!

Look, whatever you do, don’t worry that you won’t like it. No one is going to forget Julie Andrews, and no one involved in making this film wants them to forget her or her performance. Most of all, Emily Blunt. This is simply her take on this beloved character. After you see her performance, I think you’ll agree she was the perfect choice to play the role. That said, her Mary Poppins is a bit stricter than the character was in the original. She doesn’t put up with any shenanigans. No ‘Spoonful of Sugar’ for the kiddies here which more resembles the P.L. Travers’ books.

This beautiful, glorious and extremely charming movie is entrancing, especially during certain musical numbers. I’ll leave you with this. I beg you to see ‘Mary Poppins Returns’ on the big screen. If you do, you’ll be fully aware that you’re watching another classic as it was meant to be seen. So, listen to Shari and go see it today. Then go see it again… and again… and again. The ‘Balloon Lady’ insists.

The Grinch (2018) Movie Review

The first question that may have entered your mind upon hearing there would be another Grinch movie was most likely, ‘Why?’  To that question Illumination and Universal Pictures, who are making this their eighth animated feature says, ‘Why not.’ Their skills are magical and that fact is palpable while watching this new, fresh take on the beloved Dr. Seuss’ classic. There have been others but if a new generation wants to give it a go, put their twist on things, they could hardly do better with this talented group. Academy Award® nominee, Benedict Cumberbatch, makes a great Grinch, coming off appropriately grumpy yet when needed, perfectly delivering and revealing his softer, broken heart inside. He may try to hide it but doesn’t do very well. 

‘The Grinch’ is the story of a cave-dwelling misanthrope who, after being denied Christmas as a child, aims to do the same to everyone in Whoville. He’s getting back at those who hurt him by taking it out on everyone else. He needs therapy.

So, he recruits his faithful dog, Max, to help. While on the hunt for reindeer to sell his charade, he finds one oddball, kind of kooky deer named Fred. With his trinkets and gadgets, sleigh and deer, he as Santa, can easily swoop in and swipe everyone’s presents, tree’s, lights and cookies. Note to parents: Fred brings several giggles from the youngest in the crowd as he’s warm and cuddly. I’m sure toys of this guy will be everywhere. They’ll most certainly be wanted.  

Flowing in and out of Pharrell Williams’ narration and the poetry of the original story plus adding the novelty managed in this rendition, this is a movie the kids can’t miss. We do meet new characters along the way but there’s always little, adorable, sweet Cindy-Lou Who to thwart the plans of this Grinch. What he doesn’t see coming is that she’s made plans of her own and that was to make sure she spoke to him. She has set a trap. She does catch him in the act and, trusting he’s the real deal, explains she wants only for her mother to be happy. Cindy-Lou is a genuine and giving soul who the Grinch couldn’t possibly see any fault with. This puts him in a bind. Maybe there’s good in this world after all? If so, can he go through with his assault on it?

If you liked the other movies, and the story as a whole, you’re going to like this, as well. Sure, it’s the same story but his coloring is bright and more agreeable, his shoes are as fuzzy as he is and it’s very relatable. They’ve added moments such as his ‘emotional eating’ and playing the song ‘All By Myself’ on the organ. There’s also a flashback where you see him as a child. Alone. No Christmas. If done well, there’s nothing wrong with taking an animated classic and improving or upgrading it. Having Illumination involved with this was a blessing. You’ll be entertained and so will the kids.

WEBSITE: http://www.grinchmovie.com/

FANTASTIC-BEASTS-THE-CRIMES-OF-GRINDELWALD

Fantastic Beasts: The Crimes of Grindelwald Advance Movie Screening

Movie Screening Summary

“Fantastic Beasts: The Crimes of Grindelwald” is the second of five all new adventures in J.K. Rowling’s Wizarding World™. At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

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Advance Movie Screening For Fantastic Beasts: The Crimes of Grindelwald

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Phoenix, Arizona

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Movie Screening Date:Wednesday, November 14th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

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Movie Screening Date: Wednesday, November 14th
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

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Movie Screening Date: Wednesday, November 14th
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

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Movie Screening Date: Wednesday, November 14th
Location: Regal Winrock
Movie Screening Time: 7:00pm
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To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

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What They Had Movie Review

“What They Had” is heart-tugging and lovely look at love. Or, perhaps, even more importantly – a study in commitment. When the older parents of two siblings have some health issues, do the kids have the right to tell the parents that they need to move into separate long-term care facilities? These parents are nothing if not committed to staying together, so it could be an uphill climb. The couple has been in this Chicago condo for ages, and they have no intention of leaving. Even if the wife is having memory problems, and she thinks she needs to trek in the middle of the night in a snowstorm, so she can get back to her ‘home’. Even if the husband is still having heart issues…

The couple in question is Burt (Robert Forster) and Ruth (Blythe Danner) who live the warm and cozy condo in a Chicago suburb. Burt has had a heart attack, or two, in the past couple of years. But he is feeling fine now. His wife of many years is Ruth, and she is starting to suffer from Alzheimer’s. One night, on Christmas Eve, Ruth puts on a light jacket and some slippers. Then she goes outside to walk from her house to her ‘home’ where she lived as a child. Burt gets very worried and calls his son Nicky (Michael Shannon). Ruth is located, and it brought to the hospital. Nicky calls his sister Bridget (Hilary Swank). Bridget and her daughter Emma (Taissa Farmiga) leave to go back to Chicago.

Nicky pleads with Bridget to convince their Dad to get into Ruth into a memory-care facility. It would be a safe place for her to be, and Burt can live at the assisted care place on the same campus. Burt will have none of that! He married Ruth to be there by her side, sickness and health, that type of thing – and he takes it all very seriously. He will not permit her to be anywhere but at their warm and cozy condo. She will remain right by his side, because – he made a commitment. So, there is an impasse. Nicky goes back his bar that he owns, and Bridget and Emma are not able to change Burt’s mind.

Besides, Bridget is having marital issues with her husband Eddie (Josh Lucas). She feels that she married him just to get her dad’s approval. Emma is in college, and she is not she wants to continue. But these problems will be minor if Ruth one day gets loose and gets lost somewhere in Chicago. That does appear to be a potential problem, as her Alzheimer’s continues to get worse. She can identify her kids correctly, be she calls Burt her ‘boyfriend’. Nicky thinks that the only way to get their Mom and Dad safe again is to get them out of that condo. Burt and Ruth are ready to get on with their lives. They do not want to be apart, but Burt thinks that maybe that will be a safer way to care for Ruth. But there are even more medical issues ahead, for both of them…

“What They Had” is a movie that can strike close to home, especially if you have any parents who are getting up in age. The medical conditions that can afflict older people can also affect their immediate family. This movie shows that is the case, and does it in a very straight-forward fashion. It does not sugar-coat it, and it does not take an easy way out. Of course none of this would matter without the right actors.

That is exactly what makes this movie so good. Robert Forster and Blythe Danner are paired up and they are amazing as the older couple. They fit the roles just perfectly. Hilary Swank is also very good. But Michael Shannon is superb in another emotionally heavy role – the type that seems to excel in being cast to play. The writing gives all of them a lot of very great conversations (as opposed to just plain dialog).

In Phoenix area, open exclusively at the Harkins Camelview in Scottsdale