A Quiet Place – Trailer

IF THEY CAN’T HEAR YOU, THEY CAN’T HUNT YOU…


“A QUIET PLACE”


STARRING

EMILY BLUNT

JOHN KRASINSKI

NOAH JUPE

MILLICENT SIMMONDS

A QUIET PLACE Official Channels

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#AQuietPlace

In Theaters April 6th 2018

http://www.fandango.com

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Three Billboards Outside of Ebbing, Missouri – Movie Review

Do not, under any circumstances, miss this movie.  It’s one of the most unique and highly entertaining films of the year.  Written and directed by the skilled and very distinguished Martin McDonagh (In Bruges, Seven Psychopaths), whose work never fails to impress, bewilder and engage you, likewise, Three Billboards will surprise you, shock you, delight you as well as alarm you.  I don’t know what I was expecting going in but what I got was purely visceral and elicited, more than once, a stirring of genuine discomfort for what Mildred (McDormand) was going through.

Important to pull you in, all characters in the film are rich in tone and have strong personalities.  From the target of the Billboards, chief of police Willoughby (Harrelson), to his hotheaded underling, Dixon (Rockwell), the players of the narrative are well developed and entrenched within a captivating and engrossing story about despair and hopelessness.  The film is beautifully shot with fitting music to accompany the actors who are expertly cast for each role.  All things considered, this is easily one of the best films of the year.

A tragedy happened in Ebbing, almost an entire year previous, that changed Mildred’s, an independent and strong divorced mother of two, life forever; her teenage daughter, Angela (Kathryn Newton), was raped and murdered.  In a flashback scene, we learn that Mildred has every reason to feel a little guilty for it happening.  Though Mildred has a son to live for, she has been devastated by her loss and refuses to let the police sit and allow her daughter’s death to go unsolved any longer.  Fearing they’re not doing as much as they should and that Angela’s death is turning into a cold case, she rents Three Billboards and posts messages to Chief Willoughby, reminding him that he has an unsolved murder on his hands, lest he had forgotten.  In a deep red with black lettering the signs read, ‘Raped While Dying,’ ‘And Still No Arrests?’ and ‘How Come, Chief Willoughby?’

After the billboards, with their very potent and direct messages of what happened to her daughter and who it is not doing anything about her murder, go up, Mildred draws unwanted attention from everyone in town.  She finds that Willoughby has many admirers and that the citizens of Ebbing don’t appreciate her attacking and questioning him the way that she has.  It’s at this point we learn more about his current situation and suddenly a suspect list begins to emerge; so do outstanding performances.

Every word McDormand’s Mildred utters is done so with such diligence and precision that the anguish Mildred is suffering through practically assaults you as the characters in the film assault one another.  You’ll agree that McDormand will be a strong contender for an Academy Award this year but so might Sam Rockwell be with his turn here as the slightly deranged mama’s boy of a police officer who’ll stop at nothing to support his boss.  With these two actors at the helm, and an almost muted offering by Harrelson who is carrying the weight of the world on his shoulders, you’ll not only be happy you saw this movie this weekend but you’ll get back in line to watch it again.  The end leaves the audience to guess what ultimately happens so what better way to solve a mystery than to watch more closely and research everything once again for anything you may have missed.

 

*Exclusively at Harkins Camelview at Fashion Square

Wonder Movie Review

“Wonder” is based on a popular book by the same name that deals with a young boy with a severely deformed face. Due to some genetic trait, the youngster was born with many medial issues and has undergone 27 surgeries to make him inch toward being normal. He has a close-knit family, with a loving mother and father a slightly older sister. His world is about to radically change, because mom will no longer home-school the boy and he will attend fifth grade with all other kids his age. It will be a world of ‘Wonder’.

Auggie Pullman (Jacob Tremblay) is the boy with a medically-corrected face and a huge heart. Isabel (Julia Roberts) is his mom and will no longer put her life on hold to home-school Auggie. She was close to getting a Master’s degree and wants to pursue that once more. His dad, Nate (Owen Wilson) is always very supportive, but he knows to let mom have her way. His sister Olivia (Izabela Vidovic) – called Via – is about to start high school. So, there are many changes in the Pullman household.

Auggie is very shy and awkward with people that he meets. They usually stare at him because of his face, and knows it make them uncomfortable. He tries to downplay that it makes him feel a little weird about himself, because he wants to expand his world. He normally loves to run around with a space helmet and pretend he is an astronaut, because that makes him feel better. But when he goes to school, he will need to fend for himself. He meets the principal named Mr. Tushman (Mandy Patinkin). There is also a kid in his class that seems to like him named Jack Will (Noah Jupe). But there will also be some people there who will snub Auggie and some who will bully him.

 

The movie follows the school year for Auggie and for Via. They both have some challenges, but then they both meet some new good friends. For Auggie, there is the new routine of a middle-school, and for Via it is learning to branch out into theater and a new romance. Their time in school has its ups and downs, but with help from mom and dad, they seem to work out the issues. There is a school play, a science fair, an overnight field trip – all the usual things to school-age kids. The most troubling event that happens is when the family dog gets ill.

 

Each of the main characters gets a little mini-chapter in the movie, where they get to tell more of what they think of the whole thing. It works out ok for most of the characters, even when it retreads a couple of scenes over and over (from a different perspective). There is no great revelation, other than to choose to ‘be kind’.  There are some valiant attempts to give this movie more meaning than just a different type of kid that goes to a new school.

But this resembles the 1985 movie “Mask” which was a true story of a young boy with a similar problem. That movie did a good job to make an awkward kid feel ok about a facial deformity. It turned out to be very popular and won quite a few awards. So perhaps “Wonder” is destined to join in that exclusive club. But it will all depend on the acting and the story. In this case, the acting is superb, but the story is very ho-hum.

Jacob Tremblay and Noah Jupe (in a smaller role) are both incredibly good in their roles. Tremblay has the added weight of facial prosthetics to give him the look of Auggie. But they are terrific in this movie and make a very good impression. Izabela Vidovic as Via also does a great job to play the sister that tends to be ignored by mom and dad always giving time to the younger, sicker brother. Julia Roberts and Owen Wilson do a fine job as the mom and dad, but their story is not one that is front and center. Mandy Patinkin plays his role like a favorite uncle at a family reunion.

The biggest issue is that there is not all that much going on. The movie stretches over a year period, but the characters do not seem to grow at all. There is no big hurdle to get over, nor any major issue to tackle. It is all just there, going on from one day to the next. The level of bullying is not all that major, and the difficulties adjusting to the new school come and go quickly. So there is not any tension built up or any big outcome that you look forward to…

Last Flag Flying Movie Review

The movie “Last Flag Flying” is a somber reflection of the human costs of war, and it just happens to have a wild and raucous fun side. It deals with the start of the Iraq war, when a man loses a son in combat, but then calls on old Viet Nam war buddies to help him out. The result is a quiet declaration that war is never good, but that the military way of life is required (and preferred) in a dangerous world. And that patriotism is more than flying flags, it is being ready to defend your way of live and your beliefs.

 

Larry “Doc” Shepherd (Steve Carell) seeks out an old friend in Portsmouth named Sal Nealon (Bryan Cranston). Sal runs a run-down bar and grill (with no grill). They both served in Viet Nam many years ago. There is some unspoken reason that Doc spent a couple of years in the brig. But they brush that off and go to find one other pal from that old war. Richard Mueller (Laurence Fishburne) is now a Baptist pastor and is happily married. When they were back in the war zone, the former Marines were not holy, but a Holy Terror.

 

Doc reveals that his reason to seek out his buddies is that could help him bury his son. Larry Jr. was also a new Marine who went over to Iraq in 2003, but he returned in a military casket. Doc needs the help of Sal and Mueller so that he can cope with the loss of his only son. Also, on top of that is the death of his wife earlier that year. So, the aging crew gets on the road to travel first to Arlington, then to Dover – to where his son is delivered from overseas.

They meet a young Marine named Washington (J. Quinton Johnson) who was a close friend of Larry Jr. and he tells them how he was killed. Doc refuses to have his son buried in Arlington, instead he wants to transport his body to his home in New Hampshire. The initial thought is to rent a U-Haul truck, and that has limited success. The Marine corporal in charge will help in getting the body and casket to Doc’s hometown. But he ordered Washington to take the train and stay with the old fogeys and with the casket as a moving Honor Guard.

 

There is not a huge action-packed sequence that happens, and most activity happens in cars, trucks and trains. But the amazing thing to watch is not the events or action, but the perfectly cast actors in each role. They each have a very distinct character and they interact with a wit and sparkle that brings each to life. The old war dogs have a deep secret that they eventually talk about, and they do everything that they can to right an old wrong.

 

All the acting of Steve Carell, Bryan Cranston and Laurence Fishburne is excellent. Cranston has the most frantic and watchable role. But Carell does an incredible job with the role as a broken man. Fishburne is a middle-ground of dignity and reason between the other actors. They have a very observable way of making the old friends who have not met in over twenty years look believable and natural. Also, Richard Linklater style of direction fits the story well, as it flows and meanders to the conclusion.

 

This movie will not ask you to stand up and cheer for foreign wars, whether they be in the South Asian Pacific or in the Middle East. It will ask you to silently bow your head to honor those whom have made great sacrifices to ensure America’s freedom. Hoorah…

 

Three Billboards Outside Ebbing, Missouri Advance Movie Screening

Movie Screening Summary: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

http://www.foxsearchlight.com/threebillboardsoutsideebbingmissouri/

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Advance Movie Screening ForTHREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: Harkins Shea
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 15
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

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LAST FLAG FLYING Screening in Phoenix Tomorrow!

In 2003, 30 years after they served together in the Vietnam War, former Navy Corps medic Larry “Doc” Shepherd (Steve Carell) re-unites with ex-Marine Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne) on a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his home in suburban New Hampshire. Along the way, Doc, Sal and Mueller reminisce and come to terms with shared memories of the war that continues to shape their lives.

Find your chance to receive special advance movie screening passes below. 

LAST FLAG FLYING 

Location:

11/9/17
7 PM
Harkins Camelview at Fashion Square
7014 E Camelback Road ANC-03A
Scottsdale, AZ 85251

JON FAVREAU’S ALL-NEW BIG-SCREEN ADVENTURE “THE LION KING” ROARS TO LIFE WITH ALL-STAR CAST

The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film “The Lion King” includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way. From Disney Live Action, “The Lion King” is slated for U.S. theaters on July 19, 2019.

“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.

Lions rule the African savanna in “The Lion King,” which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king Simba, Beyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his iconic performance from Disney’s 1994 animated classic. Chiwetel Ejiofor (“Twelve Years a Slave,” Marvel Studios’ “Doctor Strange”) was called on to portray Simba’s villainous uncle Scar, and Alfre Woodard (“Juanita,” Marvel’s “Luke Cage”) portrays Simba’s no-nonsense mother, Sarabi. JD McCrary (OWN’s “Tyler Perry’s The Paynes,” Apple’s “Vital Signs”) fills the shoes of Young Simba, a confident cub who can’t wait to be king, and Shahadi Wright Joseph (NBC’s “Hairspray Live,” Broadway’s “The Lion King”) brings tough cub Young Nala to life.

Every kingdom comes with a trustworthy advisor or two. John Kani (“Coriolanus,” Marvel Studios’ “Captain America: Civil War”) was cast as the wise baboon Rafiki, and John Oliver (HBO’s “Last Week Tonight with John Oliver,” Comedy Central’s “The Daily Show with Jon Stewart”) was tapped as hornbill Zazu, Mufasa’s loyal confidant. When Simba goes into exile, he relies on two newfound friends—Seth Rogen (“Sausage Party,” “Neighbors”) lends his comedic chops to naïve warthog Pumbaa, and Billy Eichner (“Billy on the Street,” FX’s “American Horror Story”) joins the cast as know-it-all meerkat Timon.

While most of the animals in the kingdom respect the king, the hyenas have other plans. Florence Kasumba (NBC’s “Emerald City,” Marvel Studios’ “Black Panther”) portrays Shenzi, Eric André (Adult Swim’s “The Eric André Show,” FXX’s “Man Seeking Woman”) is Azizi, and Keegan-Michael Key (“Predator,” Netflix’s “Friends from College”) plays Kamari.

“The Lion King” is directed by Favreau (“The Jungle Book,” Marvel Studios’ “Iron Man”) and produced by Favreau, Jeffrey Silver (“Beauty and the Beast,” “Edge of Tomorrow”) and Karen Gilchrist (“The Jungle Book,” “Chef”). Jeff Nathanson (“Catch Me If You Can,” “Pirates of the Caribbean: Dead Men Tell No Tales”) penned the screenplay based on the 1994 screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton. Tom Peitzman (co-producer “Kong: Skull Island,” “Alice in Wonderland”) and Thomas Schumacher (“The Lion King,” “Beauty and the Beast”) are executive producers, and John Bartnicki (“The Jungle Book,” “Chef”) is co-producer. The award-winning team of artists tapped to bring the African savanna and its animal inhabitants to life include visual effects supervisor Rob Legato, who conceived the virtual production on “Avatar,” won Academy Awards® for his work on “The Jungle Book,” “Hugo” and “Titanic,” and was nominated for an Oscar® for his work on “Apollo 13.”

The film’s animation supervisor is OscarÂŽ-winner Andrew R. Jones (“The Jungle Book,” “Avatar,” “World War Z”). VFX supervisor is Adam Valdez (“The Lord of the Rings: The Fellowship of the Ring,” “The Lord of the Rings: The Two Towers”), who won an Oscar for his work on “The Jungle Book.” Five-time Oscar nominee Caleb Deschanel, ASC, (“Jack Reacher,” “The Patriot”), is director of photography, and James Chinlund (“War for the Planet of the Apes,” “Marvel’s The Avengers”) serves as the production designer. Oscar winner Ben Grossman (“Alice in Wonderland,” “Hugo,” “Star Trek into Darkness”) is virtual production supervisor, and Mark Livolsi, ACE, (“The Jungle Book,” “Saving Mr. Banks,” “The Blind Side”) and Adam Gerstel (“Transformers: The Last Knight,” “The Jungle Book”) are editors. Hans Zimmer (“Dunkirk,” “Hidden Figures”), who won an Oscar for his score for the animated classic, will score the adventure.

ABOUT THE MOVIE:

From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The all-star cast includes Donald Glover as Simba, Beyoncé Knowles-Carter as Nala, Chiwetel Ejiofor as Scar, James Earl Jones as Mufasa, Billy Eichner as Timon and Seth Rogen as Pumbaa. Utilizing pioneering filmmaking techniques to bring treasured characters to life in a whole new way, “The Lion King” roars into theaters on July 19, 2019.

Maybe we should all consider… “DOWNSIZING” – Trailer

DOWNSIZING 

Directed by: Alexander Payne 

Starring: Matt Damon, Christoph Waltz, Hong Chau and Kristen Wiig 

Written by: Alexander Payne & Jim Taylor

Produced by: Mark Johnson, Alexander Payne, Jim Taylor 

Downsizing imagines what might happen if, as a solution to over-population, Norwegian scientists discover how to shrink humans to five inches tall and propose a 200-year global transition from big to small. People soon realize how much further money goes in a miniaturized world, and with the promise of a better life, everyman Paul Safranek (Matt Damon) and wife Audrey (Kristen Wiig) decide to abandon their stressed lives in Omaha in order to get small and move to a new downsized community — a choice that triggers life-changing adventures. 

DOWNSIZING Official Channels

Hashtag: #Downsizing

Facebook: /DownsizingFilm 

Twitter: @DownsizingFilm

Instagram: @DownsizingFilm 

Website: DownsizingMovie.com 

In Theaters December 22nd

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Acts of Vengeance – Movie Review

If you don’t mind a little Philosophy with your action movies ‘Acts of Vengeance’ is for you!  The movie is told in parts, each start with quotes such as, ‘Action is the only truth.’ from the Roman Emperor Marcus Aurelius’ writings from the book, Meditations.  Antonio Banderas plays a lawyer named Frank Valera who loves his wife and daughter very much.  He’s at work but on a phone call to his child, he makes a promise to her that he will make it to her performance in a talent show later in that night.  You know what’s going to happen next and so does he.  He is held up at work and knowing his wife and daughter are probably angry, he excuses the fact that they don’t come home right away but as the evening hours tick by, he becomes more concerned.  Around midnight, the police come to his door; his wife and daughter have been found murdered.  Banderas does an adequate job of not holding back the pain that a revelation of this magnitude would bring him.

Frank’s mood darkens and he runs from life.  He eventually decides that defending suspected criminals is not something he is interested in continuing to do so he leaves the law firm.  He stumbles on an MMA ring which gives him the outlet that he needs to work out his frustrations and the loneliness that pursues him on a daily basis.  As time passes, a police officer friend of his, Strode (Urban), informs him that the investigation into their deaths has gone cold.  In an unnecessary voice-over, done in typical Banderas fashion (deeply and quietly), Frank tells us that he realizes he has been punishing himself but now it’s time to find the guilty party… if he has to himself. 

Playing detective, he gets himself injured but happens upon a book that gives him some much-needed introspection and he starts to train harder and sharpen his mind to prepare for battle.  He even stops talking so he can better listen to what’s important.  During another confrontation, he’s shot and is helped by an ER nurse named Shelia.  Predictably he leaves her immediately but the men he fought had a German Shepard who has grown attached to Frank and isn’t quite so easy to leave behind.  As it turns out, the pooch ends up being more of an asset than a pest.  Part 3 of the 5-part narrative starts by telling us that ‘There is nothing that hinders you from doing what must be done.’  A relationship develops between him and, oh did I tell you Shelia makes a return?  Yes, Shelia is back, and they begin to bond.  This confuses him because his life is changing for the better but he’s ill-prepared, still wanting only for the past to return. 

Upon further investigation, he thinks he knows who the guilty party is.  Not surprisingly, it’s friend Strode.  He follows him and after breaking into his home, he finds the reason Strode would end the life of his innocent wife and child.  They meet and during a melodramatic confession, Strode happily shouts out the reason… possibly in case you didn’t already figure it out yourself or read it in an earlier clip.  In a life and death fight with Strode, Frank’s inner monologue echoes the words of whom he considers the greatest stoic of all which are, ‘The best revenge is to be unlike your enemy.’  Does he learn from the passages he has been reading all this time or does he break with Marcus Aurelius and kill Strode?  You’ll have to find out yourself when you see Acts of Vengeance, out today at AMC Arizona Center and On Demand!

Wonderstruck – Movie Review

Wonderstruck is a great title, would probably be a remarkable book to read but it’s not so much a wonderful feature film to sit through unless prepared.  Watching it feels as if you’re reading it.  Everything takes too long to happen.  Not surprisingly, it is based on a critically acclaimed novel; one written by Brian Selznick.  Don’t get me wrong.  I’m not saying this isn’t worth a watch because it is in that it’s beautifully orchestrated, well-crafted and is quite inspiring to watch but it could be a dash too slow for some.

It starts introducing us to the main character, Ben (Fegley).  In 1977, he lives through the death of his mother, Elaine (Williams), whom he admired so much.  Being very independent and capable, she has told Ben very little about his father except for his name.  She was the type of woman who knew enough to develop Ben’s curiosity but sees no reason to fill his head with the knowledge he doesn’t truly need.  Instead, she teaches him what matters to her most such as a favorite quote by Oscar Wilde that also becomes Ben’s favorite, ‘We are all in the gutter but some of us are looking at the stars.’  She encourages his astute, youthful and insightful imagination when he asks about its meaning and instead of answering the questions she makes him tell her what it means.  When she dies a short time later, he holds on dearly to all she gave and taught him.

Living with his aunt now, his interest in his father, who’s from New York, grows.  To find out what we’re in for at this point, we can break the title of the film down.  Wonder can mean to marvel and speculate about the origin of something like the solar system, which Ben does often.  Struck is to encounter something suddenly or unexpectedly.  Not only is Ben an admirer of the skies, wondering if his father was, too, but lightning strikes him when he’s on the phone and poor Ben loses his hearing.  It’s here we cut to 1927 where a young deaf girl, Rose (Simmonds) fantasizes about a life beyond hers.  She admires an actress named Lillian Mayhew (Moore) and decides to go to New York to find her.

Now the very accomplished director Todd Haynes (Carol) takes the material he has been given of these two youngsters and cleverly marries them by building a cohesive plotline.  He manages to structure the suspense to keep you guessing as to what Ben and Rose are headed toward and why.  Choosing music by the incredibly brilliant composer Carter Burwell, who has scored or composed over 100 films, (Three films this year; Goodbye Christopher Robin and Three Billboards Outside Ebbing Missouri, as well as this one) was genius on Haynes’ part.  Flipping back and forth between the 1920’s and the 1970’s made the music incredibly important to remove you from one time period and plop you, emotionally and all, into the other on a continual basis.  In fact, you feel as if you’re in two movies, but the music never loosens its grip on you and you’re firmly planted in the story.

On his quest, Ben meets Jamie (Michael), a child as alone as Ben who is looking for a friend.  The pair goes to the Museum of Natural History and Ben is taken with what he has been missing from this world.  They run all over the building, passing this display and that display while Rose, fifty years earlier is doing the exact same thing in the exact same building walking passed the very same pieces and display cases.  As this happens and as the boys investigate an unbelievable coincidence, you’ll feel the interest in you intensify because this must be leading to a beautiful… something.  But honestly, this is where the film lets you down.  An incident here, an act of fate or chance there leads not to wonder or spectacle but to regularity and commonality that one was hoping in this world they’d be escaping.  The film is beautifully done with gorgeous music and superb acting by all but the souvenir at the end of this trip was that there really wasn’t anything worth taking.