mother! Movie Review

Darren Aronofsky has a track record for being the Pied Piper of the Perverse. See any of his prior movies and you see disturbed characters acting in increasingly bizarre manners. Take the movie “Pi”, or “Requiem for a Dream”, or “The Fountain” or “Black Swan” or “Noah”. Each has a main character who tilts a little towards crazy, and everyone else in there does not fare much better. And that brings us to “mother!”…

Since none of the characters are named, there is a young Woman (Jennifer Lawrence) who is married to a much older Man (Javier Bardem). He is a famous poet of some repute, but he is having terrible writer’s block. She is a devoted wife who is very busy fixing and redecorating his old house. This house had burned down years before. Now they live in the very isolated house while she works building it up. It is so far from everybody that he hopes to get his poetry back on track.

The Man and the Woman do not have any children, yet that does not seem to be an important aspect. But one day a older Sick Man (Ed Harris) comes to the house. He says he is a big fan of the Man’s poetry. He is ill and he needs place to rest, so the Man says it is okay. But soon the Sick Man is joined by his Wife (Michelle Pfeiffer). Soon the two of them are flattering their way into the Man’s life, but leaving the young Woman out of all the fun.

 

The Sick Man and his Wife have two grown boys, and somehow they find their way to the house. They all argue and fight over a will and during a major conflict one of the brothers is killed. The Man is deeply moved and again opens his home to the various friends of the Sick Man and his Wife. They mourn the death of the son, and soon there is a party atmosphere. The young Woman is getting more and more upset at all of these people taking advantage of the Man’s generosity. Once they leave, the two make love and the young Woman will become a mother!

The Man loses his writer’s block and becomes great and famous once again. The very pregnant young Woman is about to serve a very special and very private meal with just her and the Man. But then she hears all the voices outside the door. Press people and publicists have come to interview and fawn over the wonderful poetry from the Man. The young soon-to-be-mother! is disturbed and shocked that people have come her secluded place. But it goes past disturbing to insanity when more and more people keep coming.

During that single night, dozens turn into hundreds and even more are on they way. The Man is looked up to and becomes adored. His word cause people to worship him and a religious cult is created. But there are also people out to loot and pillage and steal items from the home as souvenirs. The riot police come and huge fights break out just as the young Woman is about to give birth. But there is swirling chaos and unending waves and violence erupting in the house. Perhaps the better thing is to leave. but the Man will not have any of that. This is his house and this is where he and the mother! will stay. Perhaps…

 

To say this movie breaks down normal movie conventions is saying the least. This takes a typical domestic relationship and turns it into the Seven Levels of Hell. The story is no longer about two people in a struggling marriage, but it becomes microcosm of the world at large: fans who become fanatics and loose all control,  people who force all of life into the narrow scope of their own fears, police who use brutality to handle all situations, protestors who feel the need to destroy just to get their point across.

Jennifer Lawrence does a noble job playing a concept more than a character. Javier Bardem is also more a collection of traits than an actual character. Ed Harris and Michelle Pfeiffer both do a fine job, but there is more going on between them than there is between the Man and the young Woman. Everyone else pretty much comes into the house in waves, but few people stand out. Of course, this whole production is based on the twisted mind of Darren Aronofsky.

Aronofsky seems bound and determined to, how shall we say… fornicate up your mind. This movie is a testament to the lengths he will go to make you feel uncomfortable…

 

Battle-Of-The-Sexes-movie-poster

Battle Of The Sexes Advance Movie Screening

Movie Screening Summary:

In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world.  As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles.  The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed.  And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue).  Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.  

http://www.foxsearchlight.com/battleofthesexes/ 

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Advance Movie Screening For BATTLE OF THE SEXES

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, September 19
Location: Harkins Shea
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

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Movie Screening Date: Monday, September 25
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Extended look at Darren Aronofsky’s “mother!”

See what this mysterious film has to offer at youllneveranswerthedooragain.com 

Written and Directed by: Darren Aronofsky

Starring: Jennifer Lawrence and Javier Bardem

A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

This is a riveting psychological thriller about love, devotion and sacrifice.

mother! official channels

hashtag: #mothermovie 

facebook: /officialmothermovie

twitter: @mothermovie

instagram: @mothermovie 

website: mothermovie.com  

for ticketshttp://tickets.mothermovie.com  

In Theaters September 15th

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The Trip to Spain Movie Review

Two good friends, Steve Coogan and Rob Brydon, have taken journey’s together eating wonderful food while Coogan writes about their experiences at the restaurants and the food they enjoyed.  The Trip to Spain is the third adventure they’ve had so far.  The first go-round was to review the best restaurants that the UK had to offer.  He was thrilled with the opportunity but when his girlfriend couldn’t join him, it was Rob who took her place.  Rob and Steve are very similar and constantly nag one another but they got through the trip without killing one another and the writing was successful.  Their second trip was to travel around Italy.  They went to Rome and Tuscany and though it has the same spirit, their travels and the film itself wasn’t quite as entertaining. 

Well, the boys have decided to do it once again and I’m very pleased they did.  Here, Brydon will work on a series of restaurant reviews while Coogan fits in time to put pen to paper on that new novel.  They take a week to wine and dine their way through beautiful Spain, enjoying one another’s repartee while basking in the magnificence of the scenery around them.  I’m not sure they take enough time to truly appreciate where they are for they are probably cracking wise too often to take it all in but director Winterbottom makes sure that we absorb the beauty of the land.  Once again, we go through every breathtaking moment of the trip simply in awe of where they are and what they get to do for a living and he makes the film better by accompanying the backdrop of Spain with the most marvelous music.  He takes us through the winding roads, the tiny villages and into the kitchens of the restaurants as the food is being prepared.  Most of the dishes will have you wanting to jump through the screen to join them. 

And then we have Steve Coogan and Rob Brydon.  It seems Coogan is having a rough time of things.  When the trip started, everything was fantastic but as we move further and further into the week, more and more of his life seems to get complicated and plans begin to fall apart.  On the contrary, Rob’s life couldn’t be better, especially since he can get away from his crying baby for a week without question. 

But evading everything when he can and concentrating only on the trip, Coogan battles Brydon as he did before in impersonating stars they romanticize and respect such as Robert De Niro, Sean Connery, Mick Jagger and John Hurt.  One of the best moments is when they, like a couple of gossips, discuss men having children too late in life.  They take it deep with how old Jagger was when he had his last child.  Never being able to avoid doing it, they both give their best Jagger impression and then get into specifics of why theirs was better than the others.  It’s a classic moment because they then start feeling their age but bury it quickly by adding they feel they are in the ‘sweet spot of life.’  I don’t think either of them convinced the other of that either.

This banter continues throughout and rarely gets old.  Speaking of never getting old, Brydon takes out his ‘small man trapped in a box,’ at one point and when the topic of the death of so many celebrities enters the conversation, they examine another favorite; David Bowie.  Coogan defines Bowie’s death as almost an ‘artistic act’ and starts to sing some notes.  Rob topped Coogan with explaining how he found out that before his death, Bowie followed him on Twitter.  This, of course, could never beat Coogan’s relationship with Dame Judi Dench or his Oscar nomination for Philomena so, of course, there’s plenty of time to mention this in case Brydon has had a chance to forget.  There are several musings which are hashed out in the previous films brought up again in this one but this adds to the charm of this The Trip to Spain.  It proves these characters know one another very well.  You buy into the characters more and by doing this, it makes you feel like you’re a part of this friendship, as well.

As if it would be hard to tell they were fans, they give a nod to Monty Python’s brilliant work and award a fair amount of time to the Spanish Inquisition.  Being a big Monty Python fan, I applaud them for this decision.  Python has touched us all at some point so it was special to see them included here in this very witty film.  They also talked about Terry Gilliam’s work.  The dialogue surrounding this accomplished writer/director’s is another highlight as they get into how much they value him. 

The film isn’t perfect because I must point out that on occasion, Braydon did get irritating.  The most bothersome is when Coogan explains the history of the Moors, and is even getting a little political, Brydon constantly interrupts with his Roger Moore impression.  I was enjoying what Coogan was saying and the interruption by Brydon was a bit much but, again, it makes the film authentic and maybe this was the intention. 

At the end, with Coogan blissfully upset that he is being dropped by his agent, replaced as the writer of an upcoming film, his son (who he was looking forward to seeing) can’t fly in now… he’s feeling lost.  That said, the ending couldn’t have been better.  The trip wraps up with the line, ‘It’s always good to say goodbye in the mist.’ Steve is left alone and when you think things may turn around for him… they don’t.  We are perfectly set up for The Trip to…???    

Patti Cake$ Movie Review

Patti Cake$ is a rather unusual coming of age story. It wasn’t something I expected to take very seriously. I thought it would be interesting, based on what I knew of it, but hadn’t expected the life lesson that’s woven into the plot. As the movie played on, the more I realized how uncommon it was. It’s nice to run across a diamond in the rough. This very much is one.
The very authentic approach it took in telling Patricia Dombrowski, a.k.a. Patti Cake$, a.k.a. Killa P’s (Macdonald) tale was sometimes almost painful to watch. What could be lost through your being repulsed or shocked at times, is more than made up for in its charm and ability to win you over as you start to feel for this young woman who seems to have everything against her.
Patti is a dreamer. She’s the overweight, overwhelmed, overworked, underappreciated and underpaid daughter of Barb (Everett), granddaughter of Nana (Moriarty) and best friend to Hareesh (Dhananjay). She takes everything expected of her seriously and gives all tasks her full attention but she isn’t necessarily happy about anything she does because what she wants to do seems, thus far, so out of reach. But she’ll never give up. Caught between negativity that surrounds her and the posters in her room of the Rapper, O-Z (Sahr Ngaujah) she idolizes and dreams of working with someday, she feels stuck. She wants to make it on her own but is starting to realize she can’t do it on her own. This is very frustrating for her.

Her diet alone could kill her but she eats what she can afford to and that isn’t exactly gourmet dining. It speaks of what many face daily as America becomes more divided into only the rich and the poor with no middle ground to be found. This is a very strong message in this film. Patti and her family are the very descriptions of what has happened to this country. But going back to food and to dining, Patti enjoys going out to eat with her friend. It’s a way for her to get out of the house and away from her routine and having to take care of Nana all the time. She and Hareesh like to hash out their plans to conquer the world while they eat as the restaurant is their sanctuary where bullies and tormentors out to kill their dreams don’t reside.

But no wonder Patti doesn’t want to go home. It’s bad enough that thugs around town tease her every waking moment but her mother doesn’t treat her much better. Barb is jealous of her daughter’s youth and often finds ways of making Patti regret having been born. Barb was on the brink of making it as a singer in the music business when she got pregnant and has never let Patti forget that it was because of the pregnancy that her life virtually came to an end. She’s been in a bottle ever since and Patti has been a useful tool to abuse. Now old enough, she’s good for one thing and that’s to help pay the bills.

Patti is getting worn down by not being taken seriously but one night out with Hareesh, Patti is impressed by the performance and attitude of a very angry punk rock musician, (and Marilyn Manson/Snoop Dogg mix), who refers to himself as the Antichrist (Athie). She eventually burrows her way into his life and she, Hareesh and Bob, as his name turns out to be, end up making a rather fun Rap song together. With Bob’s equipment, Hareesh’s vocals and Patti’s producing/Rapping skills, they make a demo and start passing it around. By the way, ‘PBNJ’ is still stuck in my head and Nana’s part of the process cracked me up way beyond anything I ever expected! You just have to see this to see what I mean.

So, watching this all happen, her dreams slowly become reality and seeing exactly how hard it is to do so much when the odds are not in your favor from day one, is awe inspiring. She proves you can battle with the best and come out okay. The big takeaways are don’t give anyone your dreams and don’t ever give up. No. This isn’t the typical Hollywood ending so don’t think that you don’t have anything new to look forward to. This is a very innovative film.
Macdonald, who is from Australia and had never rapped before, is absolutely fantastic and will win you over instantly, and this is Geremy Jasper’s feature film directorial debut so there is a lot of unfamiliar territory covered here. I recommend you see the pay off from Jasper’s years of being a music video director. You’ll be quite surprised at just how thought provoking and innovative Patti Cake$ turns out to be.

The Killing of a Sacred Deer Trailer

FIRST TRAILER FOR THE KILLING OF A SACRED DEER BRIMS WITH SUSPENSE STEEPED IN SUBURBAN GREEK TRAGEDY. 

From Academy Award-nominated filmmaker Yorgos Lanthimos (THE LOBSTER, DOGTOOTH), starring Colin Farrell and Nicole Kidman

Visit The Killing of a Sacred Deer WEBSITE: http://bit.ly/TheKillingOfASacredDeer…
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In Theaters October 2th

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“Detroit” Extended clip released!

With their dreams on the line, local singing sensation The Dramatics gear up for their debut at the Fox Theatre.  Then everything changes.  See what happens in the new extended clip from DETROIT.  This is an outstanding and chilling film.  Director Kathryn Bigelow, Academy Award winning director of THE HURT LOCKER and ZERO DARK THIRTY, brings us the gripping story of one of the most terrifying moments during the civil unrest that rocked Detroit in the summer of ’67.  From start to finish you’ll be on the edge of your seat and by the time you leave, you’re not sure you can ever trust anyone again.  Watch this scene that focuses on the moment right before the riot reaches the theatre and showcases the talent of actor Algee Smith who plays Larry, the lead singer of The Dramatics.  See it today at a theatre near you to find out what happens next!

From start to finish you’ll be on the edge of your seat and by the time you leave, you’re not sure you can ever trust anyone again.  Watch this scene that focuses on the moment right before the riot reaches the theatre and showcases the talent of actor Algee Smith who plays Larry, the lead singer of The Dramatics.  See it today at a theatre near you to find out what happens next!   

Director: Kathryn Bigelow

Writer: Mark Boal

Cast: John Boyega, Will Poulter, Algee Smith, Jacob Latimore, Jason Mitchell, Hannah Murray, Kaitlyn Dever, Jack Reynor, Ben O’Toole, Joseph  David Jones, Ephraim Sykes, Leon Thomas III, Nathan Davis Jr., Peyton Alex Smith, Malcolm David Kelley, Gbenga Akinnabve, Chris Chalk, Jeremy Strong, Laz Alonzo, Austin Hebert, Miguel Pimentel, Kris Davis, with John Krasinski and Anthony Mackie

DETROIT is now playing in theaters nationwide. 

Get tickets here: http://annapur.na/DETROITtix  

DETROIT Official Channels

WEBSITE: Detroit.Movie

FACEBOOK: facebook.com/DetroitMovie

TWITTER: twitter.com/detroitmovie

INSTAGRAM: instagram.com/detroitmovie

#DetroitMovie

The Glass Castle Movie Review

The story The Glass Castle is from a memoir written by 80’s gossip columnist, Jeanette Wells.  It’s about her very unconventional upbringing that gave us a fabulous subject to read about and now makes a fascinating film to watch.  Incredibly unorthodox or even oddball parents of four young children, Rex (Harrelson) and Rose Mary (Watts), decide to go off the grid with the kids.  Sick of people, especially government, telling them what to do and how to do it, they now decide what’s best.  They don’t want their brood of three girls and one boy taught in public schools because schools can’t teach them what having real life experiences can, nor can it pass on what they, Rex and Rose Mary, can themselves.  Wandering around mostly homeless is a lot to take on but the challenge is faced with eyes wide open.

Rose Mary is an artist so moving from place to place and living off the land gives her an opportunity to be in touch with the outdoors which is often the setting and the subject of her paintings.  Though she gives Rex some pushback, she does agree that it exposes the children to an environment they wouldn’t otherwise have a chance to experience.

Rex is a free spirit who comes more from a place of anger.  Intelligent like his mother, he wants the kids to touch a cactus and get poked rather than read about its piercing needles.  Unfortunately, and examples of this are plentiful in the film, he walks a fine line between devotion and callousness.  This is also something he inherited from his mother.  Leaving home, he now gets to live free but is he truly considering the family or feeding his narcissistic tendencies?  I’ll let you determine that on your own.  Director Cretton and Harrelson do an exceptional job of making that easy for you decide.

The title of the film comes from a promise Rex has made through their years of traveling from state to state and moving from one worn down dump to another.  Each time they actually live in a home, he tells the hungry and fatigued yet ambitious children that he’ll build them a castle made of glass.  He always piques their interest by showing their enthusiastic minds his designs for it and in one home they even pitch in to build its foundation… which eventually becomes a landfill.  As time goes by and the hole fills, they still do whatever they’re told and still remain loyal to show their love, trust and belief in him.  It’s excruciating to watch Rex himself crack what holds the family together.

Harrelson is intense as he brings Rex to life.  He’s well cast as a control freak that would rather drink himself unconscious than feed his children.  Watts matches wits with Harrelson as a caring mother who stays an adoring wife, going along with what he says not matter what the situation is. 
Brie Larson joins the cast halfway through and picks up where two younger actresses left off playing the younger versions of the smart, strong and fiercely opinionated and independent, Jeannette.  She does the character justice by showing the painful transition of a child following orders to a young adult realizing the very real circumstances and station in life they’re now facing.  Respect and affection for her parents are questioned and what makes The Glass Castle such an exceptional story is how it shows that you can still have both yet do what’s ultimately best for you.

This is quite an incredibly moving story with remarkable performances from the children on up and I highly recommend you see this as soon as you can.  Two notes for you… bring a tissue and stay for the pictures at the end.

Brigsby Bear Movie Review

Brigsby Bear is nothing if not quirky.  It’s a story about a boy who never has to give up his childish things because, essentially, he never has to grow up.  Well, until he’s rescued, that is.  I’ll explain. 
In the situation the main character, James (Mooney), finds himself, he wouldn’t know how to grow up so the subject would never be breached.  He lives in a perfect world with supportive parents who love him, take good care of him and always let him watch his favorite show, Brigsby Bear. 
Not unlike a popular children’s show of any era, from Mister Rogers to Barney, Brigsby Bear is fun and educational and James has watched it so long he couldn’t live without it.  It’s who he is.  It’s who he is because it was actually produced for him by his parents to teach him what they wanted him to learn and to inject only their feelings and belief system.

It turns out, though always taken care of by them, James’ parents, Ted (Hamill) and April (Adams), kidnapped him when he was a baby and they’ve been keeping him in an underground bunker, in the middle of the desert, ever since.  Sadly, never being around other children or seeing the real world, James is childlike, yet he’s in his twenties.  He’s immature and his life is only what they have allowed it to be. 
He hasn’t mentally grown beyond the age of a ten-year-old and his mind knows only what Ted and April have fed it.  The world of Brigsby, a sci-fi series given to him to watch on VHS, has so penetrated his psyche that no amount of truth could drill it out.  It’s who he is.  This is tested when the police finally discover what Ted and April have done and come to ruin the only world James has ever known.   

When he is taken away from the only parents he has ever known, he meets Detective Vogel (Kinnear) and his birth family and is introduced to the harsh reality of the real world; most especially, that the Brigsby Bear show is gone forever.  Or is it?  Saying too much will give away what’s so compelling about this flick.  It’s completely original… strangely and so absurdly unlike anything I’ve seen before.  An adult who acts like a child because he has been treated as one his whole life.  What a fascinating concept.  Saying too much at this point would give away the plot. 

He does try and thwart having to grow-up as much as he can but when he looks at the broader picture, he knows what he has to do to grow up and finally move on.  All he asks of everyone is to let him do it in his own way.  It’s this part that makes this narrative so unique.  Well, that and the unconventional jokes that make you draw back a bit… but that’s all on purpose.      

Brigsby Bear is an amusing ride.  There are a few bumps in the road but overall the story has heart, integrity and is surprisingly clever.  You’d do well to put it on your summer must-see list for the experience of watching the cooperation, love and support that helps a man-child become a man.  The saying goes that it takes a village to raise a child so imagine… 

mother! Trailer

Directed by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer 

Written by: Darren Aronofsky


A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. From filmmaker Darren Aronofsky (Black Swan, Requiem for a Dream), mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.

mother! Official Channels

Hashtag: #mothermovie 

Facebook: /OfficialMotherMovie

Twitter: @MotherMovie

Instagram: @MotherMovie 

Website: MotherMovie.com  

In Theaters September 15th

http://www.fandango.com