First Man Trailer – From Academy Award-winning director Damien Chazelle

On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969.  A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.

Written by Academy AwardŽ winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling.  Isaac Klausner (The Fault in Our Stars) executive produces.  DreamWorks Pictures co-finances the film. 

Starring:  Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Patrick Fugit, Ciaran Hinds, Ethan Embry, Shea Whigham, Corey Stoll, Pablo Schreiber

Director: Damien Chazelle

Official Website | Facebook | Twitter | Instagram | #FIRSTMAN


#FirstMan
 is coming soon to theaters and IMAX.

In Theaters October 12

http://www.fandango.com

Bernard and Huey Movie Review

‘Bernard and Huey’ was a favorite at the Phoenix Film Festival this year. The originality or the story, characters and the acting were refreshing, and it became even more so when the director, Dan Mirvish, stood before us and gave us a little history of how the film came to be. ‘Bernard and Huey’ is based on a cartoon strip of these two men that were in Playboy magazine in the 1950’s. The characters were created by Jules Feiffer who later wrote a script about the two pals who reunite many years after college to find they’re nothing like they once were. Learning the history of the story made the film much more fascinating but the writing had already won me over. The fact that Jim Rash and David Koechner are Bernard and Huey leads one to ask, what could go wrong? Why ask this? Based on characters they’ve played before I knew the characters would be colorful, to say the least. So, the answer to the question is nothing. Nothing goes wrong. Not for the film, that is.

When they were young, Bernard (Rash) was a shy kid who couldn’t speak to girls and Huey (Koechner) was a jerk who took advantage of them whenever and wherever he could; he couldn’t care less who he tortured along the way. Huey enjoyed telling him tales of how he treated lovers and Bernard would learn but was shocked and disgusted as he listened. He tried to be a good influence but nothing doing… Huey and his lack of maturity wouldn’t budge.
When we meet the men, Bernard is rather successful and Huey, having just lost his wife and child due to being a chump, needs a place to crash.

Though he’s no longer a pushover, he’s still kind-hearted and Bernard gives him a place to stay. He’s also loving seeing his hero dethroned. However, letting him back into his life, he recalls all the reasons why they didn’t remain friends. A very ‘Odd Couple’ feeling begins to emerge, and these reasons come rushing back to him when Huey starts taking advantage of him. Bernard has done well but who he once was comes flooding back and he begins to lose faith in himself, especially when it comes to women who he was doing very well with until Huey came back into his life.

Flashbacks are revealing and help you see that Bernard is reverting to his old self because he’s now attempting to one-up Huey and goes too far. Zelda is that too far. Keep in mind, Bernard sees himself as better, more advanced mentally, than Huey but really, they are one and the same and that’s what Bernard has tried so desperately not to reveal to anyone. He hates that Huey’s arrogant, nasty attitude has taken him to have to dive into his own hubris because he has gone to such great lengths to appear above the norm.

Why you’ll love this film so much is the dialogue. It seems perfectly written for Jim Rash to deliver and when he goes head to head with his attempt at getting back at Huey, it works even better. Zelda is that ‘too far’ he’s willing to travel. Bernard starts seeing Zelda, (Whitman) a twenty-something aspiring graphic novelist who is also… Huey’s daughter. Bernard tries to but cannot resist her charms. She likes being with him but is looking for help to get published. Bernard doesn’t want Huey finding out about them, but Huey does find out and doesn’t have the reaction to the news one might think he’d have. Knowing that his child is an extension of himself, Huey knows Zelda is only going to devour him. Bernard isn’t prepared for her but at the same time maybe needs her before he can ever fully grow up.
I’ve spoken of how wonderful Whitman and Rash are but can’t leave out Koechner’s brilliance as a modern-day Neanderthal. His bold hilarity as he works impeccably opposite Rash to bring to life a script based on a comic strip is frustratingly precise. Mirvish couldn’t have cast this film better.

Hereditary Movie Review

A24’s done it again and with Toni Collette starring in their latest film, ‘Hereditary,’ they’ve created a must-see horror film; one that will be remembered for a long time to come. She’s one of the most underrated actors working today so I’m glad to see her get this role. Forgive that the film is a bit slow because Collette is outstanding as Annie a, fundamentally, cursed soul. This script allowed Collette a great deal of room to play more than one entity and gave her character above average depth. Horror films usually give female characters one dimension, but Collette’s Annie is to frighten you and throw you off course and she does so with ease.

Annie is writer/director Ari Aster’s female lead, a mother who is fighting many demons in the present as well as evil in her bloodline she was previously unaware of. When her mother passes away, grief-stricken, Annie inherits complications she doesn’t understand but must now deal with, ready or not… like it or not. Though she tries to avoid the truth about her ancestry, several horribly events push her to acknowledge who she is. She says things she never knew she felt, experiences the mythical and sees what she once thought unreal. The complexity of the death of her daughter moves her in a direction the filmmakers made sure the audience would never see coming. This is well hidden in trailers because they lead you to believe her daughter, Charlie (Shapiro), is a problem child to be feared when it turns out that it’s Annie we all need to be concerned with. After all, she is next in line. How this unravels is just a slice of what makes the film such a delightful fright. True or not, making your audience imagine that Annie is the protagonist before they even sit to watch the story unfold is a brilliant move. Centered around her behavior for how she loses her child, the suspense builds in a most unusual fashion, taking this mother down a most unexpected path. The shock and terror come from who you envision she’ll be and you never expect who she ultimately becomes.

In his feature debut, Aster manages to surprise horror fans by giving them a feeling of isolation with the story and making it almost impossible to grasp onto a lifeline that could pull them to safety… because there isn’t one in or around them to find. Annie is unredeemable. As she becomes more desperate, Aster uses fewer clichés and relies a limited amount on what makes a traditional horror film grim and ghastly which will endear you to his style and drive you wild with anticipation for the next nightmare he’ll drag you through.

I did have one issue but didn’t want to give anything away by revealing too much. However, I feel compelled to mention what I thought was a tragic error so I will. The storyline Annie’s son, Peter (Wolff), is involved in won’t be divulged because it’s very jarring, but I must mention that the actor chosen was not a good fit for the part. This felt so wrong that it pulls you out of the story at times. The creepy level is high and the tension you’ll feel will startle and impress. Horror doesn’t work when it’s predictable. ‘Hereditary’ is anything but that.

Hotel-Artemis-movie-screening

Hotel Artemis Advance Movie Screening

Movie Screening Summary

Set in riot-torn, near-future Los Angeles, HOTEL ARTEMIS is an original, high-octane action-thriller starring Jodie Foster as The Nurse, who runs a secret, members-only hospital for criminals. Jodie Foster is joined by an all-star cast that includes Sterling K. Brown, Sofia Boutella, Jeff Goldblum, Bryan Tyree Henry, Jenny Slate, Zachary Quinto, Charlie Day, and Dave Bautista.

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HOTEL ARTEMIS
Release: June 8, 2018
Studio: Global Road Entertainment
Genre: Thriller
Director: Drew Pearce
Writer: Drew Pearce
Cast: Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum, Brian Tyree Henry, Jenny Slate, Zachary Quinto, Charlie Day, Dave Bautista
Rating: R
Runtime: 93 min

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Advance Movie Screening For HOTEL ARTEMIS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 6
Location: AMC Desert Ridge
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date:Wednesday, June 6
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Adrift Movie Review

“Adrift” is a harrowing tale of survival at sea after a massive hurricane wreaks havoc on a small sailboat. In 1983 there was Raymond, a hurricane in the Pacific that set two people adrift in the ocean with little chance to survive. The story of this against-all-odds journey is what makes “Adrift” ‘see’ worthy. All puns aside, this is a cross between the movies “The Perfect Storm”, “Cast Away” and “All Is Lost”. But there is a deep sense of love that is the driving force in this movie, and it calls out for careful viewing.

Tami Oldham (Shailene Woodley) is adrift in her own life, travelling around the Pacific and winding up in Tahiti. She meets a man with a fine sailboat. He is Richard Sharp (Sam Claflin) and the two of them fall in love. Tami has no need to head home back to San Diego, but when an older couple offer Richard the opportunity to take their sailboat back – he must take that offer. There will be a nice payoff and a couple of first-class tickets back to Tahiti so that the two of them can start on their own adventures. Richard and Tami get everything ready for the journey out to sea.

It is all going so well, until Mother Nature intrudes and brings along hurricane Raymond. It is a monster of a storm and it rips the boat from stem to stern. The main sail is gone, and the radio is dead and there is precious little food and water. Tami wakes up in a panic. She was knocked out by the storm, and she cannot find Richard. Later, she sees that he is clinging to a lifeboat, and she swims out and drags him in. But things are not in good shape, as his ribs are broken and his leg is shattered. Even if she conserves all the food and water, there will not be enough.

They have no method to sail fast enough with just a small jib sail, so getting back to the States is impossible. She decides to change course and attempt to sail to Hawaii. But that will also take a great deal of time and it is also very risky. Tami is not an experienced sailor, but with encouragement from Richard, she is able to adjust the course and track the progress of the ship. But many days at sea can cause very weird things to happen, delusions and hallucinations are all too common. Tami thinks she sees a huge cargo vessel go right past her in the night, but she then thinks it was just a dream. Every past encounter with Richard is recalled and she thinks of all the love that they have, and it pushes her on to survive and make it out of this disaster. Richard will be her touchstone and her reason to overcome the obstacles.

There is a point in the movie that will redefine most everything that came before it, and it would be wrong to say too much. But the way the story moves up to that point, and the acting of the two lead characters just do a beautiful job to make it a very emotional moment. The writing does a great job to unfold the history of Tami and Richard’s love, and how they came to be soul mates. Shailene Woodley is very moving as Tami, with an emphasis on how this character grows into a much more capable and self-reliant being. Her soulful looks and painful eyes show that she is deeply affected by the trip. Sam Claflin is close to her equal, but his role is much more limited due to the difficulties that Richard has during the movie. Together, they make a very tragic couple, who can turn it all around and can find triumph.

The difficulties portrayed in “Adrift” are brutal, and look very realistic. You get a feeling that, at any point, the situation could change and become unbearable. But there are single moments that Tami clings to: an unexpected rain shower that brings much needed fresh water, the sky in the evening as the sun sets and how it lights up the clouds with so many tints of red, the bird that comes to perch on the deck – showing that land is nearby. These all make for mosaic that tacks left and right, into misery and then into beauty.

The love that Tami and Richard shared fueled the passion for survival that finally brought the crew in for a rescue. The overall story is sad, but there is another story of hope and struggle that shows how people can face adversity and come out on top.

American-Animals-movie-screening

American Animals Advance Movie Screening

Movie Screening Summary

The extraordinary and thrilling true story of four friends living an ordinary existence who brazenly attempt to execute one of the most audacious art heists in US history. But not everything is as it seems, and as the daring theft unfolds through each of their perspectives, each of them start to question whether their attempts to inject excitement and purpose into their lives is simply a misguided attempt at achieving the American Dream.

AMERICAN ANIMALS
Release: June 8
Studio: The Orchard
Genre: Crime/Drama
Director: Bart Layton
Writer: Bart Layton
Cast: Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, Udo Kier
Rating: R
Runtime: 116 min

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Advance Movie Screening For AMERICAN ANIMALS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, June 5
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

First Reformed Movie Review

Okay. It starts slow but, if you’ve read my reviews before, you might know what I’m about to say… stick with it. It’s slow for a reason and that’s okay! You can’t rush art. ‘First Reformed’ is simply one of the best pictures of the year. It has been created for us for a reason. One of Hollywood’s best, Paul Schrader (Taxi Driver; American Gigolo; Affliction), has decided to make something quite exceptional that will last beyond his years. It’ll be memorable because he knew what he wanted to say and purposely set out to grab you and shake you up. You won’t soon forget what you see which, of course, is the point… he doesn’t want you to forget anything about it as it’s vital you don’t. It’s a narrative but holds so much truth and knowledge that you feel as if you’re getting schooled at the same time, but not so much so that you won’t feel the storyline that’s being playing out. Everything was well designed.

 

‘Will God Forgive Us?’ is a question that is posed in the film with regard to what man is doing to the environment. You don’t see this as the ultimate message coming at you when you’re first introduced to the character of Reverend Toller (Hawke) but when he agrees to counsel Michael (Ettinger) the husband of a young pregnant woman, Mary (Seyfried), Toller grows as a priest and as a man in ways he couldn’t avoid and the film changes. What Toller always knew to be true of institutions he holds in high regard comes crashing down around him when he, instead of talking, listens to what Michael is saying about man’s responsibilities toward the larger picture; Earth. Schrader set it up so you won’t miss it either.

 

Toller is the Reverend of a small church known more for its historical significance as being a stop along the Underground Railroad rather than its parishioners, so he finds himself salesman of its small store, more than Priest, and he’s rather bored. He journals and sips on what’s supposed to go in the chalice on Sunday’s. Counseling is an escape and he’s happy to do it but when suicide becomes Michael’s only answer to his extreme hate for living in such a cruel world, Toller picks up his cause.

 

Abundant Life, the larger church that keeps Toller’s afloat, is putting on a show to commemorate its being there for 250 years. Abundant Life is run by Pastor Jeffers, played exceptionally well by Cedric the Entertainer, who preaches the word of God but who cares more about what goes into the collection plate. When Toller looks into Michaels environmental research, he finds out that one of the biggest polluters of the planet sponsors Abundant Life, even the restoration of his own church, and he makes a vow to fix things. Feeling as if he failed the activist, he then becomes the activist and decides to do something for God and all mankind… as God would have wanted. Though Schrader doesn’t refer to Trump and what the head of the EPA, Scott Pruitt, is doing to actually stop environmental causes, rather than increase or protect them, you can feel his concern for the near future of man as a species and he wants you to see what people are willing to do to save the only home we have. We all need to do more.

 

‘First Reformed’ is heavy on the religion but for a reason. Trust that Schrader must use this as a vehicle to get you to a certain destination… even though a few times you’re not sure where he’s going. Things go a might askew when Toller seems to be building a relationship with Mary, but it’s done in a way that, as an audience member, you can choose to see it or totally ignore it and stay within the spirit of the calculated directive. Ethan Hawke has you so mesmerized by the time you hit the halfway point that it’s easy to stay focused on the importance of the film’s objective.

On Chesil Beach Movie Review

“On Chesil Beach” examines the idea that you can be truly, madly, deeply in love someone, yet you cannot make love to that someone. Ian McEwan, who had previously written the novel “Atonement”, takes this idea to a sad conclusion in his screenplay – based on his short novel of the same name. Set in the early sixties in England, a young couple is enamored with each other, yet a happy marriage is not to be. England is still closer to the Victorian Age than it is to the Free Love Swingin’ Sixties.  At least, it is for these two…

Edward Mayhew (Billy Howle) is a young college graduate in 1962, and he is ready to take on the world. But he is looked on as a commoner, with a father who is school administrator and a mother who is not all there.  His family is not rich and well-regarded. So when Edward meets Florence Ponting (Saoirse Ronan), he becomes smitten with her good looks and charm. She has family ties into money and prestige, but Florence is not concerned with such things. They have a long courting period to see if they are compatible in personality and demeanor.

The one thing that they did not check into is whether they had a problem with physical intimacy. It is not until after the marriage ceremony and at the honeymoon suite do they find troubled waters in the sea of love. Florence has always been uncomfortable with physical touch, and she might have been abused by her father. Edward is unsure of the proper rate with which he should take Florence into the tunnel of love, because his past experience is.. none. He is pretty reserved when it comes to sexuality, but Florence is a big, fat Frigidaire freezer.

They go to honeymoon at a nice hotel near Chesil Beach. After an awkward dinner the two lovebirds shoo away the waiters from the room. Then they get to the main business, of having major flashbacks to they story of them meeting, and the courtship and the final decision to marry. But when the time is right to do the horizontal mambo, neither one is prepared for the farce that is their attempt at making love. Florence becomes incredibly upset at Edward and storms out of the room. For Edward, nothing went right and his paratroopers missed the landing zone. His embarrassment and her shame take an event that should solidify the marriage and it gets turned to a gallows on which the marriage is taken out and hung.

The two are at odds from this point on, based on misunderstandings and lack of knowledge. He finds her out on Chesil Beach, where she has walked in an effort to get away. But neither one knows what the other is thinking. They just assume that the marriage will never have another chance to be consummated. They can find no possible way to put this one incident behind them, and it changes the direction of their lives.

Florence has a string quartet that she leads, and she will put all of her time into that. Edward will do whatever he can do to get by. But then some tacked-on ending which brings Edward and Florence out of 1962 and into 1975, and then into 2007 just changes the mood. It goes from being “On Chesil Beach” to a reverse mirror of “On Golden Pond”. But in this case, the old-age make-up looks awful and pulls you out of the touching, yet tragic, story that has just transpired.

This movie has created another vehicle in which Saoirse Ronan can use to display her incredible acting skills. Billy Howle is also top-notch in his performance, being an equal to Ronan. But the story has such a roundabout method of getting to the moment of truth that some audience members might walk away like Edward – unfulfilled.

In the Phoenix area. opens at the Camelview in Scottsdale

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Hashtag: #OnChesilBeach

Who Shot Biggie? ‘City of Lies’ – Trailer

Based on the true story of one of the most notorious and unsolved cases in recent time, CITY OF LIES is a provocative thriller revealing a never-before-seen look at the infamous murder of The Notorious B.I.G. shortly following the death of Tupac. L.A.P.D. detective Russell Poole (Johnny Depp) has spent years trying to solve his biggest case, but after two decades, the investigation remains open.

“Jack” Jackson (Forest Whitaker), a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies. Relentless in their hunt, these two determined men threaten to uncover the conspiracy and crack the foundation of the L.A.P.D. and an entire city.

Cast: Johnny Depp, Forest Whitaker

Directed by: Brad Furman

Produced by:  Miriam Segal

Written by: Christian Contreras, based on the novel by Randall Sullivan 

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#CityOfLies

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In Theaters September 7th

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Beast Movie Review

There’s a course tone running through ‘Beast’ that you can’t turn away from. It’s intriguing from the get-go as you look over the beautiful yet blustery and chilly island that is the home of our players in the drama. For his feature debut, television director, Michael Pearce, brings to life the story of a young woman yearning to be free of her mother and her rules by any means necessary, even if it means accepting the heart of a possible serial killer. There’s something alluring about a bad boy and, as most films do, Pearce and company take advantage of this. What will the characters learn from one another and how will it be different… if this is possible?  Moll (Buckley) is frustrated that her family puts her last, even on her birthday, and hooks up with a mysterious stranger who sees her, touches her and stands up for her when she is having trouble breaking free of another man’s unwelcome advances.

Pascal (Flynn) wiggles his way into Moll’s heart by deeply, almost hypnotically staring into her eyes, penetrating the very core of her, something she’s clearly unfamiliar with. He approaches her slowly and lets her know he’ll accept her for who she is no matter who he might find.

Pascal isn’t the most hygienic of people, something her mother immediately disapproves of. Being used as babysitter for her niece and caregiver to her ill father, it’s time for Moll to fight for a little independence which she does. She invites him for dinner. During dinner, they discuss the murders of young girls that have been happening in the area. It’s not hard to tell at this point who the film is suggesting the murderer is. Pascal hunts rabbits and though you’re sure of who that the killer is, it’s in a scene where they go hunting together that the line between the two quite solidly blurs.
He’s told that Moll has been labeled the ‘wild one’ so he inquires as to exactly why. She confesses to him that she stabbed a student with scissors who had bullied her when she was in school and after had to be homeschooled. She has held onto the pain and stigma that came along with the incident ever since. His advice to her is to stop carrying the weight of her action and to move on. This releases her of a decade of guilt and shame and as her relationships with family members strain, she feels closer to him than she ever has to anyone.

Feeling compelled to help the community in some way, she joins volunteers to sweep for the body of the killers next victim. Similar to the guidance she was given by Pascal, this action helps cleanse her and we see that Moll begins to find her own identity. She has a choice, a voice and feels much freer. Ignoring signs of who he might be when the police come calling, she’s reluctant to speak to them. When they inquire as to both his and her whereabouts on a certain night, she’s headstrong and refuses to speak with them further. The people in town know she can finger him and her noncompliance sets off a chain reaction of overwhelming disgust toward her that she can’t escape no matter where she turns.

Why won’t she help with the investigation? Who is she? Who is Pascal? What happens next? Watch it to find out! Outside of a few times when the accents are too thick to understand and a poor bunny getting massacred, (Seriously, if you love animals, turn away!) ‘Beast’ is exhilarating and quite clever. Its pacing fits the storyline and on occasion, you’ll wonder if you’re not watching a horror film rather than a drama. If Intense and Well Done is your idea of entertainment, see it at a theatre near you this weekend.

In Phoenix, see this at Harkins Camelview at Fashion Square!!!Â