Five Feet Apart Trailer

Five Feet Apart

Stella Grant (Haley Lu Richardson) is every bit a seventeen-year-old…she’s attached to her laptop and loves her best friends. But unlike most teenagers, she spends much of her time living in a hospital as a cystic fibrosis patient. Her life is full of routines, boundaries and self-control – all of which is put to the test when she meets an impossibly charming fellow CF patient named Will Newman (Cole Sprouse).

There’s an instant flirtation, though restrictions dictate that they must maintain a safe distance between them. As their connection intensifies, so does the temptation to throw the rules out the window and embrace that attraction. Further complicating matters is Will’s potentially dangerous rebellion against his ongoing medical treatment. Stella gradually inspires Will to live life to the fullest, but can she ultimately save the person she loves when even a single touch is off limits?


Directed By
: Justin Baldoni (Jane the Virgin, My Last Days)

Starring:  Haley Lu Richardson (Split, The Edge of Seventeen), Cole Sprouse (Riverdale, The Suite Life of Zack and Cody), Moises Arias (The Kings of Summer, Ben-Hur), Kimberly Hébert Gregory (Vice Principals), Paraminder Nagra (ER, Bend it Like Beckham), Claire Forlani (Crystal Inferno, Precious Cargo)

Written By: Mikki Daughtry (Sleep Tight, The Children) & Tobias Iaconis (Behind Enemy Lines: Colombia, The Children)

Produced By: Cathy Schulman (The Foreigner, The Space Between Us), Justin Baldoni (Jane the Virgin, My Last Days)

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In Theaters March 15

http://www.fandango.com

TOLKIEN Trailer

TOLKIEN explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.

Starring: Nicholas Hoult, Lily Collins, Colm Meaney, Anthony Boyle, Patrick Gibson, Tom Glynn-Carney, Craig Roberts, Laura Donnelly, Genevieve O’Reilly, Pam Ferris and Derek Jacobi

Directed by: Dome Karukoski
Written by: David Gleeson and Stephen Beresford
Produced by: Peter Chernin p.g.a., Jenno Topping p.g.a., David Ready p.g.a., Kris Thykier p.g.a. 

In Theaters May 10

http://www.fandango.com

Arctic Movie Review

Think ‘All is Lost’ with less water and think ‘Castaway’ with a substantial amount of snow. Now hold that image and you have, ‘Arctic.’ The best way to describe it is by saying it’s the survival picture of all survival pictures. And the way Joe Penna shot the film made it feel incredibly realistic. In fact, allow me to pass on a word of warning
 you’ll get chills watching it. This being the case, if you see it this weekend, bring an extra sweater. It helps. On more than one occasion you might feel the urge to cuddle up to something for warmth and for strength.

The survivor we’re getting to know in this film carves ‘SOS’ in the snow every day. He makes it large enough so his message might be seen by a plane passing over
 if one ever does. We see that this man is named, OvergĂ„rd (Mikkelsen). At least that’s what we assume his name is since that’s what the jacket he wears (provided it’s his) tells us.

There are no other survivors with him from what was obviously a plane crash but an indication he wasn’t alone when it went down. The poor man is freezing and he’s hungry. In one scene he manages to make Ramen noodles look like first-rate cuisine.

OvergĂ„rd’s been alone for what looks to be about a month or two. Having escaped death so far, he definitely knows how to take advantage of all tools available to him. These are probably skills he’s learned in Scouts, his training at work or both. He seems optimistic and to be holding onto hope that he’ll be found but his eyes say that his spirit is starting to fade. The weather isn’t such that he would attempt to try and walk North and possibly to safety. Instead, he’s content to stay in the valley that he’s grown accustomed to until someone comes to his rescue. He has been innovative when it comes to catching fish and out of what’s left of the body of the plane, he’s made a little home. For what that might look like, think of the film ‘Alive.’ Better yet, don’t think of that one. Hopefully, he didn’t have to eat anyone at this point.

Once you get to know OvergĂ„rd, you begin to wonder what led him to this moment. What has he already endured? Why hasn’t he been found? How long has it been? Does he have someone looking for him or is it possible there’s nothing for him to go back to? All of this is left to the imagination of the viewer and one of the reasons you’ll admire the film and the performance Mikkelsen (The Three Musketeers, Rogue One: A Star Wars Story) gives. What he does with little to no dialogue is a noteworthy achievement. OvergĂ„rd is tough but tender. He’s intelligent and innocent. He’s every hero you can perceive him to be while at the same time he’ll have you wanting to leap onto the screen and help shoulder some of his burdens in the hopes you see him saved. That moment finally comes. He has a chance to be rescued. One day a helicopter flies over and sees him. For this, you will be gleeful.

Hold on! You didn’t think you were going to get off that easily, did you?? No way. Due to a strong draft of wind, the helicopter is forced down. After seeing him so hopeful, it’s difficult to witness OvergĂ„rd so crushed. Thankfully, this doesn’t last long because his training kicks into gear and he runs to the helicopter to see if he can help. The pilot is dead, but the female co-pilot is still alive. He gets the young woman (SmĂĄradĂłttir) out and to his plane where he begins to nurse her back to health. She’s so severely injured that she’s barely hanging on but as he has had to for himself, he decides to be her rock. The helicopter proves to be a treasure of goodies. He retrieves a sled to pull her and a lighter and fuel for warmth. Desperate for company and delighted with his stash, he’s now sanguine toward making it until another helicopter shows. Surely someone will be coming after her, right? The supply from the wreckage should buy him more time until that help arrives. He finds a picture his nearly comatose patient has. From this, he learns she’s a mother. As time ticks by, he begins to realize how dire the situation is for his new charge. So far, he’s been willing to brave the cold, the polar bears and possible death for himself. But through her returning to her family, he finds a new reason to fight and decides he’ll make the trek to an outpost on foot.

As he pulls her along in the snow and ice, ‘Arctic’ gets more and more intense and unforgiving. Every possible danger there is to encounter, he manages to find. His struggle to get help will have you struggling in your seat. He’s located an outpost on a map and has established how long it’ll take to get there. He chooses a certain route but when it proves impossible with his haul, he resolves to take the longer, windier and more precarious path. With what he’s being exposed to, he begins to look like death but refuses to give up. I’ll leave you to wonder what happens next. 

Don’t wait for cable to see this movie. It’s thoroughly entertaining. The big screen lends help to the mood so see this at the theatre. Sound, as well as the soundtrack, are used to influence and manipulate you. You’ll respect what writers Joe Penna and Ryan Morrison have in store for you but rejoice in the fact that they didn’t stretch ‘Arctic’ out to two full hours as most films do today. This journey is hard to watch as it is, without it being stretched to the breaking point for no reason. ‘Arctic’ is a brilliant adventure so bundle up and see it tonight. 

Cold Pursuit Movie Review

In this film, director Hans Petter Moland has remade his original film called ‘In Order of Disappearance’ that starred Stellan SkarsgĂ„rd for the American audience. Since I liked this film but found Liam Neeson’s ability to carry the role a bit difficult to accept, I’ll be seeing if the original were something American audiences needed to discover sooner. If you like your action mixed with comedy this will satiate the pallet. The action is good, and the comedy is dark. My point about Neeson is that if you were curious about and or looking for the sign that it’s time for Liam Neeson to call it quits on the tough guy roles, look no further than his performance in ‘Cold Pursuit,’ or as I thought of the movie the entire time I was watching it, a strangely comedic take on ‘Taken.’ I’m sorry but it has to be said. No longer can he be taken that seriously as a badass fighter or even as menacing. As Nels in ‘Cold Pursuit,’ Neeson looks weak and thin and seems in no way capable of physically pulling off what is asked of him
 nor is it explained where he would have procured his ‘particular set of skills.’

To be fair, ‘Cold Pursuit’ has an interest in meeting more than just the expectation of the ‘Taken’ fans. With the humorous elements woven through the script, it speaks to Martin McDonagh (Three Billboards Outside of Ebbing, Missouri) and even Guy Ritchie (Snatch) devotees, as well. That said, you absolutely do not want to miss the dark comedy here for which the film is loaded. Neeson was hard to swallow but Nels does have a reason for being ruthless which is the murder of his son, Kyle. In case you come across this question in a trivia game someday, Kyle is played by his real-life son, Micheál Richardson.

Nels is an ordinary, everyday family man who owns his own snow plowing business. He resides high in the bitter cold of the resort town of Kehoe, Colorado where he clears the roads for those traveler’s brave enough to chance the trip to ski in the demanding weather. I must mention that the cinematography is breathtaking. Nels has a cabin outside of the tourist trap with his wife Grace (Dern). Grace isn’t in the picture long. She’s distraught and… outta here. When they find out he was killed, Nels vows to hunt the killers down and wreak havoc upon them. This leads to my biggest beef with the film which is Tom Bateman as drug lord Trevor ‘Viking’ Calcote. He the man who Nels hunts but is not at all a convincing bad guy. And not because he’s a vegan! Bateman does look like a weasel in the film which works in his favor to a degree. And I know the bully, or the alpha, is usually the weak one but this is another casting choice I would have reconsidered. The performance wasn’t strong enough to convince me he wouldn’t turn tail and run at the slightest inclination there might be some sort of confrontation, let alone lead others to do anything malicious. His ten-year-old son Ryan (Nicholas Holmes) is a far more interesting character. And I sincerely mean that.

In a brilliant turn of events, Viking draws the attention of the Native American elder White Bull (Tom Jackson), who’s the head of his own gang. A turf war starts. This is the last thing our gangster wannabe needs. Nels and Natives? Now it’s getting good. Members of these rival gangs start dropping like flies.

William Forsythe enters the picture and you finally accept that this might be where Nels received some of his skills. Anyway, Forsythe always adds to a film, an asset no matter how he’s used and playing brother to Nels, he helps the story immeasurably. There are two local cops played by Emma Rossum and John Doman who do the same. By the end, justice is served, and you’ll walk away having enjoyed the hell out of this movie. Parts are unbelievable, yes, but what about going to a movie isn’t fantasy? You’ll like the scenery, the score, the characters, and the vengeance. You’ll begin to see the bigger picture playing out and how insane it’s all becoming. And just maybe, you won’t be ready to say to Neeson’s agent that it’s time he hangs up his punching bags. There still might be a few more action pictures left in him?  I’ll leave that to you to decide.

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The Invisibles opening at Harkins Shea

 A Greenwich Entertainment release

‘THE INVISIBLES’

Official Selection: New York Jewish Film Festival 2018 (Presented by The Jewish Museum & The Film Society of Lincoln Center)

Winner: Audience Favorite World Cinema, Mill Valley Film Festival 2018 

While Goebbels infamously declared Berlin “free of Jews” in 1943, 1,700 managed to survive in the Nazi capital. Claus RĂ€fle’s gripping docudrama traces the stories of four real-life survivors who learned to hide in plain sight. Moving between cinemas, cafĂ©s and safe houses, they dodged Nazi officials and a dense network of spies and informants. Yet their prudence was at odds with their youthful recklessness, prompting them to join the resistance, forge passports, or pose as Aryan war widows. Masterfully weaving these story threads together, The Invisibles is a testament to the resourcefulness, willpower and sheer chance needed to survive against incredible odds. 

“What “Invisibles” documents and dramatizes is really pretty darned incredible.” —The Epoch Times

“Fascinating, true story of four Jews who were among the thousands who survived the Holocaust by hiding out in Berlin…plays like a thriller but is all the more remarkable for being true…keeps you on the edge of your seat.” — The Jerusalem Post

OPENING HARKINS SHEA 14 2/1

Tickets at www.theinvisiblesfilm.com/tickets

Like THE INVISIBLES on Facebook 
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Serenity Movie Review

The word serenity means the state or quality of being serene, calm, or tranquil; sereneness. It conjures up peace of mind that, in many cases, one can only dream of as we live our daily lives. We strive for it but might only catch moments here and there. Can you imagine a serene world where everyone in the world lives on a beautiful, perfect island? An island where everyone is happy and no one grows old? Believe it or not, it exists. In the film ‘Serenity’ it does anyway. Baker Dill (Academy AwardÂź-winner Matthew McConaughey) lives on this tropical heaven. This paradise is called Plymouth island and it’s where Dill has everything he needs when he needs it. He barely gets by but he’s completely content with fishing for just one certain tuna that always escapes him. He has never questioned his existence until now.

What brings him to start is the re-emergence of his ex-wife, Karen Zariakas (Academy AwardÂź-winner Anne Hathaway), who finds him on Plymouth. Karen, knowing he needs the money, offers him a golden opportunity. She uses Dill’s son Patrick (Sayegh) as bait to lure him in. She tells him that her husband, Frank Zariakas (Clarke) is extremely abusive to her and Patrick and asks if he’ll consider helping her escape his clutches. She wants Dill to take Frank out on a late tuna run and, essentially, toss him overboard to fend for himself
 preferably in shark-infested waters. The offer, the mention of Partick and seeing her face again bring about feelings that Dill has suppressed. He now questions his life, whereabouts, and reality itself. Beautifully shot, you can see how if someone lived a life such as Dills’, he’d accept anything not to penetrate it. Why would he want to open up a doorway into the past that might bring him out of this utopia? This may sound like an intriguing film but, unfortunately, how it’s cut might have stopped it from being as good as it could have been.

The film has intense moments and the cinematography is gorgeous. Had it been put together differently; the story might have had a chance. Halfway through watching it, I thought to myself that it made a lot of sense that it, originally slated to come out in October of last year, was changed to January where it’ll be forgotten if ever seen. This might be better for all involved. Hathaway is stunning but not in a good way. Her damsel in distress character is vapid and mousy and McConaughey’s performance is straight up uncomfortable to watch
 especially as he sweats all over the camera lens. It’s perplexing why they’d accept the roles, unless, as I suggested, the film was cut in such a way that it ruined the original intent. The world writer/director Steven Knight (Locke) was trying to convey simply doesn’t come through with the dialogue coming out of his actors’ mouths, the way they behaved and the structure of the film itself. That said, it’s just a bad movie. The more story revealed, the less sense it makes… and then there’s the music. The serious music trying to sell you on a sincerely divine plan of some sort makes the film more laughable as it goes on. If its stars interest you, wait for cable to see ‘Serenity.’ I can’t suggest you see this at the theatre.

OFFICIAL WEBSITE: www.SerenityFilm.com

FACEBOOK: www.facebook.com/SerenityFilm2019

TWITTER: www.twitter.com/SerenityFilm

INSTAGRAM: www.instagram.com/SerenityFilm

HASHTAG: #SecretsWillSurface

The Hummingbird Project Trailer

Written & Directed by

KIM NGUYEN

 

Starring

JESSE EISENBERG, ALEXANDER SKARSGÅRD, SALMA HAYEK, MICHAEL MANDO

 

Synopsis

In this modern epic, Kim Nguyen exposes the ruthless edge of our increasingly

digital world. Cousins from New York, Vincent (Jesse Eisenberg) and Anton

(Alexander SkarsgÄrd) are players in the high-stakes game of High-Frequency

Trading, where winning is measured in milliseconds. Their dream? To build a

straight fiber-optic cable line between Kansas and New Jersey, making them

millions. But nothing is straightforward for this flawed pair. Anton is the brains,

Vincent is the hustler, and together they push each other and everyone around

them to the breaking point with their quixotic adventure. Constantly breathing

down their necks is their old boss Eva Torres (Salma Hayek), a powerful,

intoxicating and manipulative trader who will stop at nothing to come between

them and beat them at their own game.

Website

www.thehummingbirdproject.film

For the film ‘Breakthrough’ the video ‘Nothing Is Impossible’ is released!

BREAKTHROUGH

Release: April 17, 2019

Directed by: Roxann Dawson

Produced by: DeVon Franklin

Screenplay by: Grant Nieporte

Based on: The Impossible: The Miraculous Story of a Mother’s Faith and Her Child’s Resurrection by Joyce Smith

Cast: Chrissy Metz, Josh Lucas, Topher Grace, Mike Colter, Marcel Ruiz, Sam Trammell and Dennis Haysbert

SYNOPSIS

BREAKTHROUGH is based on the inspirational true story of one mother’s unfaltering love in the face of impossible odds. When Joyce Smith’s adopted son John falls through an icy Missouri lake, all hope seems lost. But as John lies lifeless, Joyce refuses to give up. Her steadfast belief inspires those around her to continue to pray for John’s recovery, even in the face of every case history and scientific prediction. From producer DeVon Franklin (Miracles from Heaven) and adapted for the screen by Grant Nieporte (Seven Pounds) from Joyce Smith’s own book, BREAKTHROUGH is an enthralling reminder that faith and love can create a mountain of hope, and sometimes even a miracle.

BREAKTHROUGH Official Channels

OFFICIAL WEBSITE: www.BreakthroughMovie.com

FACEBOOK: www.facebook.com/BreakthroughMovie

TWITTER: www.twitter.com/SeeBreakthrough

INSTAGRAM: www.instagram.com/BreakthroughMovie

HASHTAG: #BreakthroughMovie

Cold War Movie Review

If you’re looking for reasons to see ‘Cold War’ I’ll give you a few. One is that it’s said to have received a standing ovation at the Cannes Film Festival. After seeing it, I can believe this. Another is that Rotten Tomatoes has certified it as 93% Fresh. On to my reasons as to why you should make a trek to the theatre to watch this movie. Yes. I said it. There’s no waiting for home viewing with a movie this alluring. Its beauty is sophisticated, profound and slight. It doesn’t scream directly in your face but rather hits you when you revive the entity the film was to you from your memory. The black and white cinematography will look clean and quiet while whispers of genius glide across the screen and entices you to watch this lovely heartbreaking story of love. I promise you that you’ll not be able to look away. It’s a real treasure to observe. Part of why was the 4:3 aspect ratio used that allows the viewer to examine the picture as a piece of photographic art. By shrinking its scale, it’s also possible for the audience to see themselves in the characters or better relate to what they’re going through.

 

In the story, we have two main characters named Zula and Wiktor. She is a student and he’s her teacher at a school that advocates for Polish folk music and dance. ‘Cold War’ recounts the tale of Zula (Kulig), who’s a gifted singer, and Wiktor (Kot), her teacher and interestingly enough, a songwriter. When they meet, they fall instantly in love. Set in Poland in 1949, the lovers, who dream of being together once and for all, have not only their station in life but communism to worry about. Sadly, for the next fifteen years, this perfect pairing must perform a dance of hiding their relationship from everyone, while at the same time trying not to have the torch they carry for one another extinguished by their circumstances. They secretly meet one another whenever and wherever they can until they can stand it no longer and finally decide to leave and be together once and for all. Best laid plans, right? He leaves for the border where he waits for her to join him. However, afraid of what could happen to them, she doesn’t meet him. Realizing she’s not coming, he decides not to go back and goes on with her. Several years go by and during this time, she struggles deeply. Oh, if only she could find him aga
 wait! Look! Here comes Wiktor who can always put a smile on her face. Well, not really. Though they do find one another, it isn’t long before they’re separated again. This storyline is repeated over and over. They’re doomed to a life of searching which is good for their art but terrible for their hearts.

She’s married when they meet once again in Paris. These scenes are the most rewarding. The music, and her performance, in particular, is outstanding. During this period, she’s drunk all the time and they’re both miserable but with so much working against them, how could anyone truly be happy? What’s most provocative about this ‘love story,’ is that when they find themselves together, it never works out. It’s as if they have longed for it so deeply, that’s all they know how to do. Wanting is one thing
 having what you reach for is quite another. Who are Wiktor and Zula if not the two seeking one another? The ending, that I’m not revealing to you here, is superb. It couldn’t have been improved upon. All of that said, describing this film does nothing for what it essentially is. It’s magnificent. See it before Oscar season. It’ll most likely be everywhere.  

 *OPENING AT HARKINS CAMELVIEW 

The Upside – Movie Review

The upside of ‘The Upside’ is that it promises a buddy comedy and delivers that and more. It’s entertaining and humorous but goes deeper as a friendship between the two main characters grows. It’s based off the French film “The Intouchables” which is a story about a rich, white paraplegic who hires a black assistant. Everything about that in today’s society seems untouchable but if you don’t look at race, the film’s quite charming. See it as two people helping each other and both learning from one another and you’ll see the original vision or intent of Olivier Nakache and Philippe Pozzo di Borgo, the writers of ‘The Intouchables,’ message. That message is that friendship sees no color.

 ‘The Upside’ is about Phillip Lacasse (Cranston) a disabled billionaire confined to a wheelchair, on the search for a new employee. He’s paralyzed from his neck down and, with the help of his secretary, Yvonne Pendleton (Kidman), he’s looking for a live-in caregiver. Easy enough premise. Phillip sees Dell Scott (Hart) move his way through to the front of the applicants and is intrigued. After introductions, he decides to make Dell an offer. Finding that the job isn’t for him, Dell originally turns it down but recent events in his life have left him homeless. Once he finds out the offer comes with housing, he takes the position. This tests him because he rarely takes care of himself, let alone be needed to care for another man’s entire well-being. Dell has a son he isn’t exactly father-of-the-year to so watching his character grow is possibly the biggest delight of the movie. There always seems to be some tension between the two men, be it testosterone or jealousy on both sides, but that’s another part of the magic. Dell has to face that he’s never done anything for anyone but himself. And then there’s Phillip. He’s hiding in his misery and contempt for what he no longer has and needs to see what he does have. Dell learns to appreciate the finer things as he is forced to take Phil to the Opera and is introduced to new things such as fine art. On the other hand, Phil must finally confront the fact that the wife he lost to cancer isn’t coming back. He’s broken but alive and should value what he does have. Dell’s tactics help him concede that he needs to work on being happy.

 These characters are portrayed perfectly by pairing Cranston and Hart. It was a joy watching them get to know one another, learn from one another and also get irritated and annoyed with one another. These actors had impeccable chemistry. They never once tried to outperform the other or better each other, instead, worked in perfect tandem to bring their audience a story they could believe and possibly connect with. I’ve seen a lot of negative words being slung its way but ignore those. See this movie. ‘The Upside’ comes out this weekend. Go to the theatre. The story is restorative and satisfying, just what some might need today. I see it as a necessary reminder that we’re all in this together. It’s loving, and you’ll relish the fresh take on the buddy movie. It’s unique and it’s, quite simply, sweet.