Silence

Sometimes, movies need to be more deeply emotional and have the epic grandeur of a sweeping historical look at Western and Eastern cultures as they clash over religion and basic tenets of faith. Or you could just see “Rogue One” again. Your choice…

But in “Silence”, the passionate work of Martin Scorsese, the story of ancient Japan is brought to life. It is viewed through the eyes of two Portuguese Jesuit priests; Padre Rodrigues (Andrew Garfield) and Padre Garrpe (Adam Driver). In the late 1600’s, the missionary work to Japan had been met with fierce resistance by Japan’s rulers.

Rodrigues and Garrpe plead with the head of the order (Ciarán Hinds) to make a journey to Japan. They have learned that a close mentor and fellow priest named Father Ferreira (Liam Neeson) had been tortured to the point of rejecting the One True Faith. They want to travel to Japan and find Ferreira, so they can learn the truth.

They make it to China, and they are paired up with a Japanese fisherman named Kichijiro (Yōsuke Kubozuka). He agrees to lead them back to his homeland to find the “Hidden Christians”. These are converts created by the prior missionaries. But all the priests and Jesuit brothers have been expelled or killed. Father Ferreira also faced torture and perhaps wound up instead becoming a Buddhist.

Rodrigues and Garrpe get separated and both eventually are captured. Rodrigues has an interpreter (Tadanobu Asano) who can speak both Japanese and very good English. He explains that any foreign religion can never take root in Japan, because the outsider cannot see the island kingdom has a culture that will never believe as the Westerners.

So it is a clash of Western ideas, thought and religion against the history of Japanese culture and upbringing. Rodrigues will face losing the very one thing that he took vows to honor and protect, or he will see many of the village Christians tortured and killed because of his stubbornness.

The movie that Scorsese has made is a long, slow exposure to the wearing down of the human soul. The Japanese officials do not hate Rodrigues, Garrpe or Ferreira. They do not hate Christians or those who deliver the Gospel, the Jesuits and the missionaries. But they demand conformity and order. So they root out Christians and put them to death. So it sure seems like they hate them…

Andrew Garfield does a heart-wrenching job as Padre Rodrigues. He thinks himself as a humble and holy man, yet he borders on arrogance because he thinks only he can know the Truth. Adam Driver and Liam Neeson have much smaller roles, but they seem to be sincere in their own beliefs.

The visual imagery is fantastic, with the wide sweeping vistas of a shoreline, or mountainside or a steamed-up area of hot springs. Clouds and fog and haze are in many scenes. This brings to mind some the animated movies of Hayao Miyazaki, or the epic films from Akira Kurosawa. Scorsese can borrow the beautiful look of the movie from the best Japanese directors.

However the storyline is so morbid and predestined that the extended run time hurts the picture. Rodrigues is put into a no-win situation, and there are only two possible outcomes. He will either renounce his Faith, or he will die. But to get to that end, the movie seems to drag on and on. More tortures, more denials, more angry outbursts, more slow panoramic shots that lead to the next one…

So be forewarned. If you do not want to see some nasty things done to people in captivity, you might not like the movie. If you do not want to know in great detail about the difficult spread and quick demise of Christianity in Japan, you might not like the movie. If you do not think that Andrew Garfield, Adam Driver and Liam Neeson are fine capable dramatic actors, you might not like the movie.
In other words, if you would rather go and see “Rogue One” again, but you see this movie instead, you might suffer in “Silence”.

Samara is back! “Rings” Trailer

RINGS

Directed by: F. Javier Gutierrez
Starring: Matilda Lutz, Alex Roe, Johnny Galecki, Aimee Teegarden, Bonnie Morgan and Vincent D’Onofrio

A new chapter in the beloved RING horror franchise.  A young woman becomes worried about her boyfriend when he explores a dark subculture surrounding a mysterious videotape said to kill the watcher seven days after he has viewed it.  She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before…

 Rings Official Channels

Hashtag: #Rings

Facebook: /RingsMovie

Twitter: @RingsMovie

Instagram: @RingsMovie

Snapchat: ringsmovie

In Theaters Feb 3rd

http://www.fandango.com

Fifty Shades Darker – Extended Trailer

FIFTY SHADES DARKER 

Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Darker, the second chapter based on the worldwide bestselling “Fifty Shades” phenomenon.  Expanding upon events set in motion in 2015’s blockbuster film that grossed more than $560 million globally, the new installment arrives for Valentine’s Day and invites you to slip into something a shade darker.

 When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance.  As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.

 Also returning from Fifty Shades of Grey are Academy Award® winner Marcia Gay Harden, Jennifer Ehle, Victor Rasuk, Luke Grimes, Rita Ora, Eloise Mumford and Max Martini, who are joined for the first time by Oscar® winner Kim Basinger, Bella Heathcote and Eric Johnson.

 Fifty Shades Darker is directed by James Foley (Fear, House of Cards) and once again produced by Michael De Luca, Dana Brunetti and Marcus Viscidi, alongside E L James, the creator of the culture-spanning blockbuster series.  The screenplay is by Niall Leonard, based on the novel by James.

Cast: Dakota Johnson, Jamie Dornan, Eric Johnson, Jennifer Ehle, Victor Rasuk, Luke Grimes, Rita Ora, Eloise Mumford, Max Martini, Bella Heathcote with Kim Basinger and Marcia Gay Harden

Directed by: James Foley

In Theaters February 10th

http://www.fandango.com

Live By Night Advance Screening

Oscar winner Ben Affleck (“Argo”) directed and stars in the dramatic crime thriller “Live by Night.” Affleck also wrote the screenplay, based on the award-winning best-seller by Dennis Lehane; it marks the second collaboration for the fellow Boston natives, following the acclaimed drama “Gone Baby Gone.”

What you put out into this world will always come back to you, but it never comes back how you predict. Taking fatherly advice is not in Joe Coughlin’s nature. Instead, the WWI vet is a self-proclaimed anti-establishment outlaw, despite being the son of the Boston Police Deputy Superintendent. Joe’s not all bad, though; in fact, he’s not really bad enough for the life he’s chosen. Unlike the gangsters he refuses to work for, he has a sense of justice and an open heart, and both work against him, leaving him vulnerable time and again—in business and in love. Driven by a need to right the wrongs committed against him and those close to him, Joe heads down a risky path that goes against his upbringing and his own moral code. Leaving the cold Boston winter behind, he and his reckless crew turn up the heat in Tampa. And while revenge may taste sweeter than the molasses that infuses every drop of illegal rum he runs, Joe will learn that it comes at a price.

“Live by Night” is produced by Leonardo DiCaprio (“The Wolf of Wall Street,” “Out of the Furnace”) and Jennifer Davisson (“The Ides of March,” “Orphan”), under the Appian Way banner; and Ben Affleck and Jennifer Todd (“Alice in Wonderland,” “Across the Universe”) for Pearl Street Films. Chris Brigham, Dennis Lehane and Chay Carter are serving as executive producers.

Starring with Affleck are Elle Fanning (“Maleficent”), Brendan Gleeson (“In the Heart of the Sea,” the “Harry Potter” films), Chris Messina (“Argo,” “The Mindy Project”), Sienna Miller (“American Sniper,” “Foxcatcher”), Zoe Saldana (“Guardians of the Galaxy,” “Avatar”), and Oscar winner Chris Cooper (“Adaptation,” “The Town”).

Find your chance to receive special advance movie screening passes below. 

Phoenix, Arizona

Date: Monday, January 9
Location: Harkins Tempe Marketplace
Time: 7:00pm
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Las Vegas, Nevada
Date: Monday, January 9
Location: Brenden Palms
Time: 7:00pm
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Sing

No matter what an adult thinks of a film like “Sing”, it’s going to do well because of what it is.  It’s a not half bad movie made for kids that has cute and amusing animals singing their hearts out.  It’s colorful and silly and this, as we all know, is a combination that spells success.  There have been many animated films released in 2016 that have done incredibly well but this one is lucky it’s being released right before Christmas or it might not have done quite as well; it’s probably at the bottom of the list of the animated films this year.  However, that said, if you’re looking for frivolous, it’s still eager and zippy. 

“Sing” has a few problems with being a tad over the top too often which will annoy the parents of the kids sitting in the audience but the songs will ultimately win them back. The tunes played throughout the film are great and the chosen numbers sung by characters during the auditions near the beginning of the film are good and the way their presented are very creative.  I wish they could have gone on longer, as a matter of fact. 

The auditions I’m talking about are given because a koala bear, Buster Moon (McConaughey), the main character, needs money to keep his theatre afloat.  He loves the theatre and isn’t about to lose his.  Someone suggests to him that a singing competition is a good idea and he agrees that it should get his theatre back in good working order.  He decides to give a thousand dollar prize to the winner of the competition believing this will bring the customers back once again to his beat up and neglected old theatre.  As things do, something goes wrong when Miss Crawly, (played by Jennings who also wrote the film), Buster’s ancient and possible old age home bound secretary, is put in charge of the flyers.  She accidentally releases the flyers with a much, much larger sum promised as the prize.  That’s a mess.  Everyone in the city who can or thinks they can sing flocks to have a chance at being on stage in front of a large audience and winning the prize money. 

Here is where you meet the main characters and a few you wish you’d see again but, sadly, will not.  Some of the singers chosen are a gorilla named Johnny (Egerton), who has a gangster as a father but wants a crime free life and a mouse named Mike played by Seth McFarlane, who gets a chance to really show off his pipes, worth the price of admission alone.  Mike loves jazz and poker and is a bit squirrly for kids, to be honest.  There’s also an elephant named Meena (Kelly) who could be a heavyweight in the competition, as beautiful and powerful her voice is, but is paralyzed with stage fright; and a pig named Rosita (Witherspoon) who is burdened with a husband who doesn’t know she’s alive any more and twenty-five piglets to take care of but doesn’t see how they can stop her dreams from being fulfilled.  I’m sure you can see where this is headed.  Conquer your fears and quell any voice on the inside or outside that tries to crush the ambition and desire within you. 

If you like animated family films, I’d recommend taking the family to see this at a matinee.  The kids will have a good time, even if the messages get lost.  It does have dazzle at its core.  With the combination of fast action, cute animals and songs, especially with such talented stars singing them, the mix works.  However, as I stated at the beginning, you’ll take the kids and they’ll be happy you did but I’m of the opinion that Santa won’t be putting it under the tree so they can add it to their home DVD collection because it’s a one time watch at best.

Hidden Figures Advance Screening

HIDDEN FIGURES is the incredible untold story of Katherine G. Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe)—brilliant African-American women working at NASA, who served as the brains behind one of the greatest operations in history: the launch of astronaut John Glenn into orbit, a stunning achievement that restored the nation’s confidence, turned around the Space Race, and galvanized the world. The visionary trio crossed all gender and race lines to inspire generations to dream big.

Find your chance to receive special advance movie screening passes below. 

Phoenix, Arizona

Date: Wednesday, January 6
Location: Harkins Tempe Marketplace
Time: 7:00pm
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Las Vegas, Nevada

Date: Wednesday, January 6
Location: Brendan Palms
Time: 7:00pm

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La La Land

“Here’s to the fools that dream.”  That is the theme of this comedy, drama… musical. Yes.  This is a musical but I would like to ask that you don’t fear the musical!  It’s not in the style of “Cats” or the like so be willing to go.  If you love a good story and a good film that’s well done in almost every way possible… don’t worry.  You’ll love this movie!  Now, on to the review.  I can’t remember the last time we saw this but with “La La Land” we have a musical for the big screen that’s not based on a hit Broadway show!   “La La Land” stars Emma Stone and Ryan Gosling as an aspiring actress and jazz pianist, respectively, who fall in love.  Both have dreams very different from the other but the desire and ambition they see in one another, calls out to each other and attracts them even more.  The music and the romance at the heart of this story are alluring and will tantalize you, and the love… you will feel it.  In fact, it’s hard to believe Gosling and Stone aren’t a real couple.

To shed some light on where this came from, here’s a bit about the writer/director.  Damien Chazelle, is only thirty-one yet has accomplished so much.  Not only did he write and direct, “La La Land”, which is a very unique to these times piece, but he also wrote “Whiplash” and “10 Cloverfield Lane.”  J.K. Simmons won the Oscar for his performance in “Whiplash” so for Chazelle, after graduating Harvard, the Oscar win for Simmons is yet another feather for him to add to his cap; a cap that may be riddled with feathers really soon.  I’m looking very forward to his next project but let’s get back to this one. 

The love story is classic in that it starts out as anything but and becomes two people crazy about one another but Chazelle gives us, ultimately, what feels and looks real because not only is there a bond between the two with all the hopes they share freely but their chemistry is palpable.  Great job casting these two as Sebastian and Mia.  Another thing that gives the audience a connection is this; when have we not all desired something so greatly that we’d give up almost for it?  These two beautiful creatures love their goals as they do one another but the vital and fundamental question here becomes, would you give one of them up for the other?  

 The music is amazing. Oscar will be nice to them…”
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

As far as dancing, I’ll admit that they aren’t Fred Astaire and Ginger Rogers, but the choreography doesn’t ask too much of them and they handle themselves gracefully.  The footwork is impressive and they’re cute together; she not as polished as he but it works. 

Regarding musical taste Mia tells Sebastian that she doesn’t like jazz, his true love, and he takes it upon himself to show her that she doesn’t understand the complexity of it; that you can’t just hear it, you have to feel it by watching someone play.  He wants Mia to see its conflict and get excited because it needs help… ‘It’s dying’ he fears.  Well, he does until his friend, Keith (Legend), explains to him that Jazz is about the future, not the past.  Sebastian has always held onto what Jazz has always been and here, he discovers a bit about himself as well as what pushes him… that things change.  He decides to tour with Keith and Mia learns quickly that tours aren’t overnight.  She realizes dreams of becoming an actress aren’t either.  Maybe it’s time to move on?   

I’ll leave it there.  You need to go and experience “La La Land” to find out what happens.  Visually, the film beguiles but it’s not perfect.  You’re not going to hear their songs on the radio, however, the opening song, “Another Day of Sun” and the score won’t soon be forgotten, nor will Sebastian singing “City of Stars”… okay, the music is amazing.  Oscar will be nice to them.  The dance numbers can be a little clunky but overall the film is pretty extraordinary; sweet and innocent.  As much as it is a musical, it often feels like a play, which was another aspect that I adored.  You’ll never get bored and the final act will whisk you away to another place, and in today’s world, we need a little of that.  Comedies and Musicals don’t usually win Oscar gold for Best Picture but it wouldn’t surprise me if Chazelle’s effort pays off with a few statues.  If it walks away empty handed, it’ll be a travesty. 

Collateral Beauty

Going to the movies has always been a wonderful experience because they are a way for a person to get away from their lives… possibly from big problems in their life.  Movies offer an escape for you to get to be someone else for awhile or at least push reality aside for a bit, right?  In “Collateral Beauty”, Will Smith plays Howard, a man in such deep pain, you hope that he will leap from the screen and the two of you go find a joyful comedy to watch.  Don’t get me wrong, I’m not necessarily saying the movie isn’t worth seeing at all, but maybe take some antidepressants before you go if you do. 

“Collateral Beauty” is written by the very adept and creative, Allan Loeb, who has scores of credits to his name, so with David Frankel directing, the story is in good hands.  He has won an Emmy and an Academy Award and he directed “Devil Wears Prada” but then we should remember he also directed “The Big Year” so it’s hit or miss.  I think this time it’s a miss… more or less.  The trailer misleads you to a point but in the end, I think that was wise; it got you to consider going. 

Howard owns a company with his friends, Whit (Norton), Claire (Winslet) and Simon (Peña).  Howard is the driving force for the company and when his daughter dies, he checks out of life and being involved at all in the company.  Of course, things begin to go south.  Howard has 60% of the voting shares and, even after being begged to, he will not help save the business.  Without Howard’s initiative and his innovative spirit, not to mention his vote, Whit, Claire and Simon, who have their entire lives and well-being riding on an upcoming offer, do not stand a chance of surviving the impending failure of the company.  What makes this film ultimately a DVD watch only is what happens next.  Howard’s friends and partners, knowing he’s struggling with depression after the tragic loss of his daughter, want to, for all intense and purposes, do away with him.  That’s appalling!  But watching Howard walk around totally lifeless and staring off into space, unless he’s setting up dominoes, which is explained later but still doesn’t have true function in the film, perhaps you would, too.  The dominoes are a symbol for breaking down walls but nah… I’m just not buying it.  The time spent on those dominoes is painstaking to sit through, too, but then so is my mentioning it for this long, so I’ll continue with the review. 

Howard believes there are three things that connect everyone on earth and those are time, love and death.  Not particularly happy with his time anymore, losing the one thing he loved most and wishing to die but still existing, he writes a letter to the three of them.  The knuckleheads in the office have been scheming and hired someone to follow him.  She brilliantly retrieves the letters from the mailbox he dropped them into.  Now partaking in a federal crime, the three of them take the three letters to three actors.  Three… I’m sensing a pattern here.  The actors played by Knightley, Latimore and Mirren are offered a unique opportunity to represent one of the words and confront Howard with the letters he wrote.  As well intended on recreating “It’s A Wonderful Life” as Allan Loeb and David Frankel, as well as the three actors playing death, time and love are, the story of a man losing a child but then choosing to give up everything else that might give his life some meaning, simply doesn’t makes sense.  He refuses help, he can’t say his child’s name… it just doesn’t add up.  You’re more or less frustrated through the entire film.  

There are a few glaring twists that make it a see it on cable or DVD watch, but I wouldn’t recommend spending your hard earned money on running to the theatre this weekend.  I do think that Smith, toward the end, Mirren (always delightful) and Naomie Harris’s grief support group leader, Madeleine, sort of lend the film more purpose but the more I thought about it after seeing it, I wasn’t impressed at what they were trying to accomplish and that was a big emotional response from you and some tears.  If you lay down ten or more dollars at the theatre this weekend, the response and tears will more come from you asking, ‘why did I spend the money for this?’, than from the film itself.

Miss Sloane

From “Shakespeare in Love” director, John Madden, comes “Miss Sloane”, a furiously clever film that has today’s politics in mind but is not its only theme.  It’s the story of a very efficient and skilled, nay cutthroat, lobbyist, Elizabeth Sloane, played by Jessica Chastain, who takes no prisoners when she wants to win for a client, putting any and everything in peril, including friendships, to do so.  One thing the film does more than anything, especially at a time when the country seems to really need it, is make it clear to a filmgoer exactly what a lobbyist does.  Let’s start with the definition of a lobbyist; one who engages in “lobbying”; trying to influence public officials to support a position on legislation.  It’s fairly obvious where the term may have derived from which is from these particular individuals waiting in the lobby outside a public official’s office.  Yes.  A story about a lobbyist just became compelling

Screenwriter Jonathan Perera penned such a monumental script that Madden had to direct and knew right away who to cast.  It’s so intense that he knew the very diverse Chastain had to be in the lead role.  He had been searching for the right project for her and this was it.  Of her as Sloane he told me, ‘Okay, now we have it!’  You’ll agree when you see her transformative performance; the best I’ve seen from her to date. 

This will most likely be considered a political thriller as it centers on the D.C. lives of lawyers and lobbyists but it’s much more.  Sloane is a master manipulator and at the heart of this movie is the ambition within her to win at any cost.  This cold, hard woman who could be placed in any position, anywhere; who would have any ruler at her feet, doesn’t have to be pegged into a certain hole nor does the film.  It’s a thriller, plain and simple and you get to see Chastain work both ends of the spectrum.  I’ll let you discover that on your own.  There is so much I want to tell you but I refuse to spoil it all the same.

“Chastain will get an Oscar nod.  Her character is brilliant and her performance is, possibly, twice as good as the film.”
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Madden’s cast is exceptional.  Chastain will get an Oscar nod.  Her character is brilliant and her performance is, possibly, twice as good as the film as she goes deep to find this steely woman inside of her.  Perhaps some of the tedious language of the political rhetoric in the film would have you thinking you’d rather skip this movie.  Don’t make that mistake.  A lobbyist advocating for or against gun control may be a point in the film; it’s no way the main topic but rather a catalyst to move Miss Sloane forward.  The pacing of the movie is such that you’re always consumed, helped by Madden’s foresight to capture you further with the perfectly chosen music so make “Miss Sloane” your choice this weekend at the theatre… no waiting until Netflix for this one.