T2 Trainspotting Movie Review

Director Danny Boyle made the movie “Trainspotting” 20 years ago, and has gone on to make many superb movies. The original cast of the movie has also done well, especially Ewan McGregor. With a script that updated the original main characters after twenty years, Boyle is back with “T2 Trainspotting”. This new sequel has all the characters back for a new visit to the Scottish underclass, with an updated look at their lives.

“Trainspotting” introduced the heroin-addicted characters who made up the 1996 movie. There was Mark (Ewan McGregor) a de-facto leader of companions. “Spud” (Ewen Bremner) was along for a fun time, as was Simon (Jonny Lee Miller). The tough guy in the group was Begbie (Robert Carlyle) who was always in a fight. The last story ended with a bad drug deal where Mark took all the money. Spud knew and never let on, and Simon and Begbie wanted revenge. Begbie was the fall guy and was jailed.

“T2 Trainspotting” brings the group back into the present day, where Mark has been in Amsterdam for 20 years. After a medical scare, he comes back to Edinburgh – but he has other issues. His wife has kicked him out and the job he had is now gone. He has kicked the heroin habit and replaced it with exercise. Spud has never left heroin behind, and is about to end it all, but Mark saves him. Simon now runs a dumpy bar near the docks, but he cannot kick cocaine. Begbie finds a way to escape prison so he can raise more mayhem.

Simon is not pleased to see Mark return. Simon has a girlfriend named Veronika, who is planning to become a high-class Madame when Simon turns the bar into a brothel. The local crime boss has a say in that, so it never gets off the ground. Simon and Veronika instead go about trying to blackmail some locals in compromising positions.

Begbie tries to get back into the breaking and entering game, and he gets his son involved. When that does not work out too well, he goes to see Simon. Simon does not let on that Mark is back in town, but Begbie is still looking for revenge. Getting put back into prison would be enough for Begbie, as long as he can kill Mark.

Simon and Mark have a night out at a local pub, trying to grab some extra wallets. Mark and Begbie have a run-in where Mark is able to narrowly escape. Spud finds a new hobby in his quest to fight off addiction. But they all notice that the world around them has changed in the past 20 years, but they have stayed the same.

Danny Boyle burst onto the scene with “Trainspotting” all those years ago. He found some very talented actors, and he was able to bring them back for another go. Boyle’s style and camera flourishes are always on display, in many clever and noticeable ways. The acting is all-around terrific, because these actors have lived these lives before.

But the nagging feeling is that you cannot bottle lightning twice. Everything that was fresh and new and exciting in the first movie has a less of an edge here. The setup is not exactly the same of course, but the lovable loser group will always end up with the short end of the stick. Mark’s 20 year escape from the poverty and lowlife of Edinburgh might have made a better story just by itself.

“T2 Trainspotting” is a familiar ride for those who know the original film. And the returning cast and crew do their best to make the journey enjoyable. But when this train pulls into the station, you might feel that the return trip was a little rough going down the tracks…

Raw Movie Review

In a word, Raw is… raw.  A movie about cannibalism might frighten you away but keep reading before you make your final decision.  It’s an unquestionably unique film, from the opening shot to the final moment.  Cinematographer, Ruben Impens (The Sky Above Us), approaches the film by seeing it as a blank canvas in which to paint a bold piece of art; one that so intrigues you that you’re unable to look away.  He’s able to extract elegance from a world of complete ugliness and if your first instinct is to not see this due to the content; I hope to change your mind. 

Raw will be an uncommon guilty pleasure but you’ll have to experience it to know what I mean and watching with others is the best way to go for this particular trip.  There will be moments where trying not to think about the cannibalism will be futile but just sit back and watch the story unfold.  Masterfully, director Julia Ducournau, keeps your interest in the character development and you don’t focus so much on the disgusting thought of a human wanting to eat another human… cooked, let alone raw!  But I assure you, if you like the abnormal and unconventional, Raw is the film for you.

Justine (Marillier), a young student new to veterinarian school, who is also a vegetarian, ends up devouring plenty of meat throughout the film once she gets a taste for it.  This happens after she goes through a hazing ritual where she’s commanded to eat raw rabbit kidneys.  Wanting to fit in like her big sister, Alexia (Rumpf) who’s very popular at the school, she does as ordered.  After that and a Carrie-style blood soaking, something inside her awakens; a thirst and hunger for more.  You’d think behavior such as this wouldn’t take part in a vet school but alas, that’s where we find ourselves, however, it isn’t animal flesh she now craves.  A situation arises where she can consume human flesh and as much as she tries to fight against the urge, her animalistic lust kicks in and she gives in to it. 

If you get sick at the idea of this happening, the film might not be for you.  If you’re worried the film is going to be too graphic and that’s your only concern, don’t be.  It may be hard to believe but Raw is a magnificent piece of cinema.  Ducournau uses makeup, paint, effects, animals and fantastic music to force us to peek into the macrocosm that is Justine’s life.  Alexia loves to watch as her innocent baby sister gets her personal boundaries pushed to the breaking point but she goes beyond the point of breaking and snaps completely in two.  Once she does, she’s much stronger than she thought she’d ever be and Alexia and the audience catch a glimpse of a devil once believed to be an angel.  However, when you think the story is all Justine, give Alexia another look.  What once might be thought of as a sibling rivalry might just be one sister following in the others footsteps… and perhaps just a little too closely.  The scenes Garance Marillier and Ella Rumpf are in together are outstanding, believable and realistic even though the situation they’re in isn’t quite so much.  Their performances alone are worth the ticket price. 

Getting you to see his on the big screen is my goal because I think the artistic nature for which the film was made will be appreciated fully at theatre but I can’t say much more without giving too much away.  Yes, this is ultimately a gory movie but at its core, it’s the story of a girl becoming a woman and this is one way I can guarantee you’ve not see the subject tackled before.  So, for an unimaginable look at a story told a million times before, see Raw this weekend at Harkins Valley Art in Tempe or wherever you can near you.  I can assure you of one thing… you’ll never look at your sister the same way again, especially if she eats Steak Tartare.

Car Dogs Movie Review

Most of us have been through buying a car, am I right?  What works so well about Car Dogs is the writer, Mark Edward King, used to work in a dealership and used his knowledge of the process and of what salesman do behind the scenes, to make the story more believable and more compelling.

In Car Dogs, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of him and his other employees by expecting them to do “Whatever It Takes” to meet a certain number of car sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with very little reward.  There’s a powerful struggle going on between father and son which at times gets very intense.  Malcolm often pulls other salesmen into the situation which proves he’s even more ruthless than Mark ever thought.  Mark is currently the sales manager at Chamberlain Auto but can Mark meet the demands of his father to get the prize he so deeply covets, the prize of having a dealership of his own?  Will his ambitions lead him to delude his team and possibly cheat buyers who walk in, making him become more and more like his father?  With his marriage on the rocks, he doesn’t have a lot of time to look for the answers to these questions. 

Mark is played beautifully by Patrick Adams and Chris Mulkey is a very frightening Malcolm.  Similar to the theme of Glengarry Glen Ross, the film gives us a rare glimpse at what happens behind the salesroom floor and from what I learned by interviewing director, Adam Collis, the sales motto of doing whatever it takes to sell a car makes me question whether or not to buy one at a dealership again.  You will feel sorry for Mark to a degree as he tries to balance work life with home life but the film more focuses on the goings on in the store.  It’s an exciting and often miserable place to be and looking back on it, it’s surprising we’re only seeing one day of it.  Other characters, played by Octavia Spencer, George Lopez, and Nia Vardalos, move in and out during the film (not to mention all the local Arizona talent the filmmaker used), and they top off the story.  One Local actor, in particular, Drew Moore, was hysterical as a buyer who wasn’t going to be taken advantage of.  Some tricks of the trade are revealed by how the salesmen approach a difficult sale, but he was walking out of that dealership with a good deal and anything else he could get his hands on. 

Outside of Moore, many other local Arizona actors provided depth to the narrative as the clock moves closer to closing time.  Quick cuts and fast talking keep you in the story but it’s a treat watching Adams and Mulkey.  They nail their characters as they spar, however, the real meat of the story is Mark.  You’ll appreciate the closing shot when you see the boy become a man.  His wife feels he’s choosing the store over their marriage.  Is he and if he is, what can he do to change the situation?  Watch Car Dogs at your nearest Harkins Theater, today, and let me know what you think he’s willing to do.

See CAR DOGS exclusively in Harkins Theaters around Arizona NOW!

Visit www.HarkinsTheatres.com for show times and to purchase tickets.  

 

Harkins Avondale

Harkins Casa Grande

Harkins Chandler Fashion

Harkins Flagstaff

Harkins Superstition Springs

Harkins Christown

Harkins North Valley

Harkins Prescott

Harkins Shea

Harkins Arizona Mills

Harkins Tempe Marketplace

My Cousin Rachel – Trailer

A dark romance, MY COUSIN RACHEL tells the story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Cast: Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen, and Pierfrancesco Favino

Directed by: Roger Michell

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In Theaters June 9th

http://www.fandango.com

Interview with Director Adam Collis of “Car Dogs”

L.A. filmmaker, Adam Collis, director of the film Car Dogs, is also a Professor who teaches film courses at Arizona State University.  He’s an outstanding individual who takes other people’s welfare to heart when making certain professional decisions.  Wanting to see the film Car Dogs made, being involved by directing and helping to produce shows proof of that.  There isn’t any, ‘all talk, no action’ with this guy.

I’m happy to say that he was triumphant in accomplishing his goals with Car Dogs and that, luckily, he learned a big lesson along the road to success… share your knowledge and support those with whom you can if you have some influence to do so.  Meeting and chatting with the director of the film, which features actor and writer George Lopez, Patrick J. Adams (Suits), Octavia Spencer (Hidden Figures), Nia Vardalos (My Big Fat Greek Wedding), and Christ Mulkey (Whiplash), was very enlightening.  I had an enormous amount of fun picking his brain not only about his film and how it came to be but about the local talent here in Phoenix that he used.  Collis was more than happy to give people who have only worked on smaller films, or who have never at all but always wanted to work on films (both in front of the camera and behind), the opportunity to work on a true Hollywood production with a substantial budget.  He’s able to do this through his internship program at ASU called Film Spark which connects film students with professionals in the movie industry. 

Film Spark and his involvement in it is something he’s quite passionate about.  With his attitude about filmmaking and love of the craft, he’s being instrumental in growing the Arizona film community as a whole, connecting individuals with one another which gives us all a reason to be very proud of him.  He holds his head high acknowledging the accomplishments of Film Spark, knowing full well what he’s offering his students.  Through his connections and ability to get a film made, not only do they get to learn from him, but they get the hands-on experience that not many would have a chance to if it weren’t for the program he so happily embraces.  He cheerfully tells me that he loves, ‘giving them the opportunity to learn filmmaking on a real film set and to work with an Oscar-winning cast and crew.’ Adam was thrilled with how the film turned out.  The cinematography by David Stump is beautiful and captures all the allure of the city of Phoenix.  He concentrated mainly on Papago Park where he said he knew, ‘It was meant to be shot.’   A shot from above gives his audience a full view of the area and if you live near there or have driven by, you’ll agree that it was a good choice.  It’s a gorgeous shot.  He’s excited for everyone to see the film, especially if they were involved with the production. 

A close friend and past student of his, Mark Edward King, wrote Car Dogs.  ‘He had originally written it as a short film and I thought it was excellent and encouraged him to turn it into a feature.’  King had been a car salesman himself and had an interesting take on the business and all that goes on in the life of a salesman or a car dog as they’re referred.  He concentrated his story on these particular car dogs having to meet a quota by end of day.  It was almost kismet that he ended up making the film.  He teaches at ASU and King is from Scottsdale, Arizona.  King had been shopping his script in L.A. and it was doing well but it wasn’t getting picked up.  Collis liked it and thought this would be perfect for the internship program.  Collis tells me, ‘It’s set in Scottsdale, written by a Scottsdale native, shot here, made with dozens of student interns.  The film is going to be shown in Phoenix’s own Harkins Theaters.  What we’ve done here is really special.’  Scott Derrickson, who Collis had gone to film school with and who later went on to direct Doctor Strange, had also been a car salesman in a past life so it seemed there were plenty of good sources at Collis’ fingertips if he needed.  After seeing it done in the film, I asked him if salesmen really listen in on buyers discussing, in private, whether or not to buy, as is suggested in the film and he replied, ‘You’ll have to ask Mark.’  He stands firm that car salesmen will do a great deal to sell a car saying, ‘Everyone would serve themselves well by watching this movie before going and buying a new car.’  So I took that response as a yes.  This is a warning, everyone!  No buying a car until you’ve seen Car Dogs!

In the film, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of his son and other employees by expecting them to do “Whatever It Takes” to meet a certain number of sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with little reward.  Can Mark meet the demands of his father to get the prize he so deeply covets?  Will his ambitions lead him to delude his team and the buyers who walk in, making him become more and more like his father?  Mark is played beautifully by Adams and Mulkey is a very frightening Malcolm.  Circling back to the whatever it takes sales issue, Collis did tell me that he was given the advice to have an amount written down before walking into a dealership and to, ‘Not ever go over that amount.’  Got that?  Never go over that amount. 

As I mentioned, his Film Spark program does connect film students with professionals in the movie industry but also gives artists in the Phoenix area a chance to show their stuff.  He hired crew and cast and they reimbursed his kindness by taking an already great script and improving it with superb performances all around.  Smiling, he mentions, ‘This is a good opportunity for filmmakers in Arizona.  There’s so much creativity in this state and this is a new model for getting a film made.  Why go to L.A. to launch a film when you have Harkins Theatres?’ 

Curious, I asked him if he could remember any of the local talent that he used.  He took out his phone and scanned the IMDB credits.  Some of the people he mentioned were Raymond Scott who, as a car salesman, stood out not only by wearing a brightly colored shirt but by appearing to be continually in sales mode.  He then mentioned actor, Drew Moore, who played a particularly tough customer.  Moore, who had played football in the NFL and the CFL before the acting bug took hold, is a big muscular man who made an impression on the director and likely will the audience when they see his character intimidate a salesman into giving him a better deal.  Collis laughed as he evoked the memory of Moore mainly because of the mistake he made by giving him the direction to hit something harder.  Moore is not a small guy but it was a very small object he hit.  As I’m sure you could guess… it didn’t go well.  He had another performance he couldn’t wait to talk about and that was the work done by Wendy Crawford.  He told me, ‘She had a small part as the receptionist but she was so good; very professional.’  Not only did she give an exceptional performance but her husband Guy Crawford was extremely helpful with equipment that was needed.’  Guy Crawford works for BKW, Inc. in Tempe.  He and owner, Jim Weingard, provided services for the Car Dogs film for which Collis will be forever grateful.  One thing I learned right away from talking to him was that he realizes what a big effort it is to make a movie and that he is only one part of a massive undertaking.  Collis wants everyone to get their credit.  A few other people he wanted me to mention were production designer Scott Cobb, Hamilton Sterling his sound designer, Maggie Morgan the production’s costume designer and all of the veteran Hollywood department heads who were willing to help turn Car Dogs into a reality.

I had to inquire about whether he’d be willing to make a film like this again; to take a chance on making a movie of this size outside of L.A.  I’m pleased to announce his answer was, ‘Yes.’  He had nothing but positive things to say about Arizona and his experience with the feature film went smoothly.  I must ask one thing of all of you.  Car Dogs will be playing exclusively at Harkins Theaters around the valley starting March 24th.  Get out and see it.  Get everyone else there, too.  If it’s a success, there’s no way he wouldn’t do this again.  This will be a success but will be an even bigger success if you’re willing to get to the theatre the weekend of the 24th and give him and the Harkins Theater chain a reason to believe they made the right decision in choosing to premiere it here in Arizona.  Enjoy the film and spread the word! 

The Ottoman Lieutenant Movie Review

At the onset of World War I, it was a dangerous time to be in Europe. Even more dangerous was to be in Turkey, and greater still was the border between Turkey and Russia. The Ottoman rulers of knew that war was coming. The people in the wrong place at the wrong time were American medical staff at a volunteer hospital in Turkey.

Lillie Rowe (Hera Hilmar) is a young woman training to be a nurse. She comes from a very wealthy family, and since her older bother died, she is listless. She hears a plea from a young idealist doctor named Jude (Josh Hartnett) who needs funds for the far-off hospital. Lillie is strong-willed, and takes her brother’s truck and fills it with medical supplies to be shipped to Istanbul.

Lillie cannot trust anyone else to deliver the supplies, so she takes it there herself. In Turkey, there are wild bandits out on the border. So she gets a Turkish military man, Lieutenant Ismail Vitaly (Michiel Huisman) to escort her to the hospital. They are attacked and lose everything, and they barely escape with their lives. They make it to the hospital in one piece.

The hospital founder is Dr. Woodruff (Ben Kingsley) who is an older disillusioned grumpy man. His advice is to leave and go home. Lillie stays to tend to the sick, and her nurse training finally pays off. But there is too much tension in the air. The Turks are fighting with the Armenians, and the Muslims do not trust the Christians. The Great War will be on their doorstep soon.

Lillie ignores the puppy-dog longing from Dr. Jude, and she instead has an inner longing for the Lieutenant. They are different religions, and they follow different customs and both come from cultures. But the love between them is too great. It is not forbidden, but is not at all encouraged. They sneak away when they can to take a sailboat out on lake. Or they ride their horses through the wild wheat fields. It is so romantic and poetic that nothing could come between them. Nothing except War, of course…

This movie wants to be an ‘Epic’. It does come close, but there are some issues. The storyline is not all that believable. A young woman alone in the hinterlands of Turkey just before the Big War would have a nightmare experience. Instead, you are shown that she is having a grand old time, with love just around every corner. The American flag above a remote hospital in a hostile area would draw bombs and machine gun attacks, not the praise of the local military.

Michiel Huisman does a believable job as the Ottoman, but Hera Hilmar is a weak leading lady. Her occasional voice-over work during the move is flat and monotone. There is not much of a spark between the two of them as ‘star-crossed’ lovers. Josh Hartnett does a reasonable job, but looks like John Denver with round wire-rimmed glasses. Ben Kingsley classes up the movie, but he does not have enough of a part to make it soar like it should.

So if you want a real Ottoman Lieutenant, then take a trusted military officer to a home furniture store to find the right piece. Then you can put your feet up on the ottoman and watch “Lawrence of Arabia’ or ‘Gone with the Wind’. Any true War Epic will do…

Principal Photography has wrapped on The Aftermath with Keira Knightley

PRINCIPAL PHOTOGRAPHY HAS WRAPPED ON “THE AFTERMATH”

FOR FOX SEARCHLIGHT PICTURES AND BBC FILMS

 

Starring Keira Knightley, Alexander Skarsgård and Jason Clarke

 

LOS ANGELES, CA March 9, 2017 – Fox Searchlight Pictures and BBC Films announced today that principal photography has wrapped on THE AFTERMATH, which was shot on location in Prague and Hamburg. The film is directed by James Kent (TESTAMENT OF YOUTH, THE THIRTEENTH TALE) from a script written by Joe Shrapnel & Anna Waterhouse (RACE), and Rhidian Brook, based on Brook’s international best-selling novel of the same name. The film stars Academy Award nominee Keira Knightley (THE IMITATION GAME, ANNA KARENINA), Alexander Skarsgård (THE LEGEND OF TARZAN, “True Blood”) and Jason Clarke (ZERO DARK THIRTY, EVEREST). Additional cast includes Flora Thiemann (MISSION: SPUTNIK), Fionn O’Shea (THE SIEGE OF JADOTVILLE), Kate Phillips (“The Crown”) and Martin Compston (“The Line of Duty”). Jack Arbuthnott and Malte Grunert produced and Ridley Scott and Carlo Dussi executive produced. Developed by BBC Films, it is executive produced on their behalf by Joe Oppenheimer and Beth Pattinson. The film is supported by funding from the Filmförderung Hamburg – Schleswig Holstein.

 

THE AFTERMATH is set in postwar Germany in 1946. Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

 

Joining Kent on the film are director of photography Franz Lustig (HOW I LIVE NOW), production designer Sonja Klaus (A GOOD YEAR, BABYLON AD) costume designer Bojana Nokitovic (A GOOD DAY TO DIE HARD, CORIOLANUS), hair and make-up designer Barbara Kreuzer (LAND OF MINE, RETURN TO MONTAUK) and editor Beverley Mills (“Indian Summers,” “Call the Midwife”).

 

The film is overseen by Co-Heads of Production David Greenbaum and Matthew Greenfield and VP of Production Katie Goodson-Thomas.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and the films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of 21st Century Fox.

BBC Films is at the forefront of independent filmmaking in the UK, developing and co-producing around twelve films a year. In 2015 BBC Films was awarded the Michael Balcon BAFTA for Outstanding British Contribution to Cinema. Joe Oppenheimer is Acting Head for BBC Films.

Rough Night – Red Band Trailer

In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.

 

Directed by:

Lucia Aniello

 

Written by:

Lucia Aniello & Paul W. Downs

 

Cast:

Scarlett Johansson

Kate McKinnon

Jillian Bell

Ilana Glazer

Zoë Kravitz

Paul W. Downs

Facebook | Twitter | Instagram | #RoughNightMovie

In Theaters June 16th

http://www.fandango.com

Car Dogs Premiere Red Carpet Advance Movie Screening

FILMED IN ARIZONA

Attend the red carpet movie premiere with cast members right here in Arizona!

Movie Screening Summary: With everything to gain, and even more to lose, Mark Chamberlain (Patrick J. Adams) and his brazen sales team have just eight hours to sell more cars than have ever been sold in a single day. As the clock ticks down, their outrageous tactics step up, with each salesperson ready to do whatever it takes to be top “car dog”. But for Mark, the stakes are much more than a paycheck. Leading the pack is sales vet, Christian Caldera (George Lopez). He’s slick, fast talking, and conniving; able to get customers to both open their wallets and part with their better judgement. Hot on his heels is Sharon Stavron (Nia Vardalos). She’s smart and savvy, outmaneuvering the competition with her wit and charm. Sales vet, Scott Williams (Dash Mihok), has a baby on the way that’s keeping him from doing his job. Mark’s best friend, Boyd Robertson (Cory Hardrict), wants the best for Mark but also for the team. And Tyler Bedloe (Joe Massingill) is the rookie of the team, trying to compensate with enthusiasm for his lack of experience – though that may not be enough to get him through the good natured hazing that is the rite of passage for all “newbies”. Undermining the team’s efforts is Mike Reynolds (Josh Hopkins), Mark’s underhanded and manipulative rival who has an agenda all his own. As victory comes within reach, Mark is pushed further to the edge by his ruthless and manipulative boss, Malcolm Chamberlain (Chris Mulkey), who also happens to be his father. Mark is forced to come face to face with his own reality. Is he his father? Or is he a man who can stand on his own two feet? And in one incredibly tense and life changing moment, he must decide if he can save his team, retain his self-respect, and still come out ahead of his old man..

RELEASE: March 24, 2016
GENRE: Drama/Comedy
DIRECTOR: Adam Collis
WRITER: Mark Edward King
CAST: Patrick J. Adams, George Lopez, Josh Hopkins, Cory Hardrict, Dash Mihok, with Nia Vardalos, and Chris Mulkey
PRODUCERS: Adam Robinson, Stefanie Epstein, Mark Edward King, James Mather Miller, F. Miguel Valenti, Adam Collis
RUN TIME: 100 Minutes
Car Dogs is in theatres March 24, 2017

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Advance Movie Screening For CAR DOGS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 20
Location: Harkins Camelview
Movie Screening Time: 6:00pm
[button link=”https://tinyurl.com/j8udhz6″ type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Raw Advance Movie Screening

Everyone in Justine’s family is a vet. And a vegetarian. At sixteen she’s a brilliant student starting out at veterinary school where she experiences a decadent, merciless and dangerously seductive world. Desperate to fit in, she strays from her family principles and eats raw meat for the first time. Justine will soon face the terrible and unexpected consequences as her true self begins to emerge.

Director: Julia Ducournau
Writers: Julia Ducournau (dialogue), Julia Ducournau (screenplay)
Stars: Garance Marillier, Ella Rumpf, Rabah Nait Oufella
RAW Opens Friday, March 17th, 2017 exclusively at Harkins Valley Art

See more advance movie screenings from tmc

Advance Movie Screening For RAW

Find your chance to receive special advance movie screening passes below. 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 15
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
[button link=”http://www.gofobo.com/TMCRAW” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.