Night School Trailer

NIGHT SCHOOL 

 

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Star Kevin Hart and producer Will Packer, who partnered for the hit Ride Along and Think Like a Man series, bring their signature style to Night School.  The comedy from director Malcolm D. Lee (Girls Trip) follows a group of misfits who are forced to attend adult classes in the longshot chance they’ll pass the GED exam. 

Co-stars Tiffany Haddish, Rob Riggle, Taran Killam and Romany Malco join Hart on-screen for the film that Hart produces for his Hartbeat Productions, and Packer via his Will Packer Productions.  www.nightschoolmovie.com

Genre: Comedy

Cast: Kevin Hart, Tiffany Haddish, Rob Riggle, Taran Killam, Romany Malco

Director: Malcolm D. Lee

Writers: Kevin Hart & Harry Ratchford & Joey Wells & Matt Kellard and Nicholas Stoller and John Hamburg

Produced by: Will Packer, Kevin Hart

Executive Producers: Malcolm D. Lee, Preston Holmes, James Lopez

In Theaters September 28

http://www.fandango.com

WHAT MEN WANT – TRAILER

WHAT MEN WANT

 

SYNOPSIS

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test. WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.


STARRING:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

 

DIRECTED BY:

Adam Shankman

 

PRODUCED BY

Will Packer and James Lopez 

EXECUTIVE PRODUCED BY

Adam Shankman, Taraji P. Henson, Amy Sayres,

David McFadzean, Dete Meserve, Matt Williams

 

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In Theaters JANUARY 11

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Crazy Rich Asians Movie Review

“Crazy Rich Asians” is based on a popular book about some, well — crazy rich Asians. This could have ended up as a parody along the lines of “Lifestyles of the Rich and Asian”. But because of a careful eye towards casting and a respectful look at traditions, this winds up as a feel-good love story. One that includes a lot of handmade dumplings and some mahjong thrown into the mix. This is the first all-Asian cast in 25-years, since “The Joy Luck Club”. So I guess the next all-Asian movie will be due out in 2043…

The main story revolves around Rachel Chu (Constance Wu) who is a professor at New York University. She is dating Nick Young (Henry Golding) for about a year, and he asks her to join him. He will be going back to his home in Singapore to be in his best friend’s wedding. Rachel agrees, but is scared to meet Nick’s family. He has not told her anything about them, but his family is one of the wealthiest in all of Singapore. His father has amassed a huge fortune in the country, and the extended family has become even richer. Rachel happens to have an old college roommate who lives in Singapore. Peik Lin (Awkwafina) knows the scoop on the marvelous Young family.

Rachel is shocked at the first-class flight back to Singapore. She ponders what it is that she might be getting herself into. But at the airport to meet them are Nick’s best friend Colin (Chris Pang) and Colin’s fiancée Araminta (Sonoya Mizuno). Nick is enjoying being back where he grew up and being with his friends. Rachel is working to keep up. But then Rachel is in a whirlwind as she meets the Nick’s many cousins: Astrid (Gemma Chan), Eddie (Ronny Chieng), Alistair (Remy Hii) and even a second cousin Oliver (Nico Santos). Oliver is All-Gay All-Day, and he makes no bones about being the ‘Rainbow Sheep’ of the family. However, Rachel also gets to meet Nick’s mother – Eleanor (Michelle Yeoh). She is chilly and strict, and Rachel is wary of her glare.

Araminta takes all the girls out for a bachelorette party, and rents out an entire island to make it happen. Shopping and spa dates are on the main menu. But also there are little petty swipes at Rachel, because some think she tried to get Nick only for the family money. Bernard (Jimmy O. Yang) is also an old friend of Nick’s and he plans the bachelor party. But this thing is a huge Event, because he takes everyone out to ‘International Waters’ to party out on a pimped-up cargo carrier ship. But all parties must come to an end, and Nick reveals plans to Colin that he will propose to Rachel. However Rachel is feeling a little bit overwhelmed by the constant excess and overpowering wealth all around her. These people are not just over-the-top — they are so high up they are in geo-synchronous orbit.

Rachel relies on her college friend Peik Lin for help in the confusion. She is also comforted by her family. Peik Lin’s father Goh Wye (Ken Jeong) and her mother Neena (Koh Chieng Mun) have many good words for Rachel. They let her know that she is not a ‘banana’ (yellow on the outside and white on the inside). Eleanor Young is displeased with Nick’s taste in women and lets Rachel know that the family traditions are too important for Nick’s small measure of happiness. Eleanor thinks that Rachel has been in America for too long, and never grew up to know the difficult parts of Chinese life. Self-sacrifice is important to Eleanor, because that is what was imposed on her.

But it comes time for the wedding for Colin and Araminta. Rachel goes to the wedding and becomes a thorn in the side of Eleanor. Then later at the reception, Eleanor reveals a family secret. But not from her family, it is from Rachel’s past. Rachel is set back even more with this new information, and she begins to spiral downward. She is a deep funk and there is no way to get her out of it. Or it there? Some things finally happen and that puts Rachel (and Nick) back on a happier road.

This movie is – yes – crazy with over-the-top fun and – ahem – rich in the portrayal of a culture (Asian) that gets very little screen time. But more than a gimmick, the all-Asian cast and crew bring an important passion and authenticity to the project. That makes the movie better and the results are fun to watch. All the actors play very dynamic roles, but there are quite a few in the ensemble. You might get lost a few times knowing  who was related to whom (I know I did). Awkwafina and Nico Santos play super funny characters, and they go the extra mile.

“Crazy Rich Asians” is delectable meal of a movie, with only one problem. It could leave you wanting more like this in the future. Just better brush up on your mahjong skills before you see it!

BlacKkKlansman Movie Review

Getting straight to the point, no credits or anything to distract from the message the filmmaker is presenting, ‘BlacKkKlansman’ starts with an old fake news clip. An actor, played by Alec Baldwin, tells his audience about how white American children have been forced to go to school with an inferior race, the black race, who are listening to Martin Luther ‘Coon,’ and have become super predators. I’m actually being nice in telling you what the despicable character and his distorted vision of reality says as he looks straight into the camera and into the racist soul of certain people in that period of time. However much the film may depict a particular year in the past (BlacKkKlansman is based in the 70’s), it’s really showing you our present, especially at the end of the film… it’s shattering to see, on the big screen, who we are today.      

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

The film is set in Colorado Springs and is actually based a retired African-American police officer Ron Stallworth’s (played expertly by John David Washington), book which is hard to believe is true, though it all is. Stallworth, tired of being treated like a second-class citizen and participating in infiltrating the rallies of the Black Power Movement, he decides to turn the tables. With help from fellow officers, he dupes the local chapter of the Ku Klux Klan, and eventually David Duke (Grace) himself, to become a card-carrying member of, the KKK. His skin tone would never allow him to get close to members of the Klan so Stallworth sets everything up via the phone and his partner, Flip (Driver), who has to deny to the members that he’s Jewish, meets with them. Though the film has plenty of comedic moments, here is where it gets really intense and shows what a master of the narrative Spike Lee is. This is the best piece of work he has put out since his earlier films and you won’t want to miss this on the big screen.

Throughout the film, images and verbal messages are used to get an incredibly important directive out to the audience. People are people, you are powerful and, chief among them, believe what you see. The alt-right and the KKK and white supremacists exist, they’re not something made up in a film or by a news channel, who is just trying to tell the American people the truth. Racism is a horrible thing yet more common than anyone wants to admit and ‘BlacKkKlansman’ has been made because the people that racism targets are tired of it. There is no superior race as characters in the film, in scene after scene, suggests and SAYS there is but there are a great many people out there who honestly believes there is. This film is fascinating and incredibly entertaining but also, it’s a reminder that what we have done in our past, can be… is being mirrored in our streets today. I can’t possibly express to you all the reasons why but as an American with an open mind, it’s crucial you don’t miss this eye-opening, impressive film. 

 

Official Website: http://www.blackkklansman.com/  

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Dog Days Movie Review

“Dog Days” is a movie named after the dead of summer, when many times things come to a crawl and life slows down. But this mixed breed of a movie has a theory that new friends can be found and romance can be kindled, with just a little canine help. Using a large ensemble cast and interweaving story lines, they are trying to go for the loosely connected Rom-Com style. Perhaps you could call it: “Love, Arf-ily”.  The main connecting thread is a group of dogs; Mabel, Sam, Charlie and Gertrude.

 

These dogs are in the care of some humans. Mabel (a very overweight pug) is with a retired professor named Walter (Ron Cephas Jones), who lives alone after the passing of his wife. He meets a pizza delivery boy named Tyler (Finn Wolfhard), and when Mabel runs away, Walter and Tyler team up. A childless couple named Kurt (Rob Corddry) and Grace (Eva Longoria) adopt a little girl. But the child is unhappy, until she comes across a stray very overweight pub – yes it is Mabel. Walter is very sad with his dog gone, but Kurt and Grace are happy that their new child is now also happy.

Dax is a slacker musician who has to take care of his sister’s dog Charlie. Dax slowly becomes attached to the shaggy mutt. But his apartment building does not allow dogs, so he needs to hide Charlie all the time. Also living at the same place is Tara (Vanessa Hudgens), who find s stray little Chihuahua dog with no name. She brings the pup to a no-kill shelter run by Garrett (Jon Bass) – who has secretly pined for Tara for ages. He names the dog Gertrude, for the author Gertrude Stein. But the shelter is having major problems, when the landlord decides to sell out and kick the tenants out.

 

But at the same time, Liz (Nina Dobrev) – a popular morning host on an L.A. TV program, has a sweet little mutt named Sam. Sam is sweeter than her boyfriend who is cheating on her. Liz gets new co-host on the program, and it is Jimmy (Tone Bell). He is an ex-football star with an older dog of own named Brandy. Brandy and Sam get along great, but it requires a little bit more time for Liz to warm up to Jimmy. Liz is so afraid to get her heart broken again; she feels that Jimmy might just be using her. But don’t worry, all of these seemingly unconnected plots will be brought together at the end…

 

But as things always go in these types of movies, the various groups get pulled together slowly. The romances grow and the new friends are there to always help. A little family gets bigger and the dogs have a way of making everyone chill out. The story line is busy with several plots and sub-plots all running together. Some are much more interesting than the others, so that weighs the movie down slightly. The director tries to make the various plot threads come together near the end, and tries to keep all the stories moving forward. It has some hiccups along the way, but it mostly works.

 

“Dog Days” is not a pure-bred, and not in the same league as “Love, Actually”. But for people who like romantic comedy movies — and they really like dogs — then “Dog Days’” is one that you might want to take for a walk around the block.

The Spy Who Dumped Me Movie Review

‘The Spy Who Dumped Me’ is entertaining but highly predictable. It isn’t a terrible movie, hence the reason the rating I gave it didn’t destroy this comedic narrative, but outside of the two leads making you chuckle, there isn’t a lot to be thrilled about. Mila Kunis seems to be top billed, but Kate McKinnon definitely steals the show as Audrey’s (Kunis’) best friend, Morgan, who would do anything to protect her friend… just as McKinnon does anything to make an audience laugh. McKinnon alone is responsible for why the film will have a modestly successful theatrical run because she lives a breathes insanity into unpretentiously deranged characters. She’s a treasure. Which leads me to the story.

Audrey’s recent break up with Drew (Theroux) and her being angry at him, gives license to her bestie, Morgan, to determine the worth of Drew’s things that had been left in Audrey’s apartment. Once defined as worthless, Morgan wants to burn his possessions to rid her friend of this slug once and for all. Drew is warned and, as expected, shows up to stop it. This is when the women learn he’s a secret agent. During all of this, we flip back and forth as to who he’s working for and whether he’s a good guy or not. Suddenly, Audrey and Morgan are being followed, dodging bullets and being shoved into vans. Again, it’s unclear as to whether or not Drew is a good guy, a question we are left to ponder until the very end of the film. They learn who Drew is, around the same time they meet the hunky Sebastian, (Heughan), who Audrey can’t help but drool over. Drew says he’s a spy; Sebastian says he’s intelligence. Who to believe? It isn’t easy so, as Morgan puts it in the film, they’re going to own their intelligence and figure everything out on their own. It’s on to Europe to sort out the mess. They’re told a lot of people will die if a trophy in their possession isn’t at a certain location on time. That won’t happen on their watch.

To make a film an action/comedy, and that’s what ‘The Spy Who Dumped Me’ is billed as you must have fight sequences and car chases and such. You’ll be quite impressed with how well director Susanna Fogel embraced that convention when, after viewing the trailer, it seemed as if the movie originally sold itself as a chick flick of sorts. Leaving the bad digital blood aside, they’re superbly choreographed, well shot and in beautiful locales, all the things needed to please today’s action audience. Another highlight for some may be the addition of Gillian Anderson as the head of the British Secret Service. Though it was great to see her in the role of a boss who pulls no punches, it was hardly a stretch for her. Perhaps she took the part to remind us all that she’s out there to which she does in spades.

I liked the film, but I didn’t love it. Having said that, you should see it at a matinee because what works is worth seeing. McKinnon. Anderson. Strong characters and complete insanity. It will work for you as a laid-back, informal summer spy thriller during your easygoing, passive summer weekend.

Crazy-Rich-Asians-movie-screening

Crazy Rich Asians Advance Movie Screening

Movie Screening Summary

Jon M. Chu (“Now You See Me 2”) directed the contemporary romantic comedy “Crazy Rich Asians,” based on the acclaimed worldwide bestseller by Kevin Kwan.

The story follows New Yorker Rachel Chu (Constance Wu) as she accompanies her longtime boyfriend, Nick Young (Henry Golding), to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life. Not only is he the scion of one of the country’s wealthiest families, but also one of its most sought-after bachelors. Being on Nick’s arm puts a target on Rachel’s back, with jealous socialites and, worse, Nick’s own disapproving mother (Michelle Yeoh) taking aim.

It soon becomes clear that the only thing crazier than love is family, in this funny and romantic story sure to ring true for audiences everywhere.

“Crazy Rich Asians” features an international cast of stars, led by Constance Wu (“Fresh Off the Boat”), Gemma Chan (“Humans”), Lisa Lu (“2012”), and Awkwafina (“Ocean’s 8,” “Neighbors 2”), with Ken Jeong (the “Hangover” films”) and Michelle Yeoh (“Star Trek: Discovery,” “Crouching Tiger, Hidden Dragon”). The large starring ensemble also includes Henry Golding, making his feature film debut, Sonoya Mizuno (“La La Land”), Chris Pang (“Marco Polo”), Jimmy O. Yang (“Silicon Valley”), comedian Ronny Chieng (“The Daily Show”), Remy Hii (“Marco Polo”), and Nico Santos (“Superstore”).

Color Force’s Nina Jacobson (“The Hunger Games” films) and Brad Simpson (“World War Z”), and Ivanhoe Pictures’ John Penotti (“Hell or High Water”) produced the film, with executive producers Tim Coddington, Kevin Kwan, Robert Friedland, and Sidney Kimmel. The screenplay is by Peter Chiarelli and Adele Lim, based on the novel Crazy Rich Asians, by Kwan.

The creative filmmaking team included director of photography Vanja Černjul (“Marco Polo”), production designer Nelson Coates (“Fifty Shades Darker”), costume designer Mary Vogt (“Kong: Skull Island”) and editor Myron Kerstein (“Going in Style”). The music was composed by Brian Tyler (“Avengers: Age of Ultron”).

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Teen Titans Go! To the Movies Movie Review

“Teen Titans Go! To the Movies” is nifty little animated production that shows you DC Comics can ‘extend their universe’ by creating a comical superhero movie. These smaller teenaged versions of superheroes can deliver a decent production with some pretty pointed jabs at the big boys (Superman, Batman, Green Lantern, etc.). Based on the Cartoon Network animated show, this team of small fry heroes will grab a rung on the ladder that is the DC Franchise, and pull them selves up to the — well maybe not exactly to the top, but it will be close…

All the Teen Titans are led by a young Robin (Scott Menville), known mostly as Batman’s sidekick. But he is joined by other young kids with special powers. There is Beast Boy (Greg Cipes) who can transform into any type of wild beast or animal. There is Cyborg (Khary Payton) who a mechanical human with high-tech powers. Also part of the team are Raven (Tara Strong) who is a half-human, half-demon sorceress and also Starfire (Hynden Walch) – an alien Tamaranian princess with super-human powers. They all hang out together and wait to fight crime.

But because of their ages and size, the regular superheroes never give them much of a chance. The last straw for Robin is when he finds out all the other superheroes are getting their own movie. Even Batman’s butler is going to get a new movie! The producer and director of the big movies is Jade Wilson(Kristen Bell). They all attempt to persuade Wilson to get them into a movie. But she refuses, because they do not have super arch-nemesis. That is someone who is planning for an evil world-changing event – so if they find someone like that and stop that evil-doer, well then, maybe a movie would be in order. 

The next thing you know is that the Teen Titans cross paths with a major super villain who has a complex maniacal plan to rule the people of Earth. This fiend is none other than Deadp… opps, sorry – it just looks a lot like him – This fiend is none other than Slade (Will Arnett). Slade is going to brainwash the whole world into doing his bidding; causing mayhem in the street, robbing banks, disarming police stations, and picking him at the airport on short notice…

Jade Wilson then starts to make the movie about the Teen Titans. But wires get crossed and loyalties get tested. Wilson gets rid of team and only wants to work with and use Robin. But are there some underlying nefarious things that are going on? Is Slade somehow in involved to divide the Teen Titans team and get Robin to deliver some final piece of Slade’s ultimate Earth take-over plan… Will the Teen Titans be able to overcome any differences and unite to fight off a bad dude and prevent global chaos?

This movie is a light and breezy treat of DC Comics cotton candy, as opposed to the usual DCEU movies that are dark foreboding meals of burnt steak and thick ale. But it is more fun to see something fun, so this version could attract a decent audience beyond just kids and teenagers. However, there are plenty of fart and poop jokes. So that way you do not forget that the target is for kids and teenagers. The whole DC Universe is given a nice satirical look, and it evens gets a big NON-DC player into the act. (Enough with the cameos, Stan Lee!)

The voice acting is right on target, and the colors and images on screen are all very vivid. Most of the character voices are from the TV series, but a few big names are brought in. Kristen Bell does a good job with Jade Wilson, and Will Arnett is totally funny when he is voicing Slade. There is also a wonderful bit of trivia cameo. Back in the 80’s Nicolas Cage was considered for the role as Superman. But now, Cage does get a chance to lend his voice-over to get this done. Good job, Teen Titans! You have righted a wrong in this universe!

Mamma Mia! – Here We Go Again Movie Review

Mamma Mia! came out a decade ago in 2008. In that film, we meet Sophie, played by Amanda Seyfried, who, by the way, has the voice of an angel. Sophie is about to get married to Sky (Cooper) and she sends invitations to three men, Sam (Brosnan), Harry (Firth) and Bill (Skarsgård) who we learn were all close with her mother Donna, who’s played by the extremely gifted Meryl Streep.
Donna is unaware her daughter has done this, but the reason Sophie felt it important to invite these men is because she has never known her father. She wants her father to give her away at her wedding. Sophie found Donna’s journal and discovered that her mother had relations with these three men around the time she was conceived.
Quite sure it’s one of them, she hopes to find out which one when they arrive. That’s quite an idea for a story, especially a musical told using tunes from the incredible group ABBA. It worked, that’s for sure. The film was a big hit despite the fact that the actors’ cast were the singers, as well, or because of that very reason. They were spectacular and the film and soundtrack both magnificent. 

Since its success, everyone has been waiting for a second go around and it finally came with ‘Mamma Mia! Here We Go Again,’ which is fun in theory but just isn’t as good. But then again, how could it be? The original had a charm tough to match. This second film is a prequel telling the stories of Donna meeting Sam, Harry, and Bill. We meet the young Donna, a wild flower child of the 70’s, played wonderfully by Lily James, when she’s at her graduation. We also get to know her lifelong friends and backup singers, Tanya, played by Jessica Keenan Wynn, in for Christine Baranski and doing a bang-up job of it, and Rosie, played by Alexa Davies, who did a passable Julie Walters. You’ll love their characters as you did in the original.

Leaving her besties behind, Donna decides she’s off to tour the world alone. As she does, she doesn’t mind having an occasional love affair which is when we meet those three guys one by one. First, it’s Harry (Hugh Skinner), who distracts her in Paris. This is where they’re able to squeeze in a decent excuse for a fun rendition of ‘Waterloo.’ Next comes Bill (Josh Dylan), who, perhaps expectedly, has a boat when Donna runs into him. She uses him to get to her island destination. Then young Sam (Jeremy Irvine) enters, who as if waiting for her all along, is already on the island when Donna gets there. Fate, maybe?

What makes the film uncommon are the ABBA songs which fill each storyline, as they did before. Most are lesser known tunes but that doesn’t change the fact that they’re good songs, especially lyrically. Each song fits the situation well but none as good as ‘Fernando.’ Cher looked oddly uncomfortable in her performance, but she sings it beautifully. Andy Garcia, who plays Fernando, not so much. However, the situation that surrounds the two being a couple is quite comical.

As before, the vocals are well done but what you liked so well about the first movie simply isn’t there but that won’t stop you from enjoying yourself and singing along. What does is finding out that Meryl Streep’s Donna has passed away which creates a bit of a sadness in you, the audience member who expected to see her. Director Ol Parker came up with an ingenious way to bring her back into the fold, which helps you endear yourself to his particular vision. He uses a lot of callbacks throughout the entire film which helps you, as well, but at the same time, makes you wish you were just watching this first one instead. Rest assured that, even if that’s true, you have to see this. You may not watch or listen to it as many times as the first, you still have to see it once.