Focus Features will release the must-see ‘WON’T YOU BE MY NEIGHBOR?’ in select theaters on June 8th


Focus Features will release WON’T YOU BE MY NEIGHBOR? 
in select theaters on June 8th, 2018

From Academy Award®-winning filmmaker Morgan Neville (20 Feet from Stardom), Won’t You Be My Neighbor? takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this emotional and moving film takes us beyond the zip-up cardigans and the land of make-believe, and into the heart of a creative genius who inspired generations of children with compassion and limitless imagination.

Director: Morgan Neville (“20 Feet from Stardom”)

Additionally, Focus Features will be launching the Won’t You Be My Neighbor? pop-up at next week’s CinemaCon, beginning April 23rd,  inside Caesar’s Palace by the Pisa Room in Las Vegas.

Go back in time to the friendliest, most welcoming place from everybody’s childhood – Mister Rogers’ Living Room.

For more info, please follow the film on social:

Official Site I Facebook I Twitter I Instagram

#MrRogersMovie

Great news! Gamechanger Films Sells North American Rights to Hannah Fidell’s, ‘THE LONG DUMB ROAD’

LOS ANGELES, CA | April 17, 2018 – Universal Pictures Home Entertainment Content Group has purchased North American rights to Hannah Fidell’s road trip comedy “THE LONG DUMB ROAD”, which made its world premiere at the 2018 Sundance Film Festival. Directed by Fidell and co-written by Fidell and Carson Mell, the film stars Tony Revolori, Jason Mantzoukas, Taissa Farmiga, Grace Gummer, and Ron Livingston, and is produced by Fidell, Jacqueline Ingram, Jonathan Duffy and Kelly Williams.  

THE LONG DUMB ROAD follows college-bound teenager Nat (Revolori), who offers itinerant 30-something mechanic Richard (Mantzoukas) a ride during a stop-over in small-town Texas. Nat, an aspiring photographer, is heading towards a bright future in art school in Los Angeles and wants to find the real America en route to new beginnings out West; Richard, a lovably unkempt motormouth, is simply looking for connection in the moment — and maybe a beer or ten — while he grapples with indecision, past mistakes and dead-ends. As they travel through the American Southwest, taking in picturesque towns and crossing paths with an assortment of old flames, fellow travelers, kooky cons, and Good Samaritans, both passengers come alive through the myriad possibilities of the open road. Finding connection, comfort and chaos in their shared journey, this improbable and unforgettable screen duo forges an epic bond few will forget.

Critical response to the film out of Sundance has been positive, with special praise for both the comic pairing of Mantzoukas and Revolori and for Mantzoukas in a leading role. Elizabeth Weitzman of the Wrap applauded the two as “unflaggingly delightful companions”, writing, “Mantzoukas and Revolori are ideally cast, bouncing off each other with a salty-sweet chemistry that’s as natural as it is entertaining.” Film School Rejects hailed the film as “the next great American road trip comedy”, declaring it “delightfully weird, relentlessly funny, occasionally vulgar, and thoughtful in all the right ways.”

“This is a dream come true,” said director Hannah Fidell of the acquisition. “I couldn’t be more thrilled to work with Universal, a company that actually understands the value of diversity both in front of and behind the camera.”

THE LONG DUMB ROAD was executive produced by Mynette Louie, Alicia van Couvering, Julie Parker Benello, Dan Cogan, Geralyn Dreyfous, and Wendy Ettinger, and co-executive produced by Abigail E. Disney, Regina K. Scully, and Jenny & Douglas Patinkin. The film was financed by Gamechanger Films.

UTA and Anita Surendran of Gray Krauss Sandler Des Rochers LLP negotiated the deal on behalf of the filmmakers.


ABOUT UPHE CONTENT GROUP
Headquartered in London, UPHE Content Group is a repertoire center of Universal Pictures Home Entertainment, acquiring and producing multi-genre entertainment for distribution across theatrical, home entertainment, television and digital platforms on a worldwide basis.  UPHE Content Group is part of Universal Pictures Home Entertainment, a unit of Universal Filmed Entertainment Group. Universal Filmed Entertainment Group (UFEG) produces, acquires, markets and distributes filmed entertainment worldwide in various media formats for theatrical, home entertainment, television and other distribution platforms, as well as consumer products, interactive gaming and live entertainment.  The global division includes Universal Pictures, Focus Features, Universal Pictures Home Entertainment, Universal Brand Development, Fandango, DreamWorks Animation Film and Television and Awesomeness. UFEG is part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment.

ABOUT GAMECHANGER FILMS

Gamechanger Films is the first film fund dedicated to exclusively financing narrative features directed by women. The company’s films include Jennifer Fox’s THE TALE (Sundance 2018), Christina Choe’s NANCY (Sundance 2018, Waldo Salt Screenwriting Award), Natalia Garagiola’s HUNTING SEASON (Venice Critics Week 2017, Grand Prize), So Yong Kim’s LOVESONG (Sundance 2016, Independent Spirit Award nominee), Karyn Kusama’s THE INVITATION (SXSW 2015), and Martha Stephens & Aaron Katz’s LAND HO! (Sundance 2014, Independent Spirit Cassavetes Award).

PHOENIX FILM FESTIVAL ANNOUNCES 2018 AWARD WINNERS

The Phoenix Film Festival is excited to announce the winners of the 2018 Awards. The complete list of winners is below:

 

FEATURE FILM AWARDS

Best Documentary: “Forever B”

 

Audience Award: “Up to Snuff”

 

Best Picture: “The Idea of Manhood”

 

Best Director: Zack Wilcox – “Hunting Lands”

 

Best Ensemble: “Rich Kids”

 

Best Screenplay: Serge Kushnier – “The Idea of Manhood”

 

Sidney K. Shapiro Humanitarian Award: “Becoming Who I Was”

 

WORLD CINEMA AWARDS

World Cinema Best Director: Peter Luisi – “Streaker”

 

World Cinema Best Picture: “Streaker”

 

World Cinema Best Documentary: “Becoming Who I Was”

 

World Cinema Audience Award Winner: “All the Wild Horses”

 

FOUNDATION AWARDS

2018 Phoenix Film Festival Volunteer Of the Year: Leslie Criger

 

SHORT FILM AWARDS

Best-Animated Short Film: “The Driver is Red”

 

Best Documentary Short Film: “Mott Haven”

 

Best College Short Film: “Night Call”

 

Best Live Action Short Film: “Control”

 

Best World Cinema Short: “Stealing Silver”

 

Best Latino American Short Film: “Instinct”

 

Best African American Short Film: “Baby Steps”

 

Best Native American Short Film: “Five Dollars”

 

The Phoenix Film Festival continues through Sunday, April 15.  For more information please visit www.phoenixfilmfestival.com.

 

My favorite film at the festival this year…

PHOENIX FILM FESTIVAL KICKS OFF THIS WEEK!

Key events not to miss!

The Phoenix Film Festival kicks off this Thursday, April 5th and will run for an expanded 11 days until April 15th!

In addition to 300 film screenings, there are also several key events and highlights happening including:

  • Industry Night – Friday, April 6 from 5PM-11PM. Actors, directors, producers, agents and everyone else working in the Arizona film industry gather to rub elbows and exchange business cards during this FREE event.
  • Kids’ Day – Saturday, April 7 from 9 a.m.-2 p.m. Children of all ages the chance to learn about the art of film for FREE. Younger festival-goers can grab a movie poster to color or attend a crafts and story time event. Older film fans can try their hand at acting, editing and creating their own short films. These age-appropriate stations allow kids to explore the filmmaking process from beginning to end, and every part in between!
  • Festival Panel Discussions – Saturday, April 7 and Sunday, April 8 from 2:30 p.m.-6:30 p.m. Our FREE weekend educational filmmaker panel discussions are open to the public and designed to enhance your Festival experience by bringing together filmmakers, film lovers and industry professionals.
  • Geek Day – Sunday, April 8 from 1:30 p.m.-6:30 p.m. We know you love all things geeky! We do too! So come and gather with your like-minded friends for the 2018 Phoenix Film Festival Geek Day. Whether you love zombies, superheroes, comic books, cosplay, vampires, steampunk, Star Wars, anime or all of the above, Geek Day will cover it.

About Phoenix Film Festival

Again, the 18th Annual Phoenix Film Festival will take place from Thursday, April 5 to Sunday, April 15. Continually breaking attendance records since its inception, last year’s festival saw over 25,000 attendees, and there are hopes to pull in even more film enthusiasts this year.

The 11-day Festival will once again be held at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054.

Interview with Monte Yazzie from the International Horror and Sci-Fi Film Festival

Monte Yazzie was extremely busy when I tracked him down for a little chat a week before the festival starts. He is the Director of the International Horror and Sci-Fi Film Festival here in Phoenix, a husband, father and rabid movie fan. I can’t think of better hands than his for the festival to be resting. Not that he ever gets rest because Monte’s also a film critic for ‘The Foothills Focus,’ for www.dailydead.com and their publication known as ‘Deadly.’ You can find all of his reviews on his extremely interesting site www.thecodafilms.com, which covers horror, art house films, music and even his own work in the independent filmmaking community. I, being completely unaware of the horror side of the festival circuit, of course, asked him to inform me of what I have been missing out on.

Me: I haven’t yet gone but plan to so could you educate me about the festival?

Monte: It’s going into its fourteenth year. It started as its own entity for quite a few years. It was its own separate event that happened in October of every year and its transitioned to a partnership with the Phoenix Film Festival so now we run concurrently. We’ve been running with the Phoenix Film Festival now, at the same time, for probably going on six to seven years. It’s a really great partnership that we have with them and I always mention that Horror and Sci-Fi now is becoming so mainstream and crossover, it makes sense for us to play at the same time as the film festival. It’s a great opportunity for us to, kind of, expand, continue to grow and get better at what we’re doing.

 

Me: You want it to run at the same time so you can get more attendees rather than stand alone?

Monte: Part of it was just necessity. It’s hard doing a film festival in October, especially a genre film festival. And with Arizona being so widespread, trying to find a place to do that and make it run efficiently and try to compete with all the other horror events that were happening at the same time, was pretty difficult and so part of it was necessity. We needed the help from the Phoenix Film Festival to continue to grow but it has also been a great opportunity for us to expand so that we can continue to service and provide these great horrors and fantasies to our viewers.

 

Me: How and when did you get involved?

Monte: I’ve been involved in some way shape or form for probably the past seven years. But I have been going to the festival since year one. I was sitting in the audience, as a film fan, year one. It’s so amazing that I was given this opportunity to be in the audience and slowly evolve into being a volunteer to working as a judge and then moving into program management work and just four years ago I was given this opportunity to take over. It’s been pretty much a dream come true because this festival has meant to so much to me when it first started, and it still means that much to me now. To have this opportunity to be a festival director is just fantastic.

 

Me: What has been your largest attendance so far?

Monte: I believe was last year.  I don’t know the exact numbers but we had so many movies playing last year, we filled every single slot.

 

Me: What percentage of the films being submitted are you able to watch yourself?

Monte: Most of the films that are going to be programming for our showcase for the horror showcase at the festival, I have probably seen all of them. We’re talking about anywhere between, depending on the year, anywhere between ten to sixteen movies. While I’m at the festival, I often fill my schedule up and I’m sitting and watching everything at the Phoenix Film Festival because that’s something I’ve been going to from the very beginning, as well. So, this is my time to sit and indulge in cinema. I try my best when I’m not actually working at the festival, to fill those open spaces with movies that I can watch.

 

Me: How many do you see a year?

Monte: My record at the festival, right before I took over as festival director, I believe I saw thirty-seven films in seven days.

 

Me: I don’t know how you do it. Do you have any special guests coming this year?

Monte: This year we have one special guest that will be coming for our opening night. We have the world premiere of a movie called ‘Cynthia.’ It’s a crossover between- kind of a little of ‘Basket Case’ and ‘The Unborn,’ two 80’s throwback movies. But, what makes it so fun is the lead actress is Scout Taylor-Compton. She was in Rob Zombie’s Halloween I & II and she will be our special guest for the evening for that opening night film; along with the directors who’ll be there and the producers will be there, as well, so it’ll be a big event. World premieres are a lot of fun because, you know, you got the entire cast and crew; everyone wants to show up for it so we’re going to have a lot of people who were involved with the movie, here. We’re hoping we get a nice big crowd of people to come and show up for that one. It’s a lot of fun.

 

Me: How do you unwind after all of this, Monte?

Monte: I go back to the movies! For me, growing up… I started as a cinephile when I was pretty young. My parents turned me onto ‘Twilight Zone’ and King Kong movies when I was probably four or five years old. ‘Twilight Zone’ was something that shaped me into the genre fan that I am today and it just continued to grow. Every single year I got older, I seemed to watch more and more movies. In the heyday of the video store, Blockbuster Video, Video Update, Superstar Video, Hollywood Video, all those places, on my summer break, I would go into the horror section and start at A and work my way all the way to Z. That was kind of my summer thing that I would do and then I started to expand and watch more stuff. Before you knew it, I was traveling to different places to see movies. Vacation for me, well when I had kids going on vacation became about them, but before them, it was going to theatres. This week I’m in San Francisco and I can guarantee that I’ll be downtown at the Castro. I’ll be going there Thursday night to watch, Mulholland Drive on 35mm.

 

Me: How charming. I love knowing all of that about you. Now I must know, what are your favorite films, if you can narrow them down, in the two genre’s that your festival represents?

Monte: All time or only at the festival?

Me: All time.

Monte: Oh, my goodness! That’s like asking me which my favorite child is. (laughs) Science Fiction is actually pretty easy. I still have the one ‘2001: A Space Odyssey’ by Stanley Kubrick. That’s the easy answer. Everyone’s going to say that. But I really love that one. I think there’s something about that movie that continues to captivate my mind every single year that I get ahold of it… it means a little something a little bit different to me every time I watch it. On the horror side, you know, the greatest horror film ever made was ‘The Texas Chain Saw Massacre.’ I think it changed the genre. That and ‘Night of the Living Dead’ had two of the biggest impacts on what filmmakers were making at the time but ‘The Texas Chain Saw Massacre’ took it to another level. The visceral feeling that you get from that movie, that gut-punch, the fact that it looks so authentic and genuine, it just paints this portrait of horror that I think, even today, it still stands up some forty years later… that movies still has such an effect on people that I think people sometimes think it’s unreal that they were able to do that. As far as the GREATEST horror film ever made, that’s it but my FAVORITE, greatest and favorite are two different things, my favorite today, at this very moment, is probably Evil Dead Part Two, or Psycho or… there are so many! Evil Dead Part Two. That’s my favorite right now. For the next five minutes that’ll be my favorite movie until I realize I told you the wrong movie.

 

Me: Now what’s your favorite for the festival this year?

Monte: We have a lot of really fun stuff and part of the fun of programming the festival is the puzzle. You know, we can’t bookend it with just horror stuff because we are horror and science fiction so, we’re trying to meet all of those prerequisites and I think this year, as with most years, we do a pretty decent job of getting that good balance of films. This year, our opening night film is ‘Down Range.’ It’s a really visceral, kind of, gut-punch of a film. Simple premise. There’s a sniper in a tree and a bunch of college kids get broken down outside of town and what happens after that is pure mayhem and explosions of gore. But it’s a great adrenaline rush to start the festival off. We have a really subdued yet really innovative science fiction film called ‘Imitation Girl.’ It has a really strong performance from actress Laura Ashley Carter and it’s directed with such confidence by Natasha Kermani, a female director. We have that female perspective really on display this year. We have four films that are directed by females. Jen Wexler is the director of a film called ‘The Ranger.’ It’s also a simple premise, it’s a punk-rock, slasher mash-up. I just love saying that. It’s a lot of fun. Great soundtrack, great performances. It’s a slasher. Everyone loves a slasher. We have a dystopian fantasy film called ‘Rock Steady Row.’ It’s about… in the future, fraternities are in control of the school and they’re terrible people. This young boy, a college freshman, gets his bike stolen by the fraternity group and he ends up turning the tables on them. It’s not like ‘Animal House’ or ‘Revenge of the Nerds’ or anything like that, it’s like ‘Mad Max’ at a college. It’s a lot of fun. Great social commentary on the state of what college kids might be feeling their college is doing to them for them to get their education… it’s a really fun movie.

The best part of our expansion is we were able to program a majority of our films twice which gives you the opportunity or not having to make that difficult choice of picking one festival over the other. Many of our films will be playing two times during the festival so it makes it a little easier to catch them. The second weekend of our festival is kind of dedicated to horror and sci-fi. We have two dedicated screens at the theatre and we’ll be playing horror and sci-fi movies during the day so I believe if you look at Friday the 13th and Saturday the 14th, you can start programming horror/sci-fi movies at 2:00 in the afternoon.

 

Me: Hmm… horror on Friday the 13th!

Monty: I know there’s a lot of people who will think it’s an obvious choice, but I was really happy with myself. We have a documentary in the festival this year called, ‘To Hell and Back: The Kane Hodder Story.’ He’s the iconic version of Jason Voorhees from the ‘Friday the 13th’ movies so, we programmed that movie to play on Friday the 13th. When we did it, I had a big smile on my face. No one has mentioned it yet but I’m sure it’ll seem very obvious.

 

Sounds like I’m going to finally get my chance to check out Monte’s festival and I can’t wait. I’m checking my schedule now so I can get my tickets today. You better do the same and stop and say hi to Monte if you see him. He’ll love it. Don’t miss out on the fun. Come check out the International Horror and Sci-Fi Film Festival, where you can watch features and shorts in both genres from all over the globe. See you there!

Interview with Jason Carney of the Phoenix Film Festival!

I spoke with Jason Carney of the Phoenix Film Festival, now in its 18th year, and asked him a few questions about what fun the festival has in store for us this year. I was also curious about how he thinks his festival, being eleven days long as opposed to the eight it had been, will be perceived.  If you don’t know, Jason is the Director of the Phoenix Film Festival and the International Horror & Sci-Fi Film Festival. This year it runs from April 5th through April 15th.

If you’ve never gone, you should give it a try. There’s something for everyone to enjoy! There’s a very popular Kid’s Day, Middle and High School Workshops, several different Panels and each of these events are informative, educational and entertaining. I’ll let Jason fill you in on a few things, including the fact that the Harkins theatre it’s held in is even nicer than before, and that’s hard to beat. They added a bar inside which is not a bad idea with as many thirsty festival goers that walk through their doors.

 

Fred Rogers on the set of his show Mr. Rogers Neighborhood from the film, WON’T YOU BE MY NEIGHBOR, a Focus Features release.
Credit: Jim Judkis / Focus Features

Me: What is your favorite movie of the festival this year?

Jason: I think it’s ‘Won’t You Be My Neighbor?’

Me: The film about Mr. Rogers’ Neighborhood? Really?

Jason: Yep. It’s really fantastic.

Me: I’ve heard it’s good. I’ll have to check it out. By the way, I thought the festival films from 2017 were terrific. What was your favorite from last year?

Jason: That was like a year ago, Shari! (Thinks) What did we play? Now I’m going to have to look up a program and see what we played from last year. (We laugh) I’m old. I can’t remember last years festival! I really liked, ‘The Hero’ the Sam Elliot movie we had for opening night. I loved it and I really like Sam Elliot. That was a good movie.

 

Me: Do you see all of the films that play in your festival… or what would your percentage be each festival season?

Jason: Percentage of movies I see? That is ridiculously low.

Me: Really?

Yeah, because of the programmers. I don’t really watch much. We bring in program directors for each category and since they’re watching all the films, you know, I trust them to make the choices. We brought on another programmer to help with some of the films from some of the smaller distributors so, he’s watching a lot of that content. I’ve probably seen maybe a half dozen to a dozen films out of the 120 feature films we’re choosing from so maybe 5 or 10 percent. You know, it’s all about having really strong people to watch the films. There’s just not enough time in my life to watch all of those films.

 

Me: I’m judging the short films for you this year and I gotta say that I’m enjoying them tremendously.

Jason: Oh, yeah. They’re so good and you see it. Our programmers watch so many and have such a great eye. I trust them to do the right thing. My job isn’t to watch the films and tell them how to program, my job is to choose the right people and put them in the right place and let them do their thing. That’s part of any, like working anywhere, you want to trust people to do their job and stay out of their way. That’s kind of how a film festival should be able to work, as well.

 

Me: What special things do you have planned for us this year and are you nervous about the added days or looking forward to them?

Jason: The big thing this year is the expansion; going from 175 screenings to 300 is huge. We’re anxious to see how that goes and what it’s like with the theater being remodeled now. There’s also that factor… to see how that features into everything. There are a lot of variables of potential change this year that we just don’t know about. It’s kind of exciting and fun to see how things play out this year. We have different new categories and things like that, that make it exciting and that’s part of what a film festival should be. It’s always changing, always evolving, you know, otherwise, you get stagnate and it becomes the same thing year after year and we don’t want to do that.

Me: What are the new categories?

Jason: There’s this cool thing, it’s called Music in Movies and so we’re showing a few new titles featuring music in film and then we’ve got some older titles that we’re showing. We’ve got this cool documentary that’s called ‘The Godfather of Hardcore.’ It’s about this hardcore punk band called, Agnostic Front and the guys will be here. These guys are, like, legendary. It’s not my style of music but these guys are great characters and even if it’s not your style of music, it’s really a cool documentary; something I might not otherwise have seen. That’s kind of what a film festival is all about.

But we also have some old titles like, ‘Empire Records’ to show the music store thing and we’ve got ‘The Buddy Holly Story’ which is our music bio-pic and ‘That Thing You Do’ and ‘Moulin Rouge.’ So, a lot of cool new things and some old stuff to kind of show how prolific music is in film.

Me: When is this all taking place?

Jason: It’s part of our second weekend.

 

Me: Speaking of, what brought you to the decision of making the festival eleven days long?

Jason: You know, we’ve been talking about it a couple of years now and it just seemed right. Our contract with Harkins was up for renewal and with it being remodeled and where we were creatively as an organization it felt right. All these things kind of came together. Like, alright, we gotta make a jump eventually so let’s do it this year. I think we’re as ready as we’re gonna be so let’s give it a go.

A lot of festivals are at ten or eleven days and so, eleven days is our magic number. We start on a Thursday and run it through the following Sunday.

Me: Everyone has loved the location in the past. Is Harkins an easy company to work with?

Jason: Harkins was super helpful and super cooperative. Even going back to when they were talking about remodeling the theatre, they wanted to kind of, start earlier but they were super cooperative with working with us on the festival last year. Our festival ended on a Thursday and they started remodel construction the Monday after the festival. They were ready to go to get that remodel done.

They looped us in way in advance, of when they were doing it, so we could start talking about how the theatre remodel was going to impact us; we could talk about expansion. All through the way in the planning stages, they’ve been nothing but a great partner. I can’t say enough things about how good they are.

Me: They better stock up on the alcohol at that new bar, I’m guessing.

Jason: I’ve warned them that filmmakers and film fans will be living it up at the festival. I think they’re going to have extra bartenders on staff so that’ll be great.

 

Me: Outside of Agnostic Front, are there any other guests coming to the festival?

Jason: We have something really cool on our closing night film Eight Grade. Bo Burnham, he’s a comedian, is going to be here. He directed the film. This was a passion project he had been trying to get made for years so he’ll be here to be a part of our closing night event and have a discussion afterward which will be awesome.

 

Me: Since you made these changes, how do you expect things to go for the International Horror & Sci-Fi Film Festival to go?

Jason: They’ve always been solid. We’ve added some extra screenings which will be really cool. Before, they had only one theatre on opening weekend. Well, we shifted that on opening weekend where there’s just too many primary (inaudible) but the second weekend, they’ll have two screens running. That’ll be really cool to get more and more out there in terms of content for Horror and Sci-Fi fans.

 

Me: Do you attend the festival every day or only some of the time?

Jason: Oh, yeah. I’m here, gosh, bright and early and I’m leavin’ late at night. It was previously eight days, so we’ll see how it goes with these extra three days. I actually stay not too far from here at a hotel and that makes my life easier, so I can get some sleep. But it’s important for my psyche to be on site. My brain would go crazy if I wasn’t here during the festival. We spend like 350 days planning it, so I want to make sure I’m here for it. (laughs)

 

Me: It would be a lot to take. How do you unwind after all of it?

Jason: I watch a lot of T.V. I don’t watch any movies at home. That’s another thing, people are like, ‘You’re watching all the festival movies at home.’ I am not! I’m escaping films at home. If I see something, a new film that’s coming out, I see it at the theatre or I’m probably not going to see it. It’s all about breaking away from the movies at home so I watch a lot of T.V. and stuff like that. I do the baseball card thing, that’s kind of my hobby on the side, as well. Greg Hall, our Feature Film Program Director is also a baseball card guy. So, we’re movie nerds and baseball card nerds all at once.

 

If you’ve never gone to the Phoenix Film Festival, make this your first year. HERE is a link to help make your festival decisions easier. Have fun and I’ll see you there!

Time to light it up! Get your FREE tickets to see #BlockersMovie early!

BLOCKERS – In Theaters April 6

It was announced on The Today Show that the Blockers filmmakers and cast are giving away FREE tickets to special Spring Fling screenings for fans this Wednesday, April 4th!

When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.  Leslie Mann (The Other Woman, This Is 40), Ike Barinholtz (Neighbors, Suicide Squad) and John Cena (Trainwreck, Sisters) star in Blockers, the directorial debut of Kay Cannon (writer of the Pitch Perfect series).

The comedy is produced by Evan Goldberg, Seth Rogen and James Weaver, under their Point Grey Pictures banner (Neighbors, This Is the End), alongside Jon Hurwitz & Hayden Schlossberg (Harold & Kumar series) and DMG Entertainment’s Chris Fenton (47 Ronin).

Good Universe’s Nathan Kahane and Joseph Drake (Don’t Breathe, Juno) executive produce with Chris Cowles (Collide) of DMG, as well as Josh Fagen, Dave Stassen and Jonathan McCoy.  The film is written by brothers Brian & Jim Kehoe.

Find participating locations and more information at BlockersSpringFling.com

Official Website | Facebook | Twitter | Instagram | #BlockersMovie

Genre: Comedy

Cast: Leslie Mann, Ike Barinholtz, John Cena, Kathryn Newton, Geraldine Viswanathan, Gideon Adlon

Directed by: Kay Cannon

Written by: Brian Kehoe & Jim Kehoe

Produced by: Evan Goldberg, Seth Rogen, James Weaver, Jon Hurwitz, Hayden Schlossberg, Chris Fenton

Executive Producers: Nathan Kahane, Joseph Drake, Josh Fagen, Chris Cowles, Dave Stassen, Jonathan McCoy

PFF_Schedule

Come to the Opening Night Kickoff for the Phoenix Film Festival on April 5th!

PHOENIX FILM FESTIVAL OPENING NIGHT

Movie Lovers Come Together For This Not To Be Missed Cinematic Night

WHAT:          The Phoenix Film Festival Opening Night kickoff party is an event you do not want to miss! Food and festivities will be held in the Party Pavilion with tastes from some of the best restaurants in town including: Brat Haus, The Capital Grille, The Dhaba, Nothing Bundt Cakes, Maggiano’s, Mexican Moonshine and more to be announced! Guests can also enjoy live music, in addition to a silent auction where they can bid on exclusive items.

After the cocktail party, guests will be escorted from the Party Pavilion to the Harkins Cine Capri Theatre for the conclusion of the night’s events. Kimber Lanning, Founder and Executive Director of Local First Arizona, will be celebrated and honored with the festival’s Visionary Award. Local First Arizona is a statewide organization implementing innovative strategies for new models of economic development that create vibrant local economies.

The Visionary Award ceremony will be followed by a screening of A24’s LEAN ON PETE, starring Steve Buscemi, Chloë Sevigny, and Charlie Plummer. Directed by acclaimed filmmaker Andrew Haigh, the film has previously screened at the Toronto International Film Festival and at South by Southwest.

WHO:             Valley tastemakers, film fans and filmmakers from across the country come together to celebrate film.

WHERE:        Harkins Scottsdale 101 & Scottsdale 101 Shopping Center  7000 East Mayo Blvd. Phoenix, AZ 85054

WHEN:          Thursday, April 5 6:00pm – 7:30pm (Opening Night Party) 7:30pm – 10:00pm (Visionary Award Ceremony and Opening Night Film)

HOW:             Get your tickets before they’re gone! Opening Night Event tickets are $60 with all proceeds going to the Phoenix Film Foundation’s education programs. Tickets can be purchased at www.phoenixfilmfestival.com

ABOUT THE PHOENIX FILM FESTIVAL

The 18th Annual Phoenix Film Festival will take place from Thursday, April 5 to Sunday, April 15. Continually breaking attendance records since its inception, last year’s festival saw over 25,000 attendees and there are hopes to pull in even more film enthusiasts this year. The week-long Festival will once again be held at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054. 

 For movie lovers, this is an event not to be missed. Tickets and passes are on sale now and available through the Phoenix Film Festival website www.PhoenixFilmFestival.com. Tickets may also be purchased in person at the Phoenix Film Festival Ticket Center next to the Harkins Scottsdale 101 Theatre. Tickets range in price from $13 for a single screening to $300 for a platinum pass. For more information call 602-955-6444.

A24’s film ‘Eight Grade’ to be the Phoenix Film Festival’s Closing Night Film

PHOENIX FILM FESTIVAL ANNOUNCES

A24’s “EIGHTH GRADE” AS CLOSING NIGHT FILM

Writer/Director Bo Burnham will be in attendance

PHOENIX, AZ – Tuesday, March 27 – The Phoenix Film Festival is excited to announce the Closing Night film as A24’s “Eighth Grade”, recently featured as part of the U.S. Dramatic Competition section of the 2018 Sundance Film Festival and is currently 100% Fresh on Rotten Tomatoes.

“Eighth Grade” stars Elsie Fisher, Josh Hamilton, Emily Robinson, Jake Ryan and is written and directed by Bo Burnham.

Bo Burnham is also a comedian and actor, seen in 2017’s “The Big Sick” and star of 2013’s MTV series, “Zach Stone Is Gonna Be Famous”. Bo will appear at the Phoenix Film Festival for a pre-screening introduction and post-screening Q&A on Sunday, April 15 at 7:00 p.m. To purchase tickets, visit www.phoenixfilmfestival.com.

About “Eighth Grade”

Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth-grade year—before she begins high school.

About Phoenix Film Festival

The 18th Annual Phoenix Film Festival will take place from Thursday, April 5 to Sunday, April 15. Continually breaking attendance records since its inception, last year’s festival saw over 25,000 attendees and there are hopes to pull in even more film enthusiasts this year. The 11-day Festival will once again be held at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054.

PRODUCTION UNDERWAY ON MARVEL STUDIOS’ “CAPTAIN MARVEL”

LOS ANGELES, CALIF. (March 26, 2018) – Marvel Studios has begun principal photography in Los Angeles, California, on its newest film, “Captain Marvel.” The production is shooting in and around the greater Los Angeles area, which will also serve as the production base for the film. The production will also shoot on location in Fresno, California, as well as locations in Louisiana, including Baton Rouge and New Orleans.

Set for release in the United States on March 8, 2019, Marvel Studios’ “Captain Marvel” is directed by the writing/directing team of Anna Boden and Ryan Fleck, whose credits include “Mississippi Grind” and “Half Nelson.” An all-star collective of accomplished writers penned the screenplay, including Meg LeFauve (“Inside Out,” “The Good Dinosaur”),  Nicole Perlman (upcoming “First Man,” Marvel Studios’ “Guardians of the Galaxy”), Geneva Robertson-Dworet (“Tomb Raider,” upcoming “Sherlock Holmes 3”), Liz Flahive & Carly Mensch (“Glow”), and Anna Boden & Ryan Fleck.

The film stars Academy Award® winner Brie Larson (“Room,” “Kong: Skull Island”), Samuel L. Jackson (Marvel Studios’ “Avengers: Age of Ultron,” “The Hateful Eight”), Ben Mendelsohn (“Rogue One: A Star Wars Story,” “Ready Player One”), Djimon Hounsou(“Blood Diamond,” Marvel Studios’ “Guardians of the Galaxy”), Lee Pace (“The Book of Henry,” Marvel Studios’ “Guardians of the Galaxy”), Lashana Lynch (“Brotherhood,” “Fast Girls”), Gemma Chan (“Humans,” “Fantastic Beasts and Where to Find Them”), Algenis Perez Soto (“Sambá,” “Sugar”), Rune Temte (“Eddie The Eagle,” “The Last Kingdom”), McKenna Grace (“I, Tonya,” “Gifted”), with Clark Gregg (“Live by Night,” “Marvel’s The Avengers”), and Jude Law (“Spy,” “The Grand Budapest Hotel”).

 

The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.  Set in the 1990s, “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.

 Kevin Feige is the producer of Marvel Studios’ “Captain Marvel.” Louis D’Esposito, Victoria Alonso, Jonathan Schwartz, Patty Whitcher and Stan Lee are executive producers, with Lars Winther serving as co-producer/first assistant director and David Grant serving as co-producer.

 Directors Anna Boden and Ryan Fleck’s creative team includes director of photography Ben Davis (“Three Billboards Outside Ebbing Missouri,” Marvel Studios’ “Doctor Strange,”), Oscar®- nominated production designer Andy Nicholson (“Gravity,” “Jurassic World: Fallen Kingdom”), costume designer Sanja Hays (“The Fate of the Furious,” “Star Trek: Beyond”), editors Elliot Graham (“Steve Jobs,” “Molly’s Game,”) and Debbie Berman (Marvel Studios’ “Black Panther,” “Spider-Man: Homecoming”), two-time Oscar nominee, visual effects supervisor Christopher Townsend (Marvel Studios’ “Avengers: Age of Ultron” and “Guardians of the Galaxy Vol. 2”), stunt coordinator Jim Churchman (Marvel Studios’ “Doctor Strange” and “Ant-Man” ) and six-time Oscar nominee, special effects supervisor Dan Sudick (Marvel Studios’ “Avengers: Infinity War” and “Black Panther”). 

 

Based on the Marvel comic character first appearing in 1968, “Captain Marvel”  continues the lineage of epic big-screen adventures chronicled in “Iron Man,” “The Incredible Hulk,” “Iron Man 2,” “Thor,” “Captain America: The First Avenger,” “Marvel’s The Avengers,” “Iron Man 3,” “Thor: The Dark World,” “Captain America: The Winter Soldier,” “Guardians of the Galaxy,” “Avengers: Age of Ultron,” “Ant-Man,”  “Captain America: Civil War,” “Doctor Strange,” “Guardians of the Galaxy Vol. 2,” “Spider-Man: Homecoming,” “Thor: Ragnarok” and, most recently, “Black Panther.”

 With the release of “Black Panther” in February, Marvel Studios continued its unprecedented success. At the time of release, the film recorded the second biggest opening weekend of all time with $202 million and is on track to the become the highest grossing superhero film at the domestic box office. The film has grossed over $1.1 billion worldwide to date. “Black Panther” propelled the Marvel brand’s #1 domestic box-office opening streak to a record-breaking 19 consecutive films.