Atomic-blonde-hero

Atomic Blonde Movie Review

Perfect for the summer heat, this is a fun, exciting and provocative action packed spy thriller.  Atomic Blonde is based on the ONI PRESS Graphic Novel Series called “The Coldest City,” written by Antony Johnston and illustrated by Sam Hart.  I’m quite certain they’re happy to see Charlize Theron was cast in this because she’s both incredibly steely and sexy in this screen adaptation of their character, Lorraine Broughton, a fearless MI6 agent. 

Set in 1989, Lorraine is sent to Berlin around the time of the fall of the Berlin Wall.  When she goes in for her next task, she learns of the assassination of her colleague and her lover.  She is sent out to retrieve a list of highly secret agents and their codenames that was filched from him at the time of his murder by a Russian agent.  As she begins her work, she glides her way through Berlin’s clubs to an awesome 80’s soundtrack, some of which I believe may have been only in her head to help her become what she must to be the badass, callous killing machine she may need to be to get the job done.

Speaking of what it takes to get the job done, she meets up with British agent David Percival (McAvoy) who she has an immediate distrust of but still builds something of a coalition with.  Soon, she meets a beautiful French spy (Boutella) and is more than willing to get down and dirty and use her to get the information she needs.  This movie isn’t afraid to show you exactly what that is and, much to the bewilderment of some and awe of others, we crawl in bed with these two women and stay there through a scene that can only be described as explicit.  This scene gives Atomic Blonde the edge that many films before it were afraid to stroll up to and gives the director, David Leitch, a head up on the competition.    

McAvoy is incredible in the role and Boutella stands out but this is a Carlize Theron film.  Theron, knowing her way around Hollywood well enough, has brought us many memorable characters and Lorraine is no different.  Willing to do many of her own stunts, I wouldn’t be surprised to see her with several more movies of this ilk, come her way because she’s cold and brutal when she needs to be and wells with passion and warmth whenever the right moment presents itself. 

There are a few scenes that are so gut wrenchingly painful looking that you’ll not only laugh at the ridiculousness of them but cheer at how bold the film is and how fully Theron committed herself to this character.  There’s one scene in particular in a stairwell that is the example for my previous sentence.  You’ll recall these words when you see the film.  The movie itself may not be perfect but it’s exactly what you want out of a summer release.  Leitch is known for his stunt work in 82 films, including Hitman: Agent 47, The Bourne Legacy, The Mechanic and many more so it’s not hard to see why the technical performances are so on the nose here. 

It goes over the top as films of this genre do but I don’t think that hurt it.  If anything, that is its appeal and more than makes up for the few times when the plot drags some getting to the point. Told through flashbacks, it’s colorful, stylish and memorable and something I recommend seeing at the theatre this weekend.  You’ll want to see these fight sequences on the big screen. 

Suburbicon Trailer

Welcome to Suburbicon
A town of great wonder and excitement. Built with the promise of prosperity for all. 

Directed by: George Clooney

Starring: Matt Damon, Julianne Moore, Noah Jupe and Oscar Isaac

Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns…the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge (Matt Damon) must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon. 


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In Theaters October 27

http://www.fandango.com

Dunkirk Movie Review

I think that with Dunkirk, Christopher Nolan, writer/director of such outstanding films as Memento, The Dark Knight Trilogy, Inception and Interstellar, will finally get his Best Director Oscar Nomination, if not win.  He could possibly capture gold from the Academy for Best Screenplay, as well.  This is a near perfect film.  It’s hard to find a flaw in the presentation of its visuals and its sound.  To find something, one would have to be really digging for it and if you are, you’re certainly missing the entire point of this beautifully crafted piece. 

Dunkirk is meant to enlighten you as to what people will do to help one another endure when pushed to the brink of survival; even if they themselves don’t make it.  People were willing to risk their lives to be sure others survived at Dunkirk.  These people were just every day British citizens and those they were rescuing were the 400,000 British soldiers, trapped on a beach in France just over twenty miles from the shores of England.  I knew nothing of their heroism but it is well displayed here and the only way to see how and why they were so desperately needed and welcomed is at your nearest IMAX theatre; THIS I can’t stress enough.

The story centers around three different points of view of this agonizing situation; by land, by air and by sea.  Prepare yourself because shortly after the opening, the story and the accompanying music is relentless as it crescendos to a crowning finish.  You’ll be clutching your seat and biting your lip watching these poor souls do whatever it takes to live through the night.  Tom Hardy is a pilot with an eagles eye look on the entire goings on.  It was interesting seeing a war film from this perspective and, once again as he did with Bane in The Dark Knight Rises, he’s able to suck you into his character with just his eyes since his face is covered with an oxygen mask the entire time.

On the land portion, you’re with the most vulnerable in the attack; the soldiers who are stuck with nowhere to go.  These men are the last chance England has of fending off the advancing attack from the Germans.  If they fall they’ll lose the war.  Had things not happened the way they did, the history books would read very differently right now.  German soldiers are moving in on the town on one side of the beach.  The British and French soldiers are dodging their bullets to get to the beach where they are hoping to get onto a ship to sail to England.  The trouble here is that the ships can’t get to them because the water is too shallow.  With no other choice but wait, they are also having bombs dropped on them from the German Air force.  They are bona fide sitting ducks.  The cast of young actors, Fionn Whitehead and Harry Styles among them, do a fine job of expressing fear as well as the spirit of duty to their homeland.  You will weep when you put yourself in their place, which you can’t help but do.  In the opening scene alone it becomes hard to peg this film a Drama or an Action.  The two genres work together from there to move you and they never stop their assault.

On the sea, you meet a few of the heroes who volunteer their vessel and their time to bring the boys home.  Mark Rylance does a beautiful job of explaining to his sons, and to one soldier he rescues, why it’s important that they go to Dunkirk.  It’s their duty.  The way he said the word Dunkirk still rings in my ears… the speech was so filled with passion. 

What Christopher Nolan did so well to bring this true story to life was to, basically, keep it as simple as possible so that the important and more meaningful events stood out most.  There was no narrative or unnecessary scenes explaining who the people in the film were. 
There was no need to overwhelm you or pollute the screen with names, dialogue, back stories and plotlines that led you anywhere but on that day, on that beach, in that ocean or looking down on it all.  This also keeps you in their skin and involved in their conflict at all times, maneuvering the plane, running from the bombs and dodging the bullets. 
When you see the boats come for them, you’ll remember the tag line on the poster that says, ‘When 400,000 men couldn’t get home, home came for them’ and a shiver will run down your spine.  Just try not to cry along with Kenneth Branagh who, if you didn’t love before this, you will after. 
Enjoy the film and remember, don’t cheat yourself out of seeing this on an IMAX screen; the way it was meant to be seen.

The Disaster Artist Trailer

Based on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau’s cult–classic disaster piece THE ROOM (“The Greatest Bad Movie Ever Made”), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend– and no limit to what you can achieve when you have absolutely no idea what you’re doing. 

STARRING:  Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Josh Hutcherson

DIRECTED BY:  James Franco

In Theaters December 1

http://www.fandango.com

Home Again Trailer

HOME AGAIN stars Reese Witherspoon (“Big Little Lies,” Wild, Walk The Line, Sweet Home Alabama) as Alice Kinney in a modern romantic comedy. Recently separated from her husband, (Michael Sheen), Alice decides to start over by moving back to her hometown of Los Angeles with her two young daughters. During a night out on her 40th birthday, Alice meets three aspiring filmmakers who happen to be in need of a place to live. Alice agrees to let the guys stay in her guest house temporarily, but the arrangement ends up unfolding in unexpected ways. Alice’s unlikely new family and new romance comes to a crashing halt when her ex-husband shows up, suitcase in hand. HOME AGAIN is a story of love, friendship, and the families we create.  And one very big life lesson: Starting over is not for beginners.

Cast: Reese Witherspoon, Pico Alexander, Nat Wolff, Jon Rudnitsky, Michael Sheen, Candice Bergen, and Lake Bell

Directed by: Hallie Meyers-Shyer

Written By: Hallie Meyers-Shyer

Produced By: Nancy Meyers and Erika Olde

Distributor: Open Road Films

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In Theaters Sept 8th

http://www.fandango.com

Wish Upon Movie Review

Wish Upon was not only predictable but sophomoric in its intention and style.  There wasn’t anything about this self-professed horror movie that would come anywhere close to startling even a new fan of the genre and definitely will not be surprising or shocking your average movie watcher. 

Often, the narrative seems to lack the discipline that’s needed to stay on track and be true to the characters, instead relying on the audience to grasp and accept what is being portrayed without a complete structure set up and we’re also asked to not mind the obvious stereotypes.  Most jarring of these would be the females being nothing but jealous of one another and decidedly empty between the ears.  This is used in a somewhat comedic way but to a ridiculous extent. 

The dialogue between the main character, Clare (King), and a senior boy, Paul (Slaggert), whom she has a crush on, is possibly the biggest example of regurgitating tired plotlines to the degree that they lose what could have been unique almost from the very beginning.  

What I mean by that is the use of the wish itself could have been so much better.  Not until the very end of the film are they even used creatively. 

To back up a bit, Clare is raised by her father, Jonathan (Phillippe) after her mother’s suicide.  She hasn’t had the best of lives but she has a few best friends who stick by her side and her father loves her very much.  Jonathan stumbles upon a beautiful box and gives it to her as a gift.  The box has Chinese writing all over the outside of it and, conveniently, the high school she’s in has a Chinese language class that she happens to be taking.  The box doesn’t open but she can read the script on the outside of it that reads, ‘seven wishes.’  She soon realizes that if she makes wishes upon it… they do come true.  How?  She wishes for something to happen to her mortal enemy.  This wish is quite awful and something that, if it were to happen, would baffle all medical science.  She’s shocked to find out it does happen.  Knowing that it was impossible and had to have been her wish, she tries again to see if she now possesses the power we’d all wish to have and it once again comes true.  After using several wishes and happy that she now has almost everything she has ever wanted, she all but abandons the person she was before getting the box and, oddly, doesn’t mind when she, at last, learns about the ramifications of using the box. 

I’ll let the movie explain more about that but if she is going to get a wish, the box, or what controls it, gets something in return.  What it wants is blood.  What it gets is blood.  So, what ultimately doesn’t work here is that you could have seen the wishes coming a mile away.  In fact, you see the entire story unfold in your mind before it plays out on screen.  Not even the consequences are original which adds the humdrum and stale to what was expected to be a fun flick.  The box that gives you seven wishes and how that came about is interesting but it’s counter productive to have a provocative idea and disappoint the audience by doing nothing avant garde with it.  Wish Upon instead plays it safe and uses a formulaic thread or technique that works.  Every step it takes has been done before and I believe the filmmakers missed a real chance to have something really memorable.

I feel I must admit that the acting wasn’t much better.  Joey King is excruciatingly awkward and somewhat too childlike for the role while Ryan Phillippe needs to be checked for a pulse.  There isn’t one performance that really stands out in a positive manner. 

In its defense, I would like to say that if you don’t watch many horror films, prefer not to or aren’t supposed to watch anything bloody or gory, then this may be perfect for you.  This isn’t a bad introduction to the category and isn’t much of a fright.  I would, however, suggest you catch it at a matinee.  There are some humorous moments and it does wrap up well but fans of horror and thrillers in general… this is not for you.  

“Atomic Blonde” Featurette #2 – Fight Like a Girl

ATOMIC BLONDE – In Theaters July 28

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Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. 

The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission.  Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies. 

A blistering blend of sleek action, gritty sexuality and dazzling style, Atomic Blonde is directed by David Leitch (John Wick, upcoming Deadpool 2).  Also starring John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones, the film is based on the Oni Press graphic novel series “The Coldest City,” by Antony Johnston & illustrator Sam Hart.  Kurt Johnstad (300) wrote the screenplay.

                 

Cast: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones

Directed by: David Leitch

Screenplay by: Kurt Johnstad

Based on the Oni Press Graphic Novel Series “The Coldest City,” Written by: Antony Johnston and Illustrated by: Sam Hart

Produced by: Charlize Theron, Beth Kono, A.J. Dix, Kelly McCormick, Eric Gitter, Peter Schwerin

Executive Producers: Nick Meyer, Marc Schaberg, Joe Nozemack, Steven V. Scavelli, Ethan Smith, David Guillod, Kurt Johnstad

The Journey Movie Review

This is an incredibly fascinating film.  It’s about the past without showing too much of it visually.  Their past is that the Catholics want Northern Ireland to be independent of England and the Protestants approve of England ruling over them.  The war that has been going on has caused many deaths due to bullets flying by and bombs going off.  Even children aren’t immune to the carnage.  Times have changed and the new Prime Minister of England Tony Blair (Stephens), wants to work to end this fight once and for all.

The Journey stars Colm Meaney, as former Irish Republican Army (IRA) leader, Martin McGuinness, who plays the role of the Protestant.  Meaney has worked in the film business since 1981 and in television before and since.  He has 117 acting credits which is quite a feat.  You’ve seen him in such films as The Dead, Far and Away, The last of the Mohicans and Layer Cake among others.  The man opposite him, playing the profoundly conservative British loyalist or Catholic, Ian Paisley, is Timothy Spall.  Spall started work in the entertainment business at virtually the same time as Meaney.  He has a few more credits than Meaney has though you may recognize him most for his work as Peter Pettigrew in the Harry Potter franchise.  He has worked in films such as The Missionary, Love’s Labour’s Lost, A Series of Unfortunate Events and did voice work in Chicken Run and Alice Through the Looking Glass to name a few. 

These two people primarily carry the entire film without dropping character once.  The Journey is a story of two strong-headed men who have been keeping a civil war going on now for almost forty years. 

When they were younger, they were called as The Troubles; now they are referred to as politicians.  It’s 2006 and time to engage in what comes to be known as the Northern Ireland peace talks.  Maybe this war for Northern Ireland can end and if so, these two men are a big part of making that happen smoothly; if it can happen at all.  Getting them in the same room together is hard enough but, ‘talking’, as well?!?  That’s a ludicrous notion but it’s worth a try.  These two could continue a war or end it with just a simple handshake.  What happens once they’re in the limo together, however, is quite riveting indeed.

All of the performances in The Journey are outstanding but these two stood out because they were such a big part of the script.  I’d guess that at least ¾ of the film is just these two talking but don’t let this scare you away.  They’re so good that the dialogue they speak, how they’re delivering it and the information they’re serving you will have you feeling as if you had just been in an entertaining lecture.  It was mastery the way the story of these two men unfolded and I’m here to be a voice for a film that I might not have noticed by just the title.  I don’t want you to miss it.  Don’t be frightened by the fact that they are alone most of the excursion.  They’re absorbing and move everything forward with skill and precision.  I’m not certain, had the roles gone to other actors that it would have turned out as good, to be honest. 

Looking at the work they’ve done in the past might give you a sense of how good they are in this and thusly how good the movie will be.  If you like history, as I do, I’ll ask you to trust me about this and be sure not to miss this well-crafted gem.  Some history buffs may not appreciate exactly how the two characters get together because they weren’t going for historical accuracy but that aside, how their relationship unfolds is of little consequence when put next to the larger picture of the ultimate prize.  I don’t want to say what happens in the end in case you don’t know but do watch the credits for pictures of the real Martin and Ian.

The Last Face Movie Review

I’m giving this film probably more praise than most because in its heart is such a good message and the performances are marvelous.  It’s so well cast.  Some scenes, though not many, are done staggeringly well.  Theron knocks it out of the park as an international aid organization director, Dr. Wren Petersen.  She hits a home run in this role!  She’s a scene stealer more than once when she shows how vulnerable she is yet how powerful she can be when pushed.  It’s downplayed but Bardem is sexy as Dr. Miguel Leon, a relief-aid doctor who has equal heart and hormones to give.  When Wren sees this dark haired, male version of everything she has always wanted to be, she has to know him. 

Sean Penn, two-time Academy Award® winner and the director of the film, loves a cause and this certainly fits the agenda, however, some of its significance may have been lost due to confusing the narrative of humanitarians and their work with a love story that seems out of place.  Don’t fret.  By the end of the movie, it does seem to come together but one shouldn’t have to put so much work into something to keep track of what the theme is. 

It’s beautifully shot and is compelling; this story of international aid relief, but it seems to fall apart structurally.  With this director, I can’t figure out why.  Perhaps because you can’t fit a love affair into the middle of a ferocious battle of a Liberian Civil War.  Are you losing your vision?  Yes, I believe it’s possible to fall in love in any circumstance but maybe when we want to make a certain statement, stay the course rather than wander off into La-La Land. 

When it’s on topic, this movie is brutal and hellish.  Penn doesn’t pull any punches when he aims for the target.  War is savage and in this very graphic film, he wants you to see it and maybe, for once, realize this is what people are living with every single day of their lives.  It’s quite shocking to see an infant killed in front of its mother for no reason, villagers running for their lives, with bullets ripping through bodies of the people they are trying to outrun and babies die because they dare be born.  It’s also horrific to see young soldiers being brainwashed and turned into monsters who can do despicable things without a thought. 

No training prepares doctors for what they’ll see in Africa but they try to only see that they are needed and Penn wants you to see that they are always needed.  Compassion is needed.  People are starving.  People are dying.  People should be able to just be… like we can.  Well, same goes for these two lovers.  With their work keeping them apart, they want a chance to just keep this incredibly difficult relationship alive while staying alive themselves.

So, it may be almost impossible for some to keep up with the back and forth between past and present with these characters.  The, ‘are they or aren’t they?’ gets a bit old when you aren’t 100% sure of the timeline you’re in but I think it’s worth a watch.  Is it a theater watch?  No.  Wait for VOD.  It’s worth it to see if this couple is a casualty of war. 

Despicable Me 3 Movie Review

Despicable Me 3 is fun in that it keeps with the theme and the intent of the original… Good vs. Bad and that sort of thing but it lost one key element that is so very important to the big picture; The Minions!  DM3 centers mostly around Gru and the girls.  One could argue they all do but not to this degree.  Minions have a finger on the pulse of why adults AND the children get tickets to see these films and to a large extent, they were absent from the third installment.  They did get their own movie so maybe they were out spending lavishly and weren’t quite available, but I asked their publicist and this wasn’t the case.  They weren’t included much, outside of Mel, for unknown reasons at this point.  Illumination and Universal Pictures would have done better to have had more Minions in the film.  They’re present, just not enough and at the end of the day, that’s the big takeaway here. 

However, do not fear!  DM3 is still very good.  Gru and his new wife Lucy are fired when they are unable to stop, Balthazar Bratt, a former 80’s child star who hit puberty and was never heard from again, from stealing a very big pink diamond.  Bratt is angry he has been thrown away by Hollywood and vows revenge.  He has a good catchphrase, is a good villain and is often followed by some ‘neato’ 80’s tunes that he likes to dance fight to.  The Minions would most likely take his side in a fight.  Hmm… maybe they do?  You’ll have to see.

The movie is full of cute and, of course, villainy.  The girls, Agnes, Edith and Margo are very much a part of the story with Agnes and Margo having more focus than Edith.  She pretty much ends up being more of the Jan Brady of the Trio.  Adorable Agnes’ story centers on her finding a real unicorn and Margo has her first taste of boy troubles.  The real meat of the yarn is Gru finding out he has a twin.  There was a custody battle with his parents and his mother, who had lied to him about his father’s death, got the rotten end of the deal.  Harsh.  Poor Gru. 

This angle smells of desperation a bit but it works and, to be honest, I’m looking forward to part four.  I’m thinking they’ll have a few things ironed out, get all the Minions back on and signing new contracts and settle into what works best with films like this… the extraordinary.  Give the people what they want!  They don’t necessarily want NICE all the time.  It’s cute when a Minion is sweet but let’s see the little stinkers for who they really are used more.