Interview with Director Adam Collis of “Car Dogs”

L.A. filmmaker, Adam Collis, director of the film Car Dogs, is also a Professor who teaches film courses at Arizona State University.  He’s an outstanding individual who takes other people’s welfare to heart when making certain professional decisions.  Wanting to see the film Car Dogs made, being involved by directing and helping to produce shows proof of that.  There isn’t any, ‘all talk, no action’ with this guy.

I’m happy to say that he was triumphant in accomplishing his goals with Car Dogs and that, luckily, he learned a big lesson along the road to success… share your knowledge and support those with whom you can if you have some influence to do so.  Meeting and chatting with the director of the film, which features actor and writer George Lopez, Patrick J. Adams (Suits), Octavia Spencer (Hidden Figures), Nia Vardalos (My Big Fat Greek Wedding), and Christ Mulkey (Whiplash), was very enlightening.  I had an enormous amount of fun picking his brain not only about his film and how it came to be but about the local talent here in Phoenix that he used.  Collis was more than happy to give people who have only worked on smaller films, or who have never at all but always wanted to work on films (both in front of the camera and behind), the opportunity to work on a true Hollywood production with a substantial budget.  He’s able to do this through his internship program at ASU called Film Spark which connects film students with professionals in the movie industry. 

Film Spark and his involvement in it is something he’s quite passionate about.  With his attitude about filmmaking and love of the craft, he’s being instrumental in growing the Arizona film community as a whole, connecting individuals with one another which gives us all a reason to be very proud of him.  He holds his head high acknowledging the accomplishments of Film Spark, knowing full well what he’s offering his students.  Through his connections and ability to get a film made, not only do they get to learn from him, but they get the hands-on experience that not many would have a chance to if it weren’t for the program he so happily embraces.  He cheerfully tells me that he loves, ‘giving them the opportunity to learn filmmaking on a real film set and to work with an Oscar-winning cast and crew.’ Adam was thrilled with how the film turned out.  The cinematography by David Stump is beautiful and captures all the allure of the city of Phoenix.  He concentrated mainly on Papago Park where he said he knew, ‘It was meant to be shot.’   A shot from above gives his audience a full view of the area and if you live near there or have driven by, you’ll agree that it was a good choice.  It’s a gorgeous shot.  He’s excited for everyone to see the film, especially if they were involved with the production. 

A close friend and past student of his, Mark Edward King, wrote Car Dogs.  ‘He had originally written it as a short film and I thought it was excellent and encouraged him to turn it into a feature.’  King had been a car salesman himself and had an interesting take on the business and all that goes on in the life of a salesman or a car dog as they’re referred.  He concentrated his story on these particular car dogs having to meet a quota by end of day.  It was almost kismet that he ended up making the film.  He teaches at ASU and King is from Scottsdale, Arizona.  King had been shopping his script in L.A. and it was doing well but it wasn’t getting picked up.  Collis liked it and thought this would be perfect for the internship program.  Collis tells me, ‘It’s set in Scottsdale, written by a Scottsdale native, shot here, made with dozens of student interns.  The film is going to be shown in Phoenix’s own Harkins Theaters.  What we’ve done here is really special.’  Scott Derrickson, who Collis had gone to film school with and who later went on to direct Doctor Strange, had also been a car salesman in a past life so it seemed there were plenty of good sources at Collis’ fingertips if he needed.  After seeing it done in the film, I asked him if salesmen really listen in on buyers discussing, in private, whether or not to buy, as is suggested in the film and he replied, ‘You’ll have to ask Mark.’  He stands firm that car salesmen will do a great deal to sell a car saying, ‘Everyone would serve themselves well by watching this movie before going and buying a new car.’  So I took that response as a yes.  This is a warning, everyone!  No buying a car until you’ve seen Car Dogs!

In the film, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of his son and other employees by expecting them to do “Whatever It Takes” to meet a certain number of sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with little reward.  Can Mark meet the demands of his father to get the prize he so deeply covets?  Will his ambitions lead him to delude his team and the buyers who walk in, making him become more and more like his father?  Mark is played beautifully by Adams and Mulkey is a very frightening Malcolm.  Circling back to the whatever it takes sales issue, Collis did tell me that he was given the advice to have an amount written down before walking into a dealership and to, ‘Not ever go over that amount.’  Got that?  Never go over that amount. 

As I mentioned, his Film Spark program does connect film students with professionals in the movie industry but also gives artists in the Phoenix area a chance to show their stuff.  He hired crew and cast and they reimbursed his kindness by taking an already great script and improving it with superb performances all around.  Smiling, he mentions, ‘This is a good opportunity for filmmakers in Arizona.  There’s so much creativity in this state and this is a new model for getting a film made.  Why go to L.A. to launch a film when you have Harkins Theatres?’ 

Curious, I asked him if he could remember any of the local talent that he used.  He took out his phone and scanned the IMDB credits.  Some of the people he mentioned were Raymond Scott who, as a car salesman, stood out not only by wearing a brightly colored shirt but by appearing to be continually in sales mode.  He then mentioned actor, Drew Moore, who played a particularly tough customer.  Moore, who had played football in the NFL and the CFL before the acting bug took hold, is a big muscular man who made an impression on the director and likely will the audience when they see his character intimidate a salesman into giving him a better deal.  Collis laughed as he evoked the memory of Moore mainly because of the mistake he made by giving him the direction to hit something harder.  Moore is not a small guy but it was a very small object he hit.  As I’m sure you could guess… it didn’t go well.  He had another performance he couldn’t wait to talk about and that was the work done by Wendy Crawford.  He told me, ‘She had a small part as the receptionist but she was so good; very professional.’  Not only did she give an exceptional performance but her husband Guy Crawford was extremely helpful with equipment that was needed.’  Guy Crawford works for BKW, Inc. in Tempe.  He and owner, Jim Weingard, provided services for the Car Dogs film for which Collis will be forever grateful.  One thing I learned right away from talking to him was that he realizes what a big effort it is to make a movie and that he is only one part of a massive undertaking.  Collis wants everyone to get their credit.  A few other people he wanted me to mention were production designer Scott Cobb, Hamilton Sterling his sound designer, Maggie Morgan the production’s costume designer and all of the veteran Hollywood department heads who were willing to help turn Car Dogs into a reality.

I had to inquire about whether he’d be willing to make a film like this again; to take a chance on making a movie of this size outside of L.A.  I’m pleased to announce his answer was, ‘Yes.’  He had nothing but positive things to say about Arizona and his experience with the feature film went smoothly.  I must ask one thing of all of you.  Car Dogs will be playing exclusively at Harkins Theaters around the valley starting March 24th.  Get out and see it.  Get everyone else there, too.  If it’s a success, there’s no way he wouldn’t do this again.  This will be a success but will be an even bigger success if you’re willing to get to the theatre the weekend of the 24th and give him and the Harkins Theater chain a reason to believe they made the right decision in choosing to premiere it here in Arizona.  Enjoy the film and spread the word! 

Kong: Skull Island Movie Review

It’s invigorating to see that Kong: Skull Island isn’t just a remake of King Kong.  It has a few similarities, such as beast still digs beauty, but that’s about all.  It stands alone on its own giving director Vogt-Roberts something to be very proud of having a part in. Speaking of beauty, however, I did like the more substantive presence of the ape in the 1970 movie King Kong, where you could see Jessica Lange pull at Kong as she begs him to not let her go.  This gives you the chance to feel for him much more.  That realism isn’t in this version where Kong is CGI.  However, if you have a heart, you’ll still hope the best for the guy.  Why he keeps falling, literally, for these woman is beyond me, though!  You’d think he’d learn by now!  I digress. 

Far be it for me to suggest you can learn something from a monster movie but I’m going to.  You can learn something from this monster movie.  You can learn, if you haven’t already, that sometimes with nature things are better left alone.  Though we don’t always pay attention to it, there is a natural order of things and if you interrupt or disturb that order, in the name of helping mankind, you could be doing just the opposite.  Such is the case here. 

Kong is set in the early 70’s in the time of Watergate.  Research scientist Bill Randa (Goodman) is in Washington and looking for some money and a military escort to an uncharted island he’d like to explore for the possible medicinal cures it holds.  Insert political statement here as Randa stands outside and proclaims that there’ll never be a more screwed-up time in Washington.  The Nixon bobblehead is a nice touch, as well. 

Randa gets his grant, a photographer (Larson), a rather large escort and his own tracker (Hiddleston); they set off to explore Skull Island which is shrouded by vicious storms.  Going only so far by water, the teams, which are led by Colonel Packard (Jackson), take to the air the rest of the way.  However, once they clear the dangerous weather another danger appears; Kong.  He immediately senses danger and begins to protect his turf which looks more like swatting at flies, to be honest.  This scene was well placed as it’s not too far into the film, wasting no time getting you into some heavy action.  Packard takes the attack personally.  Losing many of his men in the battle he’s now hell-bent on killing the creature.  He must prove to Kong that man is King.  Jackson’s look is fiery and savage as his Packard stares Kong down for a moment before being whisked away at the last minute.  Getting stomped on like a cockroach might have ruined his already horrible day.

Helicopters are scattered and the teams separated.  One group meets an indigenous tribe and Hank Marlow (Reilly), also known as the comic relief, a paratrooper who has been stranded on the island since WWII; twenty-eight years to be exact.  Through Marlow, the team hears all they need to know of who Kong really is… he’s King.  To the people of the island, he’s God.  Without him, the Skullcrawlers would dominate and kill every living thing on the island.  Kong keeps the skeletal creatures in low numbers and below ground.  If not for him, all would perish and not only would they take over the island but they’d begin to take over the planet. 

During their lesson, other teams are meeting and in some cases, wiped out, by other inhabitants of the island.  If spiders aren’t your thing… this might not be the movie for you but the thought of taking the mother of all spiders down in a wicked way would be spectacular then remember this is a Kong movie, not a spider movie, and get your butt to the theatre.   What’s left of the team meet and make their way to the destination point so they can leave the island and you can leave the theatre but don’t do that too soon!  There is an after credit scene so make sure you stay all the way until lights up.  What they will be assuring you of here is that the MonsterVerse will continue and who could be coming up next.  If you like monster movies, you’ll like Kong: Skull Island.  You might not like the way Hiddleston overplays his role as Larson’s love interest but the CGI is great and the motion capture performance really pulls you in.  Those reasons alone are worth spending the extra money on seeing this at an IMAX theatre if you can.  ENOY!

Principal Photography has wrapped on The Aftermath with Keira Knightley

PRINCIPAL PHOTOGRAPHY HAS WRAPPED ON “THE AFTERMATH”

FOR FOX SEARCHLIGHT PICTURES AND BBC FILMS

 

Starring Keira Knightley, Alexander Skarsgård and Jason Clarke

 

LOS ANGELES, CA March 9, 2017 – Fox Searchlight Pictures and BBC Films announced today that principal photography has wrapped on THE AFTERMATH, which was shot on location in Prague and Hamburg. The film is directed by James Kent (TESTAMENT OF YOUTH, THE THIRTEENTH TALE) from a script written by Joe Shrapnel & Anna Waterhouse (RACE), and Rhidian Brook, based on Brook’s international best-selling novel of the same name. The film stars Academy Award nominee Keira Knightley (THE IMITATION GAME, ANNA KARENINA), Alexander Skarsgård (THE LEGEND OF TARZAN, “True Blood”) and Jason Clarke (ZERO DARK THIRTY, EVEREST). Additional cast includes Flora Thiemann (MISSION: SPUTNIK), Fionn O’Shea (THE SIEGE OF JADOTVILLE), Kate Phillips (“The Crown”) and Martin Compston (“The Line of Duty”). Jack Arbuthnott and Malte Grunert produced and Ridley Scott and Carlo Dussi executive produced. Developed by BBC Films, it is executive produced on their behalf by Joe Oppenheimer and Beth Pattinson. The film is supported by funding from the Filmförderung Hamburg – Schleswig Holstein.

 

THE AFTERMATH is set in postwar Germany in 1946. Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

 

Joining Kent on the film are director of photography Franz Lustig (HOW I LIVE NOW), production designer Sonja Klaus (A GOOD YEAR, BABYLON AD) costume designer Bojana Nokitovic (A GOOD DAY TO DIE HARD, CORIOLANUS), hair and make-up designer Barbara Kreuzer (LAND OF MINE, RETURN TO MONTAUK) and editor Beverley Mills (“Indian Summers,” “Call the Midwife”).

 

The film is overseen by Co-Heads of Production David Greenbaum and Matthew Greenfield and VP of Production Katie Goodson-Thomas.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and the films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of 21st Century Fox.

BBC Films is at the forefront of independent filmmaking in the UK, developing and co-producing around twelve films a year. In 2015 BBC Films was awarded the Michael Balcon BAFTA for Outstanding British Contribution to Cinema. Joe Oppenheimer is Acting Head for BBC Films.

Disney•Pixar’s “Cars 3” reveals key voice cast and characters

DISNEY·PIXAR’S “CARS 3” ROLLS OUT KEY CAST & CHARACTERS

 

Kerry Washington, Nathan Fillion, Lea DeLaria and Lewis Hamilton

Join Franchise Favorites on the Big Screen

BURBANK, Calif. (March 9, 2017) — Disney•Pixar’s “Cars 3” reveals key voice cast and characters, featuring award-winning stars. According to director Brian Fee, the roster includes both new and returning characters. “We’re introducing some fun and really appealing characters in ‘Cars 3,’” said Fee, “so we really wanted to find the right voices to help us breathe life into them. We hit a homerun with this group; I couldn’t be happier.”

Following are the newcomers and “Cars” franchise veterans who join the previously announced voice talent and characters: Owen Wilson as world champion racer Lightning McQueen, Cristela Alonzo as unconventional trainer Cruz Ramirez, and Armie Hammer as sleek next-gen racer Jackson Storm.


NEWCOMERS

  • Kerry Washington (ABC’s “Scandal,” HBO’s “Confirmation”) lends her voice to Natalie Certain, a highly respected statistical analyst who knows her numbers. Book-smart and mathematically gifted, Certain may earn top marks in her ability to evaluate a racer’s stats, but she could be underestimating the importance of determination.
  • Nathan Fillion (ABC’s “Castle,” ABC’s “Modern Family”) voices Sterling, a brilliant businesscar who runs Rust-eze Racing Center—one of the most successful elite training facilities in the country. The always dapper Sterling comes across as unassuming and laid back, but business is business, and Sterling is driven to ensure all of his investments pay off. 
  • Lea DeLaria (Netflix’s “Orange is the New Black”) provides the voice of Miss Fritter, a local legend at the Thunder Hollow Speedway demolition derby. Fritter’s formidable school-bus size is intimidating, but it’s her smoke stacks of doom, razor-sharp stop sign and crazy collection of her victims’ license plates that usually steers her opponents in the other direction.

 

LANE CHANGE

Three-time Formula One world champion Lewis Hamilton was called on to voice Hamilton, a fully loaded, built-in voice command assistant to high-tech trainer Cruz Ramirez. When Lightning McQueen takes his training off road, Cruz enlists Hamilton’s help to keep the struggling racer on track.

RETURNING FAVORITES

“Cars 3” also welcomes the gang from Radiator Springs back to the big screen, including Lightning McQueen’s best buddy Mater (voice of Larry the Cable Guy), and #95’s No. 1 fan Sally (voice of Bonnie Hunt). Friends supporting their hometown hero include Fillmore (voice of Lloyd Sherr), Sarge (voice of Paul Dooley), Lizzie (voice of Katherine Helmond), Ramon (voice of Cheech Marin), Sheriff (voice of Michael Wallis) and Flo (voice of Jenifer Lewis).

Loyal transporter Mack (voice of John Ratzenberger), big-hearted Italian Fiat 500 Luigi (voice of Tony Shalhoub) and charming little Italian forklift Guido (voice of Guido Quaroni) continue to support Lightning McQueen’s racing endeavors. World-renowned sports announcer Bob Cutlass (voice of Bob Costas) is still calling the races, and Chick Hicks (voice of Bob Peterson) is back—this time as a commentator on the Racing Sports Network. The lovable duo Dusty (voice of Ray Magliozzi) and Rusty (voice of Tom Magliozzi) return as Rust-eze’s chief proprietors—though they have big things in store for Lightning McQueen.

 ABOUT THE MOVIE

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage! Directed by Brian Fee (storyboard artist “Cars,” “Cars 2”), produced by Kevin Reher (“A Bug’s Life,” “La Luna” short) and co-produced by Andrea Warren (“LAVA” short), “Cars 3” cruises into theaters on June 16, 2017.

Reminder! Power Rangers is coming 3/24/17

SABAN’S POWER RANGERS follows five ordinary teens who must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat.  Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to

Rated:  PG-13

Cast:  Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, Ludi Lin, featuring Bill Hader, with Bryan Cranston, and Elizabeth Banks

Directed by:   Dean Israelite     

Get tickets now: http://powerrange.rs/tickets

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Rough Night – Red Band Trailer

In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.

 

Directed by:

Lucia Aniello

 

Written by:

Lucia Aniello & Paul W. Downs

 

Cast:

Scarlett Johansson

Kate McKinnon

Jillian Bell

Ilana Glazer

Zoë Kravitz

Paul W. Downs

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In Theaters June 16th

http://www.fandango.com

Dig Two Graves

Written and directed by: Hunter Adams
Starring: Ted Levine (Shutter Island, Silence of the Lambs)
Samantha Isler (Captain Fantastic, TV’s “Supernatural”)
Danny Goldring (The Dark Knight, The Fugitive)

Ann Sonneville (“Chicago P.D.,”) Troy Ruptash (TV’s “General Hospital,” “Prison Break,”)
After 13-year-old Jacqueline Mather (Samantha Isler) loses her brother in a mysterious drowning accident she is soon visited by 3 moonshiners who offer to bring her brother back to life, but at a grim cost. As the dark history of her grandfather, Sheriff Waterhouse (Ted Levine) is unearthed, the true intentions of the moonshiners come to light.

A supernatural thriller about the generational violence that plagues a small, backwoods town, set in the 1970s, DIG TWO GRAVES asks “how far would you go to save those you love?”
DIG TWO GRAVES is written and directed by Hunter Adams. Produced by PJ Fishwick and Claire Connelly and executive produced by Larry Fessenden. Music by Brian Deming, Ryan Kattner, and Joseph Plummer. Cinematography by Eric Maddison and edited by Scott D. Hanson.
RT: 85min / Not Rated
IMDb: http://www.imdb.com/title/tt2633076/?ref_=nv_sr_1
Website: https://digtwograves.com/
Facebook: https://www.facebook.com/digtwograves/
Twitter: https://twitter.com/D2GFilm
Blog: http://unearthing.digtwograves.com/

In Theaters March 24th

http://www.fandango.com

A glimpse of Golden Globe® winner Emily Blunt as Mary Poppins

Here is the first glimpse of Golden Globe® winner Emily Blunt as Mary Poppins in “Mary Poppins Returns,” the all new sequel to Disney’s 1964 film “Mary Poppins.” 

Directed and produced by Rob Marshall, “Mary Poppins Returns” also stars Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer and Julie Walters with Colin Firth and Meryl Streep. The film, which introduces three new Banks children, played by Pixie Davies, Nathanael Saleh and newcomer Joel Dawson, also features Dick Van Dyke and Angela Lansbury.

The film is set in 1930s depression-era London (the time period of the original novels) and is drawn from the wealth of material in PL Travers’ additional seven books. In the story, Michael (Whishaw) and Jane (Mortimer) are now grown up, with Michael, his three children and their housekeeper, Ellen (Walters), living on Cherry Tree Lane. After Michael suffers a personal loss, the enigmatic nanny Mary Poppins (Blunt) re-enters the lives of the Banks family, and, along with the optimistic street lamplighter Jack (Miranda), uses her unique magical skills to help the family rediscover the joy and wonder missing in their lives. Mary Poppins also introduces the children to a new assortment of colorful and whimsical characters, including her eccentric cousin, Topsy (Streep).

The film is produced by Marshall, John DeLuca and Marc Platt.  The screenplay is by David Magee based on The Mary Poppins Stories by PL Travers with Marc Shaiman and Scott Wittman writing all new songs and Shaiman composing an original score.

Table 19 Movie Review

If you’ve ever found yourself as the party guest who has been invited to the party but can’t be super involved due to the placement of your table, then you’ll understand why this movie was made.  It was made for all the odd men out who have watched all of the festivities from afar.  So far away in some cases that you can barely even say you were there!  You were practically scuttled off into another room or the hallway, at least this is how you begin to feel.  If you have ever sat and scanned the table in which you’re seated and noticed you’re at a table full of strangers rather than with those who invited you, and your tablemates seem not to fit in with the other guests, you need to do one thing… examine why you’re at that table, too.  Consider this movie a wake-up call if you’ve ignored this happening to you, especially if it has happened more than once. 

Writers Mark and Jay Duplass have either been there or have put people there; waaay back there at Table 19 because they certainly hit the nail on the head as to how a guest would feel when realizing they’ve been relegated to the outskirts of a given gala or celebration.  They did a good job writing a script that empowers anyone who has felt shunned in this manner.  At a lost, distant table, one can find hope, friendship and maybe love, if they just open their minds to it.  I liked how it championed for those who should have checked no on their RSVP, but the movie goes out of its way to make a few characters likable that just aren’t. 

It starts off well, revealing Eloise’s’ (Kendrick) reason for being at the bad table.  She’s the ex-girlfriend of the bride’s brother, Teddy (Russell), and now ex-maid of honor.  One by one, explanations for the other characters at the table are established.  They’re even accompanied by flashbacks.  We have some witty banter which at times, especially when dispatched by Walter (Stephen Merchant), have you laughing and at other times has you feeling sorry for this group of misfits, which isn’t good when you made your way to the theatre, promised a comedy, and are having a hard time finding a reason to chuckle.  It is labeled on IMDB as a comedy, drama but who are we kidding?!  Duplass writing for this cast?!  I’ll not highlight that too soon.  Back to the characters. 

Jo (Squibb) is a sweet old woman who all but raised the bride and is being treated horribly by her today.  Rezno (Revolori) is an incredibly obnoxious and extremely unfunny virgin who figures, along with his mother, this is where he can land a drunken, foolish young woman to be his first.  Drunk and foolish is what she’d have to be because no one in their right mind would be into this awkward nightmare of a character.  Rezno was simply too far out to be believable and I thought the film would have been so much better had he not been a part of the story.  Kudrow and Robinson are Bina and Jerry, a couple who has been married for years and are falling out of love.  Though at a wedding, they don’t find it an issue at all to air their differences in front of everyone.

I liked some of what was going on.  I can’t say that if you enjoy a character driven story that you shouldn’t watch this one but there is a lot wrong with Table 19.  It, at times, shows real promise.  The characters grow and you’re genuinely happy about that.  I was having fun watching these flakes get to know each other and also wanting to help one another through the vexing situation they realize they’re all in but at times I actually found myself looking around the theatre to make sure I knew the location of the emergency exit.  It was all over the place with what kind of movie it wanted to be. 

I think had the writers focused on one genre, director Jeffrey Blitz (The Office and Parks and Recreation) would have had a much better script to work with.  Choosing drama over comedy then switching back and… my head is spinning!!  It got a little frustrating.  Sure there’s comedy in misery but it was anguishing watching how miserable some of these poor things are.  For Squibb, Robinson and Merchant, I’d say watch this when it hits cable.  It isn’t a terrible waste of your time.  But be sure you’re in the mood for a comedy, I mean, be sure you’re in the mood for a drama… well, you get the drift.  When you don’t know what you want to see, seat yourself at Table 19.  Sometimes that’s where you just find yourself being put but maybe you won’t mind being there.

Before I Fall Movie Review

In Greek mythology, Sisyphus was the king of Ephyra (now known as Corinth).  He was punished for his self-aggrandizing craftiness and deceitfulness by being forced to roll an immense boulder up a hill, only to watch it come back to hit him, repeating this action for eternity.  Through the classical influence on modern culture, tasks that are both laborious and futile are therefore described as Sisyphean.  Why is this English lesson pertinent to this review?  It’s not but it’ll help you better understand why it’s used in the movie and will help you grasp the intent behind the yarn.

Before I Fall starts with a voice of a young woman, Sam (Deutch), explaining that, ‘people may have a lifetime of days to waste but…’ and then throws some wisdom out that anyone only truly has today and warns that wasting time isn’t how one should see any moment they’re in.  I try not watching the trailers of, or read too much about, movies before I screen them for review so that I don’t have any preconceived notions of what I’m about to see but it was obvious very quickly that I was in for the teenage dramatic version of Ground Hogs Day with this one.  That being the case and not minding the idea, I got comfy and watched the story unfold.

Alarm clock belonging to Sam goes off and we meet Sam.  Sam loves her friends Lindsay (Sage), Ally (Wu) and Elody (Rahimi).  She is always with them and them her.  They’re rich, spoiled and have no respect for anyone, including one another, but outside of sleeping, they’re pretty inseparable.  Like any group, there is a pecking order and though rather high in position, Sam isn’t at the top.  That honor goes to Lindsay who is anything but a likable person.  She’s mean-spirited, loves to watch people squirm as she puts them in their place and enjoys gossiping behind their backs the moment they turn around.  Unaware it happens to them, the pack ignores yet allows Lindsay to say and do as she pleases, as long as she’s nice to them.  As she does every morning, Lindsay picks Sam and the others up one by one and off to school they go.  However, this day is special; it’s different.  It’s Cupid’s Day and they can’t wait to see who receives the most roses throughout the day as this determines who is the most popular.

They go through their day as they usually do, being petty to parents and being mean to students.  Sam gets an invite to a party being thrown by her old friend, and the films nice guy, Kent (Miller) and the girls decide to attend.  At the party, Sam plans to lose her virginity to her boyfriend, Rob.  While there, however, she watches Rob get horribly drunk and act like a fool and decides not to go through with it.  Before leaving, the foursome drinks, do their usual teasing of a favorite victim named Juliet (Kampouris) and get in the car and go home.  An accident occurs and then; cut to alarm clock… and the day starts over.  Knowing the things that had happened throughout the day, you see where this is leading.  Sam isn’t Lindsay.  She isn’t mean at her core.  She’s more of an obliging witness where she may play a hand on occasion but would rather not.  If she isn’t dreaming, can she change things about her life?

The movie continues in this fashion for the rest of it.  Sam learns a little each time she wakes up to the same ugly day that awaits her.  Is she in hell?  Can she do the right thing and be redeemed?  Eventually, you notice one situation that she hasn’t necessarily made a big effort at correcting.  A slight attempt at a stand but not the true attack it needs.  Why?  Could be because she’d see where she was at fault for having created it in the first place.  Well, why is she on this day to begin with?  By the end of the film, she gets it but is it too late?  Are the answers in the actions she herself has made or in those of other people?  Will she now pay a price for not being a virtuous soul?  Will she have to sacrifice something herself to correct the course she’s now on? 

I like that you don’t know these answers and that’s why I enjoyed the movie.  I would hate to categorize it as a chick flick but I think I have to.  The length of time spent with the teenage girls in the car, listening to music, hating on people and talking about boys makes it abundantly clear that the film wasn’t made for adult males.  The audience it was made for, the teenagers will absolutely love it.  Zoey Deutch is a good choice to play the sweet-faced martyr and Halston Sage does a good job of reminding us what we hated about high school more than even the homework.  If you’re a fan of dramas packed with mystery and wouldn’t mind the Mean Girls vibe, check out Before I Fall and look for all of the answers to the questions above.  Is she dead?  You tell me.

Before I Fall movie review by Shari K. Green