Mountain Film Review

BAFTA-nominated director, Jennifer Peedom, follows up her film about an angry mob fighting on Everest called ‘Sherpa’ with ‘Mountain’ which keeps us looking in a more positive direction. This film starts impressively with the Australian Chamber Orchestra setting up in front of a screen that begins to play the film. They play along with the movie. It’s synched perfectly which is such a good way to prepare you for the beauty you’re about to witness. Surprisingly, not only does the Orchestra lead you into the story but it stays there the entire time, caressing your ears with breathtaking notes while the screen cradles your eyes visually. Now, one cannot exist without the other; it’s mystifying how well the two go hand in hand.

These mountains do put those who climb them into precarious situations at times but how each circumstance is captured is shocking and or awe-inspiring. One might think the people who are drawn to reach the summit of a mountain mad for not feeling at home at or near the base but it’s not for us to decide who and what is in the hearts of others. The film, with Willem Dafoe as narrator, explores why people are driven to new heights and when it all began. It makes for an appealing subject whether you would have first thought so or not.

Mountains were once considered either hostile or holy there was no middle ground. That changed as people got more familiar with them and more daring. Though people created new ways to soar they never gave up on the introspection and high they achieved when tackling some of their deepest fears… ocean depths, outer space and mountains. One by one the mountains were conquered and some, sadly, turned into tourist traps, for a limited base. Here, you’ll see it all happen along with eye-opening before and after photos of mountains being cleared for play. However, nothing is more surprising to see than the downfall of Everest, the king of all. What I mean by downfall is that of its mystery and of its allure. You’ll see footage of what goes on there, especially at night, and it’ll leave you to wonder if there’s anything left in this world to pursue or since it has been reached, will man ever be satisfied and leave nature be?

The narration is deep and profound, informing as it entertains. It asks what is the ‘siren song of the summit’ that moves us upward? We’re told that fascination replaced fear and skyward we climbed. This abundant planet that we call home offers delights that some feel necessary to explore while others want only to protect it from harm.

From the filmmaker’s curiosity comes this enchanting and gripping footage which stretches beyond the expectations of any documentary of its kind. Aching fingers, soaring bodies, bikes riding trails where bikes should not be, men sleeping where there is no air; it’s exceptional to witness and you get to watch it all without packing your bags.

If you go see this you will not be let down… you’ll only be propelled up. Please, do yourself a favor when watching. You must be seen on the big screen. Watching at home would not do it the justice it deserves.

See this in Phoenix at *Harkins Shea 14

Night School – Trailer #2

NIGHT SCHOOL

Star Kevin Hart and producer Will Packer, who partnered for the hit Ride Along and Think Like a Man series, bring their signature style to Night School.  The comedy from director Malcolm D. Lee (Girls Trip) follows a group of misfits who are forced to attend adult classes in the longshot chance they’ll pass the GED exam. 

Co-stars Tiffany Haddish, Rob Riggle, Taran Killam and Romany Malco join Hart on-screen for the film that Hart produces for his Hartbeat Productions, and Packer via his Will Packer Productions.  www.nightschoolmovie.com  

Cast: Kevin Hart, Tiffany Haddish, Rob Riggle, Taran Killam, Romany Malco

Director: Malcolm D. Lee

Writers: Kevin Hart & Harry Ratchford & Joey Wells & Matt Kellard and Nicholas Stoller and John Hamburg

Produced by: Will Packer, Kevin Hart

Executive Producers: Malcolm D. Lee, Preston Holmes, James Lopez

Official Website | Facebook | Twitter | Instagram | #NightSchool

First Reformed Movie Review

Okay. It starts slow but, if you’ve read my reviews before, you might know what I’m about to say… stick with it. It’s slow for a reason and that’s okay! You can’t rush art. ‘First Reformed’ is simply one of the best pictures of the year. It has been created for us for a reason. One of Hollywood’s best, Paul Schrader (Taxi Driver; American Gigolo; Affliction), has decided to make something quite exceptional that will last beyond his years. It’ll be memorable because he knew what he wanted to say and purposely set out to grab you and shake you up. You won’t soon forget what you see which, of course, is the point… he doesn’t want you to forget anything about it as it’s vital you don’t. It’s a narrative but holds so much truth and knowledge that you feel as if you’re getting schooled at the same time, but not so much so that you won’t feel the storyline that’s being playing out. Everything was well designed.

 

‘Will God Forgive Us?’ is a question that is posed in the film with regard to what man is doing to the environment. You don’t see this as the ultimate message coming at you when you’re first introduced to the character of Reverend Toller (Hawke) but when he agrees to counsel Michael (Ettinger) the husband of a young pregnant woman, Mary (Seyfried), Toller grows as a priest and as a man in ways he couldn’t avoid and the film changes. What Toller always knew to be true of institutions he holds in high regard comes crashing down around him when he, instead of talking, listens to what Michael is saying about man’s responsibilities toward the larger picture; Earth. Schrader set it up so you won’t miss it either.

 

Toller is the Reverend of a small church known more for its historical significance as being a stop along the Underground Railroad rather than its parishioners, so he finds himself salesman of its small store, more than Priest, and he’s rather bored. He journals and sips on what’s supposed to go in the chalice on Sunday’s. Counseling is an escape and he’s happy to do it but when suicide becomes Michael’s only answer to his extreme hate for living in such a cruel world, Toller picks up his cause.

 

Abundant Life, the larger church that keeps Toller’s afloat, is putting on a show to commemorate its being there for 250 years. Abundant Life is run by Pastor Jeffers, played exceptionally well by Cedric the Entertainer, who preaches the word of God but who cares more about what goes into the collection plate. When Toller looks into Michaels environmental research, he finds out that one of the biggest polluters of the planet sponsors Abundant Life, even the restoration of his own church, and he makes a vow to fix things. Feeling as if he failed the activist, he then becomes the activist and decides to do something for God and all mankind… as God would have wanted. Though Schrader doesn’t refer to Trump and what the head of the EPA, Scott Pruitt, is doing to actually stop environmental causes, rather than increase or protect them, you can feel his concern for the near future of man as a species and he wants you to see what people are willing to do to save the only home we have. We all need to do more.

 

‘First Reformed’ is heavy on the religion but for a reason. Trust that Schrader must use this as a vehicle to get you to a certain destination… even though a few times you’re not sure where he’s going. Things go a might askew when Toller seems to be building a relationship with Mary, but it’s done in a way that, as an audience member, you can choose to see it or totally ignore it and stay within the spirit of the calculated directive. Ethan Hawke has you so mesmerized by the time you hit the halfway point that it’s easy to stay focused on the importance of the film’s objective.

Always At The Carlyle Movie Review

At the corner of Madison Avenue and 76th Street in Manhattan’s Upper East Side sits an exquisite and beautiful Rosewood hotel called The Carlyle, which has been described as the very definition of class. It’s a 35-story, 190 room hotel that has been there since 1930, complete with galleries, boutiques, and a famous Café’. The Carlyle has housed many of the most famous and well-off clientele from around the world who feel comfortable there, knowing that what goes on in the hotel stays at the hotel. In this documentary, director Matthew Miele does his best to get some private information out of people and though he has a hard time getting staff and other guests to give anything up, the goal he does achieve is letting us know of the existence of this distinguished landmark. While many of us can’t afford thousands of dollars to reserve a room at the elegant Carlyle, after watching this documentary I wish I could and you will, too.

I feel compelled to tell you that watching this on the big screen would be ideal for it may be the best way to appropriately appreciate its grandeur. If you can’t be there, this is the next best thing. Through watching ‘Always at the Carlyle’ you’ll be totally awestruck by what an exceptional experience staying there would be without stepping one foot inside its lobby.

Miele interviewed entertainers about the hotel who’ve stayed within its walls, as well as other ‘Loyal Guests’ and peppers their comments throughout the film. Some speak so highly of it and spend enough time there that it’s considered their second home. All throughout the hotel are magical reasons to stay, from dining to the personal touches they give each guest. Then there are the paintings that hang on the walls and the nostalgia one has for who stayed there previously such as Princess Diana, Paul Newman, Elizabeth Taylor and more. Some mention the energy each guest has left behind in their wake. The Carlyle is popular with famous guests of all types; Royals, those involved in the film industry, politicians, and sports figures, because most important to the guests is that whatever is said or done there stays there. JFK often stayed, and it’s rumored that Marilyn Monroe had a special way in. True or not true… what’s your opinion?

The Elevator Operator is said to have the best stories as they see everything going on, but they also have the ‘tightest lips,’ so you won’t learn anything from them! This is a key argument for paying such high prices, not to mention the luxurious surroundings you’re bathed in. Regardless of who’s on duty when someone checks in, the staff will not divulge their presence to anyone, not even their own spouse. With so many famous people walking through their doors, the staff does get blown away, they are human after all, but they don’t show it outwardly. They do seem to have some fun getting to talk about who they’ve seen for the documentary, however. They reveal very little but what is said is both fascinating and provocative.

Several staff members have become somewhat famous themselves. Dwight, a departing concierge at the time this was filmed, is one such example, very well known. Another is pianist and cabaret singer, Bobby Short, who played at the Café Carlyle for over thirty-five years. Bobby Short not only had an appearance in Woody Allen’s ‘Hannah and Her Sisters’ in 1986, but Allen used Short’s version of the song ‘I Happen to Like New York,’ which is excellent by the way, for the opening to his film ‘Manhattan Murder Mystery’ in 1993. Several talented musicians speak of how much they adored his music stylings, some of whom play there now. Lenny Kravitz tells of how much he was influenced by the man.

Possibly not surprisingly, Donald Trump says the Carlyle is a joke. This is a comment Bill Murray has a little fun with as he happens to love the place and feels obliged to protect it. Others, and there are many, have only positive things to say. Vera Wang mentions how unique it is, George Clooney can’t help but go on and on about how much he loves it there and why wouldn’t he? He is a staff favorite and knows it. He and Anthony Bourdain talk about the rooms breathtaking views but one of it’s biggest compliments comes from Jon Hamm who says when you’re there it, ‘feels like you made it.’ Piers Morgan covers the monarchy and fills us in on how loved it is by the palace, calling it a royal place which makes sense as the builder of the hotel built it to rival the glorious, stately hotels of Europe.

This is a special documentary. I recommend it because it’s not often you get to see celebrities talk about something other than their latest projects. Here we also have, before she died, Elaine Stritch, a legend, talking about how wonderful it was to stay there. Watch for a special scene during the credits regarding what the hotel did for her. The examples of extraordinary service this establishment delivers that are shown in this film, are enchanting. Shots of the building in the gorgeous New York Skyline will make you wish upon a star that you could be whisked away to a room there during any time period and get a chance to experience just a hint of what the well to do have… if even for a moment. Wes Anderson describes being at the Carlyle as though you’re, ‘Stepping back in time.’ One guest has had over 11,000 overnight stays, a record for which he carries as a ‘Badge of Honor.’ See the film at a theatre near you today to see what they’re all talking about.

Opens in Phoenix this weekend at the Mary D. Fisher Theatre and the Harkins / Shea.

Social Media for the film:#AlwaysAtTheCarlyle

Facebook – Twitter – Instagram 

For more information please visit the Carlyle’s website or follow the hotel’s social media channels

@TheCarlyleHotel – Instagram,Twitter and Facebook

Solo: A Star Wars Story Movie Review

‘Star Wars’ fan? You gotta see this. Period. I know some fans weren’t happy about Ron Howard replacing the original directors of the film, the team of longtime friends, Phil Lord and Christopher Miller (‘Lego Movie,’ ‘21 Jump Street’), and it caused quite a ruckus but, in my opinion, for no reason. Ron Howard may not be known for his action pictures but watch ‘Rush,’ ‘Apollo 13’ and ‘Backdraft’ for examples of how he handles action sequences in film if you’re concerned about his abilities. What’s so good about Howard getting to helm the project is that he doesn’t only count on action to dazzle you but ensnares you by giving the story depth. He does this with familiar images, language and even tones to set the mood and take you back to when you were first introduced to the characters and their world. I’m inclined to think some audience members won’t like the film no matter who directs, for the simple fact that Harrison Ford is Han Solo and Alden Ehrenreich is not. While I realize it’s hard to see anyone else as the captain of the Millenium Falcon, I resisted the urge to automatically dislike the thought of seeing this prequel and went on to enjoy the film for what it offered, not what and who it doesn’t offer. You should, too. For what it’s worth, Ehrenreich plays a magnificent Han Solo. He even looks like him a few times, too.

Here, Han lives a miserable life and being that he’s a young man, has decided that life as a slave to the man isn’t for him. Where he’s from is a dark and dismal existence and he has learned to do whatever it takes, break any laws, to survive. This comes in handy when he decides he’s going to change the course his life is on and leave to become a pilot for the Imperial Army. Of course, slaves don’t decide what they get to do or when so, mind made up, he grabs his pretty but tough girlfriend Q’ira (Clarke) and they make a run for it. Their determination gets them to a not so friendly checkpoint but as you’d expect something happens to make Han the man he becomes. He makes it through… she does not. She encourages him to continue without her which he does, vowing to return to save her.

Later, after making it into the Army and getting to fly for it, but still having dreams of being the ‘good guy,’ he meets Beckett (Harrelson) and Val (Newton) who just happen to need a good pilot. This gets him away from his current situation and one step closer to getting back to Q’ira. Up to this point, the movie was a little slow but the pacing picks up when they need Han’s help for a fuel theft.

With a large weight on top of them, Ron Howard and the writing team of Jonathan and Lawrence Kasdan manage to meet your expectations based on what you’ve always known from the franchise and its characters. They take great pain to include signature lines and memorable situations as ‘The Kessel run in less than twelve parsecs.’ Doing this includes you in on the joke from where it originally derived. Very smart. They show their audience how Han first meets Chewbacca (Suotamo) which is entertaining and comical. There are many other goodies peppered throughout the script for you to treasure.

I will admit that the creation of Han’s last name is rather lame, but it doesn’t compare to how bad the suggestion is that Lando Calrissian is having some sort of relationship with his robot L3. That won’t stop you from loving his character, however.

The graphics and cinematography more than make up for the few things you’ll find wrong with the script, which you’ll only locate when hunting with a fanboy lens, instead of just having fun in a movie because it’s good. When looking closely, what you should find is a message warning of how horribly life can change when under evil leaders instead of whether or not Howard is worthy of the brand because, his ability to mix dramatic nuance with comedy and action, it’s clear that he is. And, unlike before I saw this, I’m very much looking forward to this storyline continuing.

THE SPY WHO DUMPED ME – TRAILER

THE SPY WHO DUMPED ME

Audrey (Mila Kunis) and Morgan (Kate McKinnon), two thirty-year-old best friends in Los Angeles, are thrust unexpectedly into an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, on the run throughout Europe from assassins and a suspicious-but-charming British agent, as they hatch a plan to save the world.

Starring: Mila Kunis, Kate McKinnon, Justin Theroux, Gillian Anderson, Hasan Minhaj, Ivanna Sakhno, and Sam Heughan

Social Media:

#SpyWhoDumpedMe

http://www.TheSpyWhoDumpedMe.Movie

http://www.facebook.com/SpyWhoDumpedMe

http://www.twitter.com/SpyWhoDumpedMe

http://www.instagram.com/SpyWhoDumpedMe 

In Theaters August 3

http://www.fandango.com

NEW ‘SKYSCRAPER’ TRAILER!!

SKYSCRAPER
See it in theaters and RealD 3D this summer!


When it comes to family, nothing will stand in his way.

Global icon Dwayne Johnson leads the cast of Legendary’s Skyscraper as former FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer, who now assesses security for skyscrapers.  On assignment in China he finds the tallest, safest building in the world suddenly ablaze, and he’s been framed for it.  A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family who is trapped inside the building…above the fire line.

Written and directed by Rawson Marshall Thurber (Central IntelligenceWe’re the Millers), the 3D action-thriller is produced by Beau Flynn (San Andreas,Baywatch), Johnson, Thurber and Hiram Garcia (San AndreasCentral Intelligence).

Skyscraper’s executive producers are Dany Garcia (BaywatchBallers), Wendy Jacobson (San Andreas), Eric McLeod (Kong: Skull IslandPirates of the Caribbean series) and Eric Hedayat (The Great Wall, Real Steel).  The film will be released by Universal Pictures.  www.skyscrapermovie.com

Genre: 3D Action-Thriller

Cast: Dwayne Johnson, Neve Campbell, Chin Han, Noah Taylor, Roland Møller, Byron Mann, Pablo Schreiber, Hannah Quinlivan

Written and Directed by: Rawson Marshall Thurber

Produced by: Beau Flynn, Dwayne Johnson, Rawson Marshall Thurber, Hiram Garcia

Executive Producers: Dany Garcia, Wendy Jacobson, Eric McLeod, Eric Hedayat

Social Media:

Official Website | Facebook | Twitter | Instagram | YouTube | #SkyscraperMovie

In Theaters July 13

http://www.fandango.com

Who Shot Biggie? ‘City of Lies’ – Trailer

Based on the true story of one of the most notorious and unsolved cases in recent time, CITY OF LIES is a provocative thriller revealing a never-before-seen look at the infamous murder of The Notorious B.I.G. shortly following the death of Tupac. L.A.P.D. detective Russell Poole (Johnny Depp) has spent years trying to solve his biggest case, but after two decades, the investigation remains open.

“Jack” Jackson (Forest Whitaker), a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies. Relentless in their hunt, these two determined men threaten to uncover the conspiracy and crack the foundation of the L.A.P.D. and an entire city.

Cast: Johnny Depp, Forest Whitaker

Directed by: Brad Furman

Produced by:  Miriam Segal

Written by: Christian Contreras, based on the novel by Randall Sullivan 

Social Media:

#CityOfLies

Site | Trailer | Facebook | Twitter | Instagram

In Theaters September 7th

http://www.fandango.com

Beast Movie Review

There’s a course tone running through ‘Beast’ that you can’t turn away from. It’s intriguing from the get-go as you look over the beautiful yet blustery and chilly island that is the home of our players in the drama. For his feature debut, television director, Michael Pearce, brings to life the story of a young woman yearning to be free of her mother and her rules by any means necessary, even if it means accepting the heart of a possible serial killer. There’s something alluring about a bad boy and, as most films do, Pearce and company take advantage of this. What will the characters learn from one another and how will it be different… if this is possible?  Moll (Buckley) is frustrated that her family puts her last, even on her birthday, and hooks up with a mysterious stranger who sees her, touches her and stands up for her when she is having trouble breaking free of another man’s unwelcome advances.

Pascal (Flynn) wiggles his way into Moll’s heart by deeply, almost hypnotically staring into her eyes, penetrating the very core of her, something she’s clearly unfamiliar with. He approaches her slowly and lets her know he’ll accept her for who she is no matter who he might find.

Pascal isn’t the most hygienic of people, something her mother immediately disapproves of. Being used as babysitter for her niece and caregiver to her ill father, it’s time for Moll to fight for a little independence which she does. She invites him for dinner. During dinner, they discuss the murders of young girls that have been happening in the area. It’s not hard to tell at this point who the film is suggesting the murderer is. Pascal hunts rabbits and though you’re sure of who that the killer is, it’s in a scene where they go hunting together that the line between the two quite solidly blurs.
He’s told that Moll has been labeled the ‘wild one’ so he inquires as to exactly why. She confesses to him that she stabbed a student with scissors who had bullied her when she was in school and after had to be homeschooled. She has held onto the pain and stigma that came along with the incident ever since. His advice to her is to stop carrying the weight of her action and to move on. This releases her of a decade of guilt and shame and as her relationships with family members strain, she feels closer to him than she ever has to anyone.

Feeling compelled to help the community in some way, she joins volunteers to sweep for the body of the killers next victim. Similar to the guidance she was given by Pascal, this action helps cleanse her and we see that Moll begins to find her own identity. She has a choice, a voice and feels much freer. Ignoring signs of who he might be when the police come calling, she’s reluctant to speak to them. When they inquire as to both his and her whereabouts on a certain night, she’s headstrong and refuses to speak with them further. The people in town know she can finger him and her noncompliance sets off a chain reaction of overwhelming disgust toward her that she can’t escape no matter where she turns.

Why won’t she help with the investigation? Who is she? Who is Pascal? What happens next? Watch it to find out! Outside of a few times when the accents are too thick to understand and a poor bunny getting massacred, (Seriously, if you love animals, turn away!) ‘Beast’ is exhilarating and quite clever. Its pacing fits the storyline and on occasion, you’ll wonder if you’re not watching a horror film rather than a drama. If Intense and Well Done is your idea of entertainment, see it at a theatre near you this weekend.

In Phoenix, see this at Harkins Camelview at Fashion Square!!! 

Dark Crimes Movie Review

‘Dark Crimes’ is a thriller by Alexandros Avranas a young director with only five credits to his name. With this and Carrey’s exceptional performance, those five will soon be a thing of the past. The film marks Jim Carrey’s return to the screen after the unremarkable, ‘Dumb and Dumber To’ received a collective thumbs down from audiences everywhere. Pulling away from the genre, ‘Dark Crimes’ is in no way similar to the comedic roles he’s known for. With this project Carrey has chosen for himself an incredibly persecuted soul in his character, Tadek, to show us that he’s more than just a jester here for our amusement.

Tadek wants to reopen an investigation into the sex crimes and unsolved murder of a businessman that he had previously been involved in. While learning what that investigation is about, the film gets sinister fast. It starts rather brutally in a world most believe, unfortunately, exists somewhere. One where young women are imprisoned, raped and tortured for men’s pleasure. This life goes on in the dark, in secret, behind thick walls and gates. This investigation takes us into what is known as ‘The Cage’ as he wanders through it. He’s sickened by the cold, dark, foul-smelling conditions the girls had been, until no longer desired, housed in.

‘The Cage’ has since been shut down but there are tapes the owner of the building has that come in useful. Tadek finds that not only are videotapes of the goings on in such a despicable place helpful but he stumbles across the details in a book by author Krystov Kozlow (Csokas) that exactly outline everything he is investigating… right down to how the body is tied up, information previously unreleased to the public.

His mission now? To link Kozlow to the murder that he’s certain he committed. Tadek listens to an author read audiobook every moment he can. In the book, Kozlow details what goes on in sex-clubs stating that there were no rules. You could beat the girl’s half to death if you wanted but you’re not to kill them because though the girls understood that rape was just a transaction, ‘Corpses didn’t look good in makeup.’

There’s a scene about halfway through the film where Tadek and Kozlow go head to head that reveals Carrey’s depth. The two are playing mind games, both eager to show the other that they’re the strongest bull in the pen. Through the introduction of Kasia (Gainsbourg), who is also Kozlow’s girlfriend, it’s exposed that Tadek has some inner demons he’s never let escape. It’s here where the audience is given a glimpse into, though he’s disgusted by Kozlow more and more, how similar the two men might be. Getting rid of Kozlow may bury his own personal hellion or will it unleash it?

In the end, we find that Tadek and the audience is played from several different directions. Though it’s slow and its lighting is as dark as the story, if you’re a fan of thrillers and of Carrey’s, it’s worth seeing. Pay close attention because instead of quickly paced three to five-second cuts, Avranas has you watch a story unfold using plenty of dialogue and close-ups. Often times it’s not exactly clear as to what’s going on so be sure your mind doesn’t wander and you’ll be able to keep up. I must also mention that ‘Dark Crimes’ has a great ending that, in fact, made me clap. Well done, Avranas. I’m looking forward to more of your work.

 

*In Phoenix, watch it exclusively at AMC Arizona Center and EVERYWHERE On Demand!