For the film ‘Breakthrough’ the video ‘Nothing Is Impossible’ is released!

BREAKTHROUGH

Release: April 17, 2019

Directed by: Roxann Dawson

Produced by: DeVon Franklin

Screenplay by: Grant Nieporte

Based on: The Impossible: The Miraculous Story of a Mother’s Faith and Her Child’s Resurrection by Joyce Smith

Cast: Chrissy Metz, Josh Lucas, Topher Grace, Mike Colter, Marcel Ruiz, Sam Trammell and Dennis Haysbert

SYNOPSIS

BREAKTHROUGH is based on the inspirational true story of one mother’s unfaltering love in the face of impossible odds. When Joyce Smith’s adopted son John falls through an icy Missouri lake, all hope seems lost. But as John lies lifeless, Joyce refuses to give up. Her steadfast belief inspires those around her to continue to pray for John’s recovery, even in the face of every case history and scientific prediction. From producer DeVon Franklin (Miracles from Heaven) and adapted for the screen by Grant Nieporte (Seven Pounds) from Joyce Smith’s own book, BREAKTHROUGH is an enthralling reminder that faith and love can create a mountain of hope, and sometimes even a miracle.

BREAKTHROUGH Official Channels

OFFICIAL WEBSITE: www.BreakthroughMovie.com

FACEBOOK: www.facebook.com/BreakthroughMovie

TWITTER: www.twitter.com/SeeBreakthrough

INSTAGRAM: www.instagram.com/BreakthroughMovie

HASHTAG: #BreakthroughMovie

Glass Movie Review

M. Night Shyamalan brings his two hit films ‘Unbreakable’ and ‘Split’ together after nineteen years to celebrate an almost perfect sci-fi, thriller marriage in ‘Glass.’
Within the story of ‘Glass,’ the main characters from the two previous pictures are unwillingly united for reasons they’re unaware of, however, once they see each other again, it’s agreed upon that fate has brought them together again to continue where they left off.
Samuel L. Jackson is, once again, Elijah Price or ‘Mr. Glass’ as he prefers to be called. He’s a comic book enthusiast who’s convinced that Superheroes truly exist and proves so by using his incredibly gifted brain to be a Supervillain. At the moment he’s in a mental hospital being helped by his doting mother. Mrs. Glass is played by, Charlayne Woodard, who returns after ‘Unbreakable.’ Bruce Willis returns as David Dunn, the security guard now business owner, who helps catch criminals by touching people and receiving telepathically a crime that has been committed. The business David owns is in something he knows well and that is security. His son, Joseph, who’s played by Spencer Treat Clark who played the part originally all those years ago, helps him capture a criminal post vision.

Then there’s James McAvoy. Let’s talk about James McAvoy. He joins them as Kevin Wendell Crumb and, of course, ‘The Horde’ which means we’ll also see Patricia, Dennis, The Beast, Barry, Heinrich, Jade, Ian, Mary Reynolds, Norma, Jalin, Kat, B.T., Mr. Pritchard, Hedwig etc., the personalities who live within Kevin’s brain and take over his body when they have the light that Kevin so desperately avoids. To them, holding the light is being the personality able to control the body completely and make their presence known to the outside world. Whichever one has or keeps the light has all the power. The Beast wants this power but can be controlled… for now. Casey Cooke, played by Anya Taylor-Joy, was the only person to survive The Beast and decides maybe she can help control him again. Look for her to step in at some point and give it a try.

Sarah Paulson makes her entrance as Dr. Ellie Staple. She’s convinced that these humans are delusional. She captures them and tells them they have three days to accept that reality, using their weaknesses to control the narrative. She keeps Glass heavily sedated, uses hypnotic strobe lights to control ‘The Horde’ and keeps David in a room that will fill with water and drown him if he tries anything stupid. These safeguards make it impossible for them to escape. Or do they? Kevin’s personalities, one by one, try to break the barrier. Here’s my small soapbox moment. I must say that it was wrong to see James McAvoy’s performance ignored after ‘Split.’ This time, with the way he goes in and out of characters continually, it would be a travesty if he were to be overlooked. To this film, he was an absolute godsend. Little by little, more is divulged and you grow more curious as to what the big reveal will be. You know it’s coming.

I believe that ‘Glass’ was the perfect way to advance the story. Without revealing too much, I want to make it known that I think you should avoid listening to any negative press the film might be getting and say to you, ‘Just go and see for yourself.’ Sure there will be things to question, some quite obvious, but they’re harmless issues and don’t take anything from your belief in what’s going on before you. The fascinating twists that Shyamalan once again delivers to you in this plot keeps you riveted and will leave you fulfilled. The cinematography, score, and intensity of the script are reason enough to see this but the acting by McAvoy is extraordinary. That said if you can’t enjoy a sci-fi without using it as an opportunity to search for and find every mistake that renders it incapable of being real, maybe this isn’t for you. However, if you want to see an excellent sci-fi film that thrills the hell out of you and captures what you so loved about M. Night Shyamalan in the first place, you will not be disappointed.

Cold War Movie Review

If you’re looking for reasons to see ‘Cold War’ I’ll give you a few. One is that it’s said to have received a standing ovation at the Cannes Film Festival. After seeing it, I can believe this. Another is that Rotten Tomatoes has certified it as 93% Fresh. On to my reasons as to why you should make a trek to the theatre to watch this movie. Yes. I said it. There’s no waiting for home viewing with a movie this alluring. Its beauty is sophisticated, profound and slight. It doesn’t scream directly in your face but rather hits you when you revive the entity the film was to you from your memory. The black and white cinematography will look clean and quiet while whispers of genius glide across the screen and entices you to watch this lovely heartbreaking story of love. I promise you that you’ll not be able to look away. It’s a real treasure to observe. Part of why was the 4:3 aspect ratio used that allows the viewer to examine the picture as a piece of photographic art. By shrinking its scale, it’s also possible for the audience to see themselves in the characters or better relate to what they’re going through.

 

In the story, we have two main characters named Zula and Wiktor. She is a student and he’s her teacher at a school that advocates for Polish folk music and dance. ‘Cold War’ recounts the tale of Zula (Kulig), who’s a gifted singer, and Wiktor (Kot), her teacher and interestingly enough, a songwriter. When they meet, they fall instantly in love. Set in Poland in 1949, the lovers, who dream of being together once and for all, have not only their station in life but communism to worry about. Sadly, for the next fifteen years, this perfect pairing must perform a dance of hiding their relationship from everyone, while at the same time trying not to have the torch they carry for one another extinguished by their circumstances. They secretly meet one another whenever and wherever they can until they can stand it no longer and finally decide to leave and be together once and for all. Best laid plans, right? He leaves for the border where he waits for her to join him. However, afraid of what could happen to them, she doesn’t meet him. Realizing she’s not coming, he decides not to go back and goes on with her. Several years go by and during this time, she struggles deeply. Oh, if only she could find him aga… wait! Look! Here comes Wiktor who can always put a smile on her face. Well, not really. Though they do find one another, it isn’t long before they’re separated again. This storyline is repeated over and over. They’re doomed to a life of searching which is good for their art but terrible for their hearts.

She’s married when they meet once again in Paris. These scenes are the most rewarding. The music, and her performance, in particular, is outstanding. During this period, she’s drunk all the time and they’re both miserable but with so much working against them, how could anyone truly be happy? What’s most provocative about this ‘love story,’ is that when they find themselves together, it never works out. It’s as if they have longed for it so deeply, that’s all they know how to do. Wanting is one thing… having what you reach for is quite another. Who are Wiktor and Zula if not the two seeking one another? The ending, that I’m not revealing to you here, is superb. It couldn’t have been improved upon. All of that said, describing this film does nothing for what it essentially is. It’s magnificent. See it before Oscar season. It’ll most likely be everywhere.  

 *OPENING AT HARKINS CAMELVIEW 

FREE SOLO gets a special one-week-only engagement in select IMAX® theaters starting today!!!

FREE SOLO CLIMBS TO NEW HEIGHTS WITH SPECIAL ONE-WEEK IMAX® RELEASE NATIONWIDE AND IN CANADA, STARTING JAN. 11

 

PLAYING AT DESERT RIDGE 18, ARIZONA MILLS 25

 

“Seeing Honnold at the peak of his skill on the biggest screen possible is an experience for everybody to savor.” – Kenny Turan, The Los Angeles Times

“One of the most arresting documentaries of the year. See the film on as big a screen as possible.” – Richard Larson, Vanity Fair

(NEW YORK & LOS ANGELES – DEC. 20, 2018) — After setting the highest per screen average for a documentary in its opening weekend and grossing $11 million at the box office to date, FREE SOLO continues its momentous theatrical run with a special one-week-only engagement in select IMAX® theaters across the U.S. and in Canada, beginning Jan. 11, 2019. The news follows this week’s Academy of Motion Picture Arts and Sciences announcement including FREE SOLO in the list of 15 documentaries that will advance in awards consideration.

From award-winning filmmaker E. Chai Vasarhelyi and world-renowned filmmaker, cinematographer and mountaineer Jimmy Chin (MERU), FREE SOLO is a breathtaking portrait of the free soloist climber Alex Honnold, as he prepares for an unprecedented feat: climbing the face of the world’s most famous rock … the 3,200-foot El Capitan in Yosemite National Park … without a rope.

Hailed by The New York Times as “an extraordinary gift to everyone who believes that the limit of human achievement is far from being reached,” the film has been honored with three Critics’ Choice awards, including Most Innovative Documentary of the Year and Best Cinematography, and has also received nominations for PGA, IDA and Cinema Eye Honors.

The IMAX release of FREE SOLO will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX’s customized theater geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.

FREE SOLO is both an edge-of-your-seat thriller and a sublime portrait of an athlete who exceeds our understanding of human physical ability and mental potential. The result is a triumph of human spirit.

“IMAX’s differentiated, immersive theatres make audiences feel as though they are there with Alex in Yosemite National Park, climbing El Capitan, and we’re really pleased to be able to bring this incredible, historic story to fans so they can now experience it in IMAX,” said Craig Dehmel, Head of Distribution at IMAX Entertainment.

“The grandeur of El Capitan and the film’s breathtaking cinematography will be spectacular in IMAX,” said Courteney Monroe, President, National Geographic Global Networks and Documentary Films. “Audiences have been filling theaters for months, uniting together to cheer for Alex’s staggering achievement. We are so grateful to IMAX for providing audiences the opportunity to experience the scale and ambition of this film in IMAX theaters.”  

“When we were making this film, we could not have imagined the response we have received,” added directors Vasarhelyi and Chin. “To be able to share Alex’s story of courage in the immersive IMAX experience is something we’ve been working towards for over a year. It’s the ultimate reward for us, and offers filmgoers and a chance to now see his historic and remarkable journey on the big IMAX screen.”  

FREE SOLO premiered at the Telluride Film Festival in September and has since won Audience Awards at the Toronto International Film Festival and Mill Valley Film Festival.

FREE SOLO is currently playing in select theaters and will be released in select IMAX theaters beginning Jan. 11, 2019. Visit freesolofilm.com for showtimes, and find an IMAX theater near you at imax.com/theaters.

HERE is my review of the film. SEE THIS ON IMAX!

The Upside – Movie Review

The upside of ‘The Upside’ is that it promises a buddy comedy and delivers that and more. It’s entertaining and humorous but goes deeper as a friendship between the two main characters grows. It’s based off the French film “The Intouchables” which is a story about a rich, white paraplegic who hires a black assistant. Everything about that in today’s society seems untouchable but if you don’t look at race, the film’s quite charming. See it as two people helping each other and both learning from one another and you’ll see the original vision or intent of Olivier Nakache and Philippe Pozzo di Borgo, the writers of ‘The Intouchables,’ message. That message is that friendship sees no color.

 ‘The Upside’ is about Phillip Lacasse (Cranston) a disabled billionaire confined to a wheelchair, on the search for a new employee. He’s paralyzed from his neck down and, with the help of his secretary, Yvonne Pendleton (Kidman), he’s looking for a live-in caregiver. Easy enough premise. Phillip sees Dell Scott (Hart) move his way through to the front of the applicants and is intrigued. After introductions, he decides to make Dell an offer. Finding that the job isn’t for him, Dell originally turns it down but recent events in his life have left him homeless. Once he finds out the offer comes with housing, he takes the position. This tests him because he rarely takes care of himself, let alone be needed to care for another man’s entire well-being. Dell has a son he isn’t exactly father-of-the-year to so watching his character grow is possibly the biggest delight of the movie. There always seems to be some tension between the two men, be it testosterone or jealousy on both sides, but that’s another part of the magic. Dell has to face that he’s never done anything for anyone but himself. And then there’s Phillip. He’s hiding in his misery and contempt for what he no longer has and needs to see what he does have. Dell learns to appreciate the finer things as he is forced to take Phil to the Opera and is introduced to new things such as fine art. On the other hand, Phil must finally confront the fact that the wife he lost to cancer isn’t coming back. He’s broken but alive and should value what he does have. Dell’s tactics help him concede that he needs to work on being happy.

 These characters are portrayed perfectly by pairing Cranston and Hart. It was a joy watching them get to know one another, learn from one another and also get irritated and annoyed with one another. These actors had impeccable chemistry. They never once tried to outperform the other or better each other, instead, worked in perfect tandem to bring their audience a story they could believe and possibly connect with. I’ve seen a lot of negative words being slung its way but ignore those. See this movie. ‘The Upside’ comes out this weekend. Go to the theatre. The story is restorative and satisfying, just what some might need today. I see it as a necessary reminder that we’re all in this together. It’s loving, and you’ll relish the fresh take on the buddy movie. It’s unique and it’s, quite simply, sweet.

Watch the exclusive look at Marvel Studios’ CAPTAIN MARVEL!

Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the center of the maelstrom. 

The film stars Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Rune Temte, Algenis Perez Soto, Mckenna Grace, with Annette Bening, with Clark Gregg, and Jude Law.

Marvel Studios’ “Captain Marvel” is produced by Kevin Feige and directed by Anna Boden and Ryan Fleck. Louis D’Esposito, Victoria Alonso, Jonathan Schwartz, Patricia Whitcher and Stan Lee are the executive producers. The story is by Nicole Perlman and Joe Shrapnel & Anna Waterhouse, and the screenplay is by Anna Boden & Ryan Fleck and Geneva Robertson-Dworet and Jac Schaeffer.

CAPTAIN MARVEL SOCIAL MEDIA:

MARVEL STUDIOS

Website and Mobile site:  www.marvel.com/captainmarvel

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THE LEGO® MOVIE 2: THE SECOND PART Mini-Room tour coming to Phoenix on 1/26/19!!

Saturday, January 26th 2019

 

WHAT:           THE LEGO® MOVIE 2: THE SECOND PART Mini-Room Multi-City Tour

WHEN:           Saturday, January 26th  

                         Open to the Public: 10:00 am             

*event access on a first-come, first-served basis

                                                                                                            

WHERE:           Scottsdale Fashion Square Mall

                          7014 East Camelback Road

                          Scottsdale, AZ 85251

 

*located in the food court area, event is free

WHO:               Emmet and you! THE LEGO® MOVIE 2: THE SECOND PART Mini-Room is a unique, limited-time only, traveling experience visiting 11 markets across the country leading up to the film’s release in theaters on February 8, 2019. Fans will experience Bricksburg as never before, with a sneak peek into the world of LEGO hero Emmet, by visiting a hyper-detailed micro recreation version of his living room. Guests will be able to sit on the couch with Emmet and his pal Planty for a unique photo moment.  This special photo can then be captured and delivered to the user in real-time via MMS or email.

*About the film:  The much-anticipated sequel to the critically acclaimed, global box office phenomenon that started it all, “The LEGO® Movie 2: The Second Part” reunites the heroes of Bricksburg in an all new action-packed adventure to save their beloved city.  It’s been five years since everything was awesome and the citizens are now facing a huge new threat: LEGO DUPLO® invaders from outer space, wrecking everything faster than it can be rebuilt. The battle to defeat the invaders and restore harmony to the LEGO universe will take Emmet, Lucy, Batman and their friends to faraway, unexplored worlds, including a strange galaxy where everything is a musical. It will test their courage, creativity and Master Building skills, and reveal just how special they really are.

This film is rated PG.

www.thelegomovie.com

The Kid Who Would Be King Trailer

On January 25th, the legend comes to life like never before. 

20th Century Fox has released the new trailer for THE KID WHO WOULD BE KING, which tells the story of Alex, who thinks he’s just another nobody until he stumbles upon the mythical Sword in the Stone, Excalibur.

He must unite his friends and enemies and, together with the legendary wizard Merlin, take on the wicked enchantress Morgana to become the great leader he never dreamed he could be. The film is written and directed by Joe Cornish and stars Louis Ashbourne Serkis, Dean Chaumoo, Tom Taylor, Rhianna Dorris, Angus Imrie, with Rebecca Ferguson and Patrick Stewart.

THE KID WHO WOULD BE KING Official Channels

OFFICIAL WEBSITE: www.TheKidWhoWouldBeKing.com 

FACEBOOK: www.Facebook.com/KidWhoWouldBeKing  

TWITTER: www.Twitter.com/KidWouldBeKing  

INSTAGRAM: www.Instagram.com/KidWhoWouldBeKing  

HASHTAG: #KidWhoWouldBeKing

THE KID WHO WOULD BE KING opens in theaters everywhere on January 25, 2019!

Destroyer Movie Review

This crime-drama is stirring, and Nicole Kidman gives her best performances in a long time which should be admired on the big screen. She’s haunting as Erin Bell, a veteran police officer in L.A. who comes face to face with the turmoil of her past when she was an integral part of a covert operation that went horribly wrong. She’s now a shadow of her former self. She’s no longer being taken seriously and receives little to no respect from her fellow officers. The latter being mostly because she has no respect for others or herself. She’s hardened after the undercover effort trying to capture a nefarious gang of bank robbers leads to her losing almost everything she ever loved.

Director Karyn Kusama (Æon Flux, Jennifer’s Body) has chosen Julie Kirkwood (The Blackcoat’s Daughter, Hello I Must Be Going), as her cinematographer… a wise decision. Together, they’ve built for you an extremely suspenseful story. Every movement of the camera spirals you further into Erin’s out of control world, bringing you down with her. Lighting is used brilliantly to focus and force your attention to Erin’s overall mood. Excessively heavy music by incredibly diverse and talented composer, Theodore Shapiro, who has an exceptional body of work and worked with Kusama on ‘Jennifer’s Body,’ keeps you involved by setting an intriguing and intense tone from the word go. For this, you’ll be rather appreciative. It’s eerily good.

 

A tattoo on a dead body and some money marked with blown dye packs pulls Erin back into needing to find Silas (Toby Kebbell), the leader of the brutal gang who got away with the murder of her partner turned lover, Chris (Stan). In gritty flashbacks, we see more of why she’s so jaded and more of what she’s fighting for. We find out she has an angst-ridden daughter named Shelby (Pettyjohn). Shelby not only pushes Erin away but challenges her at every turn. She’s ill-tempered and questions her mother’s authority over her. Due to Erin’s horrible parenting and boozing, Shelby becomes bitter and clings to any bad boy who’ll have her and take her away someday.  She needs someone, anyone, to be that person who’ll truly love her. It’s apparent Erin hasn’t the capacity to love. Her love was gunned down along with Chris.

 

We continue to meet the supporting characters of the narrative as the backstory builds and moves into the discovery phase. The clue’s come and holes are filled. What’s penetrating about the script is that it has Erin on a mission to not only unpack a case that will lead her to the criminal who took her sanity but that will also bring her back to her life. As in many films of the genre, we don’t see what’s necessarily going on and there are a few moments where the audience will experience an epiphany or two.

See this. The cinematography must be experienced. It’s unlike anything you’ve seen all year. Julie Kirkwood captures the complexity of each character’s drive, pain, guilt, anger, and lust so passionately that, though you may not like them, you’re mesmerized by them and cheer them on. ‘Destroyer’ is solid and is perfect entertainment for any weekend at the movies.

Vice Movie Review

As you peruse the listings of what’s playing at your local theatre this holiday season, you’ll come across this film which is about Dick Cheney. When you do, you might say to yourself that the last thing you’d want to see is a movie about a person who’s mostly considered malevolent, selfish and unscrupulous. I’m here to suggest you rethink that decision. ‘Vice’ doesn’t glorify him nor let Cheney off the hook by any stretch of the imagination but rather explains some of the things he did and why he did them in an extremely entertaining and compelling fashion. It takes us through his early life of getting married, having kids and his eventual move into politics. His dream was to work in the White House and as his ambitions grew, so did his list of contacts. These contacts would later come into play and make big impacts on our country… not in a good way. Director Adam McKay cleverly inserts the dirty tricks that Cheney learns on his path to the Vice Presidency. Cheney uses them to gain extreme power, even more than President George Bush realize he has. One of the most unfortunate events in his life, for us that is, was that he met Donald ‘Rummy’ Rumsfeld (Carell). He was a terrible influence. It’s a shame these two ever met. ‘We the People,’ when Bush was in office, may not have paid attention to just how tainted he was. However, earlier in Rumsfeld’s career, Washington did, and he was removed. Knowing how devious he was, Cheney kept him in mind when he got into a position to bring him back. Cheney also learned from a young up and comer named Anthony Scalia all about the Unitary Executive Theory. When used, it gave the person in position the ability to override tedious checks and balances, especially during times of war. It was the kind of power wielded by kings and dictators. He knew that Rumsfeld would back him when he wanted to use it.

 

The film is an outstanding rundown of events throughout Cheney’s life that made him the man he became, often concentrating on the bland to get to know him. Christian Bale, who stars as Cheney, gives a remarkable performance selling his Cheney as eager and driven but not cruel… or at least not meaning to be. It’s suggested that his wife Lynne (Adams) is the more power hungry of the two. McKay implies that the young man who just wanted to drink and have fun found himself wanting to do nothing but please Lynne which is what ultimately brought us to Cheney making all of the calls in the White House.

 

You’ll be saddened, even sickened, when you see just how close we came to having everything we’re still fighting for today. This point when Reagan removes the solar panels Carter had installed on the White House to promote something called solar energy. We can’t have that, now can we? People in the oil business would lose money! Yep! Wealthy families and businesses, tired of paying taxes, make all the rules in their favor and continue to get in the way of progress. ‘Vice’ doesn’t shy away from telling you this. McKay blames the Republican-led governments for where we are today, but he does also humanize the subject of the film. Maybe decisions he made were because he believed he was doing the right thing, not because he was evil. That’s up to you to decide. Pay very close attention while watching as so much is examined. Depending on your own theories on certain matters you may feel vindicated… or maybe awakened. That said, I believe ‘Vice’ is an absolute must-see! I watched it and was so intrigued by it, I watched it again. McKay uses humorous imagery and staging to relax you but then he shifts the narrative to then terrify you as you witness exactly how ruthless people got into positions of power and remain there still today. See it for the acting. See it to alter your perception of or learn more about the Bush era. Just see this movie.